Published: March 30, 2026

Artist Spotlight: On Colors, Whimsy, and Visual Chaos with Chaaya Prabhat

by: The Beat Asia

Photo by The Beat Asia

by: The Beat Asia

Published:
March 30, 2026

When we think of mural art, what often comes to mind is something loud — colorful, edgy, sometimes political, sometimes unruly. This kind of work usually either stops everyone in their tracks, demanding their attention in an instant, or something fleeting, almost only owing a glance from the viewer.

But at HKWALLS, the definition of what a mural can be begins to stretch — softening at the edges, opening itself to a quieter, even more introspective form of storytelling one can expect from books.

For Chaaya Prabhat, whose works move across the realms of children’s books, digital spaces, and now public walls, storytelling takes on a gentler rhythm — one that invites pause, curiosity, and a childlike wonder that lingers.

In our latest Artist Spotlight, The Beat Asia sat down with Chaaya Prabhat as she reflects on her evolving practice, her work on children’s books, and the delicate balance of realism and whimsy.

Congratulations on being a featured artist for HKWALLS 2026! What drew you to participate in the festival, and what are you most excited about in creating work for a public space?

Thank you! I have been invited by HKWALLS as a digital artist this year, so my animated illustrations will feature on gigantic LED facades of the Tsim Sha Tsui Centre and Empire Centre — which is so exciting!

I don’t think I’ve ever created art for such a large façade before that’s going to be viewed as part of such an iconic city skyline, so I’m nervous and intrigued to see how it’ll turn out.

Murals live out in the open — sunlight, passing crowds, pollution. How does working at that scale make you feel about color, storytelling, and composition?

Working at a large scale is certainly very different from the media that I’m used to. I make illustrations for books and print, and I had to step out of my comfort zone to work on something at this scale.

I need to pare down details that are usually visible at a smaller scale, so they make sense when viewed from afar, and be smart about the colors I use so it doesn’t come across as jarring.

The storytelling, as well, has to be simple and straightforward since the artwork is very fleeting.

What’s your concept for your HKWALLS mural? What story or feeling are you hoping that people carry with them after seeing it?

A digital mural at Tsim Sha Tsui Centre — "Daydreams" | Courtesy of Chaaya Prabhat

I decided to work on a whimsical montage of what I imagine to be a cat’s daydream, called “Daydreams.” Having previously lived in Hong Kong and being familiar with the skyline, I knew if my artwork had to be up there, I wanted to make something absurd.

I was surprised and happy that HKWALLS picked up my pitch. I really hope that when people see it, they feel the joy I felt while creating it.

Will the vibe and atmosphere of Hong Kong influence your piece for HKWALLS?

Very much so! I used to live in Hong Kong, and in many ways, my tendency to illustrate cramped spaces, lots of detail, and visual chaos may have been influenced by my time in the city.

While creating the artwork for the digital façade, I very much imagined what it would look like as a part of the skyline — I wanted the reflections that show from the screen onto the water to look just as colorful as the screen itself. I wanted the artwork to be shape and color heavy so it can be viewed from across the waterfront or from the ferry.

Your work is instantly recognizable for its soft palettes, joyful characters, and childlike wonder. How has your work evolved over the years?

Thank you! It’s continuing to evolve with the years. Earlier, I may have focused a bit too much on style, but through the years I’ve allowed myself to play and have fun with my illustrations a little more, even if they meander into slightly different styles.

Many of your works feel playful, but also reflective. How do you balance whimsy with deeper themes, such as with “Farah’s Nose”?

A photo of an artist with their illustrated book — Chaaya Prabhat and "Farah's Nose" | Photo from Instagram/Chaaya Prabhat

A page with yellow, red, pink, and brown colors — A page from "Farah's Nose" | Photo from Instagram/Chaaya Prabhat

I think creating books for children is a great practice for this, as I’m often dealing with topics that are serious and reflective, but at the same time, I’m catering to a very young audience, so I also want to make this audience laugh, notice small details, observe shape and color, while also not detracting from the overall message.

Learning to take all the seriousness and cynicism of life with a balance of whimsy is a lesson I’m trying to learn as well.

Color seems to be as important as the theme of your pieces. Do you approach color intuitively or is there a deliberate color palette behind it?

A digital artwork with flowers, a man in the middle, and other plants — Photo from Instagram/Chaaya Prabhat

An artwork of a woman with a motorcycle in front of her — Photo from Instagram/Chaaya Prabhat

I think it’s a mixture of both. The colors that I choose are intuitive and influenced by the burst of colors I grew up seeing in India, but I am still carefully choosing them for each project, depending on context and mood.

How does illustrating for children’s books differ from creating standalone artworks and murals?

The biggest difference is the scale at which the artwork is viewed. When you’re a child reading a book, you can look very closely at the details, re-read something multiple times, and notice new things each time.

When you’re looking at a mural, quite often it’s fleeting — you’re a passerby. This is a difference I considered when picking what to do for my HKWALLS project.

Do you think your experience in illustrating children’s books shape the way you approach public art or murals?

Absolutely. Muralists often tell stories with their murals, and creating children’s books is a great practice for storytelling visually.

What do you love most about working in a digital medium?

A digital artwork with shades of blue and purple — Photo from Instagram/Chaaya Prabhat

A tablet showing the digital artwork — Photo from Instagram/Chaaya Prabhat

I personally love that it mirrors the joy of creating traditional artwork while being forgiving and allowing do-overs, and the diversity of choices I can make with colors and textures.

In an era where art travels quickly online, how do you think digital platforms have changed the way illustrators connect with audiences?

A lot of illustrators, including myself, use social media as a marketing tool. I think it’s been hugely beneficial in getting my work seen by different audiences around the world and in terms of overall outreach.

Your work encompasses murals, books, and digital art. Do these mediums feel like separate worlds to you, or just different chapters in the same story?

They definitely feel like chapters in the same story. I think I just need to wear a different hat for each medium, but I am the same human creating the artwork, so my hope is for that to come across, irrespective of the medium.

When people encounter your work in any kind of medium, what do you hope for them to take away?

An artwork of a deer in a field of purple flowers — Photo from Instagram/Chaaya Prabhat

My hope in this AI-dominated world in 2026 is for people to appreciate that the artwork is made by a flawed human being, as opposed to a perfect machine. A festival like HKWALLS is a celebration of humans creating artwork, and I feel a renewed hope in human beings when I see other artists and muralists creating lovely human-made work.

What kinds of stories are you most excited to explore in your future works?

I illustrate a lot of books written by other authors, but I’d like to write my own book some time and illustrate it. That’s something I need to work on!

What’s next for Chaaya Prabhat? Any works you’re excited to tease for your fans after HKWALLS?

I’m working on numerous picture books and exciting projects in 2026 that will come out later in the year!

Learn more about Chaaya Prabhat and her works by visiting her website and following her on Instagram.

Enjoyed this article? Check out our previous Artist Spotlight profiles here.

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Hong Kong/ Delish/ Happenings

Published: March 30, 2026

Last Updated: April 01, 2026

Genki Sushi Serves Y2K Nostalgia with New Tamagotchi Menu and Collectibles

by: The Beat Asia

by: The Beat Asia

Published:
March 30, 2026

Last Updated:
April 01, 2026

Conveyor belt sushi restaurant Genki Sushi leans into Y2K nostalgia core this April with a Tamagotchi-themed Capsule Toy Fair, pairing collectible capsule toys with a playful limited-time menu inspired by the iconic virtual pet.

The promotion invites diners to spin capsule toys featuring 20 Tamagotchi-themed designs, while turning the spotlight on a creative menu that translates Tamagotchi’s cute, colorful world into both savory bites and desserts. Designed to be as eye-catching as it is indulgent, the menu encourages diners to eat, play, and collect in one visit.

Tokyo mochi shop menu featuring various traditional Japanese rice cakes and desserts. — Photo by Genki Sushi Hong Kong

Diners can try Genki Sushi's cheeseburger steak sushi, which layers a juicy patty with melted Gouda cheese over sushi rice, alongside a fried minced meat patty stamped with Tamagotchi character motifs. The menu shifts into sweeter territory with a Shine Muscat grape mousse cake that balances fresh fruit flavors with a smooth, creamy finish. A corn soup soft serve, available from Apr. 11 to 29, rounds out the menu with an unexpected mix of corn flavors, combining breakfast cornflakes, corn soup soft serve, crunchy corn kernels, and a corn cone.

A colorful poster displaying a variety of toys and items, showcasing different shapes and sizes for children. — Photo by Genki Sushi Hong Kong

For every HK$180 spent on dine-in, guests will receive a limited-edition capsule token, with a chance to take home Tamagotchi Paradise, the newly launched virtual pet device limited to just 400 units. Additional spending unlocks more chances to spin and win. Those who meet the same spending threshold can also redeem Tamagotchi-themed card holders or multi-purpose keyrings for HK$48.

Promotional image for the upcoming Tsum Tsum game release in the US, showcasing beloved characters in a fun design. — Photo by Tamagotchi Official

The campaign further rewards fans with a limited-time membership upgrade, allowing diners who spend HK$420 or more to register directly as Genki Sushi Silver Members. Exclusive membership perks include birthday dining discounts, Genki Points redeemable for cash, and in-app queuing access, among others.

The new Tamagotchi menu and collectibles are available from April 2 onwards across all Genki Sushi outlets in Hong Kong, while stocks last.

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Hong Kong/ Delish/ Reviews

Published: March 19, 2026

Top Sports Bars in Hong Kong

by: The Beat Asia

by: The Beat Asia

Published:
March 19, 2026

Whether you’re a die-hard football fan, a casual viewer tuning in for the World Cup, or simply someone who enjoys a cold pint with a buzzing crowd, Hong Kong has no shortage of great sports bars. From cozy Irish pubs to waterfront hangouts and late-night bars with giant screens, there’s a perfect game-day hangout for every kind of fan.

Here are some of the best sports bars in Hong Kong where you can soak up the atmosphere, cheer for your team, and enjoy a proper night out.

Delaney’s

For an authentic Irish pub experience in Hong Kong, Delaney’s is a long-time favorite. The original pub opened in Wan Chai back in 1994 as the city’s first Irish pub, and its Tsim Sha Tsui branch carries the same welcoming, old-school charm.

Inside, you’ll find vintage-style interiors, comfortable seating, and multiple TVs broadcasting football matches and other major sporting events. It’s the perfect place to settle in with hearty pub grub, warming beef stew, classic Irish dishes, and of course, a perfectly poured pint of Guinness to wash it all down.

The highlight is their legendary Sunday roast, which locals swear by. Pair it with the laid-back pub atmosphere, and you’ve got a sports-watching spot that feels like a home away from home.

Location: Delaney's, B/F, Mary Building, 71–77 Peking Road, Tsim Sha Tsui

Opening Hours: Daily, from 8 AM to 2 AM

The Blind Pig

Come hungry! The Blind Pig is where sports fans go when they want big flavors and even bigger portions.

This speakeasy-style sports bar in Sai Wan Ho blends casual vibes with an American-inspired comfort food menu. Expect slow-cooked crackling pork belly, BBQ short ribs, fajitas, fish and chips, and homey mains like carbonara and paella. It’s a gluttonous paradise for anyone craving comfort food while watching the game.

Sports coverage is equally solid, with regular broadcasts of F1, boxing, tennis, and other major events on screen. With its old-school charm and regular weekday specials, it’s a fun and easygoing place to spend a game night.

Location: The Blind Pig, Shop GB12-14A, 45 Tai Hong Street, SoHo East, Lei King Wan, Sai Wan Ho

Opening Hours: Mondays to Sundays, from 11:30 AM to 10:30 PM (last order 10 PM)

The Globe

If you like your sports viewing with a side of elevated pub food, The Globe is a must-visit. This Central gastropub has built a reputation for its excellent menu and extensive selection of local and international beers.

The food here goes beyond the usual bar fare, offering scrumptious dishes like pork schnitzel, Irish beef stew, and baked polenta. Their Sunday roast is especially popular, with generous portions and a cosy weekend vibe to match.

Despite hosting plenty of football and rugby matches, The Globe is praised for its laidback atmosphere and relaxed ambience, perfect if you want to watch the game without shouting over the crowd.

Location: The Globe, Garley Building, 45–53A Graham Street, Central

Opening Hours: Daily, from 10 AM to 2 AM (Happy Hour from 10 AM to 7 PM)

Wan Chai Stadium Bar

When it comes to serious sports watching, Wan Chai Stadium Bar means business.

The bar boasts seven TVs, including two massive 100-inch screens, making it almost impossible to miss any action. From football matches to F1 races and rugby games, there’s always something guaranteed to get the whole bar roaring.

The menu sticks to what sports bars do best: simple, satisfying pub food like buffalo wings, cheesy mozzarella fries, pork ribs, nachos, and other shareable snacks perfect for game night. Plus, with closing times stretching to 3 AM, it’s an ideal spot for late-night matches.

Location: Wan Chai Stadium Bar, Shop A3, G/F, Hay Wah Building, 72–76 Lockhart Road, Wan Chai

Opening Hours: Mondays to Fridays, from 11 AM to 3 AM; Saturdays to Sundays & Public Holidays, from 12 PM to 3 AM

Devil’s Advocate

Part pub, part social hub, Devil’s Advocate has been a Wan Chai institution since 1999. Known as the area’s first open-fronted bar, it spills onto Lockhart Road, letting guests soak up the vibrant street atmosphere.

The bar’s British and Australian influences make it a popular haunt for expats looking for a taste of home. Sports fans can catch international games on multiple screens, including football, rugby, and motor sports.

Food is simple and comforting — don't miss their all-day breakfasts, or their sausage-and-egg sandwiches served with fries. Add generous happy hour deals and a classic jukebox, and you’ve got a relaxed spot that keeps the energy going late into the night.

Location: Devil's Advocate, G/F, 48 Lockhart Rd, Wan Chai

Opening Hours: Daily, from 12 PM to 2 AM

Misty's Bar Wan Chai

Small but full of character, Misty’s in the nightlife district of Wan Chai proves that you don’t need a massive venue to create a great sports-watching atmosphere.

With a few well-placed TVs and a crowd of loyal regulars, the bar shows everything from football and rugby to golf, snooker, cricket, and tennis. Cold beers, friendly vibes, and a happy hour that runs until 9 PM make it a great place to unwind after work.

Its late weekend closing hours also make it a favorite post-game hangout.

Location: Misty's, G/F Wayson Commercial Building, 68–70 Lockhart Road, Wan Chai

Opening Hours: Mondays to Fridays, from 2 PM to 2 AM; Saturdays, from 12 PM to 4 AM; Sundays from 12 PM to 2 AM

Spiaggia

For a more laid-back sports experience, Spiaggia offers a refreshing change of pace. Located near Stanley’s waterfront, it’s a great escape from the bustle of the city.

While not strictly a sports bar, the venue features a big screen TV showing major events, so you can still keep up with the game while enjoying a seaside meal.

The menu blends Western and Asian flavors — from pizzas and salads to dishes like Tom Yum Goong and Indian naan — making it perfect for relaxed dinners with friends or a laidback post-beach hang.

Location: Spiaggia, G/F, 92B Stanley Main Street, Stanley

Opening Hours: Daily, from 9 AM to 2 AM

Bar 109 Wan Chai

Right in the heart of Wan Chai’s nightlife district, Bar 109 is a lively spot where sports fans gather for the big moments — especially during football tournaments and the World Cup.

The venue features a massive 180-inch LED projector and multiple large screens, so wherever you’re sitting, you’ll have a clear view of the action. Upstairs, a cosy balcony lounge offers a more relaxed vantage point overlooking Lockhart Road.

With a menu of Asian, Western, and Mediterranean snacks plus plenty of drink options — think fine wines, exotic cocktails, martinis, draught and bottled beers — it’s a great place to settle in for a long match night.

Location: Bar 109, 109 Lockhart Road, Wan Chai

Opening Hours: Mondays to Fridays, from 4 PM to 11 AM (next day); Saturdays to Sundays: Open 24 hours

Joe's Billiards & Bar

Photo from Website/Joe's Billiards & Bar

If you like your sports bars with a dose of friendly competition, Joe’s Billiards & Bar in Mong Kok is the place to be.

Spread over two levels, the venue features eight tournament-quality pool tables, darts machines, and even beer pong alongside large screens showing live sports. There’s also an impressive collection of vintage pool memorabilia and Hollywood movie stills featuring famous pool scenes.

Add American-style finger food and a buzzing late-night atmosphere, and you have a sports bar that’s just as fun between matches as during them.

Location: Joe's Billiards & Bar, 5/F, Mongkok City Centre, 74–84 Sai Yeung Choi Street South, Mong Kok

Opening Hours: Daily, from 3 PM to 3 AM

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Hong Kong/ Delish/ Happenings

Published: March 12, 2026

Hong Kong’s Bar Leone Will Be Mixing Drinks at the 98th Oscars’ After Party

by: The Beat Asia

Photo by Instagram/ Lorenzo Antinori

by: The Beat Asia

Published:
March 12, 2026

From Hong Kong to Los Angeles, Bar Leone is truly in a league of its own — as Asia's and the World’s Best Bar will be heading to the 98th Oscars’ After Party this Sunday, Mar. 15, 2026!

In partnership with Tequila Don Julio, Bar Leone’s Lorenzo Antinori will be treating Hollywood A-listers, filmmakers, and directors to two bespoke cocktails at the Governor’s Ball: Best in Show, an Italian-inspired highball made with Tequila Don Julio, Italian aperitif, and cucumber; and the Golden Cut Margarita, a twist on the classic with masa-infused gin and Tequila Don Julio Reposado.

Two tall glasses with a bottle of Tequila Don Julio — Best in Show | Photo from Instagram/Tequila Don Julio

Two short glasses with a bottle of Tequila Don Julio — Golden Cut Margarita | Photo from Instagram/Tequila Don Julio

Globally acclaimed mixologist Charles Joly will join Lorenzo behind the bar with two complementary tipples: Maestro Martini, crafted with Tequila Don Julio 70 Cristalino Añejo and Bianco Vermouth; and The Sequel, a coffee-inspired concoction with Tequila Don Julio 1942.

The stars are aligning for Bar Leone, and now, Hollywood is about to get a taste of what Hong Kong has been hiding in their city for so long.

Congratulations and Andiamo, Bar Leone!

For more information and updates, visit Bar Leone’s website and follow its Instagram page.

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Hong Kong/ The List/ What's On

Published: March 06, 2026

Last Updated: March 12, 2026

Giveaway: This is Your Chance to Win a Pair of Tickets to Shi Fu Miz 2026

by: The Beat Asia

by: The Beat Asia

Published:
March 06, 2026

Last Updated:
March 12, 2026

Music lovers, this one’s for you! The Beat Asia is teaming up with Shi Fu Miz Festival to give you a chance to win free tickets for one of Hong Kong’s most anticipated underground music and art gatherings of the year.

In partnership with Shi Fu Miz, we are giving away two pairs (4 tickets in total) of Festival Passes, valued at HK$1,576 per pair. So don't miss this chance to enjoy an unforgettable weekend for you and a plus one!

To enter, head over to The Beat Hong Kong's Instagram page and follow the instructions in the post caption. The giveaway will end on Monday, Mar. 16, and two winners will be announced on Mar. 17, so be sure to follow us and check your phone for updates. We're excited to attend one of Hong Kong's biggest music festivals with you!

Attendees partying at Shi Fu Miz music festival in Hong Kong — Shi Fu Miz

Returning this year with a refreshed format and a brand-new venue, Shi Fu Miz Festival is set to take over Tai Tong Organic EcoPark in Yuen Long, New Territories for a one-day main festival on Saturday, March 21, 2026, from 12 PM to 4 AM.

This year’s lineup brings together global names such as Hiroko Yamamura (US), Ross from Friends (UK), Rrose (US), Ruby Savage (NL), and Mr. Ho (HK) & Roza Terenzi (AUS), alongside regional and homegrown acts including Feed the Dragon, OIL Soundsystem, Umami, Cantomania, and many more.

Set against the lush natural backdrop of Tai Tong Organic EcoPark, the new venue promises a fresh festival experience that blends music, art, and the outdoors.

Shi Fu Miz Festival 2026 poster — Photo by Shi Fu Miz Festival

Founded in 2016 by Hong Kong-based agency FuFu Asia in collaboration with La Mamie’s collective, Shi Fu Miz has become a definitive portal for discovering eclectic sounds across the electronic spectrum. The festival is celebrated for its adventurous programming, spanning rare grooves, funk, and disco to house and techno, while spotlighting both international talents and Hong Kong’s most exciting local pioneers.

Terms & Conditions:

Giveaway period: March 6 (Friday) to March 16, 2026 (Monday)
Announcement of winners: March 17, 2026 (Tuesday)
Only open to Hong Kong residents and participants must be at least 18 years of age or older.
All prizes are non-transferable and non-exchangeable for cash.
In case of any disputes, The Beat Asia reserves the right of final decision.

Shi Fu Miz Festival is open to all ages, with free entry for children under 12 and adult accompaniment required for those under 18. For more information, visit shifumiz.com or follow them on Instagram and Facebook.

Shi Fu Miz Festival 2026 Tai Tong Organic EcoPark Sat, March 21
12:00 PM - 4:00 AM Dive into Shi Fu Miz Festival 2026 at Tai Tong Organic EcoPark on March 21, 2026, a one-day music, art, wellness, and family-friendly escape in Yuen Long.

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Hong Kong/ The List/ What's On

Published: March 01, 2026

Last Updated: March 06, 2026

HK Art Month 2026: Your Complete Guide to Every Show, Fair & Festival

by: The Beat Asia

Photo by Art Basel/Website

by: The Beat Asia

Published:
March 01, 2026

Last Updated:
March 06, 2026

Hong Kong enters March 2026 like it has a point to prove, unfurling a citywide surge of installations, performances, screenings, and creative detours that collide into one of the most event‑packed Art Month the city has staged to date. This year’s lineup spreads across landmark venues and side‑street pockets: soft‑sculpture greenhouses blooming on the waterfront, hotel programs turning architecture into portals, street artists scaling brick and concrete, and mega‑fairs anchoring the calendar with global pull.

The rhythm is relentless — previews, night‑long happenings, cross‑disciplinary commissions, and public art that spills far beyond traditional walls. Whether your compass points toward global blue‑chip galleries, experimental cinema, feminist frameworks, or murals climbing facades in the Central & Western District, the month traces a living map of the city’s creative metabolism. Hong Kong’s cultural pulse doesn’t whisper; it makes itself known — through movement, scale, and a refusal to stay still.

Art March Hong Kong 2026

Art March 2026 — Photo from Website/Art March

Art March Hong Kong, led by the West Kowloon Cultural District (WestK), maps more than 100 happenings across museums, fairs, screenings, and cultural programs throughout March. As the government’s strategic partner for the arts blueprint, WestK gathers institutions, galleries, and major fairs into a single monthlong showcase that highlights Hong Kong’s position as an international cultural hub. With anchor venues like M+, the Hong Kong Palace Museum, and the Xiqu Centre, the initiative guides audiences through the city’s expanding creative terrain, offering an open invitation to explore Hong Kong’s artistic pulse in full.

Dates: Mar. 1 to 31, 2026

Location: Multiple Locations

Art March 2026 Multiple Locations Sun, March 1 - Celebrate Hong Kong’s vibrant Art Month with over 100 exhibitions, performances, fairs, and cultural programmes across the city. Experience world‑class creativity in a month‑long cultural journey this March.

The Peninsula Hotels: ‘Art in Resonance’ 2026

The Peninsula Exterior — Photo by The Peninsula

The Peninsula Hotels launches the newest chapter of “Art in Resonance,” spotlighting three commissioned works. Angel Hui unveils “Swimming in Light,” casting motion across the façade. In the lobby, Albert Yonathan Setyawan, in partnership with the Victoria and Albert Museum, presents “Metamorphic Modulation,” a ceramic study in repetition and perception.

Architect‑artist Dr. William Lim reshapes The Verandah Café into an immersive environment inspired by his painting “A Bright Future.” Guests receive rare access to the artists themselves during this morning preview.

Date: Mar. 17, 2026

Location: The Peninsula Hong Kong, Salisbury Road, Tsim Sha Tsui, Kowloon, Hong Kong

Art in Resonance The Peninsula Hong Kong Fri, May 24 - Explore 'Art in Resonance' at The Peninsula Hong Kong during Hong Kong Art Week! Featuring new commissions by Kingsley Ng and Lachlan Turczan, plus works by Elise Morin & Saya Woolfalk. Open to the public, March through May.

‘Henderson Land x Cj Hendry Flower Market’

Flower Market Central Harbourfront — Photo by Flower Market

Hyperrealist Cj Hendry lands in Hong Kong with a greenhouse pavilion filled with over 150,000 plush flowers. Two exclusive soft sculptures — the “Henderson Flower” and the “Bauhinia” — mark Henderson Land’s 50th anniversary.

Visitors can purchase plush blooms for HK$38 each, with one complimentary flower reserved per registered guest. The installation blurs whimsy, material humor, and large‑scale immersion, transforming the harborfront into a surreal floral playground.

Dates: Mar. 19 to 22, 2026

Location: Central Harbourfront, 9 Lung Wo Road, Central, Hong Kong

Henderson Land x CJ Hendry Flower Market 1

Henderson Land x CJ Hendry Flower Market Central Harbourfront Thu, March 19 11:00 AM onwards Experience Henderson Land x Cj Hendry Flower Market from March 19-22, 2026, at Central Harbourfront for a greenhouse-style pavilion with over 150,000 plush flowers across 26 whimsical designs.

HKwalls 2026

The eleventh edition of HKwalls fills streets and screens with murals, digital works, and public interventions. Artists including Asbestos, Fatima Alsharshani, Theo Haggai, Fabio Petani, and Yubia transform walls across the district, while digital creators like Ondřej Rakušan and Anomalit Kate animate LED screens citywide.

With PMQ as its festival hub, the program expands into workshops and events celebrating Hong Kong’s street‑level creative energy.

Dates: Mar. 21 to 29, 2026

Location: Central & Western District, PMQ

HKWALLS 2026: Hong Kong Street Art Festival PMQ – Festival Hub Sat, March 21 12:00 PM - 8:00 PM Experience Hong Kong’s vibrant street art scene as HKWALLS 2026 brings international and local artists together for live mural painting, digital art displays, programs at PMQ, and immersive urban creativity across the city.

Tai Kwun Art Week 2026

Tai Kwun returns with a packed week of performances, exhibitions, extended gallery hours, and nighttime activations in collaboration with Art Basel Hong Kong. “Art After Hours: Beings in Motion” spotlights artists like Geumhyung Jeong, Justin Talplacido Shoulder, and Tation, while “Artists’ Night” folds in musicians and experimental performers across multiple venues.

The exhibition “Stay Connected: Supplying the Globe” runs with special late hours, and commercial galleries unveil new shows from SHI Yuguang, Lily Stockman, and more. Restaurants join with extended happy hours to keep the precinct buzzing long after sunset.

Date: Mar. 23 to 29, 2026

Location: Tai Kwun, 10 Hollywood Road, Central, Hong Kong

Tai Kwun Art Week 2026 Tai Kwun – Centre for Heritage and Arts Mon, March 23 - Tai Kwun Art Week 2026 brings exhibitions, live performances, extended gallery hours, and special programmes across the heritage compound, celebrating Hong Kong’s Art Month in collaboration with Art Basel Hong Kong.

Art Central 2026

Art Central, backed by UOB, sharpens its discovery-driven focus for its eleventh edition with over 100 galleries and 500 artists. This year’s Central Stage spotlights Elnaz Javani and Marta Frėjutė, joining SIDE CORE in a showcase shaped around institutional recognition and emerging momentum.

The Neo sector highlights new-to-fair galleries, while Yi Tai Sculpture and Installation Projects expand across the site with large-scale commissions by regional artists. Across booths, installations, and experimental zones, the fair underscores its commitment to rising talent and Asia’s evolving creative landscape.

Dates: Mar. 25 to 29, 2026

Location: Central Harbourfront, 9 Lung Wo Road, Central, Hong Kong

Art Central 2026 Central Harbourfront Hong Kong Wed, March 25 12:00 PM - 9:00 PM Discover contemporary art at Art Central 2026, from March 25-29, 2026, at Central Harbourfront, featuring new Central Stage and leading Asian artists.

Art Basel Hong Kong 2026

Art Basel Hong Kong returns with 240 galleries from 41 regions, expanding programming across the city. The Encounters sector, led by Mami Kataoka, introduces monumental works and an off-site installation of Christine Sun Kim’s “A String of Echo Traps” at Pacific Place.

The fair also debuts its Asia chapter of Zero 10, dedicated to digital practices. Partnerships with Tai Kwun, Hong Kong Ballet, and institutions reinforce the fair’s global reach.

Dates: Mar. 27 to 29. 2026

Location: HKCEC, 1 Expo Drive, Wan Chai, Hong Kong

Art Basel Hong Kong 2026 Hong Kong Convention and Exhibition Centre Fri, March 27 10:00 AM onwards Art Basel Hong Kong 2026 returns March 27–29 with its largest edition yet, featuring 240 galleries and expanded curatorial and public programs at HKCEC.

54th Hong Kong Arts Festival 2026

The Hong Kong Arts Festival spans more than 170 programs across opera, dance, theater, and cross‑disciplinary performance. With over 1,100 artists, the festival blends large‑stage works and intimate experiences across the city’s cultural centers. Its scale and stamina firmly anchor it as one of Asia’s defining performing‑arts platforms.

Dates: Feb. 27 to Mar. 30, 2026

Location: Multiple Locations

54th Hong Kong Arts Festival Multiple locations Fri, February 27 2:00 PM onwards The 54th Hong Kong Arts Festival returns from Feb. 27 to March 30, 2026, with over 170 performances by more than 1,100 local and global artists.

Don’t let your event or deal go unnoticed! Seize the opportunity to be featured in our The List, Top Deals, and Delish Insider newsletters, the go-to source for the city's most captivating events and can’t-miss deals. Click here to get started!

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Hong Kong/ The List/ What's On

Published: February 23, 2026

Join Our Giveaway with Espada Studio: Win 8x Class Membership, More Prizes

by: The Beat Asia

by: The Beat Asia

Published:
February 23, 2026

Looking to kickstart your 2026 fitness goals? (Don't worry, the Lunar New Year has only just begun.) Or are you a martial arts fan looking for your newest obsession?

Hong Kong’s combat‑sports crowd is getting a post‑CNY treat, because The Beat Asia is joining forces with Espada Studio, the Sheung Wan training hub known for its MMA, Brazilian jiu‑jitsu, Muay Thai, boxing, yoga, and strength programs, for an exclusive giveaway with over HK$4,000 in prizes running Feb. 23–Mar. 4, 2026 where three lucky winners will be revealed on Mar. 6.

Espada Studio

Espada has built its reputation as Hong Kong’s top jiu‑jitsu facility, backed by over 1,000 square feet of mat space and an elite connection to the world‑renowned Atos Jiu‑Jitsu team.

Led locally by Rodrigo Caporal and aligned with the legacy of Atos founders Prof. Andre Galvao and Prof. Ramon Lemos, the studio pulls in everyone from curious beginners to competition‑tested athletes.

BJJ champions at Espada Studio — Courtesy of Espada Studio

BJJ Face Off at Espada Studio — Courtesy of Espada Studio

What’s Up for Grabs

8× Class Memberships valued at HK$2,100
1× PT Session (MMA or Muay Thai) valued at HK$1,400
4× Class Memberships valued at HK$ 1,200

Espada’s lineup is designed to push technique, sharpen form, and give every athlete- from beginners to seasoned strikers- a serious training edge.

To enter, just follow the steps on our Instagram post and you’ll be in the running. Post‑holiday motivation starts now- and this giveaway is your chance to roll into the new season with purpose.

Make sure you're following us on Instagram @thebeat.hkg and @espadahk and check out the official giveaway announcement!

Location: Espada Studio, 4/F, So Hong Commercial Building, 41–47 Jervois Street, Sheung Wan

Terms & Conditions

Giveaway period: Monday, Feb. 23 to Wednesday, Mar. 4, 2026.
No purchase necessary to enter or win .
Only open to Hong Kong residents and participants must be at least 18 years of age or older.
All prizes are non-transferable and non-exchangeable for cash.
In case of any disputes, The Beat Asia reserves the right of final decision.

Don’t let your event or deal go unnoticed! Seize the opportunity to be featured in our The List, Top Deals, and Delish Insider newsletters, the go-to source for the city's most captivating events and can’t-miss deals. Click here to get started!

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Hong Kong/ The List/ What's On

Published: February 12, 2026

Hong Kong Comic Con 2026 Announces First Set of International Stars

by: The Beat Asia

Photo by Hong Kong Comic Con/Facebook

by: The Beat Asia

Published:
February 12, 2026

Great Scott! The world-famous Comic Con from San Diego is making its much-awaited debut in Hong Kong from May 29 to 31, 2026, and we’ve got the scoop on the first set of international stars set to grace this event.

Three iconic Hollywood actors have been confirmed to attend, organizers announced in a recent post. Danish star Mads Mikkelsen, celebrated for his commanding performances, is known for portraying the chilling Dr. Hannibal Lecter in “Hannibal,” Cliff Unger in “Hideo Kojima’s Death Stranding,” Gellert Grindelwald in “Fantastic Beasts,” and the tragic hero Galen Erso in “Rogue One: A Star Wars Story.”

Joining him is Giancarlo Esposito, widely recognized for his iconic roles, including Gus Fring in “Breaking Bad,” Stan Edgar in “The Boys,” and Moff Gideon in “The Mandalorian.” Also set to appear is Christopher Lloyd, the beloved actor behind the wonderfully eccentric Emmett “Doc” Brown from the “Back to the Future” series, one of cinema’s most influential films that continues to be a benchmark for many adventure films today.

Don't miss your chance for photos and autographs with these global icons! This inaugural Comic Con will take place at Hall 3, Hong Kong Convention and Exhibition Centre. Tickets are yet to be on sale, and more names will be revealed in the next few months — so stay tuned!

For updates, you can sign up for their newsletter on their website or follow Hong Kong Comic Con on Facebook and Instagram.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

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Hong Kong/ The List/ What's On

Published: February 02, 2026

MOLLY is Celebrating her 20th Anniversary at Victoria Peak until Mar. 31

by: The Beat Asia

Photo by POP MART Hong Kong

by: The Beat Asia

Published:
February 02, 2026

MOLLY is home!

To celebrate the beloved MOLLY’s 20th anniversary, The Peak Tram & Peak Tower have teamed up with POP MART and Peak Galleria to present “Journey to The Star: MOLLY Back to The Peak,” running until Mar. 31, 2026, across Victoria Peak in Hong Kong.

This city-wide installation revisits MOLLY’s two-decade creative evolution, tracing her origins back to 2006 — when artist Kenny Wong first idealized the blue-eyed, pouty character after meeting a little girl at Victoria Peak. Now, 20 years later, MOLLY returns to where she first began and invites fans to rediscover Hong Kong through her signature sense of childlike wonder.

Visitors can explore eight themed photogenic installations spread across the Peak Tram Central Terminus, The Peak Tower, Sky Terrace 428, and Peak Road Garden. Each spot reflects a distinct chapter of MOLLY’s 20-year journey, celebrating her signature looks and timeless storytelling with panoramic city views — perfect for photos and sightseeing.

A large statue of MOLLY — You Are Not Alone - Rebirth 2006 (Original Ver.) – MOLLY 1st Anniversary | Courtesy of POP MART Hong Kong

A space-themed statue of MOLLY — Twinkle Twinkle Little Earth – MOLLY 10th Anniversary | Courtesy of POP MART Hong Kong

A statue of MOLLY with people — MOLLY M Salute to the Childhood Classic – MOLLY 5th Anniversary | Courtesy of POP MART Hong Kong

A giant crown installation — Giant MOLLY's Crown | Courtesy of POP MART Hong Kong

Adding to the experience is the “MOLLY Starwish Stamp Collection Adventure,” where guests can collect stamps at designated locations to create their very own “Journey to The Star: MOLLY Back to The Peak” themed stamp card. A limited-time POP MARTpop-up store at Peak Galleria also features specially designed artworks by Kenny Wong, and a special anniversary sculpture titled “It’s a Beautiful Day” greeting guests at the entrance.

Returning from now until Mar. 31, 2026, celebrate MOLLY’s 20-year journey of imagination and creativity underneath the starlit skyline of Hong Kong!

For more information and updates, follow POP MART Hong Kong on Facebook and Instagram.

“Journey to The Star: MOLLY Back to The Peak” Photo Zones

Twinkle Twinkle Little Earth – 10th Anniversary (Peak Tram Central Terminus)
Giant MOLLY’s Crown (L1, The Peak Tower)
Love You 2020 – 14th Anniversary (Sky Terrace 428)
MOLLY The Painter (Sky Terrace 428)
MOLLY & Unicorn (Original ver.) – 8th Anniversary (Sky Terrace 428)
MOLLY M Salute to the Childhood Classic – 5th Anniversary (Sky Terrace 428)
You Are Not Alone – Rebirth 2006 (Original Ver.) – 1st Anniversary (Peak Road Garden)
MOLLY 20th Anniversary Themed 4th Generation Peak Tram Photo Zone (Peak Road Garden)

Entrance to the limited time MOLLY Pop Up Store — MOLLY 20th Anniversary Pop-Up Store | Courtesy of POP MART Hong Kong

A hand holding the stamp collection postcard and the Giant MOLLY's crown installation at the back — MOLLY Starwish Stamp Collection Adventure | Courtesy of POP MART Hong Kong

MOLLY 20th Anniversary Themed Pop-Up Store

Location: Atrium L1, Peak Galleria

Date: From now until July 15, 2026

Opening Hours: 10 AM to 8 PM (Monday to Sunday), 10 AM to 9 PM (Public Holidays)

“MOLLY Starwish Stamp Collection Adventure”

Stamp Card Location: G/F (near Guest Services Counter)

Stamp Counter Locations: P2 Atrium, G/F (near Guest Services Counter), and 1/F The Peak Tower

Date: From now until Mar. 31, 2026

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Hong Kong/ Vibe/ Artists

Published: January 29, 2026

Interview with Nowhere Boys, the Pop-Rock Storytellers Redefining Cantopop

by: The Beat Asia

Photo by Facebook/ Nowhere Boys

by: The Beat Asia

Published:
January 29, 2026

The Nowhere Boys are preparing to party! Hong Kong’s favorite pop-rock band has been in the business for over a decade and is gearing up to play a special celebratory show at AIA Carnival’s The Big Top on Jan. 30, 2026. The show will feature old hits as well as material from the band’s newly released full-length album Letters of Nowhere.

The Nowhere Boys have become one of Hong Kong’s most distinctive forces within Hong Kong's Cantopop scene.

Their sound is often described as “cinematic rock” – a high-octane collision of classic rock, baroque, rap, and film-score drama, which is grounded in narrative and inspired by daily life.

Emerging from the city’s indie scene in 2015, the Nowhere Boys quickly rose to stardom, headlining major venues like the MacPherson Stadium and Freespace in the West Kowloon Cultural District, as well as touring across Asia, earning critical acclaim along the way.

The five-piece band comprises singer-songwriter Van Chan (vocals, guitar), jazz-trained Nate Wong (drums), Kenneth Angus (guitar), Fisher Kan (piano, violin), and multi-instrumentalist Hansun Chan.

The Beat Asia caught up with Nowhere Boys' drummer Nate ahead of their AIA Big Top gig, to talk about inspirations, studio synergy, and the band’s unique place in the Cantopop landscape.

nowhere boys Live at the Big Top Show at AIA Carnival Jan 30 2026 — Instagram/ Nowhere Boys

Your music weaves together a wide range of genres and instruments. What is your main source of inspiration when writing?

Each song is different. We draw a lot from personal experiences.

Lately, our last four songs have been letters to people who need help or need to hear something. Earlier in our era, when it was more cinematic rock, we would draw inspiration from movie plots and characters, so over the last 10 years it’s been a bit of everything. There’s not a single workflow.

How did your breakthrough single “Rhapsody" come about? Was there a particular moment or idea that sparked it?

The idea of this song was to represent all of our different musical backgrounds, put it all in one song and have that be our overture. Even though it's called Rhapsody, it's a bit of everything – there's rock, jazz, rap. At the time, we were running our first song, so we really wanted a song that would represent us fully.

Your sound is often described as “cinematic rock.” Which films, directors, or visual worlds have influenced the way your music sounds or feels?

Definitely a few. Personally, I really like the Joker from Batman, so I was definitely inspired by that character and also the Christopher Nolan versions of Batman. Our logo is the totem from "Inception," also a Christopher Nolan movie, because we like to think about the passage of time, which is something we think about as humans a lot. We also have a song called 《生死時速》that was based on the movie Speed.

A lot of the time we'll draw influence from movies or themes that aren't directly related to a movie, for example, the song《最後的搖滾》"The Final Movement" is very cinematic in that it sounds like a movie soundtrack, there’s marching sounds, it's not just a rock song. There are very cinematic aspects, but it doesn't necessarily draw from a particular movie. And then we also have a song called《小丑》"Joker" that's very much inspired by the other Joker, the Joaquin Phoenix Joker. That's just a few examples.

When you’re writing as a five-piece, how does the creative process usually unfold? How do ideas turn into a finished Nowhere Boys track?

The melody and maybe 80% of the form is brought in by either Fisher or Van, then we'll sit down together as a band, and start learning the song. We help each other out, but also come up with our own parts, and let each of the band members be expressive.

After that, we'll have the song in a band arrangement that we jammed together, we record that on the phone, then we start building the project file on the computer and record all the instruments one at a time, like the drums first and then bass, guitar, keys, vocals, usually in that order.

As we record, we also expand on the arrangement, or do some arrangement aspects that's computer oriented, like different sound effects on the keyboard that we wouldn't have necessarily thought of when we first jammed it together with our instruments.

Is there a song in your catalogue that feels especially close to your hearts?

For me, it would be Rhapsody, because it's really fun to play. I think it sounds really different. So, when we play it live, people feel that it stands out because it sounds so different from everything else. But there's many others too, if you ask the other people in the band, they might have different answers. I know 《天外飛仙》 is a big one for us, we end a lot of our shows on it.

Out of our new songs: the Four Letters《給受困者的一封信》 "Dear Depressed" delivers a message to people who are suffering from depression, and it's a really meaningful song for that reason.

As a local band, how does the city shape your sound and identity, even when you’re not consciously trying to reflect it?

I think that you don't have to consciously try to reflect it, especially in Cantonese music – canto rock music – it's unescapable that we're going to be influenced by the city and the sounds and the history of Hong Kong music.

For example, we really embrace that Beyond laid the path that we're walking on. Ken is a really big fan of theirs. We have some connection to Beyond through our management, and we record at 二樓後座, which is the old Beyond studio. And I think just very naturally as five Hong Kongers, with four of us born and raised here making music in Cantonese, embracing the culture and knowing the history, we're already very shaped by our environment.

Lately, the four letters are directed towards people in Hong Kong and what they might be going through in Hong Kong right now. We're definitely trying to have our finger on the pulse of the community that we live in. It's unescapable, it's very natural for us.

Cantopop has traditionally had a very defined sound. Do you see genre-blending bands like yours changing perceptions of what Cantopop can be?

Yes, I think that as we play music, we are changing the way Cantopop is. It's a very small community – just Hong Kong and maybe a few other cities in the world are making Cantopop – but that's it. So what you do really defines the genre.

I think genre blending is really common in Cantopop these days, especially in the pop part of it, they just pull from R&B, trap, rock, and sometimes even Latin influences. I think they've been doing that a lot. We do that too.

I'm from a jazz background, I like to put in different grooves and stuff in the music. But at the same time, I think that looking within ourselves and trying to say something meaningful with our style, something creative and fresh within Cantopop, and within Hong Kong is also important, and can also be very deep.

I don't think just having influences in genre necessarily creates depth – it can – but I think the message of the song is the most important thing. Using genre blending to get that message across can be cool, but personally, I'm not looking to create fresh sound by putting genres in a blender. It's more about creating fresh thought within Cantonese music and then seeing if I need to mix genres to get that point across.

Do you feel a shift in how younger audiences in Hong Kong are engaging with Cantopop today?

I've only lived in Hong Kong for 12 years, so I can't speak on the long history of how people have been engaging with Canto Pop, but in my time here, I've seen a big shift in celebrity culture and Cantonese music awareness during COVID, and especially when those big boy bands and girl bands became famous, it drew a lot of attention to the rest of the scene in general.

I think the commercial pop scene in Hong Kong is growing and really active in the last few years. In my perspective, before COVID I felt like there were a lot of festivals and opportunities for indie artists and bands, and there were also a lot of people attending those events, so maybe it has shifted a little bit.

Live shows are such a big part of building your band’s identity. What can fans expect from your upcoming concert at The Big Top?

At The Big Top, it's the roundup of our Four Letters that was our theme for 2025 and I've written a show with a little bit of a storyline and some chapters that will allow the band members to express themselves a little bit. We'll talk about the themes of the Four Letters and then play music to do with that theme.

Like a lot of our shows, it'll be a bit theatrical, just to tie in all the music and why we're there, but it's definitely going to be our usual brand of really high energy, super fun, and it will be a very positive evening!

How do you want audiences to feel when they leave a Nowhere Boys show?

We want people to feel like they went to another universe, like how a movie can bring you to another place. That's why we're called cinematic rock. We're always trying to create an environment that takes you out of your usual environment and brings you into a place that's more magical and surreal.

We want people to have a lot of fun. We use a lot of energy on stage, so we hope that people have a lot of energy off stage, and we like to ingrain a positive message in the show, so we hope that you take that away too.

Looking ahead, what’s next for Nowhere Boys? Is there any new music in the works, collaborations, or directions you’re excited to explore?

We're definitely always working on new music and are open to new collaborations. For 2026 we're just trying to book more shows, and hopefully go abroad again. Last year we went to Singapore and it was really good, so we hope to travel and perform new music, release the new songs that we're writing and just keep building the band.

We're looking forward and building something, but at the same time, we're already here. We’ve got to enjoy the shows that we're doing now and focus on the show on the 30th. We can’t always think too far ahead, because you have to be present and enjoy the moment. We're already in our 10th year, so what we're doing now is the dream, in a way. We always have goals, but we're also just living in the moment and enjoying what we've built.

For more information about Nowhere Boys, visit them on their Instagram, Facebook and Youtube.

Location: The Big Top, AIA Carnival, Central Harbourfront Event Space, 9 Lung Wo Road Central

Date: Friday, Jan. 30, 2026

Time: 8 PM

Buy your tickets here!

AIA Carnival 2025-2026 Central Harbourfront Event Space Mon, December 22 11:00 AM - 11:00 PM Experience winter thrills at AIA Carnival 2025–2026, featuring rides, games, treats, and festive fun at Central Harbourfront.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

View Full Article

10 Coldplay Songs We Can’t Wait to Hear at Their Kai Tak Stadium Concert

Yellow

Trouble

The Scientist

Fix You

Viva la Vida

Paradise

A Sky Full of Stars

Adventure of a Lifetime

Everglow

My Universe

This Week's Event In Hong Kong View more

This Week's Event In Hong Kong

Artist Spotlight: On Colors, Whimsy, and Visual Chaos with Chaaya Prabhat

Congratulations on being a featured artist for HKWALLS 2026! What drew you to participate in the festival, and what are you most excited about in creating work for a public space?

Murals live out in the open — sunlight, passing crowds, pollution. How does working at that scale make you feel about color, storytelling, and composition?

What’s your concept for your HKWALLS mural? What story or feeling are you hoping that people carry with them after seeing it?

Will the vibe and atmosphere of Hong Kong influence your piece for HKWALLS?

Your work is instantly recognizable for its soft palettes, joyful characters, and childlike wonder. How has your work evolved over the years?

Many of your works feel playful, but also reflective. How do you balance whimsy with deeper themes, such as with “Farah’s Nose”?

Color seems to be as important as the theme of your pieces. Do you approach color intuitively or is there a deliberate color palette behind it?

How does illustrating for children’s books differ from creating standalone artworks and murals?

Do you think your experience in illustrating children’s books shape the way you approach public art or murals?

What do you love most about working in a digital medium?

In an era where art travels quickly online, how do you think digital platforms have changed the way illustrators connect with audiences?

Your work encompasses murals, books, and digital art. Do these mediums feel like separate worlds to you, or just different chapters in the same story?

When people encounter your work in any kind of medium, what do you hope for them to take away?

What kinds of stories are you most excited to explore in your future works?

What’s next for Chaaya Prabhat? Any works you’re excited to tease for your fans after HKWALLS?

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Terms & Conditions

Hong Kong Comic Con 2026 Announces First Set of International Stars

MOLLY is Celebrating her 20th Anniversary at Victoria Peak until Mar. 31

Interview with Nowhere Boys, the Pop-Rock Storytellers Redefining Cantopop

Your music weaves together a wide range of genres and instruments. What is your main source of inspiration when writing?

How did your breakthrough single “Rhapsody" come about? Was there a particular moment or idea that sparked it?

Your sound is often described as “cinematic rock.” Which films, directors, or visual worlds have influenced the way your music sounds or feels?

When you’re writing as a five-piece, how does the creative process usually unfold? How do ideas turn into a finished Nowhere Boys track?

Is there a song in your catalogue that feels especially close to your hearts?

As a local band, how does the city shape your sound and identity, even when you’re not consciously trying to reflect it?

Cantopop has traditionally had a very defined sound. Do you see genre-blending bands like yours changing perceptions of what Cantopop can be?

Do you feel a shift in how younger audiences in Hong Kong are engaging with Cantopop today?

Live shows are such a big part of building your band’s identity. What can fans expect from your upcoming concert at The Big Top?

How do you want audiences to feel when they leave a Nowhere Boys show?

Looking ahead, what’s next for Nowhere Boys? Is there any new music in the works, collaborations, or directions you’re excited to explore?

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