The PUV Modernization Program and How It Affects Us All
Manila/ Vibe/ Pop Culture

Para Po! The PUV Modernization Program and How It Affects Us All

Loud, colorful, cramped. The Philippine jeepney is a riot, if not an assault on the senses. Nobody foresaw its existence, but when World War II devastated the Philippines’ economy and infrastructure, Filipinos had to start the work of rehabilitation somewhere.

From the surplus military jeepneys abandoned by American troops, Filipinos took what they could get. Ingenuity forged the Philippine jeepney from the wastes of war and local jeepney manufacturers like Sarao Motors, Francisco Motors, LGS, Malagueña, and Chariot, among others, stepped up to the plate, showcasing the possibilities and potential of the country's vehicle industry.

What started as a practical mode of transportation born from necessity has cemented its iconic place in Philippine culture. The Pinoy jeepney unapologetically makes itself known as the “King of the Road" with its garish and bright bodywork designs of religious images, pop culture icons, and landscapes; loud music and even louder horns; witty signages; and informal typographies. It careens through our streets and thoroughfares, having woven its indelible place in the everyday lives of millions of Filipinos.

But time has not been kind to jeepneys and public utility vehicles. Old jeepneys and PUVs continue to ply the roads, belching smoke and carrying passengers in dilapidated units that many deem uncomfortable, if not dangerous.

In 2017, the Department of Transportation (DOTr) and the Land Transportation Franchising and Regulatory Board (LTFRB) introduced the Public Utility Vehicle Modernization Program (PUVMP), with the goal to make public transportation more efficient, affordable, and environmentally friendly.

Dialogues and criticism surrounding the program unpeeled the heart of the issue: How to ensure a modernization that leaves nobody behind.

In the grand scheme of things, the PUVMP is more than changing lanes — literally and figuratively. As the Philippines revs its engines towards progress, it is behooved to grapple with the threats of displacement among communities and micro industries in the name of change.

The Beat Asia took to the streets to have conversations with jeepney drivers, commuters, transport group PISTON, local manufacturer Sarao Motors, and even a jeepney sign maker to reconcile each other’s woes and hopes for Philippine public transportation — and how the PUV Modernization Program affects us all.

Checking in on the Jeepney Drivers

Imus Palengke Terminal

There will be no crackdown on Feb. 1. The government had extended the consolidation deadline to April 30, giving drivers and operators more time to consolidate.

The government’s PUVMP promises great things, but it has also left many jeepney drivers in the Philippines to feel otherwise. This is mainly because the PUVMP poses huge risks to their livelihoods, among other problems.

Mang Arnold, for instance, is a jeepney driver who navigates the Imus to Dasmarinas route daily. To him, purchasing a modern jeepney for himself is completely unattainable as he only earns a clean P800 a day.

Mang Arnold's Jeepney

“If the PUVMP pushes through, we can’t do anything about it. We can’t afford to pay for the modern jeepneys,” said Mang Arnold in Filipino.

Another jeepney driver, Mang Ernest (not his real name), who travels along Pasay Road on a regular basis, shared the same sentiments. According to him, most of them earn only about P600 to P700 a day — a far cry from the P6,000 to P7,000 lawmakers foresee that jeepney drivers must earn in order to afford modern vehicles.

“How much is a jeepney driver’s minimum earnings, you ask? Only about P700 or P600. How can you make ends meet, especially if you have four children to support? What if they’re also studying, right?” said Mang Ernest.

Pasay Road terminal

To both, who have been jeepney drivers for 12 and 25 years, finding another job will be difficult for several reasons. For Mang Arnold, this livelihood is what he’s used to and what he knows best. Should the program continue to push through, he plans to take a different path, away from his current occupation.

“If it’s up to me, I’ll just go home to the province. They’ve been asking me to go home for a long time,” he said. “I will just raise pigs. At least there, I wouldn’t have a boss and the earnings are all mine.”

For Mang Ernest, while it is painful for him to let go of his jeepney, his plan is to move forward with the program and only hope for the best.

“Currently, we’re consolidated here on Pasay Road. We really have no choice because we are part of an association. If we don’t participate in this consolidation, other routes will take over this terminal,” he said.

“Let’s forge ahead first and fight for our cause. It might change after three years as the one in power now won’t always be there. When a new leader steps in, things might shift. Let’s just keep on fighting.”

The Good and The Bad: Commuters' POV

Buses, taxis, tricycles, pedicabs — the list goes on. On top of jeepneys, the country has many different modes of transportation, yet these still don’t meet the demand of commuters who need to travel daily. This case is true, especially during rush hour, when many commuters have to wait (or wrestle with others along the road) to get to their destination. Suppose the PUVMP is fully implemented by April, will the consolidated routes be enough for everyone, or will it cause a crisis that will affect accessibility to public transportation?

In a press release, the Presidential Communications Office said that about 75% of jeepneys have already consolidated as of mid-January according to the LTFRB. Meanwhile, buses were able to reach 86% consolidation, followed by UV Express at 82% and mini buses at 45%. Knowing how the country is already short in meeting commuter demand, not meeting the 100% by the deadline could spell fewer public transportation on the road.

The possibility of fare increases also hangs in the air. As per Atty. Neri Colmenares, lawyer for transport group PagkakaIsa ng mga Samahan ng Tsuper at Operator Nationwide (PISTON), in an ANC interview on Jan. 3, fares could jump to P40 due to the cost of modern jeepneys, which are priced at about P2.6 million. The DOTr, however, has refuted this claim.

According to GMA News early this month, the DOTr had said that fears over a possible fare hike under the PUVMP have no basis and that no fare hike would be implemented without going through the process of the LTFRB.

We turned to commuters to hear their views, from their thoughts on the PUVMP to their own daily commute experiences.

A 25-year-old commuter, Mark John Dulay, expressed his frustration, describing Manila as becoming an “inferno” due to the high cost of living.

“It’s annoying that the cost of living in this hellhole is expensive when we don’t even earn as much as we spend. I don’t earn much with what I do, but at this point, it’s enough to get me by on a daily basis. The problem is, not everyone’s in the same boat. If it’s a problem for me, what more for people with fewer resources than I do?”

As a daily jeepney commuter for work, Dulay questioned the fairness of the PUVMP because of its burden on low-income commuters as well as the livelihood of jeepney drivers.

Mark John Dulay

For Bernadine Buensalida, the program has its pros and cons. On a positive note, the PUVMP can improve the public transportation system, but she also said that this advancement can come with equal consequences, like a possible fare increase.

She acknowledged the factors contributing to this hike, such as inflation and fuel prices. While expressing concern, she said that “it is important for the government to ensure that the fare increase is reasonable and affordable for the majority of commuters.”

Bernadine Buensalida

Jeremae Alubog, on the other hand, expressed hope for the government's plans and the people in power, saying that a fare hike might be acceptable if it leads to a better commuting experience.

When asked if the possibility of a fare increase is reasonable, she said in Filipino, “Yes. If it’s a lot more convenient and comfortable compared to the old jeepneys.”

Jeremae Alubog

Meeting Robert Bolante, a Jeepney Sign Maker

Behind the endless calls of jeepney drivers and operators in opposition to the PUVMP hides a small voice in the name of Robert Bolante, a jeepney sign maker. Bolante, who mastered his craft of sign making over the past 17 years, is just one of the handful of jeepney sign makers still around.

Jeep Sign Maker Stall Diego Cera Avenue

Bolante’s stall is nestled along the bustling avenue of Diego Cera in Pulang Lupa, Las Piñas City where he and his eldest son endure the sweltering heat every day to make ends meet by selling jeepney signboards. His regular jeepney signs are priced at P40-P50, while bigger signs range from P150-P200.

Getting a stable income is a far-fetched dream for him. Ranging from taking home nothing to a rare P200 in hand, the PUVMP weighs heavily on him as days pass by. His future is not far from what may happen to the jeepney drivers, and the PUVMP could push him eventually to leave the job he’s known for almost 20 years in search of more secure work to feed his family.

The PUVMP will be a huge blow to him, he shared, as modern jeepneys will likely use sticker signages over hand-painted ones. Aside from the impending job loss, the possible fare hike in modernized jeeps also scares him, sharing that he already finds the current jeepney fares quite steep.

Painting jeepney signboards, however, isn’t unique to just Bolante. His eldest son also possesses talent in painting and has even started to pick up the job of crafting jeepney signboards.

While Bolante’s worries loom over him, he beamed with pride for his craft.

“For me, what I am most proud of is that these (jeepney sign boards) can only be found in the Philippines, you can’t find them elsewhere,” he said in Filipino. “Some of my signboards have reached other countries because a lot of foreigners would buy them as a souvenir. When foreigners come here, they pass by my stall to have a signboard made before going home.”

Visiting Sarao Motors in Pulang Lupa

Sarao Motors, one of the earliest and most popular local manufacturers of the jeepney, was founded after the war by the late Leonardo Sarao, a former kutsero (kalesa driver). Leonardo's experience as a kutsero would later figure in Sarao Motors' jeepneys, which were made iconic by the metal horses that adorned their hoods.

One of the Earliest Sarao Jeepneys

We took to the facility of Sarao Motors along Diego Cera Avenue in Pulang Lupa, Las Piñas, just a short walk from Robert’s stall. There, we were met by LJ Sarao, one of the grandsons of Leonardo, who showed us around the plant and shared his thoughts about the PUVMP.

All Sarao jeepneys, the millennial third-generation Sarao proudly said, were crafted by hand and made to order. During Sarao Motors’ heyday when sales were at their peak, it manufactured over 50 jeepneys a month. Today, manufacturing a jeepney would take them around six months.

From a workforce of a hundred people, Sarao Motors is also now down to around 20 employees. Much of the facility, which once buzzed with life at its height, has become a parking space for the jeepneys that ply the roads. LJ shared other jeepneys come in the shop for maintenance, too.

"Sadly, now, because of the modernization, I can confidently say we have zero sales. What we're working on now are special projects," he admitted.

LJ Sarao (Grandson of the late Leonardo Sarao)

In the facility, one of the earliest jeepney models that Sarao Motors ever made can be glimpsed, which still retained the compact size of the original Willys jeep that the American troops left behind. The old andas of the Black Nazarene that has been used during the Traslacion for the past decade was also parked in the facility that day, right next to a classic Tranvia tram and a few feet away from a modern electric jeepney prototype.

Sarao Motors Facility 3
Sarao Tranvia and Nazareno Andas

LJ estimated that the prototype was made around 2015 before the PUVMP was introduced and completely ran on battery power. Except, it didn't really look like the traditional jeepney loved by so many.

Sarao Motors E-Jeep Prototype

He showed us a second jeepney prototype beside it with a bigger and longer body, which incorporated the features of the traditional jeepney and could accommodate more modern engines. The second prototype had a side door, a high ceiling, and is capacious enough to allow for tall standing passengers. It can be open-air or air-conditioned and has an emergency exit at the back.

These modern and electric jeepneys would come at a steep price, though. He explained that just the materials needed to build the body would already cost around a million pesos, not including the propulsion system, air conditioning, and more.

"Modern jeepneys are really expensive, so that's the dilemma now. It's not a question of 'Can we do it?' It's a question of, 'Can the people afford it?'" he said. "As you know, these jeepneys back in the day, you can get [one] for P600,000, rolling 'yun eh, everything with the engine."

"We try to explain that the modern engine itself is really expensive, raw materials [are] expensive, added accessories needed for safety [are] also expensive, so those are things out of our control already. What we're trying to show is, we can do it."

He shared that the support they want to see from the government is lower taxes for the purchase of raw materials and other vehicle parts. This would allow them to manufacture vehicles that they can sell to Filipinos for an affordable price.

The government could also offer incentives for buyers, he said, perhaps tax exemptions to encourage them to purchase modern units.

"To be honest, we're not really charging that much for labor 'cause what we're spending for materials is already really high. As much as possible, we just want to be able to manufacture for the people and pay our people properly and whatever's left is probably the income of the company.”

Sarao Motors cannot compete with mass-produced vehicles and imports, and he knew this fact.

"Maybe as an oversight, [the government] didn't consider the local manufacturers anymore. Well, it's hard to say that, we don't know what they're thinking, that's from our point of view,” he said.

"We don't see other local manufacturers as competitors, we see them more of our brothers in craft. Everyone here [is] just doing the same thing. The real threat to our business is mostly the imports. There's no way we can compete with [them]."

Insights From PISTON

Transport groups are the representatives who advocate, negotiate, and handle the complex challenges of this major shift. The Beat Asia had the opportunity to interview Mody Floranda, the current National President of PISTON, who assumed office in 2019 after previously serving as PISTON – National Capital Region president. With almost two decades in the transport industry, Floranda's been fighting tooth and nail for the rights of drivers, operators, and the public.

Established on June 7, 1981, PISTON's primary objective is to safeguard the interests of drivers, operators, and the broader Filipino citizenry in the realm of public transportation. As of now, the organization has a membership base of 100,000 individuals nationwide, and around 20,000 to 30,000 members in the NCR alone.

PISTON National President Mody Floranda
Photo by Facebook/PISTON

According to Floranda, the group has organized multiple demonstrations since the DOTr issued Executive Order No. 2017-011. They have orchestrated around 20 protests at different government agencies, including the LTFRB, DOTr, Malacañang Palace, and more. Before 2023 ended, they had five protest marches in November and December.

Getting ready for these protests isn't a walk in the park. PISTON puts in about three months of hard work, making decisions together as an organization. They convene with local associations in a general assembly to delve into the reasons behind the protest and to address the impact on various groups, including women, youth, church folks, and government employees.

“We don't jump straight into protests. Instead, we choose to engage in conversations with the DOTr and LTFRB. We also submit written communications to Congress and the Senate and actively participate in public hearings. This way, we can concretely lay out the demands of the drivers and operators. Now, if after all these processes, the government agencies don't show a positive response, that's when we consider organizing a rally,” said Floranda in Filipino.

PISTON
Photo by Facebook/PISTON
PISTON
Photo by Facebook/PISTON

To set the record straight, PISTON is not against the PUVMP. Long before the government launched the program, the group was knee-deep in jeepney rehabilitation for a solid seven to eight years.

“Based on our observations, the government's objective isn't solely to improve public transport but rather to create a lucrative business for big corporations and foreign entities. If the primary aim is genuinely to enhance our public transportation system, why not focus on rehabilitation?” he added.

PISTON
Photo by Facebook/PISTON

“We have a rich history of service, and under the modernization plan, the concern arises: Who stands to benefit? It appears that countries like China and Japan will reap the rewards. By neglecting our local workforce in favor of foreign interests, we're essentially undermining our own economy and the people who sustain our public transport system.”

Floranda also emphasized that the impact of the PUVMP extends beyond just jeepney drivers and operators; it stands to affect a significant portion of individuals across various sectors, potentially leading to job losses or a substantial decline in the number of customers of micro and small businesses. This ripple effect could affect establishments like auto suppliers, vulcanizing shops, eateries, cigarette vendors, and more.

PISTON believes that their proposed rehabilitation program is a fair deal for both drivers and operators to sustain their livelihoods. Moreover, they argue it could open doors to various job opportunities for Filipinos that will further boost economic activity, which is crucial to the growth of the Philippine economy. The concern, however, lies in the government's current agenda, which leans towards importing foreign-made cars with price tags ranging from P1.6 million to P2.4 million.

Following the resolution of issues related to the PUVMP, PISTON revealed that they are currently weighing various options, and while they're not closing the door on joining a cooperative, there's a catch: No monopolies allowed. Their preference is for the cooperative to be owned by a local operator, including both units and franchises, with the primary goal of fostering mutual assistance among all its members.

“Just like what we’ve been fighting for, how can the workers fit their meager wages, if here in NCR it is only worth P610? If we look at the family living wage, it should be P1,100 to meet the needs of a family of five. It's not even about having a better life, but just to alleviate hunger, to make sure they’ll be eating three times a day,” he said.

“Right now, our drivers only earn P500-P600 for 12-16 hours of driving. What we are saying is that the government should focus on how to help the local workers who make up our country’s public transportation.”

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This Week's Event In Manila

Manila/ Vibe/ Sports

Thrilla in Manila 2 Brings Boxing Legacy Back to Philippines After 50 Years

11Photo by Nico Ali Walsh/ Instagram

Fifty years ago, the Philippines hosted a fight so brutal, so poetic, and so globally resonant that it was etched into boxing history as The Thrilla in Manila.

Now, half a century later, the echoes of Muhammad Ali and Joe Frazier’s legendary war return, not as a reenactment, but as a revival of spirit, sweat, and legacy. Thrilla in Manila 2 is set to ignite the Smart Araneta Coliseum on October 29, bringing a new generation of fighters into the ring where legends once bled.

Official poster
Website/ Ticketnet

The event is spearheaded by Manny Pacquiao’s MP Promotions, in partnership with IBA Pro. Headlining the card is Melvin Jerusalem, the reigning WBC Minimumweight World Champion, who will defend his title against South Africa’s Siyakholwa Kuse. But the emotional spotlight is the appearance of Nico Ali Walsh, grandson of Muhammad Ali, stepping into the same arena where his grandfather fought the fight of his life.

The original 1975 bout between Ali and Frazier was the third and final clash in their storied rivalry. Held in the sweltering heat of Manila, it was a 14-round war of attrition that ended with Frazier’s corner throwing in the towel. Ali later described it as “the closest thing to dying.” That fight didn’t just crown a champion, it defined an era.

Melvin Jerusalem
Instagram/ Melvin Jerusalem

Thrilla in Manila 2 aims to channel that same intensity, but with a modern twist. The undercard features a mix of rising Filipino talent and international contenders, showcasing the Philippines’ enduring role as a global boxing hub. Pacquiao himself has called the event “a passing of the torch,” hoping to inspire a new generation of fighters and fans alike.

Tickets are priced to welcome everyone: P100 for Lower Box, P75 for Upper Box, and just P50 for General Admission. It’s a rare chance to witness history, again.

Secure your ticket now via Ticketnet and be there when history swings back. For more information, follow IBA.Pro on Instagram.

Location: Smart Araneta Coliseum, Quezon City, Metro Manila

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Manila/ Vibe/ Pop Culture

Shop & Stan: BT21 Characters 101 & Merch Spots in Manila

BT21 1Photo by The Beat Asia

With BTS gearing up for their highly anticipated comeback next year, there’s no better time to revisit the adorable world of BT21—the lovable characters the group created in collaboration with LINE Friends.

Whether you’re a longtime ARMY or a casual listener, BT21 offers a fun and heartwarming way to connect with the K-Pop legends, with each character reflecting the boys’ personalities and creativity. This makes them more than just cute mascots, but an extension of their talent and charm.

If you’re just getting into the fandom or need a refresher, you came to the right place. This is your stan and shop guide to BT21. Meet the squad and find out where you can grab your favorites in Manila!

Who is BT21?

For the uninitiated, BT21 was born in late 2017 when BTS signed on to the LINE Friends’ Creators project, an initiative where the brand works with artists to produce characters and product ideas.

The group was the first to take part in this project and had gathered together to draw the characters themselves. More than creating cartoon avatars, the brand mentioned in their making video that the project goes beyond creating new characters but is a visual representation of “what BTS wants and making them alive in the real world.” 

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The group name is a mix of “BTS” and “21st century,” inspired by member Suga’s comment that the characters should represent both BTS and the 21st century, so they can live on for the next 100 years.

The characters’ origin story doesn’t stray very far from the group’s identity either, as it also tells about their journey of wanting to become idol superstars. The ever-curious Prince TATA from Planet BT crashes into Earth with his robot companion VAN. With a mission to spread love on the planet, TATA decides to become a star and teams up with six other members: RJ, CHIMMY, MANG, SHOOKY, and KOYA—creating the UNVIERSTAR BT21!

TATA – “An Off-the-Wall, Curious Prince”

Tata
Photo from LINE Friends/Website

Tata was created by member V and is the crown prince of Planet BT. This heart-shaped character is described as a curious soul with supernatural powers, including the ability to stretch his body far and wide!

V had been dubbed a “4D Alien” by fans for his distinctive and endearing personality traits, as well as his otherworldly good looks.

KOYA – “The Gifted Sleepyhead”

Koya
Photo from LINE Friends/Website

This Koala-looking character is shaped by RM and is as brilliant and multi-talented as his creator. However, his brilliance means his mind is always working, so he’s also always sleepy!

Koya also has removable ears and a cute purple nose, which—although unofficial—represents the fandom color.

RJ – “Kind, Loving, Foodie”

RJ
Photo from LINE Friends/Website

Member Jin has always been known as the “mom” of the group, a good cook, and a big foodie! So, it’s no wonder that his character is the same. He resembles an alpaca, which Jin has reportedly been doodling for years and was so happy to finally find a place to use it. The members had also mentioned that he looks like one whenever he munches on food.

More than his cute appearance, RJ is compassionate and makes everyone feel at home, which is similar to how Jin holds everyone together as the eldest of the group.

SHOOKY – “Mini Prankster”

Shooky
Photo from LINE Friends/Website

This badass cookie was created by member Suga. During the initial sketching stage, he had wanted to draw his poodle, Holly, but felt like it was too similar to the other members’ creations.

So instead, he drew a bunch of different expressions of his dog Holly, which gave birth to the adorable Shooky, who loves to pull pranks and hates milk.

Valid, Shooky. If we were a cookie, we’d avoid getting dunked in milk, too.

COOKY – “Brawny Hearty Rumps”

Cooky
Photo from LINE Friends/Website

It’s a known fact among fans that Jungkook loves to work out, so he made sure to make his character a gym buff like himself. Jungkook has been endearingly called a bunny by fans due to his adorable overbite, so in his initial sketches, he drew a rabbit with a six-pack!

We thought this character perfectly describes the member who is notorious for his duality—one minute he’s the adorable maknae (youngest of the group), the next he’s firing up the stage with his smooth vocals and killer dance moves.

Cooky is almost always seen holding a cookie, which also served as inspiration for Shooky’s character design.

MANG – “Expressive-Faced Dancing Machine”

Mang
Photo from LINE Friends/Website

Mang is a dancing pony created by the group’s main dancer, J-Hope, and wears a mask to hide his face. People have noticed that when J-Hope laughs, his lips are shaped like a heart, which is why Mang’s nose is shaped like one.

Recently, LINE Friends revealed the face behind the mask, and it turns out the pony is a cute squirrel with a heart smile.

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CHIMMY – “The Pure-At-Heart”

Chimmy
Photo from LINE Friends/Website

This adorable puppy represents member Jimin and is a bright ball of sunshine! Jimin had initially named it after his nickname “Chimchim” and had been very invested in the early sketches, even drawing the character in a tuxedo and an army uniform!

The vocalist also made sure the puppy had chubby cheeks, which were one of his defining features back when he debuted, earning him the nickname “Mochi” among fans.

VAN – “Guardian Space Robot”

Van
Photo from LINE Friends/Website

BTS has always had a close relationship with their fans, so it makes sense that there would be a character for them, too. Van was created by LINE Friends designers, inspired by the group’s interviews about the kind of characters they wanted to create with the brand.

Van is described as an all-knowing robot who protects BT21—a fitting role considering ARMYs are always at BTS' side to protect them.

Where to Find BT21 Merch in Manila?

Now that you’ve met the gang and most likely claimed your favorite (this is a no-bias zone, and we claim to love every character), where exactly can you get them?

BT21 has had numerous partnerships over the years, from food and beverage companies like Dunkin' Donuts and Paris Baguette, to retailers and beloved brands like Uniqlo, Converse, and Vice Cosmetics. They even have virtual stickers on Facebook Messenger and TikTok and have become official promoters of Incheon Airport.

LINE Friends’ online and offline stores are the best places to find the latest BT21 collections, but with shipping costs and the fact that there isn’t a LINE Friends permanent shop in the Philippines, hunting these cuties down can be challenging and expensive.

But luckily, the brand is currently partnering with several retailers here, each of them releasing BT21-inspired merchandise such as shirts, plushies, gadgets, and more. Here are some of the places to stan and shop!

SM Store

BT21 Pop-up
Photo from SM Megamall/Facebook

Wear your ARMY pride with fashionable tees from SM Department Store, which boasts a ton of them in a variety of colors and designs, featuring the beloved UNIVERSTAR characters. They’re also selling nap pillows, pajama sets, tote bags, plush notebooks, and stationery sets priced as low as P150!

If you’re looking for plushies, head over to Toy Kingdom, where you’ll find all the characters in cuddly forms in varying sizes for no more than P1,000.

SM Group is also holding the very first interactive BT21 pop-up in the country at several of their malls this year, called “BT21: The Journey to the Philippines.” The event features several photo spots and interactive spaces with life-sized character statues where ARMYs can enjoy and show their love for the members.

The Manila leg has just concluded but the tour will continue to bring more love and magic shops across South Luzon, specifically at SM Bacoor (July 9 to 25), SM Santo Tomas (July 31 to Aug. 31), SM Santa Rosa (Aug. 19 to Sept. 7), SM Dasmariñas (Sept. 12 to 26), and SM City Tanza (Oct. 2 to 15).

MINISO

MINISO x BT21
Photo from MINISO Philippines/Facebook

MINISO is known to sell a variety of consumer goods, kitchenware, household items, cosmetics, stationery, and toys. The popular retail chain launched its BT21 collection last year, featuring a variety of character goodies.

There are BT21 plushies, bolster pillows, blankets, earphones, charging cables, night lights, bags, and purses. We’re not even sure we got the whole collection down because there’s an entire shelf aisle and wall dedicated to the collection at every MINISO branch, with items priced between P299 to P2,000. Talk about cute and affordable!

Robinsons Department Store

BT21 Fashion
Photo from Robisons Department Store/Facebook
BT21 Tees
Photo from Robisons Department Store/Facebook

Another Department Store that has been taken over by the galaxy’s cutest group is Robinsons Malls, which has a line of BT21 apparel from oversized tees (P599) to cozy pajama sets (P749) perfect for lounging at home while watching BTS concert films or docuseries.

Fun fact: Did you know that the first-ever LINE Friends store opened at Robinsons Place Manila way back in 2019? Fingers crossed we get a more permanent shop soon because we simply can’t get enough of them!

Hanabishi

Hanabishi fans
Photo from Hanabishi/Website

The Philippines’ leading home and kitchen appliance brand has also teamed up with LINE Friends to release limited-edition mini jumbo fans (P1,299).

Perfect for the country’s summer weather, cool down in style with Hanabishi’s adorable fans designed with each character in bright colors. There’s only a limited number of fans produced (24,500 units to be exact!), so make sure to grab yours today at an appliance store near you!

For updates on the latest BT21 collections, follow them on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Manila/ Vibe/ Pop Culture

Artist Spotlight: Michelle Alde on Championing Bold Femininity

Michelle Alde 1

At first glance, Michelle Alde’s works captivate with their elegance. From the quiet grace of her figures, the fluidity of her brushstrokes, down to the refined play of texture and space. However, if you linger a little longer, her art reveals something deeper: a fearless exploration of femininity in all its strength, softness, and complexity.

A painter and multidisciplinary artist based in Alabang, Michelle’s practice spans both traditional and digital media, with oil as her signature medium. Through her craft, she captures the sentimentality and movement of the human experience, particularly those associated with femininity. Her pieces have been exhibited in several group shows across the country, including In An Ordinary Minute at Altro Mondo Creative Space in Makati. More recently, she has also commissioned an art piece for skincare brand Lactacyd, for the Museum of Speaking Skin, where she brought to life her own personal skin story through her signature strokes and hues on the canvas. Beyond painting, she also lends her creative eye to design as a mentor to burgeoning painters at the Young Artists Studio.

In our latest Artist Spotlight, The Beat Asia sat down with Michelle as she opens up about her artistic beginnings, her evolving interpretation of femininity, and how she balances the dualities of womanhood — their strength and vulnerability, as well as their delicacy and defiance with bold and elegant intent. She also reflects on her creative process, her feminist influences, and the empowering messages she hopes young women will take from her art.

Hi Michellle! Can you tell us about how you first discovered your love for art?

Absolutely! I have been active in the art scene for over two years now, participating in group exhibitions at galleries in the Philippines.

But my artistic journey really began much earlier. I grew up in a highly creative environment where I observed some relatives practicing their own art forms, which inspired me to pursue mine. During my early teens, I was fond of drawing portraits and clothing, because, back then, I wanted to be a fashion designer. Then, as I grew older, I began exploring painting, and there’s just something about the process of mixing paint, seeing the colors, and putting it onto the canvas that drew me into doing more of it. The next thing I know, I’ve fallen in love with it already.

Did you undergo any formal training? How has that shaped your current style and practice?

I was fortunate enough to have been exposed to many art forms early on. I joined various workshops as a child and explored both visual and performing arts.

With the support of the people around me, I was able to pursue my passion for art all the way to university. I studied at UP Diliman College of Fine Arts and majored in Painting, where my art skills have developed a lot in terms of technique, form, and conceptualization. Having been mentored by brilliant and talented artist-professors and exposed to various artists and artworks, I was able to develop my own visual language.

Over time, I became fascinated with the visual qualities of fabric, initially by how something so inanimate can be dynamic and full of movement at the same time. I’m also drawn to its shifts in movement when it interacts with other objects and figures, and so, it became a recurring metaphor and symbol in my art practice.

Yes, we’ve noticed the recurring themes and symbols in your pieces. What draws you to the theme of femininity?

My art, at its core, stems from personal thoughts, memories, and experiences, as well as the drive to preserve them, which are acts often associated with femininity. I’m drawn to this theme because of how sentimentality and femininity are often perceived as fragile and vulnerable. But for me, I think these are the qualities that carry so much strength. I want to honor these feminine qualities through my art, showing that there is a lot of strength in embracing them.

Michelle Alde
Courtesy of Michelle Alde

Could you describe how you interpret them through your art?

There’s a lot of fabric and drapery, alongside objects, figures, and colors that are often viewed as feminine symbols, involved in my work.

I use the fabric’s movement, texture, and folds as a visual metaphor for memory. I believe it carries memories and sentiments just as we do, where each movement creates a wrinkle or crease, just like each interaction reshapes us in some way. Like femininity, it’s seen as delicate, but also resilient. For me, the fabric embodies comfort, concealment, isolation, and visibility, depending on how I want it portrayed in the piece. As women, I think we can relate our experiences to these states. Our need for comfort and protection, the feeling of isolation, and most times, wanting to be seen and heard.

“Priced Possesions” (2025)
“Priced Possesions” (2025) | Courtesy of Michelle Alde
"On and on and on” (2025)
"On and on and on” (2025) | Courtesy of Michelle Alde

Can you name some of your biggest influences that have inspired your style and subject matter?

I like looking at different works of various artists, especially women artists who explore emotion and identity in their work. I also find inspiration from personal experiences and concepts that are not specific to visual art. I’m drawn to the fabric and figures’ movement, and I also think my quiet love for the performing arts shaped my fascination with “movement.”

Can you walk us through your creative process, from idea to finished piece?

I document a lot of moments in my life. I like to keep remnants of things and experiences. At the same time, I also enjoy capturing movements that interest me, like the fabric. It’s fascinating how each fold or crease shifts with light movement and touch. I then layer it with pieces of moments that have touched me, adding a blanket of interest to the work. Sometimes, I also play around with the fabric and figures in my work, concealing, wrapping, or unveiling the figures in my pieces, depending on how much I want them visible.

The painting process is a meditative act for me. Painting becomes my own act of preservation, using experiences and my inclination to document and keep memories. It brings me comfort that I can hold on to a moment and keep it with me as I continue to grow.

Is there a part in the process that you find particularly easy or challenging?

The easiest part of the process is when I’m fully immersed in my work, and I'm not worrying about what comes next. I just trust the process. I love it when I can just get lost in the middle of painting.

It can become quite challenging to start a piece at times because of self-doubt, like deciding when a painting is truly finished. At the same time, my inner critique gets the best of me sometimes, which I think happens to many artists as well. When that happens, it feels so scary and vulnerable to put my work out there. But sharing it anyway, I think, is a brave act.

How do you see art as a platform for feminist expression?

I think art has always been a way for us women to share our stories. Throughout history, women have been fighting to become visible and heard. It opens up spaces for more conversations about truths and lived experiences among women, helping us connect.

Having spaces that welcome diverse women’s perspectives is also really important. I feel lucky to be in a time where there are more and more spaces, platforms, and opportunities that celebrate feminist expression. I believe we still have a long way to go, but we’ve also come so far already.

"Of Poise and Power" (2025)
"Of Poise and Power" (2025) | Courtesy of Michelle Alde

How do you balance showcasing both the strength and vulnerability of womanhood in your pieces?

Reflecting on my lived experiences as a woman, I’ve been exploring how to translate them visually through my chosen subject. I’ve been working with the duality of the fabric: how it can feel soft and comforting yet heavy and full of tension at the same time. I try to express this through gentle colors and form, contrasted with movement and texture that carry a sense of resistance.

Women are often seen as nurturing and soft, but in reality, we carry so much pressure from the expectations placed on us.

Has your own understanding of feminism evolved through your art practice?

Definitely. Through art, I broadened my perspective on the different approaches women take in their art practice, which I have also taken into my own. I have embraced themes, concepts, materials, and subjects that are often seen as too soft and feminine and learned to see them as powerful.

At the same time, I acknowledged that femininity is broader than just softness and strength. Feminism is not only about honoring softness, but also about recognizing the struggles and resistance women have faced throughout history and still face today. It’s expressed through different materials and subjects, which keep shaping my perspective as an artist.

Are there particular pieces of yours that feel especially personal or transformative to you?

Some of my artworks showcase the interaction between the fabric and the body figure. In one of them, I explored printmaking again after several years, which became a freeing experience. For one, since it was different from my usual painting medium, I think it released me from the pressures I usually encounter when I’m painting. I had lower expectations, so I was able to explore them freely.

Secondly, the process of making multiple images of the figure on a sheer fabric and then layering them on top of one another became a vital part of its meaning-making that was really personal to me. The pieces in particular are “Grounded” (2025) and “Water Bearer” (2025).

Another one that felt transformative was when I finally decided to unveil the veiled figure that had been present in my work in the past couple of years. I think it’s time for her to interact and move with the fabric more visibly.

You also teach at Young Artists Studio. What message do you hope women — especially younger women — take away when they encounter your art?

I hope they find comfort and feel that it’s alright to embrace their softness and sentimentality. There’s a lot of strength in doing so. I also hope they feel inspired and courageous enough to create something, even if it feels vulnerable and scary.

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What do you hope to explore in future works? Are there any themes or directions you’d like to push further?

I want to dive deeper into the idea of softness and create works centered on the concept of “love.” Not just romantic love, but all kinds: platonic love, self-love, quiet love, etc. I would like to paint about love and because of love.

You can view some of Michelle’s art by following her on Instagram.

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Manila/ Vibe/ Sports

Filipino and Korean Celebrities Go Head-to-Head at BENCH “Shoot of Asia”

13102025Photo by Instagram/ BENCH

Who’s going to be the best—Team Philippines or Team Korea?

Filipino lifestyle brand BENCH is hosting a “Shoot of Asiabasketball exhibition match this October 26, 2025, at the SM Mall of Asia Arena, where Filipino and Korean celebrities are set to face off with an intense game of basketball.

The “Shoot of Asia” basketball exhibition match is part of SBS’ upcoming sports-reality series, “Rising Eagles,” set to premiere in November. The Philippine exhibition game serves as one of the Rising Eagles’ international challenges.

The two teams facing off at the "Shoot of Asia" exhibition match
Instagram/ BENCH

Team Kuys Showtime (Team Philippines) will be represented by Vhong Navarro, Jhong Hilario, Billy Crawford, Ronnie Alonte, JC De Vera, David Licauco, Wendell Ramos, Dustin Yu, Ion Perez, Baileys Acot, Johannes Rissler, Arthur Nery, and Adie Garcia.

Meanwhile, Team Rising Eagles (Team Korea) will feature SHINEe’s Minho, NCT’s Johnny, actor Eun Seok, 2AM’s Jeong Jin-woon, Moon Su-in, Kim Taek, Dae Hee, Seung Hoon, Chan Woong, Kyu Min, and Tae Jin.

Former pro basketball player and variety show personality Seo Jang-hoon serves as Team Korea’s coach, with Jeon Tae-poong as assistant coach. For the Philippine side, sports broadcaster Beaujing Acot will be the coach, and assisted by Julius Teruel and Baffy Acot.

Global P-Pop group HORI7ON, K-Pop girl group BILLLIE, and Sandara Park will perform at the basketball exhibition.

Ticket prices with charges
Instagram/ BENCH
Seat plan for the "Shoot of Asia" exhibition match
Instagram/ BENCH

Tickets are now available via SM Ticket outlets and online. Tickets are priced from P860 (General Admission), P2370 (Upper Box), P3550 (Lower Box), and P8610 (Patron).

For more information and updates, follow BENCH Philippines on Facebook, X (formerly Twitter), and Instagram.

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Manila/ The List/ What's On

CineArts Brings World-Class Ballet, Opera, and Music to the Big Screen

20251001 Cine ArtsPhoto by Robinsons Movieworld

Robinsons Movieworld, through its Premier Cinemas, presents the second season of CineArts, an exclusive cultural cinema experience at Opus Mall and The Mall – NUSTAR that brings world-class performances to Filipino audiences.

In partnership with Trafalgar Releasing, this unique series offers exclusive screenings of opera, ballet, and concert films from London’s Royal Opera House, giving Filipino moviegoers a front-row seat to global icons and an experience to enjoy high culture without leaving the country.

The film lineup for CineArts season 2
Courtesy of Robinsons Movieworld

Season Two opened with “Andrea Bocelli: Because I Believe,” on Sept. 23 and 30, but there are other runs on Oct. 7 and 14, followed by an exceptional lineup of performances from the Royal Ballet and Royal Opera, including “Tosca,” “Cinderella (2024),” “The Nutcracker,” “La Traviata,” “Woolf Works,” “Giselle,” “Siegfried,” and “The Magic Flute.”

Screenings will be held every Tuesday at Opus VIP Cinema and NUSTAR VIP Cinema, where state-of-the-art visuals, surround sound, and plush seating elevate the viewing experience. Ticket prices start from P900.

Here is the schedule for Season Two of CineArts:

  • Andrea Bocelli: Because I Believe – Sept. 23 and 30, Oct. 7, and 14
  • Royal Opera: Tosca – Nov. 4 and 11
  • Royal Ballet: Cinderella (2024) – Nov. 18, 25, and Dec. 2
  • Royal Ballet: The Nutcracker – Dec. 9, 16, 23, and Jan. 13
  • Royal Opera: La Traviata – Feb. 10, 17, 24, and Mar. 3
  • Royal Ballet: Woolf Works – Mar. 10, 17, and 24
  • Royal Ballet: Giselle – Mar. 31, Apr. 7, 14, and 21
  • Royal Opera: Siegfried – Apr. 28, May 5, 12, and 19
  • Royal Opera: The Magic Flute – May 26, Jun. 2 and 9

For tickets and full screening details, visit the website here, follow Opus Premier Cinemas on Facebook and Instagram, and NUSTAR Premier Cinemas on Facebook and Instagram.

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Manila/ The List/ What's On

Lin-Manuel Miranda's 'Hamilton' Hits PH Big Screens with Exclusive Content

Hamilton gallery 4Photo by Lin Manuel/Website

It’s not every day that a Broadway phenomenon lands in your neighborhood cinema. But starting Oct. 1, 2025, Filipino fans will finally get their shot to experience Hamilton, Lin-Manuel Miranda’s genre-defying musical, on the big screen for a strictly limited one-week run until Oct. 7, 2025. And it’s not just the filmed version you may have streamed on Disney+. This release packs an exclusive prologue titled “Reuniting the Revolution,” featuring fresh interviews with the original cast and creators.

Official poster and participating cinemas
Courtesy of Walt Disney Studios

Timed to celebrate the 10th anniversary of the show’s Broadway debut, this cinematic event is more than nostalgia. Filmed at the Richard Rodgers Theatre in June 2016, the production stars Miranda himself as Alexander Hamilton, alongside Leslie Odom Jr., Renée Elise Goldsberry, Daveed Diggs, Phillipa Soo, and Jonathan Groff.

Directed by Thomas Kail and produced by RadicalMedia, the film captures the raw energy and emotional depth that made Hamilton a Pulitzer Prize-winning, Tony-sweeping phenomenon.

Hamilton Musical
Photo from Instagram/Hamilton Musical

The Philippine release follows earlier rollouts in the U.S., Canada, Puerto Rico, and the U.K., and precedes Australia and New Zealand’s November premiere. For Southeast Asian fans, this marks a rare chance to experience the show’s full theatrical power on the big screen, complete with surround sound, communal gasps, and maybe a few tears.

Tickets are expected to sell fast, especially with the buzz surrounding the exclusive content and the limited screening window. Be sure to catch “Hamilton” in select cinemas from Oct. 1 to 7, 2025.

For more information and screening details, follow Disney Studio Philippines on X (Formerly Twitter), Instagram, and Facebook, and Hamilton Musical on X (Formerly Twitter), Instagram, and Facebook.

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Manila/ Vibe/ Pop Culture

Standing Ovation: ‘Dear Evan Hansen’ is So Big, So Small, So Powerful

Dear Evan HansenPhoto by Dear Evan Hansen UK Tour/Website

Step into the world of live theatre with "Standing Ovation," your trusted companion for navigating Asia's vibrant performing arts scene. From the neon-lit streets of Hong Kong to the historic stages of Manila, we're scouring the region to bring you honest, engaging reviews of the most talked-about shows. Whether you're drawn to the flawless elegance of ballet, embarking on a musical journey through moving tunes, or the raw emotion of dramatic plays, let us guide you to the performances that will resonate with you. So grab your playbill and join The Beat Asia as we immerse ourselves in the region's dazzling arts & culture scene. The curtain's rising – let the review begin!

Lately, it’s not just the rains that have been pouring in Manila, but also a wave of theater musicals, turning the season into one of song, dance, and powerful performances.

Earlier this month, the Theater at Solaire presented the Tony Award and Oliver-Award Award-winning Best Musical, “Dear Evan Hansen,” moving Filipino audiences with its touching storyline, inspiring songs, and important messaging.

The stage musical debuted in 2015 with music and lyrics by composing duo Benj Pasek and Justin Paul (“La La Land,” “The Greatest Showman,” “Snow White”), and a book by screenplay writer Steven Levenson (“tick, tick ... BOOM!”). It follows the story of a high school senior with social anxiety who gets mistaken as a close friend of a classmate who dies by suicide, leading him to fabricate a lie that spirals into an unexpected journey of connection, guilt, and self-acceptance. The musical has also been adapted into a movie in 2021, with Ben Platt reprising the role he originated on stage, alongside actors Kaitlyn Dever, Julianne Moore, and Amy Adams.

GMG Productions and ATG Productions joined forces to bring this Broadway hit to the Philippine stage for the first time, which featured the UK Touring Production’s cast and crew. The Beat Asia got to witness the brand-new staging of the beloved musical, and here’s why we believe it’s more than just your average Broadway export.

Evan Hansen
Photo from Website/Dear Evan Hansen UK Tour

Tears and Truths in ‘Dear Evan Hansen’

One thing that makes “Dear Evan Hansen” stand out among other stage plays is its contemporary relevance, which manifests through its story and modern sound.

If you’re unfamiliar with the story, here’s how it goes: Evan is an anxious high school student longing for a sense of belonging. As advised by his therapist, he writes letters to himself, journaling what made his days good and worth celebrating. When one of these letters is mistaken for a final note from his classmate, Connor Murphy, who has died, his life takes an unexpected turn as he’s pulled into the boy’s grieving family.

Misunderstandings and assumptions stack up one over the other until Evan had woven a lie so intricate that it became impossible to get out of. The fabricated story, however, allowed him to connect with new people, making him feel like he now belonged. As the story unfolds, he becomes torn between telling the truth and losing everything, and maintaining a lie that brings him closer to the life he had always longed for.

This musical explores modern issues like social anxiety, depression, and the role of social media in shaping identity and relationships. The latter, especially, is woven so deeply into the story, showing just how powerful a tool it can be in spreading awareness, providing support, and becoming a bridge for connection. But like a two-edged sword, it was also portrayed as having the power to easily destroy someone’s life or reputation in a single click.

What we love about this show is how it’s direct in its messaging without feeling preachy, and how real and personal it feels. Unlike big, flashy musicals with intricate plotlines and out-of-this-world characters, “Dear Evan Hansen” zooms in on one teenage boy’s struggle with anxiety, loneliness, and wanting to be seen. That simple premise sparked massive conversations beyond the stage about mental health, authenticity, and connection, giving it a social impact and making it a memorable experience for theatergoers.

It may not boast grand sets, large ensembles, or intricate props and backdrops, but its emotional rawness kept audiences engaged. Some notable scenes include the self-pep talks Evan does with an imaginary Connor — especially the one in the second act when he’s forced to face the reality of his accident at the park, and the “Requiem” musical number the Murphys perform, which shows the different ways people deal with grief.

Family
Photo from Website/Dear Evan Hansen UK Tour

Lighting and the projected screens were also utilized well on stage, emphasizing various emotions and providing additional movement like silhouettes walking across the screen while Evan passes through crowded hallways or the projected social media accounts during “You Will Be Found,” demonstrating how Evan’s speech went viral and put him in the spotlight, spiraling deeper into his fabricated story that has now turned into a movement. In his conversations with Connor, the latter is always a step behind him, which allows the spotlight to focus on Evan, all the while giving Connor a muted sheen. From the audience, it makes him look like a ghost or a figment of one’s imagination. Their voices during these scenes also seem to reverberate more, emphasizing the haunting truth.

This production’s emotional core lies in its music, which, ICYDK, won a Grammy for Best Musical Theater Album in 2018. Throughout the 16 musical numbers, viewers are taken on an emotional journey that starts in loneliness and ends in self-discovery and belonging. It also leans more toward pop than traditional theater tunes, which makes it easier to connect to, especially for younger audiences.

Waving Through a Window” conveys feelings of being an outsider and longing to make a meaningful connection, while “For Forever” beautifully captures Evan’s deepest desires — to simply make a friend and have the most perfect day together.

There are also anthemic and inspirational tracks like “You Will Be Found,” which emphasizes that no matter how lonely or isolated one feels, there is always someone who will find and support them, and even romantic ballads like “If I Could Tell Her” and “Only Us,” which reflect Evan’s developing relationship with Connor’s sister, Zoe.

Students
Photo from Website/Dear Evan Hansen UK Tour

The current production cast did a remarkable job restaging this iconic show, each actor breathing new life into their character. Sonny Monaghan’s Evan was nothing short of spectacular. While his vocals in the opening song started a little shaky at first, the actor quickly found his footing, his voice soaring as the show progressed. His performance drew real tears during “For Forever,” when Evan fabricates his story about Connor, and again in “Words Fail,” when he finally comes clean about his lies. It was also impressive how closely his tone echoed that of the original Broadway Evan, without ever feeling like an imitation.

Rebecca Mckinnis, as Heidi, delivered an emotional and heartfelt “So Big/So Small,” perfectly capturing the unconditional love of a parent. Her distinctive mix of country twang and rock edge added grit and punch to “Good For You,” making it one of the standout moments of the night. Meanwhile, Tom Dickerson brought natural charisma to Jared, providing a much-needed break between the heavier scenes. His playful “Soda Pop” line — a clever nod to the film K-Pop Demon Hunters — earned plenty of laughs from the audience. Meanwhile, Rhys Hopkins made an impressive professional debut as Connor. Though his role kept him absent for much of the show, he left a lasting mark with his commanding stage presence and powerful vocals. His impressive range had us eager to see what roles he takes on next.

Couple
Photo from Website/Dear Evan Hansen UK Tour

If there was one moment that fell short, it was the romantic duet “Only Us,” which lacked some of the tenderness and chemistry we were hoping for. Still, this was a minor dip in what was otherwise a beautifully executed production. With such a gifted cast, the show was moving, heartfelt, and a worthy tribute to the original.

Final Verdict

This limited run is a true gift for Filipino theater enthusiasts, offering not only captivating entertainment but also moments of deep insight and emotional resonance. More than its amazing cast and award-winning music, “Dear Evan Hansen” proved that change can start from somewhere small, like a post on your feed, or on a bigger platform, like a theater’s stage. It also sends the message that you are not alone and that everyone has a place to belong.

Relatable and moving, we highly recommend seeing it while you still can! The show is currently running at the Theater at Solaire until Oct. 5, 2025. You can book your tickets here.

For updates on upcoming live stage productions, follow Solaire Resort on Facebook, X (Formerly Twitter), and Instagram.

Enjoyed this article? Check out our previous Standing Ovation reviews here

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Asia/ Vibe/ Pop Culture

The Stakes Are Up! The Athletes for 'Physical: Asia' Have Been Announced

20250922 Physical AsiaPhoto by Netflix/Website

The cast for Netflix’s newest season of “Physical: 100” has now been announced.

In a press release, Netflix revealed the 48 contestants of “Physical: Asia,” the franchise’s first-ever nation-vs-nation showdown. Eight participating countries — South Korea, Japan, Thailand, Mongolia, Türkiye, Indonesia, Australia, and the Philippines — will clash in a high-stakes competition of strength, strategy, and teamwork, all in the name of national pride.

Each country is represented by a six-person squad, with a national superstar to lead and embody the competitive spirit of their homeland.

The teams in Physical: Asia
Photo from Website/Netflix
  • South Korea:
    • Kim Dong-hyun “Stun Gun” (Ex-UFC Fighter) (Leader)
    • Yoon Sung-bin (Olympic Skeleton Racer)
    • Kim Min-jae (Ssireum)
    • Kim Jae-hong (Amotti) (Winner of Physical: 100 Season 2)
    • Jang Eun-sil (Women’s Wrestling Athlete) (Physical: 100 alum)
    • Choi Seung-yeon (CrossFit Asia Champion)
  • Japan
    • Okami Yushin (MMA Legend, UFC Asia Record Holder) (Leader)
    • Itoi Yoshio (Professional Baseball Player)
    • Nakamura Katsumi (Swimmer)
    • Hashimoto Soichi (Professional judoka)
    • Ozaki Nonoka (Amateur Wrestler)
    • Watanabe Kana (Judo Practitioner)
  • Australia
    • Robert Whittaker (Former UFC Middleweight Champion) (Leader)
    • Alexandra Milne (Fitness Coach, Influencer)
    • Eddie Williams (Strongman Athlete, Two-time Australia’s Strongest Man Winner)
    • Dom Tomato (Professional Parkour Athlete)
    • Eloni Vunakece (Former Professional Rugby League Footballer)
    • Kayelin van Zyl (CrossFit Athlete, Former Australian Hockey Player)
  • Philippines
    • Manny Pacquiao (8-Weight-Class World Champion) (Leader)
    • Lara Lorraine Deang Liwanag (CrossFit Athlete, 2020 Philippine National Champion)
    • Mark Mugen Striegl (Mixed Martial Artist, Former UFC Fighter, SEA Games Champion)
    • Ray Jefferson Querubin (Strongman, Powerlifter, Weightlifter, Multiple-time Philippines’ Strongest Man)
    • Justin Coveney (Rugby Player for the Philippine Volcanoes)
    • Robyn Lauren Brown (Track and Field Athlete, 400m Hurdles National Record Holder for the Philippines, Asian Champion 2023)
  • Thailand
    • Superbon Singha Mawynn (Muay Thai World Champion) (Leader)
    • James Rusameekae (Former Volleyball Player)
    • Sun Kerdkao Wechokittikorn (National Team Rugby Player)
    • Anucha Yospanya (National Team Wrestler)
    • Nuannaree Viste Olsen “Ploy” (Muay Thai Coach)
    • Uracha Teerawanitsan “JaJarr” (CrossFit Athlete and Trainer)
  • Mongolia
    • Orkhonbayar Bayarsaikhan (Mongolian Wrestling Champion) (Leader)
    • Dulguun Enkhbat (Professional 3x3 Basketball Player, Member of the Mongolian National Team)
    • Lkhagva Ochir Erdene Ochir (Professional Contortionist and Handbalancer)
    • Enkh-Orgil Baatarkhuu (Mixed Martial Artist, Competitor in ONE Championship)
    • Khandsuren Gantogtokh (Professional Volleyball Player, Middle Blocker for the Mongolian National Team)
    • Adiyasuren Amarsaikhan (Judoka, Competitor in the +78kg Weight Class)
  • Türkiye
    • Recep Kara (4-Time Turkish Oil Wrestling Champion) (Leader)
    • Anil Berk Baki (Extreme Sports Athlete, Sailor, Social Media Personality)
    • Ali Sofuoglu (Turkish Karateka Specializing in Kata, Olympic Bronze Medalist)
    • Ogeday Girisken (Actor, Fitness Influencer)
    • Yasemin Adar Yigit (Retired Turkish Freestyle Wrestler, 2-time World Champion, 7-time European Champion, Olympic Bronze Medalist in Tokyo 2020)
    • Nefise Karatay (Actress, Former Model, Fitness Advocate)
  • Indonesia
    • I Igedz “Executioner” (Bodybuilder) (Leader)
    • Mrcus Gideon (Retired Professional Badminton Player)
    • Jeremiah Lakhwani (Model and Athlete)
    • Glenn Victor (Olympic Swimmer and Model, Mister International Indonesia 2024)
    • Fina Philippe (Presenter, Actress, and Brazilian Jiu-jitsu Athlete)
    • Maria Selena Nurchaya (Actress, Model, Former Basketball Player, Miss Universe 2012)

The series is set to blend elite athleticism with cultural tradition, highlighting combat sports, ball games, track and field, and sports events like Korean ssireum, Mongolian wrestling, Turkish oil wrestling, and Muay Thai. This show is more than just a clash of athletes; it’s a showcase of heritage, pride, and physical mastery on an unparalleled global stage.

“At its heart, the Physical series is about raw competition that transcends disciplines and generations,” said Producer Jang Ho-gi. “By bringing national pride into the equation, the battles will be more intense, more emotional, and more unforgettable than ever.”

“Physical: Asia” will premiere this October 2025 on Netflix.

Follow Netflix on FacebookX (Formerly Twitter), and Instagram to stay in the know of what’s hot and coming!

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Manila/ Vibe/ Artists

Get to Know K-Pop Boy Group NTX by Listening to These Five Songs

20250918 NTXPhoto by NTX/Website

Been looking for a new K-Pop group to stan? Maybe we could help.

Among all the K-Pop boy groups that have debuted in recent years, there’s one group that stands out for their dynamic choreography, strong vocals, and overall global appeal: NTX.

The 8 members of NTX
Photo from Website/NTX

NTX is an eight-piece group comprised of members Hyeongjin (Co-Leader, Main Vocalist), Yunhyeok (Co-Leader, Main Vocalist), Xiha (Vocalist, Main Dancer), Changhun (Vocalist, Rapper), Hojun (Lead Vocalist), Rawhyun (Main Producer, Rapper, and Sub-Vocalist), Eunho (Vocalist, Main Producer), and Seungwon (Rapper, Lead Dancer, and Maknae).

NTX, short for “NEO TRACKS NO. X,” is a representation of their ambition to rise up the ranks, explore new perspectives, and widen the reach of K-Pop from South Korea to the world. Since their debut in 2021, the group has toured the world, reaching countries like Mexico, Brazil, and Kazakhstan to name a few.

The boy group had also recently visited the Philippines, performing at a free-for-all mall show at Robinsons Galleria last Aug. 16, 2025. They performed alongside P-Pop boy group 1st.One, who said that NTX was amazing to perform with.

If you’ve just heard about NTX or a veteran NTFul, here are some songs to introduce NTX:

Kiss The World

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What better way to introduce a new group than with their debut track? NTX’s global ambition and vibrant energy shine brightly here, and the chorus feels straight out of a coming-of-age movie — like that moment where the main character finally realizes what they’re meant to do. The members’ harmonies add a hopeful glow, making it a true, feel-good anthem that perfectly captures their mission to connect with fans all over the world.

Black Hole

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Catchy and undeniably one of their dreamiest songs to date, “Black Hole” pulls the listener into a fantasy universe. With lyrics painting the galaxy as a place where you can do whatever your heart desires, NTX’s optimism and youthful charm come alive through every line. It’s a song that’s both vast and personal, almost like stargazing with friends and wondering what the future may hold.

Like This

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Switching up the vibe from the first two tracks, “Like This” shows NTX’s “NEO TRACK” versatility with swagger, old-school hip-hop flavor, and hard-hitting choreography. The song gleams with their bad boy charms while still carrying a message that’s true to their group’s identity: inspiring listeners to follow their hearts unapologetically, with no regrets.

PROBLEMATIC

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Powerful and charismatic, “PROBLEMATIC” sees NTX playing around with EDM while keeping their signature sharp choreography at the forefront. The pounding bass beats and exhilarating lyrics give the track an electrifying feel to it — the kind that leaves both fans and first-time listeners breathless and in awe.

OVER N OVER

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Their most recent release, “OVER N OVER,” channels the early 2010s party music vibe — think Flo Rida’s “Club Can’t Handle Me,” but with NTX’s own youthful twist. The track is irresistibly bouncy, pulling both fans and first-time listeners into the party. With its infectious chorus and catchy hook, it’s proof that NTX can deliver a crowd-pleasing performance, while still sticking to their signature energy and identity.

Follow NTX on their official X (Formerly Twitter)Instagram, and TikTok pages for more updates!

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Manila/ The List/ What's On

The Philippines is Holding the First Filipino Music Awards this October

20250922 FM AsPhoto by Filipino Music Awards/Instagram

The Philippines’ brightest OPM talents will now be honored at this historic event.

The Filipino Music Awards (FMAs) is set to become the country’s largest celebration of Original Pilipino Music (OPM), bringing together over 500 musicians, industry leaders, and music fans for a landmark night.

The historic event will spotlight the artists, record labels, and creative projects that continue to shape and elevate the OPM movement, honoring the extraordinary talent that exemplifies Filipino music today.

Happening on Oct. 21, 2025, 6 PM, at the SM Mall of Asia Arena, The Filipino Music Awards is produced by AGC Power Holdings Corp. and presented by its subsidiary, Modern Media Group Inc. (MMGI).

The FMAs will recognize 20 prestigious awardees across five distinguished categories, each with a unique evaluation process that reflects the FMA’s mission to honor the best of Filipino music in all angles.

The official poster of the Filipino Music Awards
Photo from Instagram/Filipino Music Awards
  • Genre Awards: Celebrating the songs that redefine genres and drive musical innovation. These awards will be determined by the official FMA jury, composed of OPM icons and industry veterans, to ensure artistic credibility and expert recognition.
    • Folk Song of the Year
    • Hip-Hop Song of the Year
    • Alternative Song of the Year
    • Pop Song of the Year
    • R&B Song of the Year
    • Rock Song of the Year 
  • People’s Choice Awards: Recognizing the artists and songs shaping today’s culture and setting tomorrow’s trends. These will be determined entirely through public voting. The official nominees for each category have also been revealed:
    • People’s Choice Awards: Artist
    • People’s Choice Awards: International Artist
      • KATSEYE
      • TWICE
      • NIKI
      • Olivia Rodrigo
      • Sabrina Carpenter
      • J-hope
      • JENNIE
      • SEVENTEEN
      • SZA
      • Justin Bieber
    • People’s Choice Awards: Song
      • Multo” – Cup of Joe
      • “DUNGKA!” – SB19
      • Marilag” – Dionela
      • Namumula” – Maki
      • Sa Bawat Sandali” – Amiel Sol
      • “Blink Twice” – BINI
      • Daleng-Dale” – GAT
      • Kalimutan Ka” – Skusta Clee
      • “Aura” – IV of Spades
      • “My Day” – HELLMERRY
  • Legacy Awards: Paying homage to timeless artistry and legacies that shape generations. These awards will also be determined by the official FMA jury.
    • Lifetime Achievement Award
    • Music Foundation of the Year
    • Tribute Award
  • Grand Awards: Honoring Filipino artistry and impact on both a national and global scale. These awards will be determined through a balance of jury deliberation and metric achievement, reflecting both artistic merit and data-driven success.
    • Album of the Year
    • Artist of the Year
    • Concert of the Year
    • Music Company of the Year
    • Song of the Year
    • Tour of the Year
  • Special Awards: more details will be revealed soon.
Two groups in the performers' lineup at the FMAs
Photo from Instagram/Filipino Music Awards

The evening will also feature world-class performances, bringing generations of standout OPM talent on one stage. The first batch of performers has been announced:

  • SB19
  • BINI
  • IV of Spades
  • Philippine Philharmonic Orchestra
  • Lolita Carbon
  • Yeng Constantino
  • BGYO
  • Maki
  • Ely Buendia
  • Ben&Ben
  • Gloc-9

More announcements will be made in the coming weeks, so stay tuned!

Two more performers at the FMAs
Photo from Instagram/Filipino Music Awards

Complimentary tickets are now available through SariSari Shopping until Oct. 19, 2025, with different magazine package types and inclusions:

  • Platinum Record Package (P4,000)
    • One exclusive shirt (black)
    • One exclusive tote bag
    • Three magazine back issues:
      • One Billboard Philippines magazine (randomly selected)
      • One Rolling Stone Philippines magazine (randomly selected)
      • One NYLON Manila magazine (randomly selected)
    • One complimentary Lower Box Ticket
  • Gold Record Package (P3,500)
    • One exclusive shirt (white)
    • One exclusive tote bag
    • Two magazine back issues:
      • One Billboard Philippines magazine (randomly selected)
      • One Rolling Stone Philippines magazine (randomly selected)
    • One Complimentary Upper Box Ticket
  • Silver Record Package (P1,500)
    • One exclusive tote bag
    • Two magazine back issues:
      • One Billboard Philippines magazine (randomly selected)
      • One Rolling Stone Philippines magazine (randomly selected)
    • One Complimentary General Admission Ticket

For more updates and information, follow The Filipino Music Awards on Facebook, Instagram, and TikTok! Vote for the People’s Choice Awards here.

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