The PUV Modernization Program and How It Affects Us All
Manila/ Vibe/ Pop Culture

Para Po! The PUV Modernization Program and How It Affects Us All

Loud, colorful, cramped. The Philippine jeepney is a riot, if not an assault on the senses. Nobody foresaw its existence, but when World War II devastated the Philippines’ economy and infrastructure, Filipinos had to start the work of rehabilitation somewhere.

From the surplus military jeepneys abandoned by American troops, Filipinos took what they could get. Ingenuity forged the Philippine jeepney from the wastes of war and local jeepney manufacturers like Sarao Motors, Francisco Motors, LGS, Malagueña, and Chariot, among others, stepped up to the plate, showcasing the possibilities and potential of the country's vehicle industry.

What started as a practical mode of transportation born from necessity has cemented its iconic place in Philippine culture. The Pinoy jeepney unapologetically makes itself known as the “King of the Road" with its garish and bright bodywork designs of religious images, pop culture icons, and landscapes; loud music and even louder horns; witty signages; and informal typographies. It careens through our streets and thoroughfares, having woven its indelible place in the everyday lives of millions of Filipinos.

But time has not been kind to jeepneys and public utility vehicles. Old jeepneys and PUVs continue to ply the roads, belching smoke and carrying passengers in dilapidated units that many deem uncomfortable, if not dangerous.

In 2017, the Department of Transportation (DOTr) and the Land Transportation Franchising and Regulatory Board (LTFRB) introduced the Public Utility Vehicle Modernization Program (PUVMP), with the goal to make public transportation more efficient, affordable, and environmentally friendly.

Dialogues and criticism surrounding the program unpeeled the heart of the issue: How to ensure a modernization that leaves nobody behind.

In the grand scheme of things, the PUVMP is more than changing lanes — literally and figuratively. As the Philippines revs its engines towards progress, it is behooved to grapple with the threats of displacement among communities and micro industries in the name of change.

The Beat Asia took to the streets to have conversations with jeepney drivers, commuters, transport group PISTON, local manufacturer Sarao Motors, and even a jeepney sign maker to reconcile each other’s woes and hopes for Philippine public transportation — and how the PUV Modernization Program affects us all.

Checking in on the Jeepney Drivers

Imus Palengke Terminal

There will be no crackdown on Feb. 1. The government had extended the consolidation deadline to April 30, giving drivers and operators more time to consolidate.

The government’s PUVMP promises great things, but it has also left many jeepney drivers in the Philippines to feel otherwise. This is mainly because the PUVMP poses huge risks to their livelihoods, among other problems.

Mang Arnold, for instance, is a jeepney driver who navigates the Imus to Dasmarinas route daily. To him, purchasing a modern jeepney for himself is completely unattainable as he only earns a clean P800 a day.

Mang Arnold's Jeepney

“If the PUVMP pushes through, we can’t do anything about it. We can’t afford to pay for the modern jeepneys,” said Mang Arnold in Filipino.

Another jeepney driver, Mang Ernest (not his real name), who travels along Pasay Road on a regular basis, shared the same sentiments. According to him, most of them earn only about P600 to P700 a day — a far cry from the P6,000 to P7,000 lawmakers foresee that jeepney drivers must earn in order to afford modern vehicles.

“How much is a jeepney driver’s minimum earnings, you ask? Only about P700 or P600. How can you make ends meet, especially if you have four children to support? What if they’re also studying, right?” said Mang Ernest.

Pasay Road terminal

To both, who have been jeepney drivers for 12 and 25 years, finding another job will be difficult for several reasons. For Mang Arnold, this livelihood is what he’s used to and what he knows best. Should the program continue to push through, he plans to take a different path, away from his current occupation.

“If it’s up to me, I’ll just go home to the province. They’ve been asking me to go home for a long time,” he said. “I will just raise pigs. At least there, I wouldn’t have a boss and the earnings are all mine.”

For Mang Ernest, while it is painful for him to let go of his jeepney, his plan is to move forward with the program and only hope for the best.

“Currently, we’re consolidated here on Pasay Road. We really have no choice because we are part of an association. If we don’t participate in this consolidation, other routes will take over this terminal,” he said.

“Let’s forge ahead first and fight for our cause. It might change after three years as the one in power now won’t always be there. When a new leader steps in, things might shift. Let’s just keep on fighting.”

The Good and The Bad: Commuters' POV

Buses, taxis, tricycles, pedicabs — the list goes on. On top of jeepneys, the country has many different modes of transportation, yet these still don’t meet the demand of commuters who need to travel daily. This case is true, especially during rush hour, when many commuters have to wait (or wrestle with others along the road) to get to their destination. Suppose the PUVMP is fully implemented by April, will the consolidated routes be enough for everyone, or will it cause a crisis that will affect accessibility to public transportation?

In a press release, the Presidential Communications Office said that about 75% of jeepneys have already consolidated as of mid-January according to the LTFRB. Meanwhile, buses were able to reach 86% consolidation, followed by UV Express at 82% and mini buses at 45%. Knowing how the country is already short in meeting commuter demand, not meeting the 100% by the deadline could spell fewer public transportation on the road.

The possibility of fare increases also hangs in the air. As per Atty. Neri Colmenares, lawyer for transport group PagkakaIsa ng mga Samahan ng Tsuper at Operator Nationwide (PISTON), in an ANC interview on Jan. 3, fares could jump to P40 due to the cost of modern jeepneys, which are priced at about P2.6 million. The DOTr, however, has refuted this claim.

According to GMA News early this month, the DOTr had said that fears over a possible fare hike under the PUVMP have no basis and that no fare hike would be implemented without going through the process of the LTFRB.

We turned to commuters to hear their views, from their thoughts on the PUVMP to their own daily commute experiences.

A 25-year-old commuter, Mark John Dulay, expressed his frustration, describing Manila as becoming an “inferno” due to the high cost of living.

“It’s annoying that the cost of living in this hellhole is expensive when we don’t even earn as much as we spend. I don’t earn much with what I do, but at this point, it’s enough to get me by on a daily basis. The problem is, not everyone’s in the same boat. If it’s a problem for me, what more for people with fewer resources than I do?”

As a daily jeepney commuter for work, Dulay questioned the fairness of the PUVMP because of its burden on low-income commuters as well as the livelihood of jeepney drivers.

Mark John Dulay

For Bernadine Buensalida, the program has its pros and cons. On a positive note, the PUVMP can improve the public transportation system, but she also said that this advancement can come with equal consequences, like a possible fare increase.

She acknowledged the factors contributing to this hike, such as inflation and fuel prices. While expressing concern, she said that “it is important for the government to ensure that the fare increase is reasonable and affordable for the majority of commuters.”

Bernadine Buensalida

Jeremae Alubog, on the other hand, expressed hope for the government's plans and the people in power, saying that a fare hike might be acceptable if it leads to a better commuting experience.

When asked if the possibility of a fare increase is reasonable, she said in Filipino, “Yes. If it’s a lot more convenient and comfortable compared to the old jeepneys.”

Jeremae Alubog

Meeting Robert Bolante, a Jeepney Sign Maker

Behind the endless calls of jeepney drivers and operators in opposition to the PUVMP hides a small voice in the name of Robert Bolante, a jeepney sign maker. Bolante, who mastered his craft of sign making over the past 17 years, is just one of the handful of jeepney sign makers still around.

Jeep Sign Maker Stall Diego Cera Avenue

Bolante’s stall is nestled along the bustling avenue of Diego Cera in Pulang Lupa, Las Piñas City where he and his eldest son endure the sweltering heat every day to make ends meet by selling jeepney signboards. His regular jeepney signs are priced at P40-P50, while bigger signs range from P150-P200.

Getting a stable income is a far-fetched dream for him. Ranging from taking home nothing to a rare P200 in hand, the PUVMP weighs heavily on him as days pass by. His future is not far from what may happen to the jeepney drivers, and the PUVMP could push him eventually to leave the job he’s known for almost 20 years in search of more secure work to feed his family.

The PUVMP will be a huge blow to him, he shared, as modern jeepneys will likely use sticker signages over hand-painted ones. Aside from the impending job loss, the possible fare hike in modernized jeeps also scares him, sharing that he already finds the current jeepney fares quite steep.

Painting jeepney signboards, however, isn’t unique to just Bolante. His eldest son also possesses talent in painting and has even started to pick up the job of crafting jeepney signboards.

While Bolante’s worries loom over him, he beamed with pride for his craft.

“For me, what I am most proud of is that these (jeepney sign boards) can only be found in the Philippines, you can’t find them elsewhere,” he said in Filipino. “Some of my signboards have reached other countries because a lot of foreigners would buy them as a souvenir. When foreigners come here, they pass by my stall to have a signboard made before going home.”

Visiting Sarao Motors in Pulang Lupa

Sarao Motors, one of the earliest and most popular local manufacturers of the jeepney, was founded after the war by the late Leonardo Sarao, a former kutsero (kalesa driver). Leonardo's experience as a kutsero would later figure in Sarao Motors' jeepneys, which were made iconic by the metal horses that adorned their hoods.

One of the Earliest Sarao Jeepneys

We took to the facility of Sarao Motors along Diego Cera Avenue in Pulang Lupa, Las Piñas, just a short walk from Robert’s stall. There, we were met by LJ Sarao, one of the grandsons of Leonardo, who showed us around the plant and shared his thoughts about the PUVMP.

All Sarao jeepneys, the millennial third-generation Sarao proudly said, were crafted by hand and made to order. During Sarao Motors’ heyday when sales were at their peak, it manufactured over 50 jeepneys a month. Today, manufacturing a jeepney would take them around six months.

From a workforce of a hundred people, Sarao Motors is also now down to around 20 employees. Much of the facility, which once buzzed with life at its height, has become a parking space for the jeepneys that ply the roads. LJ shared other jeepneys come in the shop for maintenance, too.

"Sadly, now, because of the modernization, I can confidently say we have zero sales. What we're working on now are special projects," he admitted.

LJ Sarao (Grandson of the late Leonardo Sarao)

In the facility, one of the earliest jeepney models that Sarao Motors ever made can be glimpsed, which still retained the compact size of the original Willys jeep that the American troops left behind. The old andas of the Black Nazarene that has been used during the Traslacion for the past decade was also parked in the facility that day, right next to a classic Tranvia tram and a few feet away from a modern electric jeepney prototype.

Sarao Motors Facility 3
Sarao Tranvia and Nazareno Andas

LJ estimated that the prototype was made around 2015 before the PUVMP was introduced and completely ran on battery power. Except, it didn't really look like the traditional jeepney loved by so many.

Sarao Motors E-Jeep Prototype

He showed us a second jeepney prototype beside it with a bigger and longer body, which incorporated the features of the traditional jeepney and could accommodate more modern engines. The second prototype had a side door, a high ceiling, and is capacious enough to allow for tall standing passengers. It can be open-air or air-conditioned and has an emergency exit at the back.

These modern and electric jeepneys would come at a steep price, though. He explained that just the materials needed to build the body would already cost around a million pesos, not including the propulsion system, air conditioning, and more.

"Modern jeepneys are really expensive, so that's the dilemma now. It's not a question of 'Can we do it?' It's a question of, 'Can the people afford it?'" he said. "As you know, these jeepneys back in the day, you can get [one] for P600,000, rolling 'yun eh, everything with the engine."

"We try to explain that the modern engine itself is really expensive, raw materials [are] expensive, added accessories needed for safety [are] also expensive, so those are things out of our control already. What we're trying to show is, we can do it."

He shared that the support they want to see from the government is lower taxes for the purchase of raw materials and other vehicle parts. This would allow them to manufacture vehicles that they can sell to Filipinos for an affordable price.

The government could also offer incentives for buyers, he said, perhaps tax exemptions to encourage them to purchase modern units.

"To be honest, we're not really charging that much for labor 'cause what we're spending for materials is already really high. As much as possible, we just want to be able to manufacture for the people and pay our people properly and whatever's left is probably the income of the company.”

Sarao Motors cannot compete with mass-produced vehicles and imports, and he knew this fact.

"Maybe as an oversight, [the government] didn't consider the local manufacturers anymore. Well, it's hard to say that, we don't know what they're thinking, that's from our point of view,” he said.

"We don't see other local manufacturers as competitors, we see them more of our brothers in craft. Everyone here [is] just doing the same thing. The real threat to our business is mostly the imports. There's no way we can compete with [them]."

Insights From PISTON

Transport groups are the representatives who advocate, negotiate, and handle the complex challenges of this major shift. The Beat Asia had the opportunity to interview Mody Floranda, the current National President of PISTON, who assumed office in 2019 after previously serving as PISTON – National Capital Region president. With almost two decades in the transport industry, Floranda's been fighting tooth and nail for the rights of drivers, operators, and the public.

Established on June 7, 1981, PISTON's primary objective is to safeguard the interests of drivers, operators, and the broader Filipino citizenry in the realm of public transportation. As of now, the organization has a membership base of 100,000 individuals nationwide, and around 20,000 to 30,000 members in the NCR alone.

PISTON National President Mody Floranda
Photo by Facebook/PISTON

According to Floranda, the group has organized multiple demonstrations since the DOTr issued Executive Order No. 2017-011. They have orchestrated around 20 protests at different government agencies, including the LTFRB, DOTr, Malacañang Palace, and more. Before 2023 ended, they had five protest marches in November and December.

Getting ready for these protests isn't a walk in the park. PISTON puts in about three months of hard work, making decisions together as an organization. They convene with local associations in a general assembly to delve into the reasons behind the protest and to address the impact on various groups, including women, youth, church folks, and government employees.

“We don't jump straight into protests. Instead, we choose to engage in conversations with the DOTr and LTFRB. We also submit written communications to Congress and the Senate and actively participate in public hearings. This way, we can concretely lay out the demands of the drivers and operators. Now, if after all these processes, the government agencies don't show a positive response, that's when we consider organizing a rally,” said Floranda in Filipino.

PISTON
Photo by Facebook/PISTON
PISTON
Photo by Facebook/PISTON

To set the record straight, PISTON is not against the PUVMP. Long before the government launched the program, the group was knee-deep in jeepney rehabilitation for a solid seven to eight years.

“Based on our observations, the government's objective isn't solely to improve public transport but rather to create a lucrative business for big corporations and foreign entities. If the primary aim is genuinely to enhance our public transportation system, why not focus on rehabilitation?” he added.

PISTON
Photo by Facebook/PISTON

“We have a rich history of service, and under the modernization plan, the concern arises: Who stands to benefit? It appears that countries like China and Japan will reap the rewards. By neglecting our local workforce in favor of foreign interests, we're essentially undermining our own economy and the people who sustain our public transport system.”

Floranda also emphasized that the impact of the PUVMP extends beyond just jeepney drivers and operators; it stands to affect a significant portion of individuals across various sectors, potentially leading to job losses or a substantial decline in the number of customers of micro and small businesses. This ripple effect could affect establishments like auto suppliers, vulcanizing shops, eateries, cigarette vendors, and more.

PISTON believes that their proposed rehabilitation program is a fair deal for both drivers and operators to sustain their livelihoods. Moreover, they argue it could open doors to various job opportunities for Filipinos that will further boost economic activity, which is crucial to the growth of the Philippine economy. The concern, however, lies in the government's current agenda, which leans towards importing foreign-made cars with price tags ranging from P1.6 million to P2.4 million.

Following the resolution of issues related to the PUVMP, PISTON revealed that they are currently weighing various options, and while they're not closing the door on joining a cooperative, there's a catch: No monopolies allowed. Their preference is for the cooperative to be owned by a local operator, including both units and franchises, with the primary goal of fostering mutual assistance among all its members.

“Just like what we’ve been fighting for, how can the workers fit their meager wages, if here in NCR it is only worth P610? If we look at the family living wage, it should be P1,100 to meet the needs of a family of five. It's not even about having a better life, but just to alleviate hunger, to make sure they’ll be eating three times a day,” he said.

“Right now, our drivers only earn P500-P600 for 12-16 hours of driving. What we are saying is that the government should focus on how to help the local workers who make up our country’s public transportation.”

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This Week's Event In Manila

Manila/ Vibe/ Artists

The Beat Manila’s Up-And-Coming: Singer & Multi-Instrumentalist Rob Deniel

TBM UAC Rob Deniel

The Beat Manila’s Up and Coming is a series where we feature rising talented artists from the Philippines, giving them a platform to share what they’re passionate about and to promote the music they (and us too!) would love for the world to hear. Do you want or know someone who wants to be featured? Email us at mnl.editorial@thebeat.asia or slide through our DMs on FacebookorInstagram!

There are many artists who become overnight sensations, with virality often shaping the trajectory of their careers. In today’s fast-paced digital landscape, aspiring musicians can feel pressured to chase views, streams, and follower counts, sometimes at the expense of the craft itself.

Rob Deniel, however, is the opposite. This rising OPM artist is living proof that slow and steady can still win the race. He began as a teenager with a guitar, writing songs, playing music, and sharing his work online, long before the spotlight found him. His journey wasn’t marked by instant virality, but by years of quiet persistence, experimentation, and a genuine love for music that allowed him to grow into the artist fans know today.

In our latest exclusive, Rob opens up about his creative process, what makes music-making deeply meaningful to him, and how he continues to find inspiration in the everyday. He also gave us a sneak peek into his upcoming concert and album, offering a glimpse of how his sound has evolved while staying true to the sincerity that has defined his work from the very beginning.

On Creating Honest Music

Rob’s brush with music first started back when he was a teenager. As a student, he revealed that his focus was on his studies and hanging out with friends, which mostly involved pulling out his guitar to jam with his band.

“It started for fun. I started enjoying playing the guitar while jamming with my friends or when we joined Battle of the Bands. It was really more of a hobby, and I never really thought about stepping into the music industry,” he told The Beat Manila.

Being part of a band was what first sparked Rob’s interest in songwriting. Back in 2018 and 2019, the local band scene was thriving, with acts like Ben&Ben, December Avenue, and IV of Spades dominating the airwaves. Even bands that are now household names, such as SB19, Over October, and One Click Straight, were making their mark during those years through debut EPs and early singles.

When the pandemic hit, however, Rob shared that his band naturally fell apart as restrictions made it impossible to meet and create together. Rather than letting this moment end his music journey, he chose to pivot. Rob dove headfirst into producing and songwriting on his own — a shift that not only kept his career alive, but ultimately deepened his passion for the craft and sharpened his voice as a solo artist.

As for why he never pursued getting the band back together afterwards, he simply answered, “I just enjoyed the process of being a solo musiciana multi-instrumentalist. I enjoyed playing drums, guitar, and piano, and making original music by myself. When my songs started getting attention, I also became known more as a solo artist, but during live performances, I would still have a band with me. That has never changed. I always treat them as part of my group, like we’re in a boy band.”

From early breakthroughs like “Miss Miss” and “Ang Pag-ibig” to the more recent fan-favorite “RomCom,” the song that catapulted him to viral sensation, the young songwriter has proven his ability to create songs that resonate with this generation of listeners. Most would describe his music as deeply personal, like pages straight out of someone’s diary. His sound has retro pop influences, drawing inspiration from classic songs from the 50s or 60s.

A photo of Rob Deniel with a guitar
Photo from Facebook/Rob Deniel

When asked what inspires him to write most, Rob expressed, “It’s like my journal. I do put in personal experiences, but there are also experiences from the people around me, like my friends. That’s why I enjoy it so much, because I never run out of ideas or stories for songs. I’m still so thrilled when it comes to songwriting.”

He also added that he takes inspiration from consuming media such as romantic films and television series. Sharing personal stories while making them relatable is something the singer has mastered when crafting songs. In fact, he revealed that it’s the easiest part.

“For example, I had this song about my dog who passed away, and I wrote about missing someone when I was really thinking about my dog at that time,” he explained. “I’m able to generalize my feelings so it could be dedicated to a person — like a partner, your mother, or loved one.”

“I always write songs with a lot of yearning. *laughs* Never nawala sa'kin 'yun (that has never disappeared),” he added when asked why he thinks his music is so relatable. “There’s always that constant yearning for love. I’m really that kind of person. I also think that as we grow older, we’re always looking for something — a missing piece that was present in the past. So I think that’s partly why many people enjoy old-sounding music. We always crave that feeling of nostalgia.”

As for what makes his music stand out, Rob puts importance on sharing his true self with his listeners and keeping that transparency, and letting it reflect through his songs. “I want to be always honest about what I want to express. I strive to remain consistent about that. Whatever I feel or think, I won’t be afraid to write it into a song. From all the years of writing music, I always ask myself if it’s honest. I also make it a mission to enjoy what I do, because if I enjoy making music, then I believe listeners will also enjoy the songs.”

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Rob’s honesty has clearly resonated, cementing him as one of the most beloved voices of his generation. From soulful renditions of OPM classics like Ogie Alcasid’s “Nandito Ako” and “Ikaw Sana,” to his contributions to the “100 Awit Para Kay Stella” soundtrack, where tracks such as “Kumusta Na,” “Iisang Daan,” and “Simoy” climbed viral charts, Rob has consistently showcased both his versatility and wide-reaching appeal.

Last September 2025, he ranked as the Top #2 OPM Male Artist on Spotify, amassing more than 4.7 million monthly listeners. It’s a milestone that proves he’s more than a musician known for “yearning” anthems; he’s an artist whose work deeply resonates, inspiring listeners through sincerity, emotion, and craft.

A photo of Rob Deniel's music milestones
Courtesy of Vicor Music

On His Upcoming Concert and New Music

Fast forward to 2026 and fresh from his successful concert with Arthur Nery and Amiel Sol last December, Rob is taking the Araneta Coliseum stage once again for his first-ever major solo concert on Feb. 27, 2026.

When asked what he’s most excited about, the singer replied, “I’m excited to see everyone — the people I see at gigs, new faces, and to be together at such a big venue and to perform in front of all of them. I’m also excited for my band and to see us execute the new arrangements of the songs, from the popular ones to the new songs, which I’m so excited to perform for everyone.”

Rob promises a musical night filled with all his beloved hits and covers, but upgraded with new arrangements and production. During our interview, he also revealed more about his upcoming album, “Wander Boy,” which was released on Feb. 13.

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“The songs are about different kinds of love, like heartbreak or being crazy about someone. It’s a mix of emotions, but the main theme is constantly seeking love or our journeys towards finding true love.”

Rob revealed that the album is composed of previously released tracks from 2023, newer releases in 2025, and unreleased songs, marking it as a culmination album that spans three years of music making.

“The process and preparations were long, especially when it came to arranging the music and finding songs that matched the concept of the album. It has the same sound as what I’ve previously released, as I felt that I’m not yet finished with that kind of sound, so we continued it here. But there are also new sounds which I think people will really like. We stayed in the studio for two weeks to finish the new batch of songs,” he shared with The Beat Manila.

He also shared that from all the songs on the album, “BAL” was the easiest to write and record with its acoustic and mostly stripped version, while the first track, “Pwede Ba Tayong Lumabas?” was the most challenging to create and execute.

A photo of Rob Deniel in concert
Photo from Facebook/Rob Deniel

With a major concert and new album on the horizon, things are only getting better from here. When asked about a lesson he has carried throughout his career and what advice he would give to aspiring musicians, he shared, “To be kind is what I’ve always brought with me. Be kind to everyone — the supporters, the people behind the scenes, the people who play for me. Because when you’re kind, everything else follows. Everyone will be happy, and that joy can be felt through the music.”

“Just enjoy,” he advised. “'Wag n'yo masayadong isipin yung mga mangyayari (Don’t think too much about what will happen). Don’t think about whether people will like it. Just focus on enjoying the process and being true to yourself. Don’t be afraid to express what you feel, especially if music is your biggest outlet. Keep it as your diary. Enjoy ka lang (Just enjoy), don’t overthink it.”

Before wrapping up, Rob also invited everyone to his upcoming show, and shared a special message for his fans: “Sa mga ROBBEARS ko at sa lahat ng nakikining ng music ko, maraming maraming salamat sa pag suporta. Kayo ang dahilan king bakit nakikita ako sa charts — malaking parte kayo nun (To my ROBBEARS and to everyone listening to my music, thank you so much for the support! You’re the reason why I can be seen on the charts — you’re a big part of that). Thank you for coming along my journey and my growth as an artist.”

Tickets to the “Rob Deniel Show” on Feb. 27, 2026 at the Araneta Coliseum are now on sale. Prices are at P4,500 (VIP Standing), P3,700 (Patron), P3,200 (Lower Box), P2,200 (Upper Box), and 1,500 (General Admission). The show will also welcome special musical guests Janine Teñoso, Ashtine Olviga, Arthur Nerry, Amiel Sol, Adie, Pops Fernandez, and Ogie Alcasid.

You can buy your tickets here.

This interview has been edited for length and clarity. For updates on music releases and upcoming shows, follow Rob Deniel on FacebookX (Formerly Twitter)TikTok, and Instagram. Listen to Rob Deniel on Spotify.

Enjoyed this article? Check out our previous Up-and-Coming articles here.

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Manila/ The List/ What's On

Women’s Run PH Celebrates Int’l Women’s Month with FCC Women’s Run 2026

20260213 fcc womens runPhoto by Women's Run PH/Facebook

Strength meets sisterhood this March as Women’s Run PH returns with a bigger and bolder celebration of International Women’s Month and International Women’s Day with the 2026 FCC Women’s Run PH!

Set for Mar. 8, 2026, the highly anticipated run is bringing women of all ages, companies, and brands that champion empowerment, health, and wellness together for a day of movement, motivation, and community at the SM Mall of Asia Complex.

More than a race, Women’s Run PH is a celebration of wellness and empowerment — honoring women’s strength, resilience, and stories through running, connection, and shared energy. The running event offers a perfect event progression to all women of all ages and different fitness levels, with distances starting from 5 km, 10 km, and 16 km!

Runners running
Photo from Facebook/Women's Run PH

Whether you’re chasing a personal best or simply showing up (because that is more than enough!), Women’s Run PH offers a space where every woman can feel their best with every stride.

With categories for beginners, seasoned runners, and young participants, the event welcomes everyone to celebrate strength in their own way.

This March, Women’s Run PH invites participants to lace up, show up, and run in honor of empowered women. The upcoming race is presented by Women’s Run PH, SM Supermalls, and Filipina CEO Circle.

It is also the first of the upcoming series of races to be held by Women’s Run PH throughout the Philippines.

For more information and updates, follow Women’s Run PH on Facebook and Instagram.

2026 FCC Women’s Run PH

Location: SM Mall of Asia Complex, Pasay City

Date: Mar. 8, 2026

Distances: 16K, 10K, 5K, and 1K (for Kids)

Registration fees: P1,200 (1K Kids), P1,400 (5K), P1,700 (10K), P3.400 (10K Buddy), P1,900 (16K), P3,800 (16K Buddy). Register here.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ The List/ What's On

Asia’s First 'Portal' is Opening at Bonifacio Global City in Manila

20260116 portals bgcPhoto by Portals Organization/Website

Bonifacio Global City (BGC) is set to host Asia’s first Portal, reinforcing its position as Metro Manila’s leading business, lifestyle, and cultural district.

Debuting this Jan. 21, 2026, at Bonifacio High Street, the upcoming "Portal" sculpture will become the sixth one in the world — connecting Manila to existing Portals in Vilnius (Lithuania), Lublin (Poland), Dublin (Ireland), Philadelphia (United States), and Ipswich (United Kingdom). More portals will be launching in Piauí (Brazil) and others later this year.

The installation offers a 24/7 livestream connection, creating a real-time window for human connection across borders, cultures, and continents.

A portal sculpture in the UK
The Portal sculpture in Ipswich | Photo from Website/Portals Organization
People looking at the portal sculpture
The Portal sculpture in Philadelphia | Photo from Website/Portals Organization

BGC is a dynamic cultural hub in Metro Manila, renowned for its public art, modern infrastructure, and vibrant cultural life. According to Portals Organization, BGC was the ideal environment to host Asia’s first portal, with its forward-looking spirit offering a pure window to different cultures from around the world.

“The opening of our first Portal in Asia is a powerful and exciting moment for us,” said Benediktas Gylys, Founder of Portals Organization, in a statement. “Bringing the Portal to BGC in Manila — a city known for genuine warmth and deep sense of human connection — expands our vision of a world connected not by borders, but by human encounter.”

Enrique B. Manuel Jr., Chief Operating Officer in Bonifacio Global City, echoed this sentiment. “With Portals and at BGC, we hope to create a new space for connection — one that not only engages our community, but also proudly shares the vibrancy and richness of Filipino culture with the world.”

The Manila Portal will be unveiled along 5th Avenue at Bonifacio High Street, Taguig City, with an opening ceremony on Jan. 21, 2026, at 6 PM.

The project was made possible with the support of their partners: Excell Contractors and Developers Inc., Euroasia Marble & Granite, Habitus Design Group, United Neon, Globe at Home, Unionbank, and CMC Contract Manufacturing Pte Ltd.

For more information and updates, follow Portals Organization on X (Formerly Twitter), Instagram, and TikTok.

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Manila/ The List/ What's On

Art Fair PH 2026: A New Beginning at the PH’s Future Arts and Culture Hub

14012026 2Photo by Instagram/ Art Fair Philippines

Following its successful run at The Ayala Triangle Gardens for Art Fair Philippines 2025, the country’s most renowned art fair is making a move to a new home over at Circuit Corporate Center One, Circuit Makati.

Here’s what to expect from this year’s edition of Art Fair Philippines on Feb. 6 to 8, 2026.

New Venue: Circuit Makati

From the wide expanse of the Ayala Triangle Gardens for last year’s fair, the premier Philippine art fair is now moving to the site of the country’s future arts and culture hub – Circuit Makati.

The Art Fair PH moves here first,” said Co-founder Trickie Lopa in a private media event held on Jan. 14, 2025, at The Social Hall, The CityFlats Circuit Makati. “Eventually there’s going to be a Contemporary Arts Center that’s opening here, so it’s going to change the life of the city.”

Circuit was always envisioned from the beginning as a creative and cultural district” said Paloma Urquijo Zobel de Ayala, Creative Director of Ayala Land Inc., in a video welcoming the media. “A place where art, performance, and public life coexist across indoor venues, open spaces, and everyday settings, and also with the soon to rise Contemporary Art Center.”

“More than a venue, this moment marks the beginning of a longer cultural ecosystem being built in Circuit,” she continued. “One that will continue to grow through a broader cultural roadmap for the area.”

Poster for Art Fair Philippines 2026
Courtesy of Art Fair Philippines

What to Expect at Art Fair Philippines 2026

Participating Galleries

The 2026 edition of the fair brings together leading galleries from the Philippines alongside exhibitors from France, Hong Kong, Indonesia, Japan, South Korea, Malaysia, Singapore, Taiwan, Vietnam, and Spain. This wide selection reinforces Manila’s growing role as a creative hub within the Asian and international art

ArtFairPH/Projects

ArtFairPH/Projects presents a curated selection of artists in different stages in their careers – from modern masters to contemporary visionaries – celebrating artistic excellence and experimental innovation.

Selected by the founders themselves, the artists featured in this part of the fair are to be presented to fairgoers for the first time.

This year’s artist selection includes the foundations of Philippine art and an eclectic mix of modern artists. The contemporary lineup includes Imelda Cajipe Endaya, Ambie Abaño, Ged Unson Merino, Jon and Tessy Pettyjohn, Berlin-based Sa Tahanan Co. collective, and Spanish artist Ampparito.

A variety of works from a Berlin-based Filipino art collective
Sa Tahanan Co. collective's work | Courtesy of Art Fair Philippines
Tarot cards in Filipino
Brenda Fajardo's work | Courtesy of Art Fair Philippines

Late Filipino masters Brenda Fajardo, Constancio Bernardo, Solomon Saprid, and Romeo Tabuena complete the roster, ensuring that their legacies of feminist social realism and geometric abstraction continue to resonate with today’s generation.

Nazareno/Lichauco will once again be designing this space, with this year’s concept said to be a sort of a “town plaza.”

ArtFairPH/Digital

A digital film's poster
"The Keeper" by TRNZ | Courtesy of Art Fair Philippines

Art Fair Philippines continues its study on the connection of art and technology through this space, highlighting works that dabble in animation, virtual and augmented reality, Artificial Intelligence (AI), and the metaverse.

Artists presenting their work under this category are TRNZ, a painter and graphic artist debuting his animated short film “The Keeper,” and TLYR Collective, presenting their works that center on the theme of “digital alchemy.”

ArtFairPH/Talks

In partnership with the Ateneo Art Gallery and the Museum Foundation of the Philippines, ArtFairPH/Talks continues the fair’s mission of developing audiences for contemporary arts.

The fair features daily sessions that deep dive into the evolving art landscape, as well as exchange views on art collecting and the art market. Speakers and topics for this year’s sessions will be announced soon on the fair’s website.

ArtFairPH/Residencies

In contrast to the usual artist residencies, Art Fair Philippines expands the horizons of Filipino artists by inviting international curators for a global exchange of ideas about the vibrant Philippine art scene.

For this year’s edition, the fair has invited New York-based independent curator and producer Anne-Laure Lemaitre as the recipient for this residency grant. She is recognized for her work in cross-disciplinary projects and her expertise in blending public art, technology, and cultural storytelling.

Applications for ArtFairPH/Residencies are now officially open.

BPI Sponsors Project

As co-presenter of the Art Fair Philippines, the Bank of the Philippine Islands is sponsoring multimedia artist AR Manalo and will be presenting his works at the BPI Lounge in the Art Fair.

10 Days of Art

Various public spaces around Makati City will be transformed into large public art installations from Jan. 30 to Feb. 8, 2026, celebrating the best of Makati’s cultural spirit for 10 days.

A large public installation of a carousel
"Carousel" by Ronald Ventura | Courtesy of Art Fair Philippines
A set of hats displayed with mannequins
"Nagsasalitang Ulo" by Mich Dulce | Courtesy of Art Fair Philippines

These installations include works by Alfredo & Isabel Aquilizan (Ayala Tower One, Fountain Area), Ronald Ventura (Ayala Malls Circuit), Mich Dulce (Greenbelt 5 Gallery), Joel Wijangco (Greenbelt 5 Gallery), and FotomotoPH (Paseo Underpass).

Participating galleries and exhibits will also be holding a Gallery Weekend from Jan. 30 to Feb. 1, 2026, where audiences can visit the galleries in their own locations for a sneak peek of what they’re showcasing during the fair proper.

Art Fair Philippines 2026

Tickets to Art Fair Philippines are priced at P750 (General admission), P500 (available on-site; PWDs, Students, Senior Citizens), and P300 (Makati students and teachers). They are available now on Art Fair PH's website. Tickets will also be sold at the door on fair days for the same prices.

Art Fair Philippines is co-presented by Ayala Land Inc, Bank of the Philippine Islands, and Globe. For more information and updates, follow Art Fair Philippines on their FacebookX (Formerly Twitter), and Instagram pages.

Art fair philippines 2026
Art Fair Philippines 2026 Circuit Makati Fri, February 6 10:00 AM - 9:00 PM Explore contemporary art at Art Fair Philippines 2026 from Feb. 6 to Feb. 8, 2026, at Circuit Makati.

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Manila/ Vibe/ Sports

The Philippines Set to Host First WTA Tournament on Jan. 26 to 31

Alex EalaPhoto by Facebook/Alex Eala

Heads up, tennis fans! The Philippines is gearing up to host its first-ever WTA 125 tournament, an international series of professional women's tennis tournaments organized by the Women’s Tennis Association.

Happening on Jan. 26 to 31, 2026 at the Rizal Memorial Tennis Center, the Philippine Women’s Open will showcase some of the best players in the world, including German legend Tatjana Maria and Filipina Tennis pride Alex Eala, who’s currently listed as a wildcard as her stint still depends on the result of her Australian Open campaign. The Manila tournament will feature 32 players for the singles draw and a 16-team doubles field.

If you’re ready to welcome the tennis world to Manila, general admission tickets for the Qualifying Matches (Jan. 24 to 25) and the Main Draw (Jan. 26 to 29) offer free seating and are available via SM Tickets online and box office outlets. A limited number of tickets will also be available on-site on the days of the tournament. Prices are as follows:

  • Qualifying Matches: P200 per day
  • Main Draw: P1,000 per day (round of 32 – Quarterfinals)

The semi-finals for both the singles and doubles events will be held on Jan. 30, followed by the Finals on Jan. 31. For these dates, spectators can purchase a reserved Standard Pass for P1,500 (Rows K and up, East and West bleachers) or a Premium Pass for ₱2,000 (Rows A to J, East and West bleachers).

You can buy your tickets here.

For updates, follow the Philippine Women's Open on Facebook and Instagram.

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Manila/ Vibe/ Pop Culture

Minty Fresh Reps the PH at 'Ru Paul’s Drag Race UK vs The World' Season 3

20260109 rpdr uk vs the worldPhoto by WOW Presents Plus/Instagram

The United Kingdom is about to get another dose of Filipino drag excellence.

Drag Race Philippines Season 1 standout Minty Fresh has been announced as the Philippines’ representative on “Ru Paul’s Drag Race : UK vs The World Season 3,” premiering on Jan. 27, 2026, on WOW Presents Plus.

Minty Fresh for "Ru Paul's Drag Race: UK vs The World" Season 3
Minty Fresh | Photo from Instagram/WOW Presents Plus
10 drag queens on "Ru Paul's Drag Race: UK vs The World" Season 3
The 10 Queens | Photo from Instagram/WOW Presents Plus

She joins nine other all-star queens competing for the crown and the title “Queen of the Mothertucking World”: Sminty Drop, Gawdland, The Only Naomy, Melinda Verga, Mariah Balenciaga, Zahira Zapanta, Serena Morena, Kate Butch, and Fontana.

This season also marks the first time that three Filipina queens are vying for the crown, with Minty Fresh, Melinda Verga (Canada’s Drag Race), and Zahira Zapanta (RuPaul’s Drag Race UK) in the line-up.

A Filipino drag queen from Canada
Melinda Verga | Photo from Instagram/WOW Presents Plus
A Filipino drag queen from the UK
Zahira Zapanta | Photo from Instagram/WOW Presents Plus

Minty Fresh competed on the inaugural season of “Drag Race Philippines,” finishing just short of the finale in fifth place. She follows Marina Summers, her fellow “Drag Race Philippines Season 1” alum and the first Filipina queen to compete on “Ru Paul’s Drag Race: UK vs. The World,” landing in third place.

Two looks from one drag queen
Minty Fresh's "Divi Queen" look and "Miss Shutacca Beauty Queen" look | Photos from Instagram/Min Ortiz

Known for her stunning looks, gag-worthy reads, and fierce aura, Minty Fresh will surely bring Filipino pride to the international stage.

For more information and updates, follow WOW Presents Plus on Facebook, X (Formerly Twitter), and Instagram. Catch “Ru Paul’s Drag Race: UK vs The World Season 3” on WOW Presents Plus on Jan. 27, 2026.

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Manila/ Vibe/ Pop Culture

6 Podcasts in the Philippines We’re Obsessed With Right Now

Podcasts Were Obsessed With

The year 2025 has really seen the rise of some of the most exciting podcasts in the country — and 2026 seems to be no different. Last year marked the emergence of new podcast series, and many people developed a greater appreciation for some of the older ones. Whether as background noise or pure entertainment on a random, boring day, podcasts are definitely something we can’t help but tune into. Combine them with Filipino humor, and you’re guaranteed a wild, entertaining listening experience!

As 2026 officially dawns, we’re looking back at some of the beloved podcasts from last year that are sure to remain staples as the new year progresses. Below are some of the popular podcast series in the country, which continue to captivate listeners nationwide with their engaging conversations, relatable stories, and signature Filipino humor.

Think Talk Tea

Host Kring Kim of Think Talk Tea
Photo from YouTube/Think Talk Tea

Hosted by "Ma’am Chief: Shakedown in Seoul" Director Kring Kim, Think Talk Tea explores interesting topics under the sun. From paranormal encounters and more serious subjects, such as neurodiversity, to human-interest stories, the podcast has been piquing audience interest with its diverse array of stories.

Think Talk Tea has only one mission in mind: to spill the tea. But it’s more than just chismis (gossip). It is a space for open, thoughtful conversations, with topics ranging from practical mental health tips and revelations about celebrity life to the life of an embalmer, working abroad, witchcraft, tarot readings, and so much more.

Tune in to Think Talk Tea on YouTube.

Yani’s Room

Yani Villarosa of Yani's Room
Photo from YouTube/Yani's Room

Yani’s Room, by content creator Yani Villarosa (also known as Yanihatesu), is a podcast for chronically online folks, tackling topics often seen online, Pinoy pop culture, and sometimes even deep, profound ones. If there’s one way to describe Yani, it’s that she has always been the funny one — and her podcast has no shortage of humor. But she can also be serious from time to time.

Yani’s Room, in every sense of the word, is a podcast for Gen Zs, though millennials are, of course, also welcome. She sometimes flies solo in certain episodes and is at other times joined by special guests, including the likes of AC Soriano, Maki, Maris Racal, Marvin Agustin, and Jolina Magdangal.

Catch Yani as she tackles some of the most random topics that will surely resonate with Filipino audiences on YouTube and Spotify.

Chicks 2 Go

Hershey Neri and Ashley Rivera
Photo from Instagram/Chicks 2 Go

Chicks 2 Go, hosted by content creators Hershey Neri and Ashley Rivera, is something we initially didn’t think of ordering — but one we got, and gratefully so. The podcast is a mix of everything, from daily life and relationships to friendships, adulting, and dating tips, with humor on the side. Loads of it!

While Chicks 2 Go is full of fun and laughter, it’s also a podcast with substance. The icing on the cake is, of course, the two hilarious hosts, who bring their humor and charm to every conversation, making even more serious topics a little bit lighter.

New episodes of Chicks 2 Go are available every Wednesday on Spotify.

Paano Ba ‘To: The Podcast

Television host Bianca Gonzalez
Photo from YouTube/Paano Ba ‘To: The Podcast

Hosted by television host and writer Bianca Gonzalez, Paano Ba ‘To (which simply means How in English) takes a more serious route than the first three entries, and even the last two. But that doesn’t make it any less fun, as the host explores some of the most asked questions about life, including dealing with holiday blues, career challenges, juggling work and personal life, adulting, motherhood, and more.

Gonzales delves into thoughtful and insightful conversations with special guests such as Manny Jacinto, The Juans, Coco Martin, Belle Mariano, Enchong Dee, Shuvee Etrata, Mika Salamanca, and many more.

Get those life questions answered with Paano Ba ‘To: The Podcast, available on YouTube and Spotify.

Ang Walang Kwentang Podcast

Ang Walang Kwentang Podcast with Antoinette Jadaone and JP Habac, alongside guest Angelica Panganiban
Photo from YouTube/Ang Walang Kwentang Podcast

Ang Walang Kwentang Podcast (translated to The Pointless Podcast in English) doesn’t quite live up to its name, but we understand why it’s called that. The podcast never really strays away from humor, though you might gain a few insights along the way. Hosted by filmmakers Antoinette Jadaone ("Sunshine") and JP Habac ("I’m Drunk, I Love You"), the show invites listeners into random conversations with their guests as they tackle love, heartbreak, personal experiences, and sometimes even pointless (but deeply relatable) things.

Some of the guests so far include content creators, A-listers, and relevant personalities such as Nadine Lustre, Sassa Gurl, Vice Ganda, Angelica Panganiban, Petersen Vargas, Angeline Quinto, Brigiding, Nathalie Hart, Morissette Amon, Tony Labrusca, and Lav Diaz, among others.

Episodes are available on YouTube (called Ang Walang Kwentang Channel) and Spotify.

Dogshow Divas

Baus Rufo and Macoy Dubs of Dogshow Divas
Photo from YouTube/Dogshow Divas

You really can’t fault a podcast named Dogshow Divas for being chaotic and bordering on brain-rot. That’s what the podcast is all about, after all — yet somehow, everything just makes sense. Named after the Filipino slang word “dogshow,” which means mockery with no harmful intent, the podcast led by hosts Baus Rufo and Macoy Dubs is sometimes devoid of any sense, but one we can fully relate to in a weird, slightly unhinged way.

It’s a podcast where the hosts tackle memes, lifestyle, pop culture, corporate life, and just about any topic possible. One moment, they’re talking about retail brand Genevieve Gozum, and the next, they’re fan-casting a Filipino adaptation of "Powerpuff Girls" (we know it’s not going to happen, but it’s fun to think about). Dog Show Divas is a relatively new podcast, but it took the internet by storm almost overnight, amassing over 90,000 subscribers as of this writing. We can say for sure that Baus and Macoy have made it. It’s giving icons!

We know this dynamic duo is just here to dogshow us. But does that make us willing victims? Get ready to have your brain chemistry altered with Dog Show Divas, available on YouTube and Spotify.

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Manila/ The List/ Nightlife

P-Pop Kings SB19 Return Home with ‘Wakas at Simula’ Finale Concert

SB19Photo by Facebook/ SB19

After a successful world tour spanning 21 cities, SB19 is ready to close the curtain on their “Simula at Wakas” era.

The P-Pop Kings rang in the New Year with a big reveal, announcing their “Wakas at Simula: The Trilogy Concert Finale” on social media. The post came with a haunting caption: “Daming sakuna, ’di ko ininda, andito na tayo sa wakas,” and confirmed their homecoming concert on Apr. 18 at the SMDC Festival Grounds. Ticket sale details are still under wraps.

Wakas at Simula official concert poster
Photo from Facebook/ SB19

The group kicked off their “Simula at Wakas” world tour last May with a two-day concert at the Philippine Arena. It wrapped up last month, with four shows across Australia and New Zealand. The tour was a massive success, with tickets selling out almost instantly, and earned top honors at both the Filipino Music Awards and P-Pop Music Awards, where it was named Concert of the Year and Tour of the Year.

Composed of Pablo, Josh, Stell, Ken, and Justin, SB19 is a Filipino pop boy band formed in 2018. “Simula at Wakas” is the final EP in a trilogy, which tells the narrative of a hero’s journey. It began with “Pagsibol” in 2021, which spawned hits like “What?,” “MAPA,” and “Bazinga.” In 2023, they released “PAGTATAG!” which solidified their global status with their viral single, “Gento.” Additionally, they also became independent when they formed their own label, 1Z Entertainment, that same year. “Simula at Wakas” was released in 2025 with seven tracks, including the chart-topper “DAM.”

For updates, follow SB19 on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Manila/ The List/ What's On

ALT Philippines is Hosting its Biggest Event Yet this February at SMX MOA

20260107 alt phPhoto by Facebook/ ALT Philippines

After a two-year hiatus, ALT Philippines is back for its fourth edition—its biggest one yet.

From February 12 to 15, 2025, the contemporary art fair will take over the SMX Convention Center at the Mall of Asia Complex in Pasay City, featuring expanded exhibitions from the nine galleries that are part of ALT Collective: Artinformal, Blanc, The Drawing Room, Galleria Duemila, Finale Art File, MO_Space, Underground, Vinyl on Vinyl, and West Gallery.

Official poster for ALT Philippines
Photo from Instagram/ ALT Philippines

While ALT Philippines may just be like any other contemporary art fair in the country, what sets it apart from the rest is its commitment to going beyond traditional art forms such as painting and sculpture. The fair embraces mixed media, sound, moving image, performance, and other experimental media—creating a space for dialogue, collaboration, and a wider view of the evolving Filipino cultural landscape.

Scene from ALT Philippines 2024
Photo from Facebook/ ALT Philippines

Every year, ALT Philippines’ exhibitions include the “Special Projects” section, where the participating galleries present pieces that push the boundaries of conceptual possibilities and expand the fair’s range. This year features works by Christina Quisumbing Ramilo, Buen Calubayan, Julie Lluch, Kiri Dalena, Ben Brixx, Raffy Napay, MM Yu, Christina Lopez, Mauro “Malang” Santos, Lesley-Ann Cao, and Iwan Effendi.

ALT Philippines is also introducing a new feature called “ALT Discoveries,” highlighting talented artists who the organizers believe deserve more scrutiny and recognition, with the first batch including JC Mariategue, Jomari T’leon, Joar Songcuya, Allyza Tresvalles, Eric Bico, Gelo Cinco, Joanna Nolasco, Rhaz Oriente, and Marco Ortiga.

At its core, ALT Philippines continues to serve as a platform for artists and enthusiasts to reflect on the present through art—presenting both collective and personal narratives and cultivating spaces for creative dialogues.

Scene from ALT Philippines 2024
Photo from Facebook/ ALT Philippines

Tickets to ALT Philippines will be available onsite at the event. For more information and updates, visit the ALT Philippines website, or follow their Facebook and Instagram pages.

Alt
ALT ART 2026 SMX Convention Center Manila Thu, February 12 11:00 AM onwards ALT Philippines returns to SMX Convention Center, Mall of Asia Complex from Feb. 12–15, 2026 spotlighting bold contemporary works and emerging Filipino artists.

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Manila/ Nomads/ Explore

From IMAX to 4DX: Special Cinemas in Manila You Need to Try

Special Cinemas in Manila

Watching a movie doesn’t have to mean simply sitting in the dark and staring at a screen. Around Manila, next-level cinemas are redefining the big-screen experience with larger-than-life visuals, immersive sound, and premium comforts that pull you deeper into the story.

From towering screens that make every scene feel epic to Dolby Atmos surround sound that places you right in the middle of the action and La-Z-Boy plush seats that turn a film outing into a luxurious escape, these special cinemas let you experience movies in an entirely new way.

If you’re ready to level up your next cinema date or solo movie night, here are the standout theaters that transform how films are meant to be seen and heard.

ScreenX

ScreenX theater
Photo from Website/CJ 4DPlex

This revolutionary cinematic format developed by CJ 4DPlex can now be found in the Philippines, equipped with a massive 270-degree panoramic screen display that’s redefining the word “immersion.”

What’s special about ScreenX is that the projection extends beyond the front and to the side walls of the theater, making you feel like you’re inside the action instead of just watching it. Other features include the Blended Image Technology that creates seamless panoramas and the Dual Modes that help shift between ScreenX and standard viewing.

While not all films are available for this format, many blockbusters and action-packed movies are being remastered for the multi-screen experience. As of now, the only ScreenX cinema in the Philippines is located at SM Mall of Asia.

Ticket prices start from P710, which includes a bottle of water and a pack of Lay’s Classic chips. You can book tickets via the SM Cinema app or online.

Book tickets here.

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4DX

4DX Theater
Photo from Website/Celluloid Junkie

Before, you’d only hear the word 4DX when you go to theme parks like Enchanted Kingdom or Disneyland, but not anymore, because your very own local cinemas can now transform films into multi-sensory experiences.

Also developed by CJ 4DPlex, this cinema transforms moviegoing into a full-body, multi-sensory experience. Beyond the screen, motion-seats move and tilt in sync with the action, and other environmental effects such as water, wind, scents, and strobe lights bring scenes to life.

In 4DX, every chase, explosion, or dramatic moment is felt as much as it is seen and heard, so it’s perfect for thrill-seekers, action lovers, and those who are simply looking for an immersive ride.

In Manila, you can try it at Bonifacio High Street Cinema (Cinema 4), Greenbelt 3 (Cinema 5), and U.P. Town Center (Cinema 5). Ticket prices start from P500.

Book tickets now.

IMAX

IMAX theater at SM Mall of Asia
Photo from Facebook/SM Cinema

IMAX or “Image Maximum”  is designed to make movies feel bigger, louder, and more immersive than standard cinemas.

It features an extra-large screen that stretches from floor to ceiling, paired with clear projection that delivers sharper images and deeper contrast. Complementing the visuals is IMAX’s precision-tuned sound system, which surrounds the audience with powerful and finely balanced audio. Whether it’s an action-packed blockbuster or a visually stunning epic, IMAX makes every scene feel grand and cinematic — both in 2D and 3D!

SM Cinema opened the first IMAX theater in the Philippines at SM Mall of Asia in 2006, and has since expanded to ten theaters nationwide equipped with Laser technology — an upgrade that delivers images in 4K resolution. Ticket prices start from P860, which includes a bottle of water and one pack of Lay’s Classic chips. You can also purchase an IMAX premium seat for P1,000, which includes a free popcorn bucket and soda. You can book tickets via the SM Cinema app or online.

Book tickets now.

A-Giant Screen

A-Giant cinema at TriNoma Mall
Photo from Facebook/Ayala Malls Cinemas

Known as Ayala Malls’ premium large-format cinema, A-Giant theaters are designed to make movie watching feel larger than life. With a massive screen four times larger than the standard, enhanced projection clarity, and Dolby Atmos sound, it really puts you at the center of the story. It’s a good choice if you want the immersive experience without the physical effects of 4DX.

A-Giant screens are currently available at Ayala Malls Manila Bay, Ayala Malls Veris North, and TriNoma. The former theaters have over 400 seats, while the cinema in TriNoma, which just launched last June, can accommodate up to 600 moviegoers with plush seating and ample legroom.  Ticket prices start from P620.

Book tickets now.

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A-Luxe

Ayala Malls A-Luxe cinema
Photo from Facebook/Ayala Malls Cinema

If you want a movie experience that will make you feel like a VIP, then go for Ayala Malls’ A-Luxe cinemas, which combine comfort and the thrill of movie magic.

From the name itself, A-Luxe Cinemas focus on luxury seating through modernized recliner seats with wider spacing and special tech amenities like built-in USB charging ports.

A notable A-luxe theater is the newly reopened cinema in Glorietta, which is a boutique theater with 60 motorized recliner seats. Each seat has a generous legroom space, a personal tablet, and a USB charging port. Apart from the comfortable seating, the theater also makes use of laser projection for clearer pictures and a surround Dolby Atmos sound.

Beyond the movie theater, guests can enjoy the lobby lounge while they wait for their screening time, and enjoy a myriad of food options close by.

You can book your next A-Luxe movie date at Glorietta, Greenbelt 3, TriNoma, Ayala Malls Cloverleaf, and Ayala Malls Manila Bay. Ticket prices start from P560.

If you’re looking for other theaters offering a luxurious movie experience, we’ve rounded up some of Manila’s VIP cinemas here.

Book tickets now.

For updates on all the latest movie premieres and screenings, follow SM Cinema on Facebook, X (Formerly Twitter), TikTok, and Instagram; and Ayala Malls Cinemas on Facebook and Instagram.

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