The PUV Modernization Program and How It Affects Us All
Manila/ Vibe/ Pop Culture

Para Po! The PUV Modernization Program and How It Affects Us All

Loud, colorful, cramped. The Philippine jeepney is a riot, if not an assault on the senses. Nobody foresaw its existence, but when World War II devastated the Philippines’ economy and infrastructure, Filipinos had to start the work of rehabilitation somewhere.

From the surplus military jeepneys abandoned by American troops, Filipinos took what they could get. Ingenuity forged the Philippine jeepney from the wastes of war and local jeepney manufacturers like Sarao Motors, Francisco Motors, LGS, Malagueña, and Chariot, among others, stepped up to the plate, showcasing the possibilities and potential of the country's vehicle industry.

What started as a practical mode of transportation born from necessity has cemented its iconic place in Philippine culture. The Pinoy jeepney unapologetically makes itself known as the “King of the Road" with its garish and bright bodywork designs of religious images, pop culture icons, and landscapes; loud music and even louder horns; witty signages; and informal typographies. It careens through our streets and thoroughfares, having woven its indelible place in the everyday lives of millions of Filipinos.

But time has not been kind to jeepneys and public utility vehicles. Old jeepneys and PUVs continue to ply the roads, belching smoke and carrying passengers in dilapidated units that many deem uncomfortable, if not dangerous.

In 2017, the Department of Transportation (DOTr) and the Land Transportation Franchising and Regulatory Board (LTFRB) introduced the Public Utility Vehicle Modernization Program (PUVMP), with the goal to make public transportation more efficient, affordable, and environmentally friendly.

Dialogues and criticism surrounding the program unpeeled the heart of the issue: How to ensure a modernization that leaves nobody behind.

In the grand scheme of things, the PUVMP is more than changing lanes — literally and figuratively. As the Philippines revs its engines towards progress, it is behooved to grapple with the threats of displacement among communities and micro industries in the name of change.

The Beat Asia took to the streets to have conversations with jeepney drivers, commuters, transport group PISTON, local manufacturer Sarao Motors, and even a jeepney sign maker to reconcile each other’s woes and hopes for Philippine public transportation — and how the PUV Modernization Program affects us all.

Checking in on the Jeepney Drivers

Imus Palengke Terminal

There will be no crackdown on Feb. 1. The government had extended the consolidation deadline to April 30, giving drivers and operators more time to consolidate.

The government’s PUVMP promises great things, but it has also left many jeepney drivers in the Philippines to feel otherwise. This is mainly because the PUVMP poses huge risks to their livelihoods, among other problems.

Mang Arnold, for instance, is a jeepney driver who navigates the Imus to Dasmarinas route daily. To him, purchasing a modern jeepney for himself is completely unattainable as he only earns a clean P800 a day.

Mang Arnold's Jeepney

“If the PUVMP pushes through, we can’t do anything about it. We can’t afford to pay for the modern jeepneys,” said Mang Arnold in Filipino.

Another jeepney driver, Mang Ernest (not his real name), who travels along Pasay Road on a regular basis, shared the same sentiments. According to him, most of them earn only about P600 to P700 a day — a far cry from the P6,000 to P7,000 lawmakers foresee that jeepney drivers must earn in order to afford modern vehicles.

“How much is a jeepney driver’s minimum earnings, you ask? Only about P700 or P600. How can you make ends meet, especially if you have four children to support? What if they’re also studying, right?” said Mang Ernest.

Pasay Road terminal

To both, who have been jeepney drivers for 12 and 25 years, finding another job will be difficult for several reasons. For Mang Arnold, this livelihood is what he’s used to and what he knows best. Should the program continue to push through, he plans to take a different path, away from his current occupation.

“If it’s up to me, I’ll just go home to the province. They’ve been asking me to go home for a long time,” he said. “I will just raise pigs. At least there, I wouldn’t have a boss and the earnings are all mine.”

For Mang Ernest, while it is painful for him to let go of his jeepney, his plan is to move forward with the program and only hope for the best.

“Currently, we’re consolidated here on Pasay Road. We really have no choice because we are part of an association. If we don’t participate in this consolidation, other routes will take over this terminal,” he said.

“Let’s forge ahead first and fight for our cause. It might change after three years as the one in power now won’t always be there. When a new leader steps in, things might shift. Let’s just keep on fighting.”

The Good and The Bad: Commuters' POV

Buses, taxis, tricycles, pedicabs — the list goes on. On top of jeepneys, the country has many different modes of transportation, yet these still don’t meet the demand of commuters who need to travel daily. This case is true, especially during rush hour, when many commuters have to wait (or wrestle with others along the road) to get to their destination. Suppose the PUVMP is fully implemented by April, will the consolidated routes be enough for everyone, or will it cause a crisis that will affect accessibility to public transportation?

In a press release, the Presidential Communications Office said that about 75% of jeepneys have already consolidated as of mid-January according to the LTFRB. Meanwhile, buses were able to reach 86% consolidation, followed by UV Express at 82% and mini buses at 45%. Knowing how the country is already short in meeting commuter demand, not meeting the 100% by the deadline could spell fewer public transportation on the road.

The possibility of fare increases also hangs in the air. As per Atty. Neri Colmenares, lawyer for transport group PagkakaIsa ng mga Samahan ng Tsuper at Operator Nationwide (PISTON), in an ANC interview on Jan. 3, fares could jump to P40 due to the cost of modern jeepneys, which are priced at about P2.6 million. The DOTr, however, has refuted this claim.

According to GMA News early this month, the DOTr had said that fears over a possible fare hike under the PUVMP have no basis and that no fare hike would be implemented without going through the process of the LTFRB.

We turned to commuters to hear their views, from their thoughts on the PUVMP to their own daily commute experiences.

A 25-year-old commuter, Mark John Dulay, expressed his frustration, describing Manila as becoming an “inferno” due to the high cost of living.

“It’s annoying that the cost of living in this hellhole is expensive when we don’t even earn as much as we spend. I don’t earn much with what I do, but at this point, it’s enough to get me by on a daily basis. The problem is, not everyone’s in the same boat. If it’s a problem for me, what more for people with fewer resources than I do?”

As a daily jeepney commuter for work, Dulay questioned the fairness of the PUVMP because of its burden on low-income commuters as well as the livelihood of jeepney drivers.

Mark John Dulay

For Bernadine Buensalida, the program has its pros and cons. On a positive note, the PUVMP can improve the public transportation system, but she also said that this advancement can come with equal consequences, like a possible fare increase.

She acknowledged the factors contributing to this hike, such as inflation and fuel prices. While expressing concern, she said that “it is important for the government to ensure that the fare increase is reasonable and affordable for the majority of commuters.”

Bernadine Buensalida

Jeremae Alubog, on the other hand, expressed hope for the government's plans and the people in power, saying that a fare hike might be acceptable if it leads to a better commuting experience.

When asked if the possibility of a fare increase is reasonable, she said in Filipino, “Yes. If it’s a lot more convenient and comfortable compared to the old jeepneys.”

Jeremae Alubog

Meeting Robert Bolante, a Jeepney Sign Maker

Behind the endless calls of jeepney drivers and operators in opposition to the PUVMP hides a small voice in the name of Robert Bolante, a jeepney sign maker. Bolante, who mastered his craft of sign making over the past 17 years, is just one of the handful of jeepney sign makers still around.

Jeep Sign Maker Stall Diego Cera Avenue

Bolante’s stall is nestled along the bustling avenue of Diego Cera in Pulang Lupa, Las Piñas City where he and his eldest son endure the sweltering heat every day to make ends meet by selling jeepney signboards. His regular jeepney signs are priced at P40-P50, while bigger signs range from P150-P200.

Getting a stable income is a far-fetched dream for him. Ranging from taking home nothing to a rare P200 in hand, the PUVMP weighs heavily on him as days pass by. His future is not far from what may happen to the jeepney drivers, and the PUVMP could push him eventually to leave the job he’s known for almost 20 years in search of more secure work to feed his family.

The PUVMP will be a huge blow to him, he shared, as modern jeepneys will likely use sticker signages over hand-painted ones. Aside from the impending job loss, the possible fare hike in modernized jeeps also scares him, sharing that he already finds the current jeepney fares quite steep.

Painting jeepney signboards, however, isn’t unique to just Bolante. His eldest son also possesses talent in painting and has even started to pick up the job of crafting jeepney signboards.

While Bolante’s worries loom over him, he beamed with pride for his craft.

“For me, what I am most proud of is that these (jeepney sign boards) can only be found in the Philippines, you can’t find them elsewhere,” he said in Filipino. “Some of my signboards have reached other countries because a lot of foreigners would buy them as a souvenir. When foreigners come here, they pass by my stall to have a signboard made before going home.”

Visiting Sarao Motors in Pulang Lupa

Sarao Motors, one of the earliest and most popular local manufacturers of the jeepney, was founded after the war by the late Leonardo Sarao, a former kutsero (kalesa driver). Leonardo's experience as a kutsero would later figure in Sarao Motors' jeepneys, which were made iconic by the metal horses that adorned their hoods.

One of the Earliest Sarao Jeepneys

We took to the facility of Sarao Motors along Diego Cera Avenue in Pulang Lupa, Las Piñas, just a short walk from Robert’s stall. There, we were met by LJ Sarao, one of the grandsons of Leonardo, who showed us around the plant and shared his thoughts about the PUVMP.

All Sarao jeepneys, the millennial third-generation Sarao proudly said, were crafted by hand and made to order. During Sarao Motors’ heyday when sales were at their peak, it manufactured over 50 jeepneys a month. Today, manufacturing a jeepney would take them around six months.

From a workforce of a hundred people, Sarao Motors is also now down to around 20 employees. Much of the facility, which once buzzed with life at its height, has become a parking space for the jeepneys that ply the roads. LJ shared other jeepneys come in the shop for maintenance, too.

"Sadly, now, because of the modernization, I can confidently say we have zero sales. What we're working on now are special projects," he admitted.

LJ Sarao (Grandson of the late Leonardo Sarao)

In the facility, one of the earliest jeepney models that Sarao Motors ever made can be glimpsed, which still retained the compact size of the original Willys jeep that the American troops left behind. The old andas of the Black Nazarene that has been used during the Traslacion for the past decade was also parked in the facility that day, right next to a classic Tranvia tram and a few feet away from a modern electric jeepney prototype.

Sarao Motors Facility 3
Sarao Tranvia and Nazareno Andas

LJ estimated that the prototype was made around 2015 before the PUVMP was introduced and completely ran on battery power. Except, it didn't really look like the traditional jeepney loved by so many.

Sarao Motors E-Jeep Prototype

He showed us a second jeepney prototype beside it with a bigger and longer body, which incorporated the features of the traditional jeepney and could accommodate more modern engines. The second prototype had a side door, a high ceiling, and is capacious enough to allow for tall standing passengers. It can be open-air or air-conditioned and has an emergency exit at the back.

These modern and electric jeepneys would come at a steep price, though. He explained that just the materials needed to build the body would already cost around a million pesos, not including the propulsion system, air conditioning, and more.

"Modern jeepneys are really expensive, so that's the dilemma now. It's not a question of 'Can we do it?' It's a question of, 'Can the people afford it?'" he said. "As you know, these jeepneys back in the day, you can get [one] for P600,000, rolling 'yun eh, everything with the engine."

"We try to explain that the modern engine itself is really expensive, raw materials [are] expensive, added accessories needed for safety [are] also expensive, so those are things out of our control already. What we're trying to show is, we can do it."

He shared that the support they want to see from the government is lower taxes for the purchase of raw materials and other vehicle parts. This would allow them to manufacture vehicles that they can sell to Filipinos for an affordable price.

The government could also offer incentives for buyers, he said, perhaps tax exemptions to encourage them to purchase modern units.

"To be honest, we're not really charging that much for labor 'cause what we're spending for materials is already really high. As much as possible, we just want to be able to manufacture for the people and pay our people properly and whatever's left is probably the income of the company.”

Sarao Motors cannot compete with mass-produced vehicles and imports, and he knew this fact.

"Maybe as an oversight, [the government] didn't consider the local manufacturers anymore. Well, it's hard to say that, we don't know what they're thinking, that's from our point of view,” he said.

"We don't see other local manufacturers as competitors, we see them more of our brothers in craft. Everyone here [is] just doing the same thing. The real threat to our business is mostly the imports. There's no way we can compete with [them]."

Insights From PISTON

Transport groups are the representatives who advocate, negotiate, and handle the complex challenges of this major shift. The Beat Asia had the opportunity to interview Mody Floranda, the current National President of PISTON, who assumed office in 2019 after previously serving as PISTON – National Capital Region president. With almost two decades in the transport industry, Floranda's been fighting tooth and nail for the rights of drivers, operators, and the public.

Established on June 7, 1981, PISTON's primary objective is to safeguard the interests of drivers, operators, and the broader Filipino citizenry in the realm of public transportation. As of now, the organization has a membership base of 100,000 individuals nationwide, and around 20,000 to 30,000 members in the NCR alone.

PISTON National President Mody Floranda
Photo by Facebook/PISTON

According to Floranda, the group has organized multiple demonstrations since the DOTr issued Executive Order No. 2017-011. They have orchestrated around 20 protests at different government agencies, including the LTFRB, DOTr, Malacañang Palace, and more. Before 2023 ended, they had five protest marches in November and December.

Getting ready for these protests isn't a walk in the park. PISTON puts in about three months of hard work, making decisions together as an organization. They convene with local associations in a general assembly to delve into the reasons behind the protest and to address the impact on various groups, including women, youth, church folks, and government employees.

“We don't jump straight into protests. Instead, we choose to engage in conversations with the DOTr and LTFRB. We also submit written communications to Congress and the Senate and actively participate in public hearings. This way, we can concretely lay out the demands of the drivers and operators. Now, if after all these processes, the government agencies don't show a positive response, that's when we consider organizing a rally,” said Floranda in Filipino.

PISTON
Photo by Facebook/PISTON
PISTON
Photo by Facebook/PISTON

To set the record straight, PISTON is not against the PUVMP. Long before the government launched the program, the group was knee-deep in jeepney rehabilitation for a solid seven to eight years.

“Based on our observations, the government's objective isn't solely to improve public transport but rather to create a lucrative business for big corporations and foreign entities. If the primary aim is genuinely to enhance our public transportation system, why not focus on rehabilitation?” he added.

PISTON
Photo by Facebook/PISTON

“We have a rich history of service, and under the modernization plan, the concern arises: Who stands to benefit? It appears that countries like China and Japan will reap the rewards. By neglecting our local workforce in favor of foreign interests, we're essentially undermining our own economy and the people who sustain our public transport system.”

Floranda also emphasized that the impact of the PUVMP extends beyond just jeepney drivers and operators; it stands to affect a significant portion of individuals across various sectors, potentially leading to job losses or a substantial decline in the number of customers of micro and small businesses. This ripple effect could affect establishments like auto suppliers, vulcanizing shops, eateries, cigarette vendors, and more.

PISTON believes that their proposed rehabilitation program is a fair deal for both drivers and operators to sustain their livelihoods. Moreover, they argue it could open doors to various job opportunities for Filipinos that will further boost economic activity, which is crucial to the growth of the Philippine economy. The concern, however, lies in the government's current agenda, which leans towards importing foreign-made cars with price tags ranging from P1.6 million to P2.4 million.

Following the resolution of issues related to the PUVMP, PISTON revealed that they are currently weighing various options, and while they're not closing the door on joining a cooperative, there's a catch: No monopolies allowed. Their preference is for the cooperative to be owned by a local operator, including both units and franchises, with the primary goal of fostering mutual assistance among all its members.

“Just like what we’ve been fighting for, how can the workers fit their meager wages, if here in NCR it is only worth P610? If we look at the family living wage, it should be P1,100 to meet the needs of a family of five. It's not even about having a better life, but just to alleviate hunger, to make sure they’ll be eating three times a day,” he said.

“Right now, our drivers only earn P500-P600 for 12-16 hours of driving. What we are saying is that the government should focus on how to help the local workers who make up our country’s public transportation.”

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This Week's Event In Manila

Manila/ The List/ What's On

Lin-Manuel Miranda's 'Hamilton' Hits PH Big Screens with Exclusive Content

Hamilton gallery 4Photo by Lin Manuel/Website

It’s not every day that a Broadway phenomenon lands in your neighborhood cinema. But starting Oct. 1, 2025, Filipino fans will finally get their shot to experience Hamilton, Lin-Manuel Miranda’s genre-defying musical, on the big screen for a strictly limited one-week run until Oct. 7, 2025. And it’s not just the filmed version you may have streamed on Disney+. This release packs an exclusive prologue titled “Reuniting the Revolution,” featuring fresh interviews with the original cast and creators.

Official poster and participating cinemas
Courtesy of Walt Disney Studios

Timed to celebrate the 10th anniversary of the show’s Broadway debut, this cinematic event is more than nostalgia. Filmed at the Richard Rodgers Theatre in June 2016, the production stars Miranda himself as Alexander Hamilton, alongside Leslie Odom Jr., Renée Elise Goldsberry, Daveed Diggs, Phillipa Soo, and Jonathan Groff.

Directed by Thomas Kail and produced by RadicalMedia, the film captures the raw energy and emotional depth that made Hamilton a Pulitzer Prize-winning, Tony-sweeping phenomenon.

Hamilton Musical
Photo from Instagram/Hamilton Musical

The Philippine release follows earlier rollouts in the U.S., Canada, Puerto Rico, and the U.K., and precedes Australia and New Zealand’s November premiere. For Southeast Asian fans, this marks a rare chance to experience the show’s full theatrical power on the big screen, complete with surround sound, communal gasps, and maybe a few tears.

Tickets are expected to sell fast, especially with the buzz surrounding the exclusive content and the limited screening window. Be sure to catch “Hamilton” in select cinemas from Oct. 1 to 7, 2025.

For more information and screening details, follow Disney Studio Philippines on X (Formerly Twitter), Instagram, and Facebook, and Hamilton Musical on X (Formerly Twitter), Instagram, and Facebook.

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Manila/ Vibe/ Pop Culture

Standing Ovation: ‘Dear Evan Hansen’ is So Big, So Small, So Powerful

Dear Evan HansenPhoto by Dear Evan Hansen UK Tour/Website

Step into the world of live theatre with "Standing Ovation," your trusted companion for navigating Asia's vibrant performing arts scene. From the neon-lit streets of Hong Kong to the historic stages of Manila, we're scouring the region to bring you honest, engaging reviews of the most talked-about shows. Whether you're drawn to the flawless elegance of ballet, embarking on a musical journey through moving tunes, or the raw emotion of dramatic plays, let us guide you to the performances that will resonate with you. So grab your playbill and join The Beat Asia as we immerse ourselves in the region's dazzling arts & culture scene. The curtain's rising – let the review begin!

Lately, it’s not just the rains that have been pouring in Manila, but also a wave of theater musicals, turning the season into one of song, dance, and powerful performances.

Earlier this month, the Theater at Solaire presented the Tony Award and Oliver-Award Award-winning Best Musical, “Dear Evan Hansen,” moving Filipino audiences with its touching storyline, inspiring songs, and important messaging.

The stage musical debuted in 2015 with music and lyrics by composing duo Benj Pasek and Justin Paul (“La La Land,” “The Greatest Showman,” “Snow White”), and a book by screenplay writer Steven Levenson (“tick, tick ... BOOM!”). It follows the story of a high school senior with social anxiety who gets mistaken as a close friend of a classmate who dies by suicide, leading him to fabricate a lie that spirals into an unexpected journey of connection, guilt, and self-acceptance. The musical has also been adapted into a movie in 2021, with Ben Platt reprising the role he originated on stage, alongside actors Kaitlyn Dever, Julianne Moore, and Amy Adams.

GMG Productions and ATG Productions joined forces to bring this Broadway hit to the Philippine stage for the first time, which featured the UK Touring Production’s cast and crew. The Beat Asia got to witness the brand-new staging of the beloved musical, and here’s why we believe it’s more than just your average Broadway export.

Evan Hansen
Photo from Website/Dear Evan Hansen UK Tour

Tears and Truths in ‘Dear Evan Hansen’

One thing that makes “Dear Evan Hansen” stand out among other stage plays is its contemporary relevance, which manifests through its story and modern sound.

If you’re unfamiliar with the story, here’s how it goes: Evan is an anxious high school student longing for a sense of belonging. As advised by his therapist, he writes letters to himself, journaling what made his days good and worth celebrating. When one of these letters is mistaken for a final note from his classmate, Connor Murphy, who has died, his life takes an unexpected turn as he’s pulled into the boy’s grieving family.

Misunderstandings and assumptions stack up one over the other until Evan had woven a lie so intricate that it became impossible to get out of. The fabricated story, however, allowed him to connect with new people, making him feel like he now belonged. As the story unfolds, he becomes torn between telling the truth and losing everything, and maintaining a lie that brings him closer to the life he had always longed for.

This musical explores modern issues like social anxiety, depression, and the role of social media in shaping identity and relationships. The latter, especially, is woven so deeply into the story, showing just how powerful a tool it can be in spreading awareness, providing support, and becoming a bridge for connection. But like a two-edged sword, it was also portrayed as having the power to easily destroy someone’s life or reputation in a single click.

What we love about this show is how it’s direct in its messaging without feeling preachy, and how real and personal it feels. Unlike big, flashy musicals with intricate plotlines and out-of-this-world characters, “Dear Evan Hansen” zooms in on one teenage boy’s struggle with anxiety, loneliness, and wanting to be seen. That simple premise sparked massive conversations beyond the stage about mental health, authenticity, and connection, giving it a social impact and making it a memorable experience for theatergoers.

It may not boast grand sets, large ensembles, or intricate props and backdrops, but its emotional rawness kept audiences engaged. Some notable scenes include the self-pep talks Evan does with an imaginary Connor — especially the one in the second act when he’s forced to face the reality of his accident at the park, and the “Requiem” musical number the Murphys perform, which shows the different ways people deal with grief.

Family
Photo from Website/Dear Evan Hansen UK Tour

Lighting and the projected screens were also utilized well on stage, emphasizing various emotions and providing additional movement like silhouettes walking across the screen while Evan passes through crowded hallways or the projected social media accounts during “You Will Be Found,” demonstrating how Evan’s speech went viral and put him in the spotlight, spiraling deeper into his fabricated story that has now turned into a movement. In his conversations with Connor, the latter is always a step behind him, which allows the spotlight to focus on Evan, all the while giving Connor a muted sheen. From the audience, it makes him look like a ghost or a figment of one’s imagination. Their voices during these scenes also seem to reverberate more, emphasizing the haunting truth.

This production’s emotional core lies in its music, which, ICYDK, won a Grammy for Best Musical Theater Album in 2018. Throughout the 16 musical numbers, viewers are taken on an emotional journey that starts in loneliness and ends in self-discovery and belonging. It also leans more toward pop than traditional theater tunes, which makes it easier to connect to, especially for younger audiences.

Waving Through a Window” conveys feelings of being an outsider and longing to make a meaningful connection, while “For Forever” beautifully captures Evan’s deepest desires — to simply make a friend and have the most perfect day together.

There are also anthemic and inspirational tracks like “You Will Be Found,” which emphasizes that no matter how lonely or isolated one feels, there is always someone who will find and support them, and even romantic ballads like “If I Could Tell Her” and “Only Us,” which reflect Evan’s developing relationship with Connor’s sister, Zoe.

Students
Photo from Website/Dear Evan Hansen UK Tour

The current production cast did a remarkable job restaging this iconic show, each actor breathing new life into their character. Sonny Monaghan’s Evan was nothing short of spectacular. While his vocals in the opening song started a little shaky at first, the actor quickly found his footing, his voice soaring as the show progressed. His performance drew real tears during “For Forever,” when Evan fabricates his story about Connor, and again in “Words Fail,” when he finally comes clean about his lies. It was also impressive how closely his tone echoed that of the original Broadway Evan, without ever feeling like an imitation.

Rebecca Mckinnis, as Heidi, delivered an emotional and heartfelt “So Big/So Small,” perfectly capturing the unconditional love of a parent. Her distinctive mix of country twang and rock edge added grit and punch to “Good For You,” making it one of the standout moments of the night. Meanwhile, Tom Dickerson brought natural charisma to Jared, providing a much-needed break between the heavier scenes. His playful “Soda Pop” line — a clever nod to the film K-Pop Demon Hunters — earned plenty of laughs from the audience. Meanwhile, Rhys Hopkins made an impressive professional debut as Connor. Though his role kept him absent for much of the show, he left a lasting mark with his commanding stage presence and powerful vocals. His impressive range had us eager to see what roles he takes on next.

Couple
Photo from Website/Dear Evan Hansen UK Tour

If there was one moment that fell short, it was the romantic duet “Only Us,” which lacked some of the tenderness and chemistry we were hoping for. Still, this was a minor dip in what was otherwise a beautifully executed production. With such a gifted cast, the show was moving, heartfelt, and a worthy tribute to the original.

Final Verdict

This limited run is a true gift for Filipino theater enthusiasts, offering not only captivating entertainment but also moments of deep insight and emotional resonance. More than its amazing cast and award-winning music, “Dear Evan Hansen” proved that change can start from somewhere small, like a post on your feed, or on a bigger platform, like a theater’s stage. It also sends the message that you are not alone and that everyone has a place to belong.

Relatable and moving, we highly recommend seeing it while you still can! The show is currently running at the Theater at Solaire until Oct. 5, 2025. You can book your tickets here.

For updates on upcoming live stage productions, follow Solaire Resort on Facebook, X (Formerly Twitter), and Instagram.

Enjoyed this article? Check out our previous Standing Ovation reviews here

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Asia/ Vibe/ Pop Culture

The Stakes Are Up! The Athletes for 'Physical: Asia' Have Been Announced

20250922 Physical AsiaPhoto by Netflix/Website

The cast for Netflix’s newest season of “Physical: 100” has now been announced.

In a press release, Netflix revealed the 48 contestants of “Physical: Asia,” the franchise’s first-ever nation-vs-nation showdown. Eight participating countries — South Korea, Japan, Thailand, Mongolia, Türkiye, Indonesia, Australia, and the Philippines— will clash in a high-stakes competition of strength, strategy, and teamwork, all in the name of national pride.

Each country is represented by a six-person squad, with a national superstar to lead and embody the competitive spirit of their homeland.

The teams in Physical: Asia
Photo from Website/Netflix
  • South Korea:
    • Kim Dong-hyun “Stun Gun” (Ex-UFC Fighter) (Leader)
    • Yoon Sung-bin (Olympic Skeleton Racer)
    • Kim Min-jae (Ssireum)
    • Kim Jae-hong (Amotti) (Winner of Physical: 100 Season 2)
    • Jang Eun-sil (Women’s Wrestling Athlete) (Physical: 100 alum)
    • Choi Seung-yeon (CrossFit Asia Champion)
  • Japan
    • Okami Yushin (MMA Legend, UFC Asia Record Holder) (Leader)
    • Itoi Yoshio (Professional Baseball Player)
    • Nakamura Katsumi (Swimmer)
    • Hashimoto Soichi (Professional judoka)
    • Ozaki Nonoka (Amateur Wrestler)
    • Watanabe Kana (Judo Practitioner)
  • Australia
    • Robert Whittaker (Former UFC Middleweight Champion) (Leader)
    • Alexandra Milne (Fitness Coach, Influencer)
    • Eddie Williams (Strongman Athlete, Two-time Australia’s Strongest Man Winner)
    • Dom Tomato (Professional Parkour Athlete)
    • Eloni Vunakece (Former Professional Rugby League Footballer)
    • Kayelin van Zyl (CrossFit Athlete, Former Australian Hockey Player)
  • Philippines
    • Manny Pacquiao (8-Weight-Class World Champion) (Leader)
    • Lara Lorraine Deang Liwanag (CrossFit Athlete, 2020 Philippine National Champion)
    • Mark Mugen Striegl (Mixed Martial Artist, Former UFC Fighter, SEA Games Champion)
    • Ray Jefferson Querubin (Strongman, Powerlifter, Weightlifter, Multiple-time Philippines’ Strongest Man)
    • Justin Coveney (Rugby Player for the Philippine Volcanoes)
    • Robyn Lauren Brown (Track and Field Athlete, 400m Hurdles National Record Holder for the Philippines, Asian Champion 2023)
  • Thailand
    • Superbon Singha Mawynn (Muay Thai World Champion) (Leader)
    • James Rusameekae (Former Volleyball Player)
    • Sun Kerdkao Wechokittikorn (National Team Rugby Player)
    • Anucha Yospanya (National Team Wrestler)
    • Nuannaree Viste Olsen “Ploy” (Muay Thai Coach)
    • Uracha Teerawanitsan “JaJarr” (CrossFit Athlete and Trainer)
  • Mongolia
    • Orkhonbayar Bayarsaikhan (Mongolian Wrestling Champion) (Leader)
    • Dulguun Enkhbat (Professional 3x3 Basketball Player, Member of the Mongolian National Team)
    • Lkhagva Ochir Erdene Ochir (Professional Contortionist and Handbalancer)
    • Enkh-Orgil Baatarkhuu (Mixed Martial Artist, Competitor in ONE Championship)
    • Khandsuren Gantogtokh (Professional Volleyball Player, Middle Blocker for the Mongolian National Team)
    • Adiyasuren Amarsaikhan (Judoka, Competitor in the +78kg Weight Class)
  • Türkiye
    • Recep Kara (4-Time Turkish Oil Wrestling Champion) (Leader)
    • Anil Berk Baki (Extreme Sports Athlete, Sailor, Social Media Personality)
    • Ali Sofuoglu (Turkish Karateka Specializing in Kata, Olympic Bronze Medalist)
    • Ogeday Girisken (Actor, Fitness Influencer)
    • Yasemin Adar Yigit (Retired Turkish Freestyle Wrestler, 2-time World Champion, 7-time European Champion, Olympic Bronze Medalist in Tokyo 2020)
    • Nefise Karatay (Actress, Former Model, Fitness Advocate)
  • Indonesia
    • I Igedz “Executioner” (Bodybuilder) (Leader)
    • Mrcus Gideon (Retired Professional Badminton Player)
    • Jeremiah Lakhwani (Model and Athlete)
    • Glenn Victor (Olympic Swimmer and Model, Mister International Indonesia 2024)
    • Fina Philippe (Presenter, Actress, and Brazilian Jiu-jitsu Athlete)
    • Maria Selena Nurchaya (Actress, Model, Former Basketball Player, Miss Universe 2012)

The series is set to blend elite athleticism with cultural tradition, highlighting combat sports, ball games, track and field, and sports events like Korean ssireum, Mongolian wrestling, Turkish oil wrestling, and Muay Thai. This show is more than just a clash of athletes; it’s a showcase of heritage, pride, and physical mastery on an unparalleled global stage.

“At its heart, the Physical series is about raw competition that transcends disciplines and generations,” said Producer Jang Ho-gi. “By bringing national pride into the equation, the battles will be more intense, more emotional, and more unforgettable than ever.”

“Physical: Asia” will premiere this October 2025 on Netflix.

Follow Netflix on FacebookX (Formerly Twitter), and Instagram to stay in the know of what’s hot and coming!

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Manila/ Vibe/ Artists

Get to Know K-Pop Boy Group NTX by Listening to These Five Songs

20250918 NTXPhoto by NTX/Website

Been looking for a new K-Pop group to stan? Maybe we could help.

Among all the K-Pop boy groups that have debuted in recent years, there’s one group that stands out for their dynamic choreography, strong vocals, and overall global appeal: NTX.

The 8 members of NTX
Photo from Website/NTX

NTX is an eight-piece group comprised of members Hyeongjin (Co-Leader, Main Vocalist), Yunhyeok (Co-Leader, Main Vocalist), Xiha (Vocalist, Main Dancer), Changhun (Vocalist, Rapper), Hojun (Lead Vocalist), Rawhyun (Main Producer, Rapper, and Sub-Vocalist), Eunho (Vocalist, Main Producer), and Seungwon (Rapper, Lead Dancer, and Maknae).

NTX, short for “NEO TRACKS NO. X,” is a representation of their ambition to rise up the ranks, explore new perspectives, and widen the reach of K-Pop from South Korea to the world. Since their debut in 2021, the group has toured the world, reaching countries like Mexico, Brazil, and Kazakhstan to name a few.

The boy group had also recently visited the Philippines, performing at a free-for-all mall show at Robinsons Galleria last Aug. 16, 2025. They performed alongside P-Pop boy group 1st.One, who said that NTX was amazing to perform with.

If you’ve just heard about NTX or a veteran NTFul, here are some songs to introduce NTX:

Kiss The World

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What better way to introduce a new group than with their debut track? NTX’s global ambition and vibrant energy shine brightly here, and the chorus feels straight out of a coming-of-age movie — like that moment where the main character finally realizes what they’re meant to do. The members’ harmonies add a hopeful glow, making it a true, feel-good anthem that perfectly captures their mission to connect with fans all over the world.

Black Hole

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Catchy and undeniably one of their dreamiest songs to date, “Black Hole” pulls the listener into a fantasy universe. With lyrics painting the galaxy as a place where you can do whatever your heart desires, NTX’s optimism and youthful charm come alive through every line. It’s a song that’s both vast and personal, almost like stargazing with friends and wondering what the future may hold.

Like This

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Switching up the vibe from the first two tracks, “Like This” shows NTX’s “NEO TRACK” versatility with swagger, old-school hip-hop flavor, and hard-hitting choreography. The song gleams with their bad boy charms while still carrying a message that’s true to their group’s identity: inspiring listeners to follow their hearts unapologetically, with no regrets.

PROBLEMATIC

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Powerful and charismatic, “PROBLEMATIC” sees NTX playing around with EDM while keeping their signature sharp choreography at the forefront. The pounding bass beats and exhilarating lyrics give the track an electrifying feel to it — the kind that leaves both fans and first-time listeners breathless and in awe.

OVER N OVER

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Their most recent release, “OVER N OVER,” channels the early 2010s party music vibe — think Flo Rida’s “Club Can’t Handle Me,” but with NTX’s own youthful twist. The track is irresistibly bouncy, pulling both fans and first-time listeners into the party. With its infectious chorus and catchy hook, it’s proof that NTX can deliver a crowd-pleasing performance, while still sticking to their signature energy and identity.

Follow NTX on their official X (Formerly Twitter)Instagram, and TikTok pages for more updates!

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Manila/ The List/ What's On

The Philippines is Holding the First Filipino Music Awards this October

20250922 FM AsPhoto by Filipino Music Awards/Instagram

The Philippines’ brightest OPM talents will now be honored at this historic event.

The Filipino Music Awards (FMAs) is set to become the country’s largest celebration of Original Pilipino Music (OPM), bringing together over 500 musicians, industry leaders,and music fans for a landmark night.

The historic event will spotlight the artists, record labels, and creative projects that continue to shape and elevate the OPM movement, honoring the extraordinary talent that exemplifies Filipino music today.

Happening on Oct. 21, 2025, 6 PM, at the SM Mall of Asia Arena, The Filipino Music Awards is produced by AGC Power Holdings Corp. and presented by its subsidiary, Modern Media Group Inc. (MMGI).

The FMAs will recognize 20 prestigious awardees across five distinguished categories, each with a unique evaluation process that reflects the FMA’s mission to honor the best of Filipino music in all angles.

The official poster of the Filipino Music Awards
Photo from Instagram/Filipino Music Awards
  • Genre Awards: Celebrating the songs that redefine genres and drive musical innovation. These awards will be determined by the official FMA jury, composed of OPM icons and industry veterans, to ensure artistic credibility and expert recognition.
    • Folk Song of the Year
    • Hip-Hop Song of the Year
    • Alternative Song of the Year
    • Pop Song of the Year
    • R&B Song of the Year
    • Rock Song of the Year 
  • People’s Choice Awards: Recognizing the artists and songs shaping today’s culture and setting tomorrow’s trends. These will be determined entirely through public voting. The official nominees for each category have also been revealed:
    • People’s Choice Awards: Artist
    • People’s Choice Awards: International Artist
      • KATSEYE
      • TWICE
      • NIKI
      • Olivia Rodrigo
      • Sabrina Carpenter
      • J-hope
      • JENNIE
      • SEVENTEEN
      • SZA
      • Justin Bieber
    • People’s Choice Awards: Song
      • Multo” – Cup of Joe
      • “DUNGKA!” – SB19
      • Marilag” – Dionela
      • Namumula” – Maki
      • Sa Bawat Sandali” – Amiel Sol
      • “Blink Twice” – BINI
      • Daleng-Dale” – GAT
      • Kalimutan Ka” – Skusta Clee
      • “Aura” – IV of Spades
      • “My Day” – HELLMERRY
  • Legacy Awards: Paying homage to timeless artistry and legacies that shape generations. These awards will also be determined by the official FMA jury.
    • Lifetime Achievement Award
    • Music Foundation of the Year
    • Tribute Award
  • Grand Awards: Honoring Filipino artistry and impact on both a national and global scale. These awards will be determined through a balance of jury deliberation and metric achievement, reflecting both artistic merit and data-driven success.
    • Album of the Year
    • Artist of the Year
    • Concert of the Year
    • Music Company of the Year
    • Song of the Year
    • Tour of the Year
  • Special Awards: more details will be revealed soon.
Two groups in the performers' lineup at the FMAs
Photo from Instagram/Filipino Music Awards

The evening will also feature world-class performances, bringing generations of standout OPM talent on one stage. The first batch of performers has been announced:

  • SB19
  • BINI
  • IV of Spades
  • Philippine Philharmonic Orchestra
  • Lolita Carbon
  • Yeng Constantino
  • BGYO
  • Maki
  • Ely Buendia
  • Ben&Ben
  • Gloc-9

More announcements will be made in the coming weeks, so stay tuned!

Two more performers at the FMAs
Photo from Instagram/Filipino Music Awards

Complimentary tickets are now available through SariSari Shopping until Oct. 19, 2025, with different magazine package types and inclusions:

  • Platinum Record Package (P4,000)
    • One exclusive shirt (black)
    • One exclusive tote bag
    • Three magazine back issues:
      • One Billboard Philippines magazine (randomly selected)
      • One Rolling Stone Philippines magazine (randomly selected)
      • One NYLON Manila magazine (randomly selected)
    • One complimentary Lower Box Ticket
  • Gold Record Package (P3,500)
    • One exclusive shirt (white)
    • One exclusive tote bag
    • Two magazine back issues:
      • One Billboard Philippines magazine (randomly selected)
      • One Rolling Stone Philippines magazine (randomly selected)
    • One Complimentary Upper Box Ticket
  • Silver Record Package (P1,500)
    • One exclusive tote bag
    • Two magazine back issues:
      • One Billboard Philippines magazine (randomly selected)
      • One Rolling Stone Philippines magazine (randomly selected)
    • One Complimentary General Admission Ticket

For more updates and information, follow The Filipino Music Awards on Facebook, Instagram, and TikTok! Vote for the People’s Choice Awards here.

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Manila/ The List/ What's On

Lee Jong-Suk Returns to Manila for 'With: Just Like This!' Fan Meeting Tour

11Photo by Lee Jong-suk/Instagram

Locking eyes with a K-Drama heartthrob while clutching a signed poster isn’t always just a dream because Lee Jong-suk is coming to town. The breakout star is set to arrive at his 2025 Asia Fan Meeting Tour: “With: Just Like This!” in Manila on Nov. 30, 2025, at The Araneta Coliseum in Quezon City.

Known for his unforgettable roles in Big Mouth, W: Two Worlds, Pinocchio, Romance Is a Bonus Book, While You Were Sleeping, and the new legal drama Law and the City, Lee has become a household name across Asia. His magnetic screen presence and emotional depth have earned him legions of fans, and now, Filipino supporters will get the chance to meet him face-to-face.

Lee Jong-suk at one of his previous events
Photo from Instagram/Lee Jong-suk

This marks Lee Jong-suk’s second fan meeting in the Philippines, following his 2023 visit. With his latest drama gaining traction and his fan base stronger than ever, the Manila stop is expected to be one of the most memorable legs of the tour.

Lee’s Manila stop is just one leg of a seven-city tour that kicked off in Seoul on Sept. 14, coinciding with his birthday. From there, he’ll greet fans in Tokyo, Osaka, Taipei, Bangkok, and Hong Kong, bringing his signature warmth and charm to each destination. The tour’s title, With: Just Like This!, is a nod to his official fan club “With,” and reflects his desire to create intimate, lasting memories with supporters across Asia.

Tickets go on sale Oct. 4, 2025 at 12 PM via TicketNet and all TicketNet outlets. Prices range from P3,500 (Lower Box B) to P12,000 (VVIP). All attendees will receive an exclusive photocard, while VIP and VVIP ticket holders will enjoy additional perks like a special ID and lanyard. Select fans will also be eligible for signed posters, group photos, and a hi-bye session, with raffle allocations across ticket tiers.

For longtime fans or newcomers to the K-Drama universe, this event promises an evening of charm, connection, and cinematic magic. Follow Lee Jong-suk on Instagram to keep yourself updated on his latest shows and events.

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Manila/ Vibe/ Artists

The Juans Take a Milestone Leap With TAWID

The Juans

The word “tawid” in Filipino primarily means “to cross.” It simply means moving from one place to another. As is the case with most words, the country’s counterpart to "crossing" has also developed new meanings. And for The Juans — consisting of members Carl GuevarraJaps MendozaChael Adriano, and RJ Cruz — the word represents the current stage in their respective lives.

While the pop-rock band started out with more upbeat songs during the early years of their career, they have unexpectedly established a name for themselves as a “hugot band,” known for their songs about love and heartache. It is a songwriting style they have mastered over the past few years, with singles like “Hindi Tayo Pwede,” “Hatid,” and “Dulo.” All these tracks, also categorized as “mapanakit (hurtful)” songs, tackle love in its purest form, though not in its most tender.

For their new album, titled TAWID, The Juans is still devoted to their brand of storytelling. This album, however, is more nuanced. It marks a reinvention of their musical style, both lyrically and sonically. During the listening party and press conference held at TriNoma last Sept. 4, The Beat Asia got a chance to experience TAWID before its official release. Here’s what we think about the album.

The Juans during the listening party for TAWID
Courtesy of The Juans

‘TAWID’ Proves the Juans Is More Than Just Their ‘Hugot Band’ Moniker

If there’s one thing fans can expect from the album, it’s that The Juans’ customary songs about the heartbreaking side of love are still very much present. On being branded as a "hugot band," lead vocalist Guevarra said during the press conference, "I think hugot songs only make sense if they come from a point of sincere, honest love. The lover part will always be an integral key to our messaging."

In Tagalog, “Hugot” means “pull.” The word has also taken on a new meaning, especially in the contemporary era, where it refers to drawing out something more profound and sentimental from deep within. For Guevarra, all their hugot songs stem from a genuine feeling of affection. It’s not something they just pulled out of thin air. Pain wouldn’t be present, after all, if the love wasn’t real in the first place. It’s the authenticity of it all that has made their songs strike a deep emotional chord among listeners. And Gueverra couldn't have explained it better.

Hindi ka naman masasaktan kung hindi ka nagmahal ng tunay (You won’t get hurt if you weren’t truly in love). Therefore, [love] is essential to our storytelling. It’s part of the formula… We are storytellers first before we are musicians. There will be love songs all the time,” Guevarra added.

The Juans during the press conference for TAWID
Photo by The Beat Asia
The Juans during the press conference for TAWID
Photo by The Beat Asia

The band members revealed it took them half a year to fully flesh out the album, with some songs written a few years ago. The album, which consists of 10 songs (including the previously released “Ako Na Lang” and “Ano Ba Talaga Tayo?” featuring Janine Berdin), originally had more than 10. While the band admitted it was scary at first to put as many as 10 out there, it was also a struggle for them to narrow the list down.

“It was more about truly committing to the messaging and storytelling. [Our one guiding light was what we wanted to write] from a place where we actually are — at this point in life, our age, and our emotional state,” said Guevarra.

It’s clear that TAWID wasn’t intended to be just an album fans can listen to during sad hours. It serves as a representation of where the band is currently, both in creative and personal aspects. Although writing about the different facets of romance has always been The Juans’ bread and butter, they have, from time to time, incorporated songs that aren’t all about love. TAWID is no different. If anything, it only showcases the band’s sensibilities as both artists and storytellers, having successfully conveyed complex emotions through their songwriting.

The Juans performs for fans during the listening party for TAWID
Courtesy of The Juans
The Juans during the listening party for TAWID
Courtesy of The Juans

The album’s opening track, “Gusto Kita,” is a high-energy, disco-leaning number about a bold declaration of love. It is a fun contrast to the album’s far less energetic tone, setting the stage for what would become an emotionally charged listening experience. It is followed by "Ako Na Lang," where the narrator clings to the hope of being chosen by the one they desire. However, one romantic single from the album stands out the most: “‘Di Na Masakit.”

The Juans point out that we often hear songs about the painful aftermath of a relationship, but rarely about what happens when both the pain — and the love — finally fade. The track is a celebration of moving forward, free from the weight of what once was. Of course, it wouldn’t be a The Juans record without a generous dose of “hugot.” And “hugot” they deliver. But it’s in songs like “Tanda” and “Naiwan” where we truly get a chance to connect with the band on a deeper level.

Inspired by a band member’s friend who recently got married, “Naiwan” is a song about contemplating life and realizing that it’s moving quickly for everyone they love. It’s not a bitter song — just a sudden realization that time is passing, things are changing, our friends are getting their lives together, and at some point, we start feeling a little left behind; hence, the title.

Tanda,” on the other hand, is a sentimental single about looking back on what they’ve accomplished as a band, holding onto their fondest memories as they grow older, and preserving them until the moment age finally catches up with them.

The Juans during the press conference for TAWID
Photo by The Beat Asia

TAWID is undeniably a The Juans album. They are not yet done writing about the different aspects of love — and, by all means, they don’t have to be. After all, the band thrives greatly on authenticity. Every song they write is based on real experiences, whether romantic or otherwise. That said, the album could have been even stronger with more songs outside the romantic context, as the band has proven they can handle deeper and more diverse themes just as well.

The Juans Is Done Chasing Popularity

Having recently celebrated their 10th year as The Juans, the lesson they continue to embrace is to see things through “purpose, not popularity.” Over those 10 years, they've learned that "longevity is the name of the game." As Guevarra said, "it’s not about chasing hype — it’s about living a life with purpose."

Reflecting on their journey and drive, Guevarra shares insights into what fuels The Juans’ perseverance and evolving aspirations. “Being ambitious is one of the reasons why we keep pushing, even if we don’t see the output that we desire. In our 10 years as The Juans, not every song we release [has been a hit]… But our dreams have expanded from [wanting to be] known and famous to being an inspiration to the people that we are singing for… Our dreams are expanding. And this ambition that we have is also one of our driving factors in giving our best even if we don’t see the [fruits of our labor] yet.”

Years ago, the members of The Juans asked themselves one question: “Bakit kaya wala nagsusulat tungkol sa’tin (Why is no one writing about us)?” They’re thankful that several journalists have started writing about them, especially last year.

Uy, nakikita na tayo sa balita (Hey, we made it to the news),” said Gueverra.

The Juans pose with fans during the listening party for TAWID
Courtesy of The Juans

During the press conference, a number of Juanistas (the band’s fanbase) were already flocking to experience the album firsthand. Despite time constraints, The Beat Asia managed to ask at least one question that all members could answer quickly: “If each member could pick just one personal favorite track from the album, what would it be?”

RJ: “Ngiti.”

Carl: “Naiwan.”

Japs: “Gusto Kita.”

Chael: “Tanda.”

No explanations. Just a raw glimpse into where the members currently are, songs that would allow listeners a look into their personal journeys. Overall, TAWID is a strong reflection of who The Juans truly are as a band and as individual artists. It is a great milestone album, serving listeners a record perfect for late-night hours. The album shows they are more than just a band known for heartbreak anthems, as they venture beyond their usual comfort zone while staying true to what fans love about them. And we’re excited to see them bare more layers of themselves in the future.

TAWID is out now. Follow The Juans on Facebook, Instagram, and X (Formerly Twitter) for updates on their latest music releases and upcoming shows.

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Manila/ Vibe/ Pop Culture

BINI is Heading to the Desert as the First Filipino Artist at Coachella

20250917 BINIPhoto by BINI/Instagram

Uy, Pilipinas!

Indio, California is about to get a taste of P-Pop for the first time as BINI joins the lineup of the Coachella Valley Music and Arts Festival 2026. The P-Pop group makes history as the first-ever P-Pop act to perform at the iconic desert festival.

The artist lineup for Coachella 2026
The full lineup of Coachella 2026 | Photo from Instagram/Coachella

Coachella runs for two weekends, April 10 to 12 and April 17 to 19, 2026, at the Empire Polo Club. Headliners for the festival’s 2026 edition include Sabrina Carpenter — “keeping her word” following her 2024 debut — alongside Justin Bieber, who will headline for the first time, and Karol G, the first Colombian artist to top the bill.

BINI is scheduled to perform on April 10 and 17, sharing the stage with Sabrina Carpenter alongside KATSEYE, The XX, Teddy Swims, Disclosure, Foster the People, and more.

A photo of BINI for their Homecoming Fan Meeting
BINI | Photo from Instagram/BINI

The “Nation’s Girl Group” — comprised of members Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena — debuted in 2021 under ABS-CBN’s Star Music and Star Magic with their single “Born to Win.”

With their synchronized performances, hard-hitting vocals, and unique pop sound, they have emerged as one of the biggest names in P-pop and Southeast Asia, known especially for their viral hits “Pantropiko,” “Salamin, Salamin,” “Lagi,” “Karera,” and more.

They have also released English-language tracks such as “Cherry on Top,” “Blink Twice,” and “Shagidi.”

Other popular acts set to perform at Coachella 2026 include K-Pop powerhouse BIGBANG, Taemin, Addison Rae, Alex G, YoungThug, Laufey, Fujii Kaze, MajorLazer, and PinkPantheress.

For more information and updates, follow the Coachella Valley Music and Arts Festival on Instagram.

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Manila/ The List/ Nightlife

Coke Studio Philippines Brings Lauv, BINI, and More for Season 9 Concert

Coke Studio Artists 2025Photo by Coke Studio Philippines

Last Sept. 5, the SmartAraneta Coliseum was packed with music fans as Coke Studio Philippines held its Season 9 concert, bringing together an exciting lineup of local and international artists.

Curated from social listening and careful research, The Coke Studio Live at the Big Dome lineup served up a feast of explosive collaborations and electrifying performances. This year’s theme revolved around cross-genre tracks, and each collaboration showcased a unique blend of musical genres that delighted fans and made music history with every note.

“OPM (Original Pilipino Music) is very much alive! If you look at the charts now, you see more OPM music. Everybody really worked hard to uplift OPM, and we’re really grateful for the small part that we play in giving these rising artists a platform to thrive,” said Teejae Sonza, Coca-Cola Trademark Category Marketing Head, ASEAN & South Pacific. 

More than just a music platform, Coke Studio is all about uplifting people through music and creating shared moments that will last a lifetime. This year’s lineup exemplified that through never-before-seen collaborations between some of today’s hottest artists and rising musicians. The event featured Coke Studio fan-fave collaborators ALAMAT, who teamed up with singer-songwriter MRLD. Indie band Over October also shared the stage with Ena Mori, while Dionela delivered a sultry R&B/Hip-Hop track with up-and-coming rapper Alex Bruce.

But icing on the cake was the presence of the nation’s girl group BINI, who dropped their fourth Coke Studio track alongside the Orchestra of the Filipino Youth (OFY), and global heavy-hitter Lauv, who returned to Manila for a truly exciting set filled with all his beloved songs such as “I Like Me Better,” “Chasing Fire,” and “Paris in the Rain.” Here’s what went down last Friday night.

Pushing the Boundaries of OPM

If anything, Coke Studio is a platform where artists are encouraged to create and experiment. With this season focusing on cross-genre tracks, it was a night packed with unexpected soundscapes.

The night kicked off with an explosive performance by Filipino boy group ALAMAT, who returned to the Coke Studio stage. The six members opened with their latest single, “Hiraya,” and followed up with hits “Sa ‘Yo Pa Rin Uuwi,” and “Dagundong.”

They then welcomed Coke Studio rookie MRLD, who performed “Ikaw Pa Rin,” “Ligaya,” and “Sandali.” The singer also shared that apart from this being her Coke Studio debut, it’s also her first live performance at the Araneta Coliseum.

The two artists returned to the stage to perform their Coke Studio collab track, “Rock Baby,” a reimagined record of the VST & Company classic.

When we heard that song was going to be our peg, we were excited. We immediately took that line, ‘Rock Baby Rock’ as the main hook. Even though it didn’t run through the whole song, we made sure it’s there alongside our own sound,” MRLD told The Beat Asia. “The surprising part is we were able to give it justice and bring it back to life.”

“We were excited to make it our own, because each of us has something to offer,” added Jao. “We were able to give it our own flavor.”

Alamat
ALAMAT | Photo by The Beat Asia

Alamat celebrated their fourth collaboration with the platform, having previously released tracks with artists like Iñigo Pascual (Season 5), Dwta (Season 7), and Nik Makino (Season 8). When asked how the experience has helped them evolve as artists, Jao shared, “When we started, there were only a few of us who wrote songs. Coke Studio encouraged us to write more, and we discovered more about ourselves. It has been a big part of growth. We learned so many different genres from other artists, and we learned how to hone our craft, so thank you so much, Coke Studio!”

On the other hand, MRLD is gaining momentum, having just released their debut album, “7th Sense,” last March. When asked if there were any challenges they had to overcome during its production, they answered, “With the tracks, most of the songs were written two or three years ago, so the challenge was paano ko siya maramdaman ulit (how do I feel them again)? Like with the sad songs, if I’m happy where I am now in life, it’s difficult to put myself in those shoes again. But thanks to the producers of the album, we were able to revive those feelings, and the storytelling feels were still there. I was also able to produce, which I haven’t done in a long time. Usually, I would just send over my songs to the producers, but for this album, I was very hands-on.”

Alamat and MRLD
Alamat and MRLD | Photo by The Beat Asia

The night seemed to have just begun as Over October made a rockin’ Coke Studio debut with “Bitin,” “Kaakit-Akit,” “Lumayo,” and their hit song, “Ikot.”

During the pre-show interviews, we got to chat with the band and asked if there was a change they would like to see in OPM.

“I think not paying too much attention to the numbers. You’ll be surprised at how many good artists there are that don’t have big numbers,” said the band’s lead vocalist, Josh Buizon. “I think that would change it. It may be difficult at first, but you can start by going to open mics. You’ll be surprised at how there are so many smaller acts that are so good!”

Filipino-Japanese singer-songwriter Ena Mori brought her bright pop energy to the stage afterwards, as she performed “SOS,” “Trust Me,” and “King of the Night.” She was then joined by Over October to sing their collab track “Tulad ng Dati.” The song has a feel-good sound with lyrics about reminiscing about the past. The song samples Sam Concepcion and Tippy Dos Santos’ “Dati,” giving it a whole new vibe and flavor.

Ena Mori and Over October
Courtesy of Coke Studio Philippines

When asked about the unique qualities they were able to put into the track, Josh replied, “I think we brought in our signature sound — like the band feel of it. Our sound is more on the rock side of things, so we were able to bring down a little bit of that flavor. We also distributed the writing. A lot of the English parts of the song are Ena, and the Tagalog ones are Over October. I think in that sense, we also brought our own flavor to those verses and parts that we were singing.”

“I think I reminisce in that alternative soft rock part of the track. It was a challenge coming from synth pop, then going into the alternative side, but there was still a bit of synth pop element in there. It really just homogenized with all of us,” added Ena.

“Ena was also saying she liked one of our songs with ‘70s elements. So we tried adding some of those to the track too,” added Joshua Lua, lead guitarist of the band.

With Season 9 being their first Coke Studio stage, the two artists also expressed how amazing it was to be part of the lineup. “We keep saying it over and over, it’s really a dream come true! Growing up, we would see Coke Studios and all of the artists, hoping one day we would be able to be a part of the seasons. We’re just really happy to be here, soaking everything in. We’re just having a great time!

“I think we’re all proud of ourselves to be able to do this,” said Ena. “It’s such a surreal moment! It's also a challenge to do everything perfectly, but I'm just grateful for the opportunity.”

Band
Over October and Ena Mori | Photo by The Beat Asia

Fierce rapper Alex Bruce brought the house down with “Bling” alongside her back-up dancers. Although she only had one song for this set, everyone was energized by her performance, which is proof that she’s someone to look out for.

Following her performance is Filipino R&B artist Dionela, who charmed the crowd with his soulful music and meaningful lyricism that earned him a spot in a unique pocket of OPM. The singer made us all feel kilig as he sang two of his biggest hits, “Marilag” and “Sining.”

For their collaboration track, the duo sang about situationships in “Fall Season,” a soulful R&B track reimagined from Moonstar88’s “Migraine.”

“I produced the track and I actually created it in the middle of traveling between gigs,” Dionela told The Beat Asia. “And for some reason, it was so easy to do. Maybe because I was happy at that moment in time, and I guess that translated to the music. I just let the music create itself.”

Alex Bruce also shared how amazed she was by the process, admiring Dionela’s work as a producer, saying how she had learned a lot from the experience, and even hopes to produce her own music someday.

Dionela also sang his song “Oksihina,” which he stated was the song that still surprises him every time he performs it live.

“That song was written when I had fatal COVID, and I wrote it on the back of the receipt of the last food I wanted to eat,” he revealed. “Every time I sing that song, it feels like, you know, I wouldn’t have been able to sing this song if things turned out differently. It’s a new beginning every time I sing it.”

Artists
Dionela and Alex Bruce | Photo by The Beat Asia

After a short intermission, with the hosts leading the audience with a round of games, it was finally time for the main event. The Orchestra of the Filipino Youth gave us their soaring rendition of BINI’s “Blooming,” before the girl group brought the house down with back-to-back performances of “Blooming,” “BlinkTwice,” and “Salamin, Salamin.”

They also sang their latest Coke Studio track, “Oxygen,” which they performed alongside the company orchestra.

“This isn’t the first time we’re performing on the same stage since we already worked together at the BINI concert,” BINI Jhoanna shared during the pre-show interviews. “It’s a full circle moment for all of us.”

BINI
Courtesy of Coke Studio Philippines

Coke Studio then welcomed a beloved global artist to the stage, who played a 16-track set that took us on an emotional roller-coaster ride. Lauv reunited with his Filipino fans, causing the singer to get emotional from the cheers and support he received. Some of our favorite stages included his opening number “Paris in the Rain,” “Steal the Show,” the “Mean ItEyesSuperhero” medley, “Who,” “NeverNot,” and of course, the song he described as “will always be our baby,” “I Like Me Better.”

Lauv
Courtesy of Coke Studio Philippines
Concert
Courtesy of Coke Studio Philippines

Safe to say that Coke Philippines did it again, serving up exciting collaborations and performances worth remembering. When we think about how far this platform has come, we remember that more than good music, it has also created memorable moments for everyone present.

“When this started nine years ago, it was all about uplifting the sights and sounds of Filipino music. We’re not creating something new here. We’re just listening to what’s out there on the radio, listening to what the fans are telling us, as well as what’s on social media platforms and responding to and co-developing it with the artists that we work with,” said Teejae.

“We are very fortunate to have worked with a lot of artists. We’re very happy to give people a platform, and we’re very happy when our alumni become big in the industry. Hopefully, this platform can also help them be discovered by more audiences in other parts of the globe, because that’s the value of Coca-Cola. It’s about uniting people, creating shared moments, and uplifting the world through music and connection. We’re very happy to be part of this development of OPM, and to continue supporting the industry and the passions of the Filipinos as well.”

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Manila/ Vibe/ Pop Culture

BINI Gives P-Pop an Orchestral Twist in New Collab with Coke Studio

Coke Studio Bini

Coke Studio Philippines Season 9 made its grandest return yet last Friday as Coke Studio Live at the Big Dome brought together artists across genres, uniting fans in a celebration of music that keeps the charts alive and the vibes thriving.

This season, Coca-Cola Philippines curated a genre-defying lineup, featuring both rising acts with songs on constant replay and seasoned artists who continue to prove their talent through memorable releases and electrifying performances. Among the performers were current chart-toppers MRLD, Dionela, Over October, Ena Mori, and Alex Bruce, alongside Coke Studio alumni ALAMAT. Headlining the concert was global hitmaker, Lauv, known for tracks like “I Like Me Better” and “Chasing Fire,” as well as the P-Pop Queens BINI, who delighted fans with their fourth collaboration for the platform.

Pre-show, we got to sit down with the nation’s girl group as we talked about their latest song with the Orchestra of the Filipino Youth (OFY), and how Coke Studio continues to push the boundaries of musical creativity in the Philippines.

Uplifting Filipinos Through Music Collaborations

Classical meets pop in the genre-bending collaboration between BINI and the Orchestra of the Filipino Youth, as they join forces in “Oxygen,” a song that celebrates youth, growth, and resilience. The song begins with the line “Thank God, didn’t think I’d make it this far,” conveying a message of hope and positivity as one perseveres towards reaching their goals.

OFY is a company of orchestra musicians and is the main performing arm of Ang Misyon, a non-profit organization that supports musically talented, less privileged youth. One of the organization’s main objectives is to provide the youth with music programs that aim to develop music skills, teaching the values of commitment, discipline, and community, which are all a part of orchestral training.

“I think it’s very inspirational that they are representing the youth. They’re hardworking, and they bring a different flavor to our song. It was such a blessing for us to work with them,” BINI Mika told The Beat Asia.

Although this isn’t the first time BINI and OFY performed on the same stage, having worked together at their previous concerts, this collaboration marks a significant milestone for both artists. "Oxygen" pushes the boundaries of P-Pop, marrying it with the refined sounds of classical music.

“It’s a full circle moment for all of us,” added BINI Jhoanna.

BINI
BINI | Photo by The Beat Asia

On the other hand, when asked what the experience was like working with the P-Pop stars, Kaya Mendoza, OFY’s Concertmaster, expressed her genuine happiness, pointing out that more than an exciting opportunity, it was a learning experience.

“It was very fun collaborating with them. Sobrang nakakakilig po (It was heart-fluttering) and very eye-opening since from classical to pop, we were able to adjust. I also really liked the professionalism they showed as a group and their passion for music.”

Violinist Keith Buendia also added how they hope to do more collaborations in the future, and experiment how to blend with other genres. “I like to have the opportunity to play ballad or R&B music with other local or even international artists. I think the magical sound of the orchestra would be very fitting for it.”

Orchestra members
Keith Buendia (Violin), Kaya Mendoza (Concertmaster), and Myre Fernan (Cello) of OFY | Photo by The Beat Asia

Similarly, BINI Stacey also shared how they were eager to learn from the OFY members, often asking about their instruments and being curious about their process. She revealed that BINI had always dreamed of forming a band and hopes to play instruments on stage someday, too.

Coca-Cola Trademark Category Marketing Head, ASEAN & South Pacific, Teejae Sonza, shared how “Oxygen” is more than just your regular pop song, but a product backed by data, further exemplifying that Coke Studio is all about pushing the boundaries of creativity through thoughtful collaborations.

“The beginnings of ‘Oxygen’ were created through the study of 30,000 hit songs over the last few years, and trying to understand what makes a song uplifting in terms of melody, beats, and lyrics,” she explained. “We worked with Grammy-award-winning producer-songwriter Styalz Fuego, who created the initial peg for the song, which was then given to the artist to add in their own flavor and style. So you see, it’s not only transcending genres but also geographies, as we have people from the Philippines working with people from all over the world.”

The song may sound like your regular pop BINI track, but the layers of strings woven through the beats and lyrics give it an undeniable depth and a unique flavor, sonically. Metaphorically, it’s more than just a song with inspirational lyrics, but a reflection of both artists’ journeys — of youth who have worked hard to achieve their dreams and have kept their passions for music thriving by continuously producing music and performing.

“Being part of such a big platform, I hope this serves as an inspiration to other youth like us,” Kaya said. “We get to do what we love, which is music, performing, and connecting with people. We hope this reaches them and inspires them.”

When asked about the group’s next boundary to push, BINI Jhoanna’s answer encapsulated what Coke Studio hopes to achieve with this music platform and its hope for the local music industry.

“We’ve always believed that OPM has no limits. After this orchestral stage, perhaps the next boundary we want to push is to create more music and collaborations; to combine OPM with other global genres so we can create something new and show the world what Filipino music can do. It definitely deserves to be celebrated.”

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