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Where cuteness and romance meet, "A Good Day to Be a Dog" is premiering on Viu starting on Oct. 11, featuring most-sought actors Cha Eun Woo, Park Gyu Young, and Lee Hyun Woo.
Based on a well-loved webtoon with the same title, the series narrates the journey of Han Hae Na (played by Park Gyu Young), a high school teacher, and her family's peculiar curse. Whenever they kiss someone, they turn into a dog at midnight for six hours before reverting to their human forms.
In an unexpected twist of fate, Hae Na finds herself in an awkward situation when she accidentally kisses her colleague, Jin Seo Won (played by Cha Eun Woo), while she's under the influence of alcohol. As events unfold, Hae Na becomes determined to kiss Seo Won once more to break the curse. However, things become more complicated as Seo Won has a profound fear of dogs stemming from a childhood incident.
An addition to every K-drama fan’s comedy-drama series to watch this year, "A Good Day to Be a Dog" brings heartwarming moments and feelings with the dynamics of its characters.
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The word “tawid” in Filipino primarily means “to cross.” It simply means moving from one place to another. As is the case with most words, the country’s counterpart to "crossing" has also developed new meanings. And for The Juans — consisting of members Carl Guevarra, Japs Mendoza, Chael Adriano, and RJ Cruz — the word represents the current stage in their respective lives.
While the pop-rock band started out with more upbeat songs during the early years of their career, they have unexpectedly established a name for themselves as a “hugot band,” known for their songs about love and heartache. It is a songwriting style they have mastered over the past few years, with singles like “Hindi Tayo Pwede,” “Hatid,” and “Dulo.” All these tracks, also categorized as “mapanakit (hurtful)” songs, tackle love in its purest form, though not in its most tender.
For their new album, titled TAWID, The Juans is still devoted to their brand of storytelling. This album, however, is more nuanced. It marks a reinvention of their musical style, both lyrically and sonically. During the listening party and press conference held at TriNoma last Sept. 4, The Beat Asia got a chance to experience TAWID before its official release. Here’s what we think about the album.
Courtesy of The Juans
‘TAWID’ Proves the Juans Is More Than Just Their ‘Hugot Band’ Moniker
If there’s one thing fans can expect from the album, it’s that The Juans’ customary songs about the heartbreaking side of love are still very much present. On being branded as a "hugot band," lead vocalist Guevarra said during the press conference, "I think hugot songs only make sense if they come from a point of sincere, honest love. The lover part will always be an integral key to our messaging."
In Tagalog, “Hugot” means “pull.” The word has also taken on a new meaning, especially in the contemporary era, where it refers to drawing out something more profound and sentimental from deep within. For Guevarra, all their hugot songs stem from a genuine feeling of affection. It’s not something they just pulled out of thin air. Pain wouldn’t be present, after all, if the love wasn’t real in the first place. It’s the authenticity of it all that has made their songs strike a deep emotional chord among listeners. And Gueverra couldn't have explained it better.
“Hindi ka naman masasaktan kung hindi ka nagmahal ng tunay (You won’t get hurt if you weren’t truly in love). Therefore, [love] is essential to our storytelling. It’s part of the formula… We are storytellers first before we are musicians. There will be love songs all the time,” Guevarra added.
Photo by The Beat AsiaPhoto by The Beat Asia
The band members revealed it took them half a year to fully flesh out the album, with some songs written a few years ago. The album, which consists of 10 songs (including the previously released “Ako Na Lang” and “Ano Ba Talaga Tayo?” featuring Janine Berdin), originally had more than 10. While the band admitted it was scary at first to put as many as 10 out there, it was also a struggle for them to narrow the list down.
“It was more about truly committing to the messaging and storytelling. [Our one guiding light was what we wanted to write] from a place where we actually are — at this point in life, our age, and our emotional state,” said Guevarra.
It’s clear that TAWID wasn’t intended to be just an album fans can listen to during sad hours. It serves as a representation of where the band is currently, both in creative and personal aspects. Although writing about the different facets of romance has always been The Juans’ bread and butter, they have, from time to time, incorporated songs that aren’t all about love. TAWID is no different. If anything, it only showcases the band’s sensibilities as both artists and storytellers, having successfully conveyed complex emotions through their songwriting.
Courtesy of The JuansCourtesy of The Juans
The album’s opening track, “Gusto Kita,” is a high-energy, disco-leaning number about a bold declaration of love. It is a fun contrast to the album’s far less energetic tone, setting the stage for what would become an emotionally charged listening experience. It is followed by "Ako Na Lang," where the narrator clings to the hope of being chosen by the one they desire. However, one romantic single from the album stands out the most: “‘Di Na Masakit.”
The Juans point out that we often hear songs about the painful aftermath of a relationship, but rarely about what happens when both the pain — and the love — finally fade. The track is a celebration of moving forward, free from the weight of what once was. Of course, it wouldn’t be a The Juans record without a generous dose of “hugot.” And “hugot” they deliver. But it’s in songs like “Tanda” and “Naiwan” where we truly get a chance to connect with the band on a deeper level.
Inspired by a band member’s friend who recently got married, “Naiwan” is a song about contemplating life and realizing that it’s moving quickly for everyone they love. It’s not a bitter song — just a sudden realization that time is passing, things are changing, our friends are getting their lives together, and at some point, we start feeling a little left behind; hence, the title.
“Tanda,” on the other hand, is a sentimental single about looking back on what they’ve accomplished as a band, holding onto their fondest memories as they grow older, and preserving them until the moment age finally catches up with them.
Photo by The Beat Asia
TAWID is undeniably a The Juans album. They are not yet done writing about the different aspects of love — and, by all means, they don’t have to be. After all, the band thrives greatly on authenticity. Every song they write is based on real experiences, whether romantic or otherwise. That said, the album could have been even stronger with more songs outside the romantic context, as the band has proven they can handle deeper and more diverse themes just as well.
The Juans Is Done Chasing Popularity
Having recently celebrated their 10th year as The Juans, the lesson they continue to embrace is to see things through “purpose, not popularity.” Over those 10 years, they've learned that "longevity is the name of the game." As Guevarra said, "it’s not about chasing hype — it’s about living a life with purpose."
Reflecting on their journey and drive, Guevarra shares insights into what fuels The Juans’ perseverance and evolving aspirations. “Being ambitious is one of the reasons why we keep pushing, even if we don’t see the output that we desire. In our 10 years as The Juans, not every song we release [has been a hit]… But our dreams have expanded from [wanting to be] known and famous to being an inspiration to the people that we are singing for… Our dreams are expanding. And this ambition that we have is also one of our driving factors in giving our best even if we don’t see the [fruits of our labor] yet.”
Years ago, the members of The Juans asked themselves one question: “Bakit kaya wala nagsusulat tungkol sa’tin (Why is no one writing about us)?” They’re thankful that several journalists have started writing about them, especially last year.
“Uy, nakikita na tayo sa balita (Hey, we made it to the news),” said Gueverra.
Courtesy of The Juans
During the press conference, a number of Juanistas (the band’s fanbase) were already flocking to experience the album firsthand. Despite time constraints, The Beat Asia managed to ask at least one question that all members could answer quickly: “If each member could pick just one personal favorite track from the album, what would it be?”
RJ: “Ngiti.”
Carl: “Naiwan.”
Japs: “Gusto Kita.”
Chael: “Tanda.”
No explanations. Just a raw glimpse into where the members currently are, songs that would allow listeners a look into their personal journeys. Overall, TAWID is a strong reflection of who The Juans truly are as a band and as individual artists. It is a great milestone album, serving listeners a record perfect for late-night hours. The album shows they are more than just a band known for heartbreak anthems, as they venture beyond their usual comfort zone while staying true to what fans love about them. And we’re excited to see them bare more layers of themselves in the future.
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Indio, California is about to get a taste of P-Pop for the first time as BINI joins the lineup of the Coachella Valley Music and Arts Festival 2026. The P-Pop group makes history as the first-ever P-Pop act to perform at the iconic desert festival.
The full lineup of Coachella 2026 | Photo from Instagram/Coachella
Coachella runs for two weekends, April 10 to 12 and April 17 to 19, 2026, at the Empire Polo Club. Headliners for the festival’s 2026 edition include Sabrina Carpenter — “keeping her word” following her 2024 debut — alongside Justin Bieber, who will headline for the first time, and Karol G, the first Colombian artist to top the bill.
BINI is scheduled to perform on April 10 and 17, sharing the stage with Sabrina Carpenter alongside KATSEYE, The XX, Teddy Swims, Disclosure, Foster the People, and more.
BINI | Photo from Instagram/BINI
The “Nation’s Girl Group” — comprised of members Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena — debuted in 2021 under ABS-CBN’s Star Music and Star Magic with their single “Born to Win.”
With their synchronized performances, hard-hitting vocals, and unique pop sound, they have emerged as one of the biggest names in P-pop and Southeast Asia, known especially for their viral hits “Pantropiko,” “Salamin, Salamin,” “Lagi,” “Karera,” and more.
They have also released English-language tracks such as “Cherry on Top,” “Blink Twice,” and “Shagidi.”
Other popular acts set to perform at Coachella 2026 include K-Pop powerhouse BIGBANG, Taemin, Addison Rae, Alex G, YoungThug, Laufey, Fujii Kaze, MajorLazer, and PinkPantheress.
For more information and updates, follow the Coachella Valley Music and Arts Festival on Instagram.
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Last Sept. 5, the SmartAraneta Coliseum was packed with music fans as Coke Studio Philippines held its Season 9 concert, bringing together an exciting lineup of local and international artists.
Curated from social listening and careful research, The Coke Studio Live at the Big Dome lineup served up a feast of explosive collaborations and electrifying performances. This year’s theme revolved around cross-genre tracks, and each collaboration showcased a unique blend of musical genres that delighted fans and made music history with every note.
“OPM (Original Pilipino Music) is very much alive! If you look at the charts now, you see more OPM music. Everybody really worked hard to uplift OPM, and we’re really grateful for the small part that we play in giving these rising artists a platform to thrive,” said Teejae Sonza, Coca-Cola Trademark Category Marketing Head, ASEAN & South Pacific.
More than just a music platform, Coke Studio is all about uplifting people through music and creating shared moments that will last a lifetime. This year’s lineup exemplified that through never-before-seen collaborations between some of today’s hottest artists and rising musicians. The event featured Coke Studio fan-fave collaborators ALAMAT, who teamed up with singer-songwriter MRLD. Indie band Over October also shared the stage with Ena Mori, while Dionela delivered a sultry R&B/Hip-Hop track with up-and-coming rapper Alex Bruce.
But icing on the cake was the presence of the nation’s girl group BINI, who dropped their fourth Coke Studio track alongside the Orchestra of the Filipino Youth (OFY), and global heavy-hitter Lauv, who returned to Manila for a truly exciting set filled with all his beloved songs such as “I Like Me Better,” “Chasing Fire,” and “Paris in the Rain.” Here’s what went down last Friday night.
Pushing the Boundaries of OPM
If anything, Coke Studio is a platform where artists are encouraged to create and experiment. With this season focusing on cross-genre tracks, it was a night packed with unexpected soundscapes.
The night kicked off with an explosive performance by Filipino boy group ALAMAT, who returned to the Coke Studio stage. The six members opened with their latest single, “Hiraya,” and followed up with hits “Sa ‘Yo Pa Rin Uuwi,” and “Dagundong.”
They then welcomed Coke Studio rookie MRLD, who performed “Ikaw Pa Rin,” “Ligaya,” and “Sandali.” The singer also shared that apart from this being her Coke Studio debut, it’s also her first live performance at the Araneta Coliseum.
The two artists returned to the stage to perform their Coke Studio collab track, “Rock Baby,” a reimagined record of the VST & Company classic.
“When we heard that song was going to be our peg, we were excited. We immediately took that line, ‘Rock Baby Rock’ as the main hook. Even though it didn’t run through the whole song, we made sure it’s there alongside our own sound,” MRLD told The Beat Asia. “The surprising part is we were able to give it justice and bring it back to life.”
“We were excited to make it our own, because each of us has something to offer,” added Jao. “We were able to give it our own flavor.”
ALAMAT | Photo by The Beat Asia
Alamat celebrated their fourth collaboration with the platform, having previously released tracks with artists like Iñigo Pascual (Season 5), Dwta (Season 7), and Nik Makino (Season 8). When asked how the experience has helped them evolve as artists, Jao shared, “When we started, there were only a few of us who wrote songs. Coke Studio encouraged us to write more, and we discovered more about ourselves. It has been a big part of growth.We learned so many different genres from other artists, and we learned how to hone our craft, so thank you so much, Coke Studio!”
On the other hand, MRLD is gaining momentum, having just released their debut album, “7th Sense,” last March. When asked if there were any challenges they had to overcome during its production, they answered, “With the tracks, most of the songs were written two or three years ago, so the challenge was paano ko siya maramdaman ulit (how do I feel them again)? Like with the sad songs, if I’m happy where I am now in life, it’s difficult to put myself in those shoes again. But thanks to the producers of the album, we were able to revive those feelings, and the storytelling feels were still there. I was also able to produce, which I haven’t done in a long time. Usually, I would just send over my songs to the producers, but for this album, I was very hands-on.”
Alamat and MRLD | Photo by The Beat Asia
The night seemed to have just begun as Over October made a rockin’ Coke Studio debut with “Bitin,” “Kaakit-Akit,” “Lumayo,” and their hit song, “Ikot.”
During the pre-show interviews, we got to chat with the band and asked if there was a change they would like to see in OPM.
“I think not paying too much attention to the numbers. You’ll be surprised at how many good artists there are that don’t have big numbers,” said the band’s lead vocalist, Josh Buizon. “I think that would change it. It may be difficult at first, but you can start by going to open mics. You’ll be surprised at how there are so many smaller acts that are so good!”
Filipino-Japanese singer-songwriter Ena Mori brought her bright pop energy to the stage afterwards, as she performed “SOS,” “Trust Me,” and “King of the Night.” She was then joined by Over October to sing their collab track “Tulad ng Dati.” The song has a feel-good sound with lyrics about reminiscing about the past. The song samples Sam Concepcion and Tippy Dos Santos’ “Dati,” giving it a whole new vibe and flavor.
Courtesy of Coke Studio Philippines
When asked about the unique qualities they were able to put into the track, Josh replied, “I think we brought in our signature sound — like the band feel of it. Our sound is more on the rock side of things, so we were able to bring down a little bit of that flavor. We also distributed the writing. A lot of the English parts of the song are Ena, and the Tagalog ones are Over October. I think in that sense, we also brought our own flavor to those verses and parts that we were singing.”
“I think I reminisce in that alternative soft rock part of the track. It was a challenge coming from synth pop, then going into the alternative side, but there was still a bit of synth pop element in there. It really just homogenized with all of us,” added Ena.
“Ena was also saying she liked one of our songs with ‘70s elements. So we tried adding some of those to the track too,” added Joshua Lua, lead guitarist of the band.
With Season 9 being their first Coke Studio stage, the two artists also expressed how amazing it was to be part of the lineup. “We keep saying it over and over, it’s really a dream come true! Growing up, we would see Coke Studios and all of the artists, hoping one day we would be able to be a part of the seasons. We’re just really happy to be here, soaking everything in. We’re just having a great time!
“I think we’re all proud of ourselves to be able to do this,” said Ena. “It’s such a surreal moment! It's also a challenge to do everything perfectly, but I'm just grateful for the opportunity.”
Over October and Ena Mori | Photo by The Beat Asia
Fierce rapper Alex Bruce brought the house down with “Bling” alongside her back-up dancers. Although she only had one song for this set, everyone was energized by her performance, which is proof that she’s someone to look out for.
Following her performance is Filipino R&B artist Dionela, who charmed the crowd with his soulful music and meaningful lyricism that earned him a spot in a unique pocket of OPM. The singer made us all feel kilig as he sang two of his biggest hits, “Marilag” and “Sining.”
For their collaboration track, the duo sang about situationships in “Fall Season,” a soulful R&B track reimagined from Moonstar88’s “Migraine.”
“I produced the track and I actually created it in the middle of traveling between gigs,” Dionela told The Beat Asia. “And for some reason, it was so easy to do. Maybe because I was happy at that moment in time, and I guess that translated to the music. I just let the music create itself.”
Alex Bruce also shared how amazed she was by the process, admiring Dionela’s work as a producer, saying how she had learned a lot from the experience, and even hopes to produce her own music someday.
Dionela also sang his song “Oksihina,” which he stated was the song that still surprises him every time he performs it live.
“That song was written when I had fatal COVID, and I wrote it on the back of the receipt of the last food I wanted to eat,” he revealed. “Every time I sing that song, it feels like, you know, I wouldn’t have been able to sing this song if things turned out differently. It’s a new beginning every time I sing it.”
Dionela and Alex Bruce | Photo by The Beat Asia
After a short intermission, with the hosts leading the audience with a round of games, it was finally time for the main event. The Orchestra of the Filipino Youth gave us their soaring rendition of BINI’s “Blooming,” before the girl group brought the house down with back-to-back performances of “Blooming,” “BlinkTwice,” and “Salamin, Salamin.”
They also sang their latest Coke Studio track, “Oxygen,” which they performed alongside the company orchestra.
“This isn’t the first time we’re performing on the same stage since we already worked together at the BINI concert,” BINI Jhoanna shared during the pre-show interviews. “It’s a full circle moment for all of us.”
Courtesy of Coke Studio Philippines
Coke Studio then welcomed a beloved global artist to the stage, who played a 16-track set that took us on an emotional roller-coaster ride. Lauv reunited with his Filipino fans, causing the singer to get emotional from the cheers and support he received. Some of our favorite stages included his opening number “Paris in the Rain,” “Steal the Show,” the “Mean It – Eyes – Superhero” medley, “Who,” “NeverNot,” and of course, the song he described as “will always be our baby,” “I Like Me Better.”
Courtesy of Coke Studio PhilippinesCourtesy of Coke Studio Philippines
Safe to say that Coke Philippines did it again, serving up exciting collaborations and performances worth remembering. When we think about how far this platform has come, we remember that more than good music, it has also created memorable moments for everyone present.
“When this started nine years ago, it was all about uplifting the sights and sounds of Filipino music. We’re not creating something new here. We’re just listening to what’s out there on the radio, listening to what the fans are telling us, as well as what’s on social media platforms and responding to and co-developing it with the artists that we work with,” said Teejae.
“We are very fortunate to have worked with a lot of artists. We’re very happy to give people a platform, and we’re very happy when our alumni become big in the industry. Hopefully, this platform can also help them be discovered by more audiences in other parts of the globe, because that’s the value of Coca-Cola. It’s about uniting people, creating shared moments, and uplifting the world through music and connection. We’re very happy to be part of this development of OPM, and to continue supporting the industry and the passions of the Filipinos as well.”
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Coke Studio Philippines Season 9 made its grandest return yet last Friday as Coke Studio Live at the Big Dome brought together artists across genres, uniting fans in a celebration of music that keeps the charts alive and the vibes thriving.
This season, Coca-Cola Philippines curated a genre-defying lineup, featuring both rising acts with songs on constant replay and seasoned artists who continue to prove their talent through memorable releases and electrifying performances. Among the performers were current chart-toppers MRLD, Dionela, Over October, Ena Mori, and Alex Bruce, alongside Coke Studio alumni ALAMAT. Headlining the concert was global hitmaker, Lauv, known for tracks like “I Like Me Better” and “Chasing Fire,” as well as the P-Pop Queens BINI, who delighted fans with their fourth collaboration for the platform.
Pre-show, we got to sit down with the nation’s girl group as we talked about their latest song with the Orchestra of the Filipino Youth (OFY), and how Coke Studio continues to push the boundaries of musical creativity in the Philippines.
Uplifting Filipinos Through Music Collaborations
Classical meets pop in the genre-bending collaboration between BINI and the Orchestra of the Filipino Youth, as they join forces in “Oxygen,” a song that celebrates youth, growth, and resilience. The song begins with the line “Thank God, didn’t think I’d make it this far,” conveying a message of hope and positivity as one perseveres towards reaching their goals.
OFY is a company of orchestra musicians and is the main performing arm of Ang Misyon, a non-profit organization that supports musically talented, less privileged youth. One of the organization’s main objectives is to provide the youth with music programs that aim to develop music skills, teaching the values of commitment, discipline, and community, which are all a part of orchestral training.
“I think it’s very inspirational that they are representing the youth. They’re hardworking, and they bring a different flavor to our song. It was such a blessing for us to work with them,” BINI Mika told The Beat Asia.
Although this isn’t the first time BINI and OFY performed on the same stage, having worked together at their previous concerts, this collaboration marks a significant milestone for both artists. "Oxygen" pushes the boundaries of P-Pop, marrying it with the refined sounds of classical music.
“It’s a full circle moment for all of us,” added BINI Jhoanna.
BINI | Photo by The Beat Asia
On the other hand, when asked what the experience was like working with the P-Pop stars, Kaya Mendoza, OFY’s Concertmaster, expressed her genuine happiness, pointing out that more than an exciting opportunity, it was a learning experience.
“It was very fun collaborating with them. Sobrang nakakakilig po (It was heart-fluttering) and very eye-opening since from classical to pop, we were able to adjust. I also really liked the professionalism they showed as a group and their passion for music.”
Violinist Keith Buendia also added how they hope to do more collaborations in the future, and experiment how to blend with other genres. “I like to have the opportunity to play ballad or R&B music with other local or even international artists. I think the magical sound of the orchestra would be very fitting for it.”
Keith Buendia (Violin), Kaya Mendoza (Concertmaster), and Myre Fernan (Cello) of OFY | Photo by The Beat Asia
Similarly, BINI Stacey also shared how they were eager to learn from the OFY members, often asking about their instruments and being curious about their process. She revealed that BINI had always dreamed of forming a band and hopes to play instruments on stage someday, too.
Coca-Cola Trademark Category Marketing Head, ASEAN & South Pacific, Teejae Sonza, shared how “Oxygen” is more than just your regular pop song, but a product backed by data, further exemplifying that Coke Studio is all about pushing the boundaries of creativity through thoughtful collaborations.
“The beginnings of ‘Oxygen’ were created through the study of 30,000 hit songs over the last few years, and trying to understand what makes a song uplifting in terms of melody, beats, and lyrics,” she explained. “We worked with Grammy-award-winning producer-songwriter Styalz Fuego, who created the initial peg for the song, which was then given to the artist to add in their own flavor and style.So you see, it’s not only transcending genres but also geographies, as we have people from the Philippines working with people from all over the world.”
The song may sound like your regular pop BINI track, but the layers of strings woven through the beats and lyrics give it an undeniable depth and a unique flavor, sonically. Metaphorically, it’s more than just a song with inspirational lyrics, but a reflection of both artists’ journeys — of youth who have worked hard to achieve their dreams and have kept their passions for music thriving by continuously producing music and performing.
“Being part of such a big platform, I hope this serves as an inspiration to other youth like us,” Kaya said. “We get to do what we love, which is music, performing, and connecting with people. We hope this reaches them and inspires them.”
When asked about the group’s next boundary to push, BINI Jhoanna’s answer encapsulated what Coke Studio hopes to achieve with this music platform and its hope for the local music industry.
“We’ve always believed that OPM has no limits. After this orchestral stage, perhaps the next boundary we want to push is to create more music and collaborations; to combine OPM with other global genres so we can create something new and show the world what Filipino music can do. It definitely deserves to be celebrated.”
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The tradition of bold storytelling continues this Oct. 3 to 12, 2025 as Southeast Asia’s longest-running independent film festival once again serves as a platform for top-tier visual storytelling that ignites imagination and amplifies diverse voices in cinema, anchored by the creative vision of Filipino filmmakers. Embracing the theme, “Cinemalaya 21: Layag sa Alon, Hangin, at Unos,” this year’s festival is propelled by the unwavering strength of the Filipino spirit amidst change and turbulent times.
From a film about queer women navigating love, adulthood, and everything in between to stories about strange transformations that lead to acceptance and bold realizations, this year’s lineup provides a cinematic feast that will surely satisfy your creative cravings.
At the press conference held at Shangri-La Plaza on Sept. 3, Laurice Guillen, Cinemalaya Foundation President, revealed that the films had been selected in November 2023 from a pool of more than 200 entries. This was then followed by one-on-one interviews and deliberations by a selection committee, which cut down the list to 20 semi-finalists, and then finally to 10 finalists after a three-month Film Lab. It took a total of 20 months for the entire filmmaking process.
“That means, as we introduce to you today the new films of Cinemalaya 2025, work on the 2026 Batch had already begun,” she said. “As you can see, it is a continuing cycle. After 20 years, you can say it’s a never-ending process. Difficult, almost impossible, but thoroughly necessary, meaningful, and valuable to the industry and to Philippine Culture.”
Photo by Kiko Cabuena | Courtesy of Cinemalaya
Here’s the full list of finalists in the full-length and short film categories:
Full-Lengths in Competition
“Bloom Where You Are Planted” by Nonilon Abao
“Child No. 82 by Tim Rone Villanueva
“Cinemartyrs” by Sari Dalena
“Habang Nilalamon ng Hydra and Kasaysayan” by Dustin Celestino”
“Padamlágan” by Jenn Romano
“Paglilitis” by Cheska Marfori and Raymund Barcelon
“Open Endings” by Nigel Santos and Keavy Vicente
“Republika ng Pipolipinas” by Renei Dimla
“Raging” by Ryan Machado
“Warla” by Kevin Alambra
"Open Endings" | Courtesy of Cinemalaya
Short Films in Competition
“Ascension From The Office Cubicle” by Hannah Silvestre
“Figat” by Handiong Kapuno
“Hasang” by Daniel de la Cruz
“I’m Best Left Inside My Head” by Elian Idioma
“Kay Basta Angkarabo Yay Bagay Ibat Ha Langit” by Marie Estela Paiso
“Kung Tugnaw Ang Kaidalman Sang Lawod” Seth Andrew Blanca
“Please Keep This Copy” by Miguel Lorenzo Peralta
“Radikals” by Arvin Belarmino
“The Next 24 Hours” by Carl Joseph Papa
“Water Sports” by Whammy Alcazaren
"Water Sports" | Courtesy of Cinemalaya
The Cultural Center of the Philippines (CCP) and the Cinemalaya Foundation, Inc. will be bringing these films to more cinemas this year, with Red Carpet Cinemas by Shangri-La Plaza as a new partner and main venue. You can also catch these movies at Ayala Malls and Gateway Cineplex.
Since 2005, Cinemalaya has supported and promoted the production of Filipino full-feature independent films and short films, many of which have won awards in local and international competitions and festivals. This annual festival has showcased over 1,000 works by independent filmmakers, including full-feature films, shorts, documentaries, Filipino film classics, and art films.
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This one’s sure to spice up your book shopping experience.
National Book Store is making your hunt for your next read into one whole epic adventure with "The National Hunt" — a nationwide search for prizes hidden inside books, waiting for lucky readers to find them.
Courtesy of National Book Store
Now, this isn’t your average book hunt. Accompanying everyone on their hunt is the all-new National Book Squad, led by everyone’s favorite Gen Z celebrities: Mika Salamanca, Josh Ford, Kira Balinger, Esnyr Ranollo, Will Ashley, and Ralph de Leon. Together, they will be dropping clues across National Book Store branches nationwide and hiding special books for everyone to find and discover!
Mika Salamanca, Kira Balinger, and Josh Ford | Courtesy of National Book StoreEsnyr Ranollo, Will Ashley, and Ralph de Leon | Courtesy of National Book Store
Here’s how to do it: Just head to any participating National Book Store and keep an eye out for the exclusive books that the National Book Squad has hidden. If you’re lucky enough to find one, purchase it, and you might just walk away with an incredible prize.
What kind of prizes? We’re glad you asked — we’re talking about major prizes like an Apple iPad, flight vouchers, a DJI Osmo 3, and so much more!
The hunt has already started online! Follow the National Book Squad on their social media pages for some exclusive clue drops and behind-the-scenes content. Don’t miss out on their videos too — your first hint could just be waiting there.
Ready to turn your next book shopping trip into a treasure hunt? Follow National Book Store on Facebook, Instagram, and TikTok for all updates! Good luck, and let the hunt begin!
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We can all agree that catching up on new episodes of our favorite television shows used to be relatively more difficult. With cable channels as one of the few available options — and new movie releases only available in theaters or months later as TV reruns or physical releases — watching what we wanted, when we wanted, was a challenge. Fortunately, with the emergence of streaming platforms, consuming content has become much easier and more accessible.
In the modern digital landscape, streaming services provide an abundance of entertainment options. Yet, with countless platforms offering different content and features, deciding which one to subscribe to can also be challenging. To make your decision easier, we’ve compared some of the leading streaming services to help you find the best match for your viewing preferences.
Netflix
Photo from Website/Netflix
Whether Netflix is the best streaming service out there is, of course, very subjective. It will always depend on one’s preferences, but it is considered one of the streaming giants for a variety of reasons, one being its slew of critically acclaimed originals — from movies and television series to documentaries and anime. It also features a user-friendly interface, which can be easier to navigate for different types of subscribers.
Netflix prices vary between countries, but a premium subscription typically costs $24.99 per month, with an additional $6.99 for extra members. The standard subscription, on the other hand, is available for $17.99 per month.
Reason to subscribe: Netflix is best known for dropping full seasons at once, so if you’re a habitual binge-watcher who isn’t fond of waiting another week for a new episode, it’s the best platform for you. Apart from its original content (which spans a wide range of genres), the streamer also offers a large selection of movies and shows in its extensive library, though availability may vary by region. The platform also takes note of your viewing habits, so its algorithm tailors recommendations based on your interests.
Original titles: Bridgerton, BoJack Horseman, The Crown, Castlevania: Nocturne, Emily in Paris, Ginny & Georgia, The Night Agent, Nobody Wants This, Outer Banks, Squid Game, Stranger Things, Sweet Magnolias, Virgin River, Wednesday, The Witcher, and more.
Why it may not be perfect for you: Netflix has been increasing its subscription prices over the years, which can be a huge deal-breaker for some users. As mentioned, what’s available in other regions may not be available in your location, possibly making content availability an issue as well. Netflix also constantly removes titles from its library, so you may need to allot time to catch up on your to-watch list before it’s too late.
For more information on subscription fees, plans, and other details, you may visit Netflix's official website.
Disney+
Photo from Website/Marvel Studios
Disney+ is a family-friendly streaming platform, perfect for fans of classic Disney originals. It features a massive catalog of fan-favorite Disney titles like Cinderella, Beauty and the Beast, A Bug’s Life, Brave, Encanto, Inside Out, Turning Red, Lilo & Stitch, and Finding Nemo, among a handful of others. If you’re also a fan of Marvel, Star Wars, or Pixar, Disney+ is also the ideal platform for you.
Prices depend on your subscription bundle, and you can unlock more content by signing up for a Disney+ Bundle with Hulu, Max, or ESPN+. The Disney+ ad-free subscription costs $16 per month, but bundles are generally much pricier.
Reason to subscribe: With access to Disney’s extensive vault of classics, Disney+ is a haven for both kids and kids at heart. It’s a huge plus if you’re a fan of both Marvel and Star Wars, as it is the only platform that features original content for both franchises.
Original titles: Andor, Ahsoka, Daredevil: Born Again, High School Musical: The Musical: The Series, Ms. Marvel, Percy Jackson and the Olympians, Agatha All Along, Star Wars: Skeleton Crew, X-Men '97, The Mandalorian, Obi-Wan Kenobi, WandaVision, Ironheart, The Acolyte, and more.
Why it may not be perfect for you: Unlike Netflix, most — if not all — Disney+ shows do not release entire seasons at once. While this may not be a problem for some, if you're not a fan of waiting and prefer to binge-watch an entire season in one go, a Disney+ subscription might not be worth it. Additionally, Disney+ heavily caters to family-friendly content, so mature content is typically not available.
For more information on subscription fees, plans, and other details, you may visit Disney+'s official website.
Max
Photo from Instagram/The Last of Us
HBO Max, now simply called Max, is home to a wide range of content, including popular HBO titles, Warner Bros. classics, the DC Universe, and even Studio Ghibli films. A subscription to Max also grants exclusive access to blockbuster hits like Beetlejuice Beetlejuice, Mamma Mia!, Crazy Rich Asians, Barbie, Wonka, and many more. Of course, prices vary by region, but an ad-free subscription typically costs $20.99 per month.
Reason to subscribe: Max is, again, home to a number of classics. Especially if you’re a fan of older titles and critically acclaimed darlings, a subscription to Max is perfect for cinephiles. Additionally, the platform makes movies available for streaming shortly after their theatrical releases, making it perfect for those who want to relive a movie experience or those who missed it in cinemas.
Original titles: The Pitt, Adventure Time: Fionna and Cake, Hacks, Peacemaker, The Last of Us, Creature Commandos, Harley Quinn, Gossip Girl, Pretty Little Liars, Tokyo Vice, Love & Death, The Girls on the Bus, The Sex Lives of College Girls, Velma, and more.
Why it may not be perfect for you: Of course, with such great content comes a price. Max is considered pricey, even with an ad plan. It is also not available in every country, so some users may not be able to access Max in its entirety.
For more information on subscription fees, plans, and other details, you may visit Max's official website.
Apple TV+
Photo from Website/Apple TV+
Apple TV+ has rapidly gained a reputation for its acclaimed and top-tier original content spanning a variety of genres. At just $9.99 per month, the streaming service also provides one of the most budget-friendly subscription rates, making it an excellent choice for fans of its exclusive originals.
Reason to subscribe: Apple TV+ prides itself on its 4K streaming and Dolby Vision features, offering not only top-tier content but also stunning visuals. Additionally, it’s completely ad-free, providing an uninterrupted streaming experience, something that sets it apart from other platforms, even those with premium subscriptions.
Original titles: Acapulco, The Morning Show, The Buccaneers, Ted Lasso, Loot, Invasion, Severance, Pachinko, Prime Target, Silo, Slow Horses, Presumed Innocent, Palm Royale, The Studio, and more.
Why it may not be perfect for you: While Apple TV+ has earned an impressive reputation for its originals, it is still relatively new; meaning, its overall library remains smaller compared to its competitors. If you're looking for a broader selection of content, you might find Apple TV+ not worth the subscription.
For more information on subscription fees, plans, and other details, you may visit Apple TV+'s official website.
Prime Video
Photo from Website/Prime Video
Prime Video also boasts a massive catalog of movies, television shows, and documentaries, though it may not be as extensive as its fellow streaming platforms. What Prime Video lacks in sheer volume, it makes up for with its slew of original content. If you’re already a member of Amazon Prime, you’ll get access to Prime Video’s library at no additional cost. Amazon Prime membership is priced at $14.99 per month, while a standalone Prime Video subscription costs $8.99 per month.
Reason to subscribe: Unlike other major streaming platforms, Prime Video is much more affordable. It also allows users to rent or buy movies and shows that are not included in their subscription.
Original titles: The Boys, Citadel, Countdown, The Devil's Hour, Fallout, Gen V, Invincible, The Summer I Turned Pretty, Reacher, The Lord of the Rings: The Rings of Power, The Terminal List, We Were Liars, Upload, Hazbin Hotel, and more.
Why it may not be perfect for you: Prime Video’s interface is considered difficult and confusing to navigate. And it also has fewer exclusive releases, which can be a deal-breaker, especially for non-Amazon Prime subscribers.
For more information on subscription fees, plans, and other details, you may visit Prime Video's official website.
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The Filipino indie scene is getting the spotlight it deserves, and it’s coming with a splash of Tennessee whiskey. Jack Daniel’s has officially launched the second phase of its multi-year music initiative, "Jack Daniel’s On Stage: Road to Indiefest," a bold celebration of independent artistry, grassroots collaboration, and the raw energy that defines the country’s creative pulse.
Courtesy of Jack Daniel's
This chapter brings together 20 standout indie acts, handpicked from a pool of 35 nominated artists by top production groups. The final lineup, featuring names like August Wahh, Halina, Alyson,Ysanygo,and Uncle Bob’s Funky Seven Club, was curated by a panel of music industry experts, past “Chosen One” artists, and Jack Daniel’s team.
Their selection was purely about the spirit. “What truly guided our choices was the quality and energy of the artists’ live performances,” said Gabriel Fajardo, Brand Marketing Manager for Jack Daniel’s, Emerging Asia. "Equally important was their willingness to move forward with the program, showing openness to growth and collaboration. It's this raw connection and genuine spirit that sets them apart."
The program unfolds through a series of immersive experiences: PROD NIGHTS (September 2025 to March 2026) will host 23 live showsacross the country, powered by indie production partners like Doc Def and Red Ninja. MIXTAPE events in November and December will pair artists to perform each other’s songs in full-set collaborations. And SESSIONS, streamed via Jam 88.3, will bring the music online for fans everywhere.
Photo from Instagram/Jack Daniel's
Hosted at Monarch Manila and backed by Billboard Philippines, Road to Indiefest is a movement to support the country’s diverse music scene. And Jack Daniel’s is sponsoring music and nurturing a scene built on authenticity, diversity, and connection.
Check out Jack Daniel’s website if you’re over 18, follow Jack Daniel’s On Stage on Instagram, and make sure you tune in to Jam 88.3.
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Filipino FRIENDS fans, now’s your chance to see all the iconic spots from the ‘90s classic sitcom up close!
The FRIENDS™ Experience is finally landing in Manila on Oct. 8, 2025, at The Space at Solaire, Solaire Resort Entertainment City in Parañaque City! This immersive experience was originally only shown in New York, London, Las Vegas, and several cities around Europe, with guests and visitors able to revisit the iconic sofa and fountain from the series’ opening sequence, Monica and Rachel’s kitchen, Joey and Chandler’s apartment, and the orange sofa from their hangout, Central Perk.
Now, The FRIENDS™ Experience is heading to Asia for the first time — with Manila as their first stop!
Photo from Instagram/The FRIENDS™ Experience Asia
Tickets to The FRIENDS™ Experience “The One in Manila” are now available on TicketWorld. Here are the ticket prices with their inclusions:
General Admission (P1,000, Standard Adult Price)
VIP (P2,800, Standard Adult Price)
General Admission Ticket
The FRIENDS™ Experience Tote Bag
Skip Queue on Arrival
Skip Queue at Three Photo Points
10% off Second Visit
The BARKADA FRIENDS Bundle (P5,300, Standard Adult Price)
Six General Admission Tickets for the Price of Five
Ultimate VIP FRIENDS Bundle (P4,000, Standard Peak Price)
General Admission Ticket
Open Entry Any Time
Exclusive Gift Box (The FRIENDS™ Experience Tote Bag, VIP Lanyard, “The One with the VIP” Enamel Pin)
Skip Queue on Arrival
Skip Queue at Three Photo Points
10% Second Visit
The FRIENDS™ Experience will be held from Oct. 8 to Nov. 30, 2025, at The Space at Solaire. The experience will be open from Wednesdays to Sundays, from 2 PM to 9 PM (Wed to Thurs) and 10 AM to 10 PM (Fri to Sun).
FRIENDS: The 90s Sitcom That Defined a Generation
The iconic television sitcom by David Crane and Marta Kauffman ran from 1994 to 2004, starring an ensemble cast: Jennifer Aniston as Rachel Green, Courteney Cox as Monica Geller, Lisa Kudrow as Phoebe Buffay, Matt LeBlanc as Joey Tribbiani, Matthew Perry as Chandler Bing, and David Schwimmer as Ross Geller.
The show grew to become one of the most popular and highest-grossing television shows of all time, and even led to a spin-off series, “Joey,” and a reunion special, “Friends: The Reunion.”
For more information, follow The FRIENDS™ Experience Asia on Instagram.
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Most of us came across Japanese content creator Rio Mizu as the “Green Flag Guy” from a viral StreeTok video, where his anime-like charm and easygoing personality instantly caught the attention of local netizens. But beyond that fleeting moment online, his relationship with local content creation has deepened, and he has since carved a space for himself in the Philippines as a multi-talented personality.
Now based in Manila, Rio has not only shared his looks for various brands and shows, but also his perspective as a Japanese creative making a home in a new country.
The Beat Manila hung out with the bubbly Japanese model to chat about his beginnings and what made him want to extend his stay in the Philippines. In our conversation, he opened up about what he loved most about the country, his journey into modeling and content creation, and what he hopes to bring to the local scene as he continues to grow his career.
Rio to The Philippines: Love at First Sight
Rio came to the Philippines with the intent of taking up English language lessons. What started as a study plan for three months has turned into an indefinite stay that would ultimately change the trajectory of his career as a creative.
He shared how he landed in Cebu two years ago, and was immediately captivated by the country — specifically by its people, who have welcomed him so warmly.
“I think it was day two here in the Philippines when I went to a mall in Cebu that I realized, ‘Oh my gosh! I want to stay here!’ I fell in love with this country immediately. I don't know why, but I just felt that this is my country, like I should stay here,” he expressed. “I love how people smile so much compared to other countries. I really admire the welcoming culture here.”
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Determined to stay for good, Rio knew he had to find a way to make a living here. With his effortless charm and good looks, it wasn’t too difficult to figure out where he would fit. In fact, he was an idol trainee back in Japan and had received professional voice and dance lessons. However, after coming to the Philippines, he decided to venture into modeling instead.
“Filipinos are so talented in dancing and singing, so I kind of gave up,” he joked. “I was like, I cannot do this in this country, so let’s try modeling.”
Despite his natural charm, Rio had no experience in the modeling industry, a shocking revelation if we say so ourselves. A true self-made professional, the Japanese creative went out and made connections, using his main strengths: his charisma and friendly disposition.
“I came here alone, and I had no connections. So, I went out every day to places where people from the modeling industry usually go. I would say hi to everybody and introduce myself. I did that every day, and luckily, I got some gigs in Cebu. That’s how I started my modeling career.”
Rio had since carved a space for himself in the industry with his unique charm. Whether he was rocking those long, wavy locks or the K-Pop idol bowl cut, Rio is a natural when it comes to fashion, which made the transition almost effortless.
He has since been featured in several campaign ads and even had a magazine cover feature. He also took part in a couple of local TV series, having acting credits in “Tadhana” starring Marian Rivera and “The Write One” with Ruru Madrid and Bianca Umali. Rio’s determination, diligence, and love for Filipino culture are an inspiring reminder that you can still start from scratch and do well, so long as you set your mind to it.
Courtesy of Rio Mizu
On Showcasing Authentic Cultural Experiences
As a Japanese creative living abroad, it might be easy to assume that content creation would have been his natural first step. But with Rio starting in modeling, it shows that the daily vlogs he now shares, capturing snippets of his life in Manila, are far from performative. Instead, they feel authentic, grounded in his genuine curiosity and appreciation for the Philippines.
Being a foreigner in a new country, culture shocks are inevitable. When asked about the biggest differences between Japan and the Philippines, Rio immediately mentioned “Filipino time,” noting how he had to adjust since punctuality is deeply ingrained in culture. But alongside the challenges, he was quick to highlight the things he’s grown to love here — things he even wishes existed back home. Among them are Grab and Angkas, which he appreciates for their convenience and affordability compared to Japan’s costly transportation, and even Chowking, the Filipino-Chinese fast food chain he’s grown fond of.
In our conversation, we also talked about some of his favorite local dishes. One of them was Chicken Afritada, a dish he tried homemade by his good friend and fellow content creator, JinHo Bae. Rio’s vlogs are also quite humorous and would feature him doing mundane activities like eating street food, chatting up locals, and even trying public transportation. One of the appeals of watching lifestyle videos by foreigners is seeing their fascinating reactions to a particular place or experience. His videos remind us that more than the usual roads and streets we travel through or the food we are served daily, they can also be beautiful and meaningful.
When asked if he had a favorite among his vlogs, he replied, “The everyday videos; the ones when I'm trying Filipino foods or having a conversation with a stranger. I really enjoy doing them and I’m proud of it.”
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“I want to show myself and share how beautiful this country is to the world — and to the Filipinos. Sometimes, I feel like you don’t know. *laughs* So I want you to know that your country is amazing, to remind you of it. That’s the kind of content I want to make.”
Rio also shared that his content creation was rooted in his desire to connect more deeply with the Filipino people. We also noticed how he already had a good grasp of the Filipino language, to which he admitted he’s currently learning.
“To be honest, I really don't need to study Tagalog to live here in the Philippines, but I really want to connect and communicate more deeply with them. That's why I felt the need to learn the culture, which is the language. I believe understanding the culture will help me build deeper connections.”
True to this, Rio plans to showcase deeper insights into Philippine culture for his upcoming content, specifically in agriculture. The creator shared with The Beat Manila how he had been visiting agriculture sites and was genuinely amazed by the work being done by farmers.
“I want to share a deeper side of what makes the Philippines beautiful. So in the future, I plan to focus more on tourism and agriculture.”
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Rio’s positivity and sunny disposition gave his content a unique flair, even more than the fact that he’s a Japanese living abroad. When asked how he maintains his positive attitude, even on days when things are rough, he simply advised, “Sleep well, eat well, and avoid negativity. I just want to share my happy energy.”
Rio truly lived up to his “Green Flag Guy” title with that answer. If there’s one thing we can learn from his journey, it’s that positivity is a choice and that authenticity easily shines through when you’re doing something you love.
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