The PUV Modernization Program and How It Affects Us All
Manila/ Vibe/ Pop Culture

Para Po! The PUV Modernization Program and How It Affects Us All

Loud, colorful, cramped. The Philippine jeepney is a riot, if not an assault on the senses. Nobody foresaw its existence, but when World War II devastated the Philippines’ economy and infrastructure, Filipinos had to start the work of rehabilitation somewhere.

From the surplus military jeepneys abandoned by American troops, Filipinos took what they could get. Ingenuity forged the Philippine jeepney from the wastes of war and local jeepney manufacturers like Sarao Motors, Francisco Motors, LGS, Malagueña, and Chariot, among others, stepped up to the plate, showcasing the possibilities and potential of the country's vehicle industry.

What started as a practical mode of transportation born from necessity has cemented its iconic place in Philippine culture. The Pinoy jeepney unapologetically makes itself known as the “King of the Road" with its garish and bright bodywork designs of religious images, pop culture icons, and landscapes; loud music and even louder horns; witty signages; and informal typographies. It careens through our streets and thoroughfares, having woven its indelible place in the everyday lives of millions of Filipinos.

But time has not been kind to jeepneys and public utility vehicles. Old jeepneys and PUVs continue to ply the roads, belching smoke and carrying passengers in dilapidated units that many deem uncomfortable, if not dangerous.

In 2017, the Department of Transportation (DOTr) and the Land Transportation Franchising and Regulatory Board (LTFRB) introduced the Public Utility Vehicle Modernization Program (PUVMP), with the goal to make public transportation more efficient, affordable, and environmentally friendly.

Dialogues and criticism surrounding the program unpeeled the heart of the issue: How to ensure a modernization that leaves nobody behind.

In the grand scheme of things, the PUVMP is more than changing lanes — literally and figuratively. As the Philippines revs its engines towards progress, it is behooved to grapple with the threats of displacement among communities and micro industries in the name of change.

The Beat Asia took to the streets to have conversations with jeepney drivers, commuters, transport group PISTON, local manufacturer Sarao Motors, and even a jeepney sign maker to reconcile each other’s woes and hopes for Philippine public transportation — and how the PUV Modernization Program affects us all.

Checking in on the Jeepney Drivers

Imus Palengke Terminal

There will be no crackdown on Feb. 1. The government had extended the consolidation deadline to April 30, giving drivers and operators more time to consolidate.

The government’s PUVMP promises great things, but it has also left many jeepney drivers in the Philippines to feel otherwise. This is mainly because the PUVMP poses huge risks to their livelihoods, among other problems.

Mang Arnold, for instance, is a jeepney driver who navigates the Imus to Dasmarinas route daily. To him, purchasing a modern jeepney for himself is completely unattainable as he only earns a clean P800 a day.

Mang Arnold's Jeepney

“If the PUVMP pushes through, we can’t do anything about it. We can’t afford to pay for the modern jeepneys,” said Mang Arnold in Filipino.

Another jeepney driver, Mang Ernest (not his real name), who travels along Pasay Road on a regular basis, shared the same sentiments. According to him, most of them earn only about P600 to P700 a day — a far cry from the P6,000 to P7,000 lawmakers foresee that jeepney drivers must earn in order to afford modern vehicles.

“How much is a jeepney driver’s minimum earnings, you ask? Only about P700 or P600. How can you make ends meet, especially if you have four children to support? What if they’re also studying, right?” said Mang Ernest.

Pasay Road terminal

To both, who have been jeepney drivers for 12 and 25 years, finding another job will be difficult for several reasons. For Mang Arnold, this livelihood is what he’s used to and what he knows best. Should the program continue to push through, he plans to take a different path, away from his current occupation.

“If it’s up to me, I’ll just go home to the province. They’ve been asking me to go home for a long time,” he said. “I will just raise pigs. At least there, I wouldn’t have a boss and the earnings are all mine.”

For Mang Ernest, while it is painful for him to let go of his jeepney, his plan is to move forward with the program and only hope for the best.

“Currently, we’re consolidated here on Pasay Road. We really have no choice because we are part of an association. If we don’t participate in this consolidation, other routes will take over this terminal,” he said.

“Let’s forge ahead first and fight for our cause. It might change after three years as the one in power now won’t always be there. When a new leader steps in, things might shift. Let’s just keep on fighting.”

The Good and The Bad: Commuters' POV

Buses, taxis, tricycles, pedicabs — the list goes on. On top of jeepneys, the country has many different modes of transportation, yet these still don’t meet the demand of commuters who need to travel daily. This case is true, especially during rush hour, when many commuters have to wait (or wrestle with others along the road) to get to their destination. Suppose the PUVMP is fully implemented by April, will the consolidated routes be enough for everyone, or will it cause a crisis that will affect accessibility to public transportation?

In a press release, the Presidential Communications Office said that about 75% of jeepneys have already consolidated as of mid-January according to the LTFRB. Meanwhile, buses were able to reach 86% consolidation, followed by UV Express at 82% and mini buses at 45%. Knowing how the country is already short in meeting commuter demand, not meeting the 100% by the deadline could spell fewer public transportation on the road.

The possibility of fare increases also hangs in the air. As per Atty. Neri Colmenares, lawyer for transport group PagkakaIsa ng mga Samahan ng Tsuper at Operator Nationwide (PISTON), in an ANC interview on Jan. 3, fares could jump to P40 due to the cost of modern jeepneys, which are priced at about P2.6 million. The DOTr, however, has refuted this claim.

According to GMA News early this month, the DOTr had said that fears over a possible fare hike under the PUVMP have no basis and that no fare hike would be implemented without going through the process of the LTFRB.

We turned to commuters to hear their views, from their thoughts on the PUVMP to their own daily commute experiences.

A 25-year-old commuter, Mark John Dulay, expressed his frustration, describing Manila as becoming an “inferno” due to the high cost of living.

“It’s annoying that the cost of living in this hellhole is expensive when we don’t even earn as much as we spend. I don’t earn much with what I do, but at this point, it’s enough to get me by on a daily basis. The problem is, not everyone’s in the same boat. If it’s a problem for me, what more for people with fewer resources than I do?”

As a daily jeepney commuter for work, Dulay questioned the fairness of the PUVMP because of its burden on low-income commuters as well as the livelihood of jeepney drivers.

Mark John Dulay

For Bernadine Buensalida, the program has its pros and cons. On a positive note, the PUVMP can improve the public transportation system, but she also said that this advancement can come with equal consequences, like a possible fare increase.

She acknowledged the factors contributing to this hike, such as inflation and fuel prices. While expressing concern, she said that “it is important for the government to ensure that the fare increase is reasonable and affordable for the majority of commuters.”

Bernadine Buensalida

Jeremae Alubog, on the other hand, expressed hope for the government's plans and the people in power, saying that a fare hike might be acceptable if it leads to a better commuting experience.

When asked if the possibility of a fare increase is reasonable, she said in Filipino, “Yes. If it’s a lot more convenient and comfortable compared to the old jeepneys.”

Jeremae Alubog

Meeting Robert Bolante, a Jeepney Sign Maker

Behind the endless calls of jeepney drivers and operators in opposition to the PUVMP hides a small voice in the name of Robert Bolante, a jeepney sign maker. Bolante, who mastered his craft of sign making over the past 17 years, is just one of the handful of jeepney sign makers still around.

Jeep Sign Maker Stall Diego Cera Avenue

Bolante’s stall is nestled along the bustling avenue of Diego Cera in Pulang Lupa, Las Piñas City where he and his eldest son endure the sweltering heat every day to make ends meet by selling jeepney signboards. His regular jeepney signs are priced at P40-P50, while bigger signs range from P150-P200.

Getting a stable income is a far-fetched dream for him. Ranging from taking home nothing to a rare P200 in hand, the PUVMP weighs heavily on him as days pass by. His future is not far from what may happen to the jeepney drivers, and the PUVMP could push him eventually to leave the job he’s known for almost 20 years in search of more secure work to feed his family.

The PUVMP will be a huge blow to him, he shared, as modern jeepneys will likely use sticker signages over hand-painted ones. Aside from the impending job loss, the possible fare hike in modernized jeeps also scares him, sharing that he already finds the current jeepney fares quite steep.

Painting jeepney signboards, however, isn’t unique to just Bolante. His eldest son also possesses talent in painting and has even started to pick up the job of crafting jeepney signboards.

While Bolante’s worries loom over him, he beamed with pride for his craft.

“For me, what I am most proud of is that these (jeepney sign boards) can only be found in the Philippines, you can’t find them elsewhere,” he said in Filipino. “Some of my signboards have reached other countries because a lot of foreigners would buy them as a souvenir. When foreigners come here, they pass by my stall to have a signboard made before going home.”

Visiting Sarao Motors in Pulang Lupa

Sarao Motors, one of the earliest and most popular local manufacturers of the jeepney, was founded after the war by the late Leonardo Sarao, a former kutsero (kalesa driver). Leonardo's experience as a kutsero would later figure in Sarao Motors' jeepneys, which were made iconic by the metal horses that adorned their hoods.

One of the Earliest Sarao Jeepneys

We took to the facility of Sarao Motors along Diego Cera Avenue in Pulang Lupa, Las Piñas, just a short walk from Robert’s stall. There, we were met by LJ Sarao, one of the grandsons of Leonardo, who showed us around the plant and shared his thoughts about the PUVMP.

All Sarao jeepneys, the millennial third-generation Sarao proudly said, were crafted by hand and made to order. During Sarao Motors’ heyday when sales were at their peak, it manufactured over 50 jeepneys a month. Today, manufacturing a jeepney would take them around six months.

From a workforce of a hundred people, Sarao Motors is also now down to around 20 employees. Much of the facility, which once buzzed with life at its height, has become a parking space for the jeepneys that ply the roads. LJ shared other jeepneys come in the shop for maintenance, too.

"Sadly, now, because of the modernization, I can confidently say we have zero sales. What we're working on now are special projects," he admitted.

LJ Sarao (Grandson of the late Leonardo Sarao)

In the facility, one of the earliest jeepney models that Sarao Motors ever made can be glimpsed, which still retained the compact size of the original Willys jeep that the American troops left behind. The old andas of the Black Nazarene that has been used during the Traslacion for the past decade was also parked in the facility that day, right next to a classic Tranvia tram and a few feet away from a modern electric jeepney prototype.

Sarao Motors Facility 3
Sarao Tranvia and Nazareno Andas

LJ estimated that the prototype was made around 2015 before the PUVMP was introduced and completely ran on battery power. Except, it didn't really look like the traditional jeepney loved by so many.

Sarao Motors E-Jeep Prototype

He showed us a second jeepney prototype beside it with a bigger and longer body, which incorporated the features of the traditional jeepney and could accommodate more modern engines. The second prototype had a side door, a high ceiling, and is capacious enough to allow for tall standing passengers. It can be open-air or air-conditioned and has an emergency exit at the back.

These modern and electric jeepneys would come at a steep price, though. He explained that just the materials needed to build the body would already cost around a million pesos, not including the propulsion system, air conditioning, and more.

"Modern jeepneys are really expensive, so that's the dilemma now. It's not a question of 'Can we do it?' It's a question of, 'Can the people afford it?'" he said. "As you know, these jeepneys back in the day, you can get [one] for P600,000, rolling 'yun eh, everything with the engine."

"We try to explain that the modern engine itself is really expensive, raw materials [are] expensive, added accessories needed for safety [are] also expensive, so those are things out of our control already. What we're trying to show is, we can do it."

He shared that the support they want to see from the government is lower taxes for the purchase of raw materials and other vehicle parts. This would allow them to manufacture vehicles that they can sell to Filipinos for an affordable price.

The government could also offer incentives for buyers, he said, perhaps tax exemptions to encourage them to purchase modern units.

"To be honest, we're not really charging that much for labor 'cause what we're spending for materials is already really high. As much as possible, we just want to be able to manufacture for the people and pay our people properly and whatever's left is probably the income of the company.”

Sarao Motors cannot compete with mass-produced vehicles and imports, and he knew this fact.

"Maybe as an oversight, [the government] didn't consider the local manufacturers anymore. Well, it's hard to say that, we don't know what they're thinking, that's from our point of view,” he said.

"We don't see other local manufacturers as competitors, we see them more of our brothers in craft. Everyone here [is] just doing the same thing. The real threat to our business is mostly the imports. There's no way we can compete with [them]."

Insights From PISTON

Transport groups are the representatives who advocate, negotiate, and handle the complex challenges of this major shift. The Beat Asia had the opportunity to interview Mody Floranda, the current National President of PISTON, who assumed office in 2019 after previously serving as PISTON – National Capital Region president. With almost two decades in the transport industry, Floranda's been fighting tooth and nail for the rights of drivers, operators, and the public.

Established on June 7, 1981, PISTON's primary objective is to safeguard the interests of drivers, operators, and the broader Filipino citizenry in the realm of public transportation. As of now, the organization has a membership base of 100,000 individuals nationwide, and around 20,000 to 30,000 members in the NCR alone.

PISTON National President Mody Floranda
Photo by Facebook/PISTON

According to Floranda, the group has organized multiple demonstrations since the DOTr issued Executive Order No. 2017-011. They have orchestrated around 20 protests at different government agencies, including the LTFRB, DOTr, Malacañang Palace, and more. Before 2023 ended, they had five protest marches in November and December.

Getting ready for these protests isn't a walk in the park. PISTON puts in about three months of hard work, making decisions together as an organization. They convene with local associations in a general assembly to delve into the reasons behind the protest and to address the impact on various groups, including women, youth, church folks, and government employees.

“We don't jump straight into protests. Instead, we choose to engage in conversations with the DOTr and LTFRB. We also submit written communications to Congress and the Senate and actively participate in public hearings. This way, we can concretely lay out the demands of the drivers and operators. Now, if after all these processes, the government agencies don't show a positive response, that's when we consider organizing a rally,” said Floranda in Filipino.

PISTON
Photo by Facebook/PISTON
PISTON
Photo by Facebook/PISTON

To set the record straight, PISTON is not against the PUVMP. Long before the government launched the program, the group was knee-deep in jeepney rehabilitation for a solid seven to eight years.

“Based on our observations, the government's objective isn't solely to improve public transport but rather to create a lucrative business for big corporations and foreign entities. If the primary aim is genuinely to enhance our public transportation system, why not focus on rehabilitation?” he added.

PISTON
Photo by Facebook/PISTON

“We have a rich history of service, and under the modernization plan, the concern arises: Who stands to benefit? It appears that countries like China and Japan will reap the rewards. By neglecting our local workforce in favor of foreign interests, we're essentially undermining our own economy and the people who sustain our public transport system.”

Floranda also emphasized that the impact of the PUVMP extends beyond just jeepney drivers and operators; it stands to affect a significant portion of individuals across various sectors, potentially leading to job losses or a substantial decline in the number of customers of micro and small businesses. This ripple effect could affect establishments like auto suppliers, vulcanizing shops, eateries, cigarette vendors, and more.

PISTON believes that their proposed rehabilitation program is a fair deal for both drivers and operators to sustain their livelihoods. Moreover, they argue it could open doors to various job opportunities for Filipinos that will further boost economic activity, which is crucial to the growth of the Philippine economy. The concern, however, lies in the government's current agenda, which leans towards importing foreign-made cars with price tags ranging from P1.6 million to P2.4 million.

Following the resolution of issues related to the PUVMP, PISTON revealed that they are currently weighing various options, and while they're not closing the door on joining a cooperative, there's a catch: No monopolies allowed. Their preference is for the cooperative to be owned by a local operator, including both units and franchises, with the primary goal of fostering mutual assistance among all its members.

“Just like what we’ve been fighting for, how can the workers fit their meager wages, if here in NCR it is only worth P610? If we look at the family living wage, it should be P1,100 to meet the needs of a family of five. It's not even about having a better life, but just to alleviate hunger, to make sure they’ll be eating three times a day,” he said.

“Right now, our drivers only earn P500-P600 for 12-16 hours of driving. What we are saying is that the government should focus on how to help the local workers who make up our country’s public transportation.”

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This Week's Event In Manila

Manila/ Vibe/ Pop Culture

‘Green Flag Guy’ Rio Mizu on Showcasing the Beauty of the Philippines

Rio Mizu

Most of us came across Japanese content creator Rio Mizu as the “Green Flag Guy” from a viral StreeTok video, where his anime-like charm and easygoing personality instantly caught the attention of local netizens. But beyond that fleeting moment online, his relationship with local content creation has deepened, and he has since carved a space for himself in the Philippines as a multi-talented personality.

Now based in Manila, Rio has not only shared his looks for various brands and shows, but also his perspective as a Japanese creative making a home in a new country.

The Beat Manila hung out with the bubbly Japanese model to chat about his beginnings and what made him want to extend his stay in the Philippines. In our conversation, he opened up about what he loved most about the country, his journey into modeling and content creation, and what he hopes to bring to the local scene as he continues to grow his career.

Rio to The Philippines: Love at First Sight

Rio came to the Philippines with the intent of taking up English language lessons. What started as a study plan for three months has turned into an indefinite stay that would ultimately change the trajectory of his career as a creative.

He shared how he landed in Cebu two years ago, and was immediately captivated by the country — specifically by its people, who have welcomed him so warmly.

“I think it was day two here in the Philippines when I went to a mall in Cebu that I realized, ‘Oh my gosh! I want to stay here!’ I fell in love with this country immediately. I don't know why, but I just felt that this is my country, like I should stay here,” he expressed. “I love how people smile so much compared to other countries. I really admire the welcoming culture here.”

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Determined to stay for good, Rio knew he had to find a way to make a living here. With his effortless charm and good looks, it wasn’t too difficult to figure out where he would fit. In fact, he was an idol trainee back in Japan and had received professional voice and dance lessons. However, after coming to the Philippines, he decided to venture into modeling instead.

“Filipinos are so talented in dancing and singing, so I kind of gave up,” he joked. “I was like, I cannot do this in this country, so let’s try modeling.”

Despite his natural charm, Rio had no experience in the modeling industry, a shocking revelation if we say so ourselves. A true self-made professional, the Japanese creative went out and made connections, using his main strengths: his charisma and friendly disposition.

“I came here alone, and I had no connections. So, I went out every day to places where people from the modeling industry usually go. I would say hi to everybody and introduce myself. I did that every day, and luckily, I got some gigs in Cebu. That’s how I started my modeling career.”

Rio had since carved a space for himself in the industry with his unique charm. Whether he was rocking those long, wavy locks or the K-Pop idol bowl cut, Rio is a natural when it comes to fashion, which made the transition almost effortless.

He has since been featured in several campaign ads and even had a magazine cover feature. He also took part in a couple of local TV series, having acting credits in “Tadhana” starring Marian Rivera and “The Write One” with Ruru Madrid and Bianca Umali. Rio’s determination, diligence, and love for Filipino culture are an inspiring reminder that you can still start from scratch and do well, so long as you set your mind to it.

Rio Mizu
Courtesy of Rio Mizu

On Showcasing Authentic Cultural Experiences

As a Japanese creative living abroad, it might be easy to assume that content creation would have been his natural first step. But with Rio starting in modeling, it shows that the daily vlogs he now shares, capturing snippets of his life in Manila, are far from performative. Instead, they feel authentic, grounded in his genuine curiosity and appreciation for the Philippines.

Being a foreigner in a new country, culture shocks are inevitable. When asked about the biggest differences between Japan and the Philippines, Rio immediately mentioned “Filipino time,” noting how he had to adjust since punctuality is deeply ingrained in culture. But alongside the challenges, he was quick to highlight the things he’s grown to love here — things he even wishes existed back home. Among them are Grab and Angkas, which he appreciates for their convenience and affordability compared to Japan’s costly transportation, and even Chowking, the Filipino-Chinese fast food chain he’s grown fond of.

In our conversation, we also talked about some of his favorite local dishes. One of them was Chicken Afritada, a dish he tried homemade by his good friend and fellow content creator, JinHo Bae. Rio’s vlogs are also quite humorous and would feature him doing mundane activities like eating street food, chatting up locals, and even trying public transportation. One of the appeals of watching lifestyle videos by foreigners is seeing their fascinating reactions to a particular place or experience. His videos remind us that more than the usual roads and streets we travel through or the food we are served daily, they can also be beautiful and meaningful.

When asked if he had a favorite among his vlogs, he replied, “The everyday videos; the ones when I'm trying Filipino foods or having a conversation with a stranger. I really enjoy doing them and I’m proud of it.”

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“I want to show myself and share how beautiful this country is to the world — and to the Filipinos. Sometimes, I feel like you don’t know. *laughs* So I want you to know that your country is amazing, to remind you of it. That’s the kind of content I want to make.”

Rio also shared that his content creation was rooted in his desire to connect more deeply with the Filipino people. We also noticed how he already had a good grasp of the Filipino language, to which he admitted he’s currently learning.

“To be honest, I really don't need to study Tagalog to live here in the Philippines, but I really want to connect and communicate more deeply with them. That's why I felt the need to learn the culture, which is the language. I believe understanding the culture will help me build deeper connections.”

True to this, Rio plans to showcase deeper insights into Philippine culture for his upcoming content, specifically in agriculture. The creator shared with The Beat Manila how he had been visiting agriculture sites and was genuinely amazed by the work being done by farmers.

I want to share a deeper side of what makes the Philippines beautiful. So in the future, I plan to focus more on tourism and agriculture.”

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Rio’s positivity and sunny disposition gave his content a unique flair, even more than the fact that he’s a Japanese living abroad. When asked how he maintains his positive attitude, even on days when things are rough, he simply advised, “Sleep well, eat well, and avoid negativity. I just want to share my happy energy.”

Rio truly lived up to his “Green Flag Guy” title with that answer. If there’s one thing we can learn from his journey, it’s that positivity is a choice and that authenticity easily shines through when you’re doing something you love.

You can follow Rio’s city adventures on FacebookYouTubeTikTok, and Instagram.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture

Five Plushies and Bag Charms That Look Good Enough to Eat

Restaurant Plush Charms

It’s no secret that plushies and bag charms are the ultimate must-have accessory right now. Whether you want to level up your outfit or just add a daily dose of cuteness, these little companions never miss.

With the rise of designer toy collectibles like Pop Mart characters and Jellycat Amueseables, Manila’s food and beverage scene is hopping on the anik-anik trend and delivering its very own characters inspired by some of their fan-favorite menu items.

From plushie donuts to mini toy blind boxes, we’re unboxing some of the most adorable and drool-worthy plush toys and bag charms that honestly look good enough to eat.

Blingkins by Dunkin’

blingkins
Instagram/ Dunkin' Philippines

Beloved donut brand Dunkin’ just made blings sweeter with their Blingkins bag charm collection, bringing a little extra joy to your coffee runs!

Fun and colorful, the collection features six designs inspired by their most iconic donut flavors including the Choco Butternut, Boston Kreme, Strawberry Candy Sprinkles, MangoCereal and Nuts, Choco Butternut Munchkin, and the Bavarian Filled Munchkin.

You can get one of the BLINKINS by purchasing any of these combos priced at P249:

  • 1 Large Coffee + 1 Classic Donut
  • 1 Large Coffee + 1 Premium Donut
  • 1 Large Coffee + 1 Supreme Donut

For updates, follow Dunkin’ PH’s FacebookX (Formerly Twitter), and Instagram.

Bravi by Conti's Bakeshop and Restaurant

Cake Charm
Instagram/ Conti's Bakeshop & Restaurant

Joining the ranks of sweet and delightful plush charms is Bravi, who is inspired by Conti's iconic Mango Bravo cake. Every celebration wouldn’t be complete without cake and for the longest time, Conti's signature cake has made it into Filipino households—and now it’s set to make the cutest little bag charm that you can take wherever you go.

With a plump little body shaped like an actual Mango Bravo cake, button eyes, and dangling legs, it looks similar to a Jellycat amuseable and will surely delight anyone who gets a hold of it.

You can take home Bravi for only P350 with every purchase of a mini (P995) or regular-sized (P1,695) Mango Bravo cake. You can order it in-store or online.

For updates, follow Contis Bakeshop & Restaurant on FacebookTikTok, and Instagram.

Café Co-Be by The Coffee Bean & Tea Leaf

Baby tea charm The Coffee Bean & Tea Leaf® PH
Instagram/ The Coffee Bean & Tea Leaf® PH

Coffee and frappe lovers will go gaga for these adorable character plush charms by the Coffee Bean and Tea Leaf, which are designed after some of their signature drinks. The Café Co-Be is a blind box collection with five lovable characters, which includes a rare secret plush!

Unbox and take home your very own Mini Beanista, a soft barista-inspired charm, a Snuggy Bean to remind you of how coffee can make you feel cozy, or Aah-Cha! and Mochaboo, their very own matcha-inspired and Mocha-inspired plushies.

And let’s not forget the crown jewel of this collection, Baby Tea, which is an adorable plush baby teacup—and yes, there’s an actual baby inside it.

Each blind box is priced at P1,199 and is available in select outlets and on their Lazada and Shopee stores. Regular edition characters appear in 1 out of 4 boxes, while the ultra-rare Baby Tea shows up in only about 1 out of 64 boxes. If you want to take home all of them and have higher chances of scoring Baby Tea, you can purchase the full set for P4,795.

For updates, follow The Coffee Bean & Tea Leaf onFacebookX (Formerly Twitter), and Instagram.

POCOllectibles by Potato Corner

POCOllectibles Potato Corner Philippines
Instagram/ Potato Corner Philippines

Potato Corner’s adorable mascot, POCO, is a mini potato head-shaped character with bright eyes, green booties, and three strands of hair that stick up from the top of its head.

The popular fast-food chain is famed for its flavored fries, which have now expanded to territories outside of the Philippines, including Singapore, Thailand, Indonesia, and the US. Due to its popularity, they also launched a range of merchandise which includes a talking Poco plushie (P269) and the POCOllectibles, which are mini Poco figurines in various themed designs.

Currently, they’ve released a Summer, Holiday, and Lifestyleeditions, featuring Poco dressed for various fun activities like swimming, singing, and shopping. Each edition has four designs and is priced at P60 each when you buy it with a Potato Corner snack or combo. You can also purchase them separately online store for P79.

These toys are also great for gifting this upcoming holiday season. A Bundle of 4 and a Themed Bundle set is available for P300 and P934, respectively.

You can collect them all at your nearest Potato Corner store or buy them online on Lazada, Shoppee, and TikTok Shop.

For updates, follow Potato Corner PH on FacebookX (Formerly Twitter), and Instagram.

ZUS BUDDIES by ZUS Coffee

ZUS Buddies ZUS COFFEE® Philippines
Instagram/ ZUS COFFEE® Philippines

Popular Malaysian coffee chain ZUS Coffee unveiled a blind box collection of plushies last June, inspired by iconic café beverages and ingredients. This August, they announced that it’s back for a limited time!

The ZUS BUDDIES are composed of six adorable characters, namely Blue Buddy, Ube Bae, Portal Pal, Pinky Boo, Bean Boss, and Frappe Fren. And in true blind box tradition, there’s also one surprise character!

Unlike before, when it came free with every minimum order of P350, the ZUS BUDDIES can now be purchased separately via their app. To order, simply open the app and choose pick-up or delivery, then check the merchandise section to see if it’s available in your chosen outlet.

For updates, follow ZUS Coffee Philippines on Facebook, TikTok, and Instagram.

Special Mentions

These plush toys and foodie charms may have sold out, but they will surely be remembered. Fingers crossed they make a comeback!

Jollibee Bag Charm by Jollibee

Jollibee plush
Instagram/ Jollibee

The limited edition bag charm was part of Jolibee's Back to School Bundle promo, which ran from June 19 to July 19, 2025. Featuring the iconic red bee mascot, the plushie was priced at P399 and came with a side meal composed of Jolly Spaghetti with Yum Burger, a regular-sized drink, and 4-pc. Nuggets with your choice of dip.

For updates, follow Jollibee on FacebookX (Formerly Twitter), TikTok, and Instagram.

Mang Inasal Nation Collectibles

Food charms
Website/ Mang Inasal

Although the limited-time giveaway of Mang Insal keychains at their Mall of Asia branch ended at the end of May, 2025, where the fast-food chain released limited-edition charms inspired by their signature dishes and condiments.

Mang Insal Nation can still look out for and collect all four designs: all-in-one solo Fiesta feast, the green unli rice tub, the chicken oil and soy sauce condiments, and their extra creamy Halo-Halo.

For updates, follow Mang Inasal on FacebookX (Formerly Twitter), TikTok, and Instagram.

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Manila/ Vibe/ Pop Culture

Singer Janine Reflects on 9-Year Journey Leading Up to First Solo Concert

Janine

With a voice that aches with honesty and a repertoire that speaks straight to the heart of listeners, Janine Teñoso has found her place in a special pocket of OPM (Original Pilipino Music), making her one of the most compelling young voices in the music industry.

Contrary to her soulful and easy-going music, Janine started as a “birit” (belting out singing style) queen, having risen to fame as a finalist in TV5’s popular singing competition, “Born to Be a Star.” Since then, she has carved out a remarkable career under Viva Records and has evolved from being a singer known for doing impressive song covers to a heartfelt songwriter with several hits under her belt.

And now, the “Pelikula” singer is about to mark a significant milestone in her career as she prepares to headline her first major solo concert, “JANINE” on Sept. 6, 2025 at the New Frontier Theatre in Quezon City. As she prepares for her highly anticipated show, Janine steps into the spotlight not just as a singer but as a songwriter and artist fully coming into her own. We caught up with the artist in our latest exclusive as we reflect on her incredible journey.

An Ever-Growing Journey

Janine is no stranger to the spotlight, having been singing at a young age and being part of a church choir. Her love for music has only grown since then, which led her to participate in singing competitions in high school. In 2016, she became a finalist on TV 5’s “Born to Be A Star,” which catapulted her to the mainstream music scene.

But apart from song covers and birit hits, Janine was especially talented in composing songs, a skill she had developed since she was sixteen. Her first single, “Fall,” was a lively acoustic pop song inspired by her friend’s love story in high school. This seemed to be a consistent theme in Janine’s discography as she continued to write raw and heartfelt music based on personal anecdotes, much like diary entries.

When asked if it was particularly difficult to bare one’s heart and soul into song, she replied, “Writing is the easiest part for me, especially when I’m alone in my bedroom, with no pressure to turn it into a single or share it with anyone. In those quiet moments, songwriting feels like journaling. It becomes a personal outlet, almost like a diary.”

Janine
Courtesy of Viva Records

“What’s harder is everything that comes after: finishing the song, producing the music, and preparing it for release. That whole process demands so much time and energy. Once the song is no longer just mine, or once there’s a chance it might be heard by others, my perfectionism kicks in. Suddenly, it’s not just about expression anymore, it’s about getting every detail exactly right,” she added.

Janine honed her songwriting skills through the years, crafting soulful pieces that not only sneaked into the hearts of listeners but also climbed up the charts. From her emotionally-charged renditions of Rivermaya’s “214” and the Itchyworms’ “'Di Na Muli” to her popular collaborative works with beloved Filipino artists such as Arthur Nery and Cup of Joe in “Pelikula” and “Tingin,” Janine further proved herself to be a shining force in pop music.

When asked if there are other collaborations that she would like to pursue in the future, she answered, “I’d love to collaborate with artists like mrld, Maki,Clara Benin, and Shanne Dandan in the future. I really admire their songwriting and the emotion they bring through their vocals. There’s something so honest and intimate about their music that I connect with deeply. It’s the kind of artistry I aspire to.”

Last May, the singer-songwriter released her latest single, “Pikit Mata,” a sonic slow-burn with a minimalist arrangement that immerses listeners in the delicate dance of unspoken emotions. The track stays true to her brand of introspective storytelling, delivering a song that feels both deeply personal and universally relatable.

“‘Pikit Mata’ was originally a song I wrote with the intention of pitching it as an OST for a series,” Janine told The Beat Asia. “I was really inspired after watching the first episode, and it sparked something, creatively. Unfortunately, it didn’t cut because of a tight deadline. So instead, I decided to just release it as a single.”

“The song explores the idea of finding peace in uncertainty, specifically in romantic relationships. It’s about someone who feels more at ease not knowing how the other person feels about them. Whether that person likes them back or not, there’s a kind of quiet comfort in not having the answer. It was inspired by the quote, ‘There is peace in not knowing.’”

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The song truly showcases her growth and maturity as an artist, one that we are thrilled to witness as she embarks on her first major concert this September. Janine expressed her excitement for the upcoming event and said, “It feels amazing, but also a bit scary. It’s the biggest crowd I’ll be performing for so far, and to step onto that stage in front of that many people will be electrifying. It’ll surely be an experience I’ll never forget.”

The artist also shared with us some highlights attendees can look forward to. You can expect to hear most of her original songs that she has released through the years, with a focus on her latest EP, “Apat na Buwan,” which she released last year. Janine was also particularly excited about the arrangement, revealing that she’ll be performing these songs in a way she has never done before, offering a new sound and live music experience for her fans.

Further building up the excitement is her lineup of special guests, which includes Arthur Nery, Cup of Joe, The Juans, Rob Deniel, and “Ang Mutya ng Section E” star Rabin Angeles — who was featured in her “Pikit Mata” music video.

girl on the beach
Courtesy of Viva Records

More than a show meant to showcase her talent, it’s also a celebration of her artistry — a chance to look back and reflect on her accomplishments as an artist and to welcome a new era of what’s to come.

“It’s been an ever-growing journey,” she said. “I’ve been in the industry for over nine years now, and being part of this concert feels like an affirmation of how far I’ve come. Looking back at my earlier work and seeing how it’s evolved into the discography I have today is really fulfilling. It reminds me that growth doesn’t always happen overnight, but it’s always happening.”

With a major concert and the promise of more music down the road, Janine is only going up from here. When asked about how she felt about her success, the musician humbly mentioned her listeners and the people who have supported her music through the years.

“Thank you, always, for listening to my music. You’re the reason singer-songwriters like me have the opportunity to keep growing, because you take the time to listen to our art. That means more than I can ever fully express. So, truly, thank you.”

Janine invites you to come and celebrate with her on Sept. 6, 2025 (8 PM) at the New Frontier Theater. You can book your seats via TicketNet outlets nationwide and online. Tickets are priced at P3,850 (SVIP with soundcheck and photo op), P3,400 (VIP with soundcheck), P2,800 (Orchestra), P1,800 (Lodge), and P800 (Balcony).

Concert poster
Photo from Facebook/Janine Teñoso

For updates on new music releases from Janine, follow her on FacebookTikTokInstagram, and YouTube.

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Manila/ Vibe/ Pop Culture

Doja Cat Is Finally Coming to Manila — And It’s Going to Be Wild

21Photo by Instagram/ Doja Cat

Manila’s music scene is about to get heated up, especially if you’ve been dreaming of seeing Doja Cat live because, now’s your chance. The genre-defying superstar is bringing her “Ma Vie” world tour to Manila on December 7, marking her first-ever performancein the Philippines alongside some other Asia appearances.

Doja Cat will be touring around some Asia countries
Instagram/ Doja Cat

The show will take place at the SM Mall of Asia Arena, one of the country’s premier concert venues. Manila is just one stop on the Asia-Pacific leg of her global tour, which also includes Singapore (Dec 10), Seoul (Dec 13), Tokyo (Dec 15), Bangkok (Dec 18), and Kaohsiung (Dec 21). With a setlist expected to feature hits like “Say So,” “Paint the Town Red,” and new tracks from her upcoming album Vie, this promises to be a show you don’t want to miss.

Doja Cat
Instagram/ Doja Cat

Ticketing details for Manila are as follows:

Artist Presale: September 1 (From 10 AM GMT+8) via Bands in Town’s website,

Mastercard Presale: September 2–4, 2025  via Priceless’s website.

Live Nation PH Presale: September 4, 2025 via Live Nation’s website.

General On-Sale: September 5, 2025 via official ticketing outlets.

VIP packages will be available, offering perks like early entry, exclusive merch, and access to a pre-show lounge, perfect for superfans who want the full experience.

A cultural moment itself, Doja Cat’s Manila debut is already generating anticipation. Known for her bold visuals, genre-hopping sound, and unapologetic artistry, she’s one of the most dynamic performers of her generation. Whether you’re a longtime fan or just curious to see what the hype is about, this is one show you won’t want to miss.

For more tour details, visit the official "Ma Vie" world tour site. Don’t forget to follow Doja Cat on Instagram, Facebook, and X for everything about her, and be sure to listen to her music on Spotify whenever you get to.

Manila/ Vibe/ Pop Culture

Standing Ovation: ‘Into the Woods’ Redefines Happily Ever After

Into the WoodsPhoto by Theatre Group Asia

Step into the world of live theatre with "Standing Ovation," your trusted companion for navigating Asia's vibrant performing arts scene. From the neon-lit streets of Hong Kong to the historic stages of Manila, we're scouring the region to bring you honest, engaging reviews of the most talked-about shows. Whether you're drawn to the flawless elegance of ballet, embarking on a musical journey through moving tunes, or the raw emotion of dramatic plays, let us guide you to the performances that will resonate with you. So grab your playbill and join The Beat Asia as we immerse ourselves in the region's dazzling arts & culture scene. The curtain's rising – let the review begin!

Once Upon a Time, renowned composer and lyricist Stephen Sondheim dared to ask what happens next after “Happily Ever After,” which gave birth to one of the most celebrated musicals to have ever graced the theater scene.

Into the Woods,” which first premiered on Broadway in 1987, masterfully intertwines the stories of several beloved fairytales, such as “Cinderella,” “Little Red Riding Hood,” and “Rapunzel,” with an original story about a Baker and his Wife who get entangled with a Witch to have a child. At its heart, the musical revolves around the power of wishes and the price that comes with pursuing them, weaving themes of morality, generational legacy, and the strength found in the community.

New theater collective, Theatre Group Asia (TGA), recently brought the award-winning musical to the Philippine stage, with Olivier and Tony Award-winner Lea Salonga leading an ensemble of remarkable, world-class talents. Filipino theater fans got the chance to be enchanted as the play opened this month at the Samsung Performing Arts theater, promising a few hours of rich music, engaging storytelling, and a whole lot of fun and chaos through the woods.

Into the Woods of Shadows and Song

For the uninitiated, “Into the Woods” is a fairytale retelling that combines the original Brothers Grimm tales with an original plotline revolving around a Baker and his Wife.

Act One follows the main characters on their journey into the woods to pursue their own wishes, with Cinderella wanting to go to the ball, Jack wanting his cow to give milk, Little Red wanting bread for her grandmother, Rapunzel longing to be set free from her tower, and the Baker and his Wife wishing to have a child. The stories intertwine due to the couple who embark on a quest to find four things under the direction of a Witch who promised to lift the curse that has kept their family tree barren, having cast it on his father for stealing vegetables and the magic beans from her garden years before. As compensation, the Witch took their daughter, Rapunzel, whom she raised in a tower. So yes, the Baker and Rapunzel (played by Joreen Bautista) are actually related, which added depth to the characters’ relationships.

The Philippine production of “Into the Woods” retells Sondheim’s intriguing fairytale with utmost reverence, putting together a cast of amazing talents to bring his music and characters to life.

Lea Salonga dazzled as the witch, a complex character who is both villain and protective guardian a victim and also enabler of dark intentions. Lea has long been renowned for her beautiful singing voice and acting chops, and this show only proved that. Her performance stood out from the rest, causing us to sit a little straighter in our seats whenever she’s on stage. More than an antagonist, the Witch is also the catalyst that moves the story forward, which Lea performed magnificently, from her wrinkly old hag version to the transformed enchantress. There’s no doubt that the villain brings magic into these fairy tales.

Filipino pop singer-songwriter Nyoy Volante surprised us as he took on the role of the Baker, showcasing not only his impressive singing voice but also his excellent acting skills. He’s complemented by his real-life wife and seasoned theater actress Mikkie Bradshaw-Volante, whose clear tone and high-powered mezzo soprano gave us chills, especially when she performed her solo, “Moments in the Woods.” The two of them together gave just the right amount of humor, heart, and agony.

The August production is no doubt the hottest ticket of 2025 and for good reason, considering they’ve also cast some seasoned Broadway stars. Apart from Lea, Arielle Jacobs graced the stage as Cinderella, portraying the role with heartfelt innocence and fierce independence. It’s a character you couldn’t help but root for, her beautiful, clear soprano reminiscent of a Disney princess, making her performance easily believable.

Witch
The Witch and Rapunzel | Photo from Instagram/Theatre Group Asia
Princess
Cinderella | Photo from Instagram/Theatre Group Asia

Another notable performance was from Josh Dela Cruz, who played a double role as the Prince and the Wolf and was animatedly gorgeous on stage. His movements showed varying expressions, and his comedic interventions were always on point. He definitely embodied charming with a side of humor. Together with his stage brother Mark Bautista, who played Rapunzel’s prince, their “Agony” number was comedic, but we felt it fell a little flat on chemistry and lacked the desperation present in previous reiterations.

Teetin Villanueva and Nick Chien’s Little Red Riding Hood and Jack brought the youthful spirit to the show, while seeing Eugene Domingo (Jack’s Mother) in an English-language production was a rare treat and made us smile all the way through her performance.

Overall, the cast was outstanding and gave us exactly what one would expect from a world-class production. Music-wise, it was also exemplary. Sondheim’s music has always been rich and engaging, and with the baton of Maestro Gerard Salonga, he conducted the orchestra in such a way that it fully realized the composer's vision.

Local Magic in a Global Fairytale

The production’s most striking reinterpretation of Sondheim’s classic musical comes from its subtle yet intentional Filipino touches, which are mostly seen through its visual storytelling.

Set with a colonial-era architecture-inspired fixed set, it turned the story’s village into Filipino or Spanish ancestral houses. Props and costume designs also accompanied this, such as the kalesa (carriage) and the textiles and fabrics worn by the cast, which are reported to have all been made with local materials and woven by native craftsmen.

The production’s artistic director, Clint Ramos, wanted the Filipino identity to become part of the visual language, which we believed they succeeded in — creating a world on stage that looks and feels Filipino.

Although the artistic vision for the set was ambitious and unique, we felt it did little to move the story forward. The forest was quite plain, and the transition from forest to palace or to the village was often the same. We believed more could’ve been done to separate these venues, like an added pillar or backdrop, without obscuring the main steps of the stage.

The lighting, although it showcased a variety of colors and shades that expressed emotions of each scene, lacked that sinister aura that should’ve been present when one is lost in the woods, especially in the second act, which was set there entirely.

The costumes were remarkable, however, and were definitely one of the highlights of the show. Renowned designers Rajo Laurel and Raven Ong worked collaboratively on the Witch’s costume, which was one of the most standout looks of the show. The designers created a gown inspired by the anahaw leaf with layered green and aqua pleats that shimmered and danced against the light. Lea came out of this gown after her transformation in Act One, and we were in awe at how lovely it translated on stage — expressing beauty, grandeur, and rebirth, but with a touch of villainy as green is often the color associated with evil.

Her second dress was also noteworthy, as the actress switched up for a darker green gown embroidered with intricate leaves, which, according to Rajo in an interview with Preview magazine, was inspired by the vegetables in theBahay Kubosong. They also created two capes for this dress, completing the villain look.

Other standout costume pieces included Cinderella’s peasant dress and ball gowns, which had Filipiniana butterfly sleeves, the princes’ Maguindanao Inaul royal ensembles, and the Wolf’s tattoos that resembled those of a Visayan warrior.

Costume designer
Raven Ong | Photo from Instagram/Raven Ong

Overall, “Into the Woods succeeded in blending a global musical force with local artistry, creating a unique experience for theater fans and casual theatergoers alike. Watching this cast perform was such a treat, and while the set design had its setbacks, it didn’t take away the fact that it was a spectacular show worth buying a seat for.

Magical, thought-provoking, and highly entertaining, TGA’s first musical production deserves a standing ovation, and we simply can’t wait to see more world-class productions adapted onto local stages.

“Into the Woods” is now playing at the Samsung Performing Arts Theater in Makati City and will run until the end of August.

For updates on upcoming productions, follow Theatre Group Asia on Facebook and Instagram.

Enjoyed this article? Check out our previous Standing Ovation reviews here

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Manila/ The List/ Pop Culture

Rich Brian Brings New Album & Solo Tour to Manila at New Frontier Theater

31Photo by Instagram/ Rich Brian

“Twelve, twelve, twelve, twelve in the morning” is the time you’re expected to wake up excited one day in December. Indonesian rap sensation Rich Brian is bringing his signature blend of sharp lyricism and genre-bending beats to Manila this December 2025, marking his first solo performance in the Philippines.

The concert is part of his “Where Is My Head?” Asia tour, which includes stops in Singapore, Hong Kong, and Taipei.

The Asia tour's official poster
Courtesy of Live Nation

Under the same title of his latest album released last week, the first of his after six years, the Manila leg is scheduled for December 8, at the New Frontier Theater, a venue known for hosting top-tier international acts. Fans can expect a high-energy setlist that spans Rich Brian’s evolution, from viral breakout tracks like Dat $tick to more introspective cuts from his 2023 EP Brightside, and of course, the new album.

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The show promises an immersive experience that showcases Rich Brian’s growth as both a performer and a producer. His recent releases have leaned into more melodic territory, blending hip-hop with R&B and pop influences, while still maintaining the lyrical edge that first catapulted him to fame. Timezones, for example, is one track in his album that came from his personal perspectives and memories along the years.

Rich Brian, born Brian Imanuel, first gained global attention in 2016 and quickly became one of the leading voices in Asian hip-hop. As part of the 88rising collective, he’s collaborated with artists like Joji, NIKI, and Jackson Wang, and performed at major festivals including Coachella and Head in the Clouds.

Photo of rapper Rich Brian and Ski Mask the Slump God
Rich Brian and Ski Mask the Slump God | photo from Instagram/ Rich Brian

His Manila stop is expected to draw a diverse crowd, from longtime fans who’ve followed his journey since his viral debut, to newer listeners discovering his more recent, genre-fluid sound. With a reputation for dynamic live performances and a growing catalog of hits, Rich Brian’s upcoming show is poised to be one of the most anticipated music events of the season.

Presale tickets will be available via Live Nation on August 25 while general admissions will start on Aug 26 via Ticketnet and other platforms.

To secure your tickets, keep an eye on Live Nation and Ticketnet for updates. Also, don’t forget to follow Rich Brian on Instagram and Facebook for details of his Asia tour.

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Manila/ Delish/ Pop Culture

Burger King Philippines Unveils Fantastic Four Menu with Marvel Studios

21Photo by Burger King Philippines

If you’ve ever wondered what it might taste like to channel the powers of Marvel’s Fantastic Four, Burger King Philippines has cooked up an answer, and it’s flame-grilled, cheesy, and just a little bit cosmic.

In celebration of Marvel Studios’ The Fantastic Four: First Steps, Burger King Philippines has unveiled a limited-time menu and immersive store experience that brings the superhero squad’s powers to life through bold flavors and vibrant visuals. The campaign, dubbed “Step Into Fantastic,” is a full-on sensory adventure for Marvel fans and burger lovers.

The exterior of Burger King's Kanlaon branch in Quezon City
Courtesy of Burger King Philippines

The themed menu includes four new items, each inspired by a member of the iconic team. There’s the Fantastic Cheesy Burger, a stretchy, melty tribute to Mister Fantastic, stacked with mozzarella, Swiss cheese, marinara, and bacon. The Invisible Blue Fizz, a tropical blue drink, channels the cool mystique of the Invisible Woman. For heat-seekers, the Flame On! Dip brings a sriracha kick worthy of the Human Torch. And rounding out the lineup is the Crushin’ Buffalo King, a spicy chicken sandwich that nods to The Thing’s brute strength.

But the experience doesn’t stop at the menu. Burger King’s Kanlaon branchin Quezon City has been transformed into a superhero-themed destination, complete with glowing neon exteriors, digital kiosks, and Fantastic Four-inspired interiors. It’s a bold move that reflects the brand’s push toward immersive, fandom-driven dining.

“We wanted to go beyond the usual and create something immersive for our guests,” said Patricia Sara, Brand Manager of Burger King Philippines. “More than the food and the store design, it’s about offering customers a chance to connect and share meaningful moments with their fantastic squads.”

The interior of Burger King's Kanlaon branch in Quezon City
Courtesy of Burger King Philippines

Fans can also snag exclusive Fantas-TEE merchandise through the BK App with any Fantastic Specials order, while supplies last. The campaign runs nationwide through Sept. 30, 2025 giving fans a limited window to taste the extraordinary.

Whether you’re a die-hard Marvel devotee or just in the mood for something different, Burger King’s Fantastic Four collaboration offers a flavorful twist on fandom and a reason to gather your own super squad for a bite.

Follow Burger King Philippines on Instagram for more information. 

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Manila/ The List/ Pop Culture

EXO's D.O. Delivers a Blissful Concert Experience for Filipino Fans

D OPhoto by The Beat Asia

Roses are red, violets are blue, and the SM Mall of Asia Arena lit up in white as fans welcomed Doh Kyung-Soo — better known as D.O. — for his second solo concert tour, “DO it!

Best known as the powerhouse main vocalist of the global K-Pop phenomenonEXO, D.O. has long captivated audiences with his rich, soulful voice. This time, however, the spotlight was all his. He returned to Manila on Aug. 16, treating Filipino EXO-Ls, Dandanies, and casual listeners alike to an unforgettable night filled with heartfelt performances, playful banter, and plenty of fan interactions.

Presented by Wilbros Live, the concert featured tracks from his first full-length album, “BLISS,” which showcased a more personal and versatile side of the artist as it explored themes of nostalgia, love, and mental health. From emotional ballads to upbeat numbers, the crowd sang, laughed, and cheered along as he showed exactly why he’s deemed one of the best vocalists in the K-pop industry.

As part of his ongoing tour across Asia — from Seoul to Tokyo — Manila once again proved to be a stop full of love and energy. And yes, The Beat Manila was there to catch all the moments. Here are some of the highlights from our unforgettable night with D.O.!

D.O. Hits Every Note

The singer kicked off the show with “Do You Remember?,” immediately raising the bar and riding the high energy of his Filipino fans as they welcomed him on stage. He followed this up with the album’s breezy opener “Nobody Knows It” and his 2023 track, “Wonder,” before finally greeting everyone.

“The heat in the Philippines is really different! It’s so hot!” The singer said, earning a round of cheers from the audience, which had his eyes widening in surprise. “Why are your reactions so good? Every time I visit here, I am always surprised. Your energy is next level, and we’re only getting started!

Despite the heat, last Saturday had given us a fair amount of rain, too, which the artist admitted had made him worried for the fans. Fortunately, the weather turned better a couple of hours before the show, and he thanked everyone for making the time to come see him.

D.O. showed us just why he’s one of the most admired vocalists in the K-Pop industry as he sang song after song from his new album; his vocals were clear, heartfelt, and incredibly steady despite walking up and down the massive stage. The first half of the set featured his more upbeat tracks, such as “Mars,” “5 Minutes,” and his R&B song, “Fit” while the second half highlighted the acoustic and soaring ballads such as “I Do,” “I’ll Be There,” and “IN ANOTHER LIFE.”

Although having just listened to some of these songs for the first time, we were completely immersed in the moment, which we believe was also due to the English subtitles that were flashed on the screens during his performances. D.O. had mentioned them in one of his ments, explaining that he wanted everyone to not only vibe with the music but also understand the meaningful and beautiful lyrics behind each and every one of his songs.

Some of our favorite moments include his performance of “Popcorn” and the dance pop “SING ALONG,” where he asked everyone to stand up. Their light sticks also danced in a variety of colors, setting the entire arena aglow.

Concert
Photo by The Beat Asia

After that exhilarating performance, D.O. stepped off stage to prepare for the next half of the show, while fans were treated to a karaoke sing-along of some popular EXO songs! Fans were taken back in time when the singer suddenly appeared during “Love Me Right” and sang that iconic high note from the bridge. He then treated EXO-Ls by singing another track from their debut studio album, released in 2013.

“It’s been such a long time since I’ve sung this song,” he said after singing “Peter Pan.” “Thanks to you guys, I’m able to sing it again.”

Although the rest of the concert showcased more of his ballads and gentler tracks, it was equally engaging and probably more heartfelt, as D.O. sang us songs about being okay despite the difficulties, about being enough, and having the strength to move forward and do everything we set our minds to.

“While writing my album, 'BLISS,' I was thinking that I wanted the fans to receive courage and warmth through the songs,” he revealed. “I truly felt that while I’m performing, you’re really enjoying listening to the songs. I get a lot of energy from that, so thank you very much! I will continue to become an artist who releases beautiful songs.”

Speaking of beautiful, the set design was also equally captivating. At one point, he was lifted into the air on a platform as he serenaded us with “It’s Love” against a backdrop of blue waves. He followed this up with a performance of “My Dear,” where the backdrop transitioned to a glowing crescent moon, setting a more romantic mood.

D.O.
Photo by The Beat Asia

Gleeful Laughter and Memorable Surprises

If there’s one other thing D.O. is known for apart from being an impressive vocalist, it’s his good sense of humor. Once deemed the funniest member in EXO, D.O. effortlessly made everyone laugh with his cute comments and banter with the fans.

We laughed out loud during his encore when he had everyone sing his song “Popcorn” but some kept doing the fan chant. The singer then stopped everyone, directing them to just “sing, please.” When they did it again, D.O. yelled out, “Who was that? You’re doing it on purpose!” — sending the fans into a fit of giggles at his playful, angry expression.

Having been in the Philippines before, we were also impressed by how he had easily understood some Tagalog terms. He instantly knew what everyone was saying when they chanted “Walang uuwi(no one will go home)” to which he replied that they can’t because their concert is timed, but promised that he’ll come back. He also easily picked up on “Iiyak na 'yan (will you cry?)” during one of his final ments. The K-Pop star sincerely told us that he may not be showing any tears, but he’s crying on the inside.

Just before he took a commemorative photo with everyone, D.O. was surprised when a video flashed on the screen and the fan project appeared, showcasing photos and video clips from fans. The fandom prepared banners and a massive light sign that read “We can do it all with Kyungsoo!” — a touching moment between artist and fans, proving that their relationship is give and take and that the message he wanted to send with this new album has gotten through.

From laugh-out-loud moments to memorable performances, D.O. truly gave us a beautiful memory we won’t soon forget. As fans of EXO and K-Pop music in general, we were simply captivated by his talent — not just vocally, but also in the way he moves people with his music. A win for EXO-Ls and Dandanies, indeed. We simply can’t wait for his next return to Manila!

Kyungsoo
Photo by The Beat Asia

For updates, you can follow D.O. on Instagram. You can also check out Wilbros Live’s official Facebook, X (Formerly Twitter), TikTok, and Instagram pages for more details on upcoming concerts in Manila.

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Manila/ The List/ Pop Culture

Manila International Book Fair 2025 to Celebrate Stories in Every Form

21Photo by Manila International Book Fair

If your idea of a good time involves the scent of freshly printed pages and the thrill of discovering a new favorite author, then September is about to deliver. TheManila International Book Fair (MIBF), the Philippines’ largest and longest-running literary event, is returning from September 10 to 14, 2025 at the SMX Convention Center in Pasay City.

Previous Manila International Book Fair
Website/ Manila International Book Fair

This year’s theme, “Get Lit – Stories in Every Form,” reflects the evolving nature of storytelling.

From traditional print to digital media, audio formats, and visual narratives, MIBF 2025 is set to embrace the full spectrum of how stories are told and experienced. The fair will occupy two full floors of the venue, offering a sprawling showcase of books, creative content, and interactive experiences.

More than 200 exhibitors are expected, including major publishing houses like Adarna House, Anvil Publishing, Fully Booked, and National Book Store, alongside university presses and international publishers. Visitors can expect exclusive book launches, author signings, panel discussions, and workshops catering to readers of all ages and interests.

Beyond the bookshelves, MIBF continues to champion literacy and lifelong learning. Organized by Primetrade Asia, Inc., the fair has grown into a cultural institution since its inception in the early 1980s. It now draws over 160,000 visitors annually and serves as a hub for educators, librarians, publishers, and content creators to connect and collaborate.

Previous Manila International Book Fair
Website/ Manila International Book Fair

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Manila/ Vibe/ Pop Culture

Filipino Music Duo Leanne and Naara on Feeling Content at ‘Life at 29’

Leanne and Naara

Back in 2016, the soulful, unhurried ballad “Again” quietly made its way to the local music scene, introducing listeners to the effortless harmonies of Leanne Mamonong and Naara Acueza. The two have come a long way since they first began collaborating in college, jamming in between class sessions, and performing at school events, to now becoming one of OPM’s most beloved indie duos — taking them from coffee shop sets to massive festival stages, all the while racking up awards and building a loyal fanbase.

Now at 29, Leanne and Naara are stepping into a fresh chapter composed of new music, new perspectives, and life lessons that come with nearly a decade in the industry. The Beat Asia caught up with the duo and talked about how their partnership has evolved, the stories behind their latest single “Life at 29,” and even touched on some of their most memorable performances.

A Musical Partnership Forged in Friendship

Leanne and Naara met at Assumption College, where they both pursued a Performing Arts program. Leanne told The Beat Asia how it started with an opportunity to perform at an event on campus, and how, after that, they became the go-to acoustic performers at school.

“We did a cover of Adele’s ‘One and Only’ for that first performance,” Leanne shared when asked about the moment she felt they were meant to perform together. “I’m not sure if it was rehearsed, but Naara started harmonizing during the performance, and honestly, it brought chills to my spine. Looking back now, that was probably the start of Leanne & Naara.”

After graduating, the singer-songwriters released their self-written debut single, “Again,” which garnered a million streams in two months and earned top spots on Spotify’s Philippines Viral 50. It even peaked at #12 on the Global Viral 50 charts! This was followed by a series of non-album singles, including “New York and Back,” “Run Run,” and a cover of Nina’s hit song, “Someday,” which became an instant hit on the radio and across various streaming platforms. In 2019, they signed with Warner Music Philippines, which led to their debut album “Daybreak” (2020), led by the single “Keep Me Up.”

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From 2016 till now, the duo has been going strong, and when asked about their secret to keeping a solid partnership, Leanne answered, “I believe we’ve survived by respecting each other’s seasons. We’ve gone through a lot of changes individually, and with that also comes the evolution of the way we work together.”

Through the years, the singer also stated that their music has also grown with them, becoming deeper as they gained new personal experiences. On talks of their creative process and if one is better at music or lyrics and vice versa, Leanne explained that their differing perspectives gave them much room to work with.

“It allows us to really stretch the material,” she said. “And see where it can go before we decide on its final form.”

Both women have very distinct voices and a unique perspective on songwriting, which also led us to ask about the pros and cons of working solo versus with a partner.

“I think it applies to all things. Going solo means more creative freedom; you can do pretty much whatever pleases you. But in some ways, they’re also the same,” Leanne said. “Working with a partner is more collaborative. Two minds are working instead of just one. However, it also involves more consideration, especially for us, because we both sing. So stuff like the key of the song and the overall vibe of it has to feel authentic for both of us. And there are times when that’s challenging to find.”

Leanne and Naara spotify
Photo from Facebook/Leanne and Naara
Performing
Photo from Facebook/Leanne and Naara

The singers also described their sound today as “a coming together of all the ‘sounds’ we’ve dabbled in.” In a way, it’s a reflection of all the sounds they’ve been exposed to in the last nine years. They also got candid about what they admire the most about each other as artist — and as friends throughout their relationship all these years.

“I’m blessed to have found Leanne as my partner in this path that I'm in,” Naara told The Beat Asia. “She’s not just incredibly talented, but she also has this beautiful way of putting emotions into words that I’ve always admired. It’s something I honestly can’t do, and that’s why we fit so well together. Beyond the music, what means the most is the friendship we share. With her, I never have to pretend. I can be myself, the real and unfiltered version of me. I'm thankful that she sees me, accepts me, and loves me in any way. That kind of connection is rare these days. It's something I treasure deeply.”

What I admire about Naara the artist is her depth. She always surprises me with the places she goes to in terms of melody and chord progressions,” Leanne explained. “It’s always refreshing to hear her take, because it’s almost always something I never would have thought of myself. What I love about Naara, the friend, is her way of showing support. She goes out of her way to show that she cares about me and my endeavors. It’s really sweet.”

On ‘Life at 29’ and Beyond

Almost a decade since their first single, Leanne and Naara released “Life at 29” last July 4, a gentle ballad marked by their signature warmth, smooth harmonies, and emotionally grounded lyrics. Leanne shared with us that the song was penned in April 2024 and how it was one of three singles they’re hoping to release this year.

“These singles reflect our current state of mind,” Leanne said as we mentioned how the song felt personal, from its intimate storytelling to the emotional delivery. “Apart from being both 29, we feel that this song [“Life at 29] speaks of the life we have now. It’s quiet and filled with contentment. We wanted that feeling to be translated into song.”

Life at 29
Photo from Facebook/Leanne and Naara

The song features beautiful vocals amid gentle guitar strings over a jazzy melody. It’s seemingly more stripped down compared to their previous works, which we believe gave the storytelling aspect a chance to take center stage. When asked if this was intentional, they both agreed.

“We wanted our listeners to feel the warmth of this song, and so we made sure to keep it as raw as possible, blending a few instruments together and our voices to tell the story,” Leanne explained. “It was wonderful working with Gani Palabyab on this one. He was really the right fit. He brought out the rawest emotion from us during our recording. We revisited a few vocal techniques with him to get the vocal quality that we wanted for the adlibs at the end of the track, most especially. We were also lucky to have Makko Abreu and Josh Tulagan on board, who played electric guitar and bass for the track, respectively.”

“We felt like that was the sound and production that fit best for the song,” Naara added. “We wanted to keep it raw and intimate. While our previous songs were sonically different, those choices were also intentional. Each song has always been carefully shaped to serve the story we were telling at the time.”

The two artists decided that the word “contentment” perfectly encapsulates their lives at 29, a theme that was very much interwoven in the song from its gentle melody to lyrics like “It’s been the healthiest couple of years I’ve been in” and “Lately, it’s hard getting out of our den” — which pertains to that feeling of satisfaction and content from the mere fact of being home with the person you love.

However, “29” also proves to be a daunting year for many, seeing it as the end of their youthful years. But Leanne and Naara provide a hopeful message with this new single, giving it a more optimistic view as it reminded us that the older we get, the wiser we also become.

“We’re still growing and every day teaches us something new,” Leanne said when asked about what they look forward to in their thirties. “Whatever challenges come our way in the years ahead, we trust that we’ll be able to face them in a more mature way.”

There’s no doubt that this dynamic duo will continue to entertain and inspire audiences with their music in the years to come. The artists recently took the Fête de la Musique Philippines Main Stage, where they collaborated with Bras Pas Pas Pas Pas in an explosive retro-themed set. Despite performing songs that were different from their usual sound, the two singers managed to bring the house down and even gave their own songs a different vibe, proving their versatility and talent.

That performance was a core memory for us! Getting to headline one of the most sought-after music festivals in the Philippines was such a huge blessing for us,” Leanne expressed. “We also felt super lucky to have collaborated again with Brass Pas Pas Pas Pas. It was our second time performing together, and it still blows our minds how they bring so much life and energy to our songs. We were given a chance to perform their song, 'Yatap' — that one was a killer because of the high notes! After performing it, we definitely felt like rockstars. We still get kilig whenever we look back on those moments on stage.”

Fete PH 2025
Leanne and Naara with Bras Pas Pas Pas Pas | Photo by The Beat Asia

Surely, there will be more stages to come, and we can’t wait to see more of Leanne and Naara taking over the local music scene. And you heard it here first, the duo is planning to release one more song before the year ends, so watch out for it!

Additionally, they’re also throwing a birthday gig slash get-together called “BYE BYE 29 on Aug. 22 at Jess and Pat’s in Quezon City, where they’re also welcoming special guests Pixie Labrador and Eliza Maturan. You can get your tickets here.

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Follow Leanne and Naara on Facebook and Instagram for updates on their latest music releases and upcoming shows.

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