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Hidilyn Diaz dominated the women's 55-kilogram division at the 2022 International Weightlifting Federation’s (IWF) World Championships on Thursday (Manila time), where she bagged three golds to add to her glittering collection.
This is Diaz's first time to win at the World Championships following bronze finishes in 2015, 2017, and 2019.
The Tokyo Olympic gold medalist won against Rosalba Morales of Colombia and Ana Lopez Ferrer of Mexico in the snatch, clean and jerk, and total, with an overall lift of 207kg. She lifted 93kg in the snatch and 114kg in the clean and jerk.
Morales finished second with a total lift of 199kg, while Lopez Ferrer finished third with a total lift of 198kg.
The World Championships in Bogotá, Colombia, is part of Diaz's journey for the Paris 2024 Summer Olympics.
"We’ve kicked off our Paris 2024 Journey with a decent start and ended our year with 3 Gold medals in the Snatch/CJ/Total, going 93/114/207," Julius Naranjo, Diaz's husband and coach, wrote on Instagram yesterday. "Not our best showing but a historical one being the First Filipina to win a World Championships."
Naranjo added that he and Diaz have accomplished a lot together, from the Philippines' first ever Olympic gold medal, getting married this 2022, and bagging their second Southeast Asian Games gold.
Diaz, in an IWF report yesterday, was quoted as saying that this will be the last time she will compete at 55kg. She will either have to move down to 49kg or 59kg for the Paris 2024 Olympic Games.
She added that she had to defend her business studies thesis at the De La Salle-College of St. Benilde before coming to Bogotá.
"There are times when I wish I was back in Malaysia, in another country with all the time to focus on weightlifting, training all the time. I have had negative thoughts, doubts, and I have had a lot of injuries," she was quoted as saying.
“But then I think no, I am so happy to be back in the Philippines, the country I love, and competing in weightlifting, the sport I love. I’m so grateful to the team.”
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At first glance, Michelle Alde’s works captivate with their elegance. From the quiet grace of her figures, the fluidity of her brushstrokes, down to the refined play of texture and space. However, if you linger a little longer, her art reveals something deeper: a fearless exploration of femininity in all its strength, softness, and complexity.
A painter and multidisciplinary artist based in Quezon City, Michelle’s practice spans both traditional and digital media, with oil as her signature medium. Through her craft, she captures the sentimentality and movement of the human experience, particularly those associated with femininity. Her pieces have been exhibited in several group shows across the country, including In An Ordinary Minute at Altro Mondo Creative Space in Makati. More recently, she has also commissioned an art piece for skincare brand Lactacyd, for the Museum of Speaking Skin, where she brought to life her own personal skin story through her signature strokes and hues on the canvas. Beyond painting, she also lends her creative eye to design as a mentor to burgeoning painters at the Young Artists Studio.
In our latest Artist Spotlight, The Beat Asia sat down with Michelle as she opens up about her artistic beginnings, her evolving interpretation of femininity, and how she balances the dualities of womanhood — their strength and vulnerability, as well as their delicacy and defiance with bold and elegant intent. She also reflects on her creative process, her feminist influences, and the empowering messages she hopes young women will take from her art.
Hi Michellle! Can you tell us about how you first discovered your love for art?
Absolutely! I have been active in the art scene for over two years now, participating in group exhibitions at galleries in the Philippines.
But my artistic journey really began much earlier. I grew up in a highly creative environment where I observed some relatives practicing their own art forms, which inspired me to pursue mine. During my early teens, I was fond of drawing portraits and clothing, because, back then, I wanted to be a fashion designer. Then, as I grew older, I began exploring painting, and there’s just something about the process of mixing paint, seeing the colors, and putting it onto the canvas that drew me into doing more of it. The next thing I know, I’ve fallen in love with it already.
Did you undergo any formal training? How has that shaped your current style and practice?
I was fortunate enough to have been exposed to many art forms early on. I joined various workshops as a child and explored both visual and performing arts.
With the support of the people around me, I was able to pursue my passion for art all the way to university. I studied at UP Diliman College of Fine Arts and majored in Painting, where my art skills have developed a lot in terms of technique, form, and conceptualization. Having been mentored by brilliant and talented artist-professors and exposed to various artists and artworks, I was able to develop my own visual language.
Over time, I became fascinated with the visual qualities of fabric, initially by how something so inanimate can be dynamic and full of movement at the same time. I’m also drawn to its shifts in movement when it interacts with other objects and figures, and so, it became a recurring metaphor and symbol in my art practice.
Yes, we’ve noticed the recurring themes and symbols in your pieces. What draws you to the theme of femininity?
My art, at its core, stems from personal thoughts, memories, and experiences, as well as the drive to preserve them, which are acts often associated with femininity. I’m drawn to this theme because of how sentimentality and femininity are often perceived as fragile and vulnerable. But for me, I think these are the qualities that carry so much strength. I want to honor these feminine qualities through my art, showing that there is a lot of strength in embracing them.
Courtesy of Michelle Alde
Could you describe how you interpret them through your art?
There’s a lot of fabric and drapery, alongside objects, figures, and colors that are often viewed as feminine symbols, involved in my work.
I use the fabric’s movement, texture, and folds as a visual metaphor for memory. I believe it carries memories and sentiments just as we do, where each movement creates a wrinkle or crease, just like each interaction reshapes us in some way. Like femininity, it’s seen as delicate, but also resilient. For me, the fabric embodies comfort, concealment, isolation, and visibility, depending on how I want it portrayed in the piece. As women, I think we can relate our experiences to these states. Our need for comfort and protection, the feeling of isolation, and most times, wanting to be seen and heard.
“Priced Possesions” (2025) | Courtesy of Michelle Alde"On and on and on” (2025) | Courtesy of Michelle Alde
Can you name some of your biggest influences that have inspired your style and subject matter?
I like looking at different works of various artists, especially women artists who explore emotion and identity in their work. I also find inspiration from personal experiences and concepts that are not specific to visual art. I’m drawn to the fabric and figures’ movement, and I also think my quiet love for the performing arts shaped my fascination with “movement.”
Can you walk us through your creative process, from idea to finished piece?
I document a lot of moments in my life. I like to keep remnants of things and experiences. At the same time, I also enjoy capturing movements that interest me, like the fabric. It’s fascinating how each fold or crease shifts with light movement and touch. I then layer it with pieces of moments that have touched me, adding a blanket of interest to the work. Sometimes, I also play around with the fabric and figures in my work, concealing, wrapping, or unveiling the figures in my pieces, depending on how much I want them visible.
The painting process is a meditative act for me. Painting becomes my own act of preservation, using experiences and my inclination to document and keep memories. It brings me comfort that I can hold on to a moment and keep it with me as I continue to grow.
Is there a part in the process that you find particularly easy or challenging?
The easiest part of the process is when I’m fully immersed in my work, and I'm not worrying about what comes next. I just trust the process. I love it when I can just get lost in the middle of painting.
It can become quite challenging to start a piece at times because of self-doubt, like deciding when a painting is truly finished. At the same time, my inner critique gets the best of me sometimes, which I think happens to many artists as well. When that happens, it feels so scary and vulnerable to put my work out there. But sharing it anyway, I think, is a brave act.
How do you see art as a platform for feminist expression?
I think art has always been a way for us women to share our stories. Throughout history, women have been fighting to become visible and heard. It opens up spaces for more conversations about truths and lived experiences among women, helping us connect.
Having spaces that welcome diverse women’s perspectives is also really important. I feel lucky to be in a time where there are more and more spaces, platforms, and opportunities that celebrate feminist expression. I believe we still have a long way to go, but we’ve also come so far already.
"Of Poise and Power" (2025) | Courtesy of Michelle Alde
How do you balance showcasing both the strength and vulnerability of womanhood in your pieces?
Reflecting on my lived experiences as a woman, I’ve been exploring how to translate them visually through my chosen subject. I’ve been working with the duality of the fabric: how it can feel soft and comforting yet heavy and full of tension at the same time. I try to express this through gentle colors and form, contrasted with movement and texture that carry a sense of resistance.
Women are often seen as nurturing and soft, but in reality, we carry so much pressure from the expectations placed on us.
Has your own understanding of feminism evolved through your art practice?
Definitely. Through art, I broadened my perspective on the different approaches women take in their art practice, which I have also taken into my own. I have embraced themes, concepts, materials, and subjects that are often seen as “too soft and feminine” and learned to see them as powerful.
At the same time, I acknowledged that femininity is broader than just softness and strength. Feminism is not only about honoring softness, but also about recognizing the struggles and resistance women have faced throughout history and still face today. It’s expressed through different materials and subjects, which keep shaping my perspective as an artist.
Are there particular pieces of yours that feel especially personal or transformative to you?
Some of my artworks showcase the interaction between the fabric and the body figure. In one of them, I explored printmaking again after several years, which became a freeing experience. For one, since it was different from my usual painting medium, I think it released me from the pressures I usually encounter when I’m painting. I had lower expectations, so I was able to explore them freely.
Secondly, the process of making multiple images of the figure on a sheer fabric and then layering them on top of one another became a vital part of its meaning-making that was really personal to me. The pieces in particular are “Grounded” (2025) and “Water Bearer” (2025).
Another one that felt transformative was when I finally decided to unveil the veiled figure that had been present in my work in the past couple of years. I think it’s time for her to interact and move with the fabric more visibly.
You also teach at Young Artists Studio. What message do you hope women — especially younger women — take away when they encounter your art?
I hope they find comfort and feel that it’s alright to embrace their softness and sentimentality. There’s a lot of strength in doing so. I also hope they feel inspired and courageous enough to create something, even if it feels vulnerable and scary.
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What do you hope to explore in future works? Are there any themes or directions you’d like to push further?
I want to dive deeper into the idea of softness and create works centered on the concept of “love.” Not just romantic love, but all kinds: platonic love, self-love, quiet love, etc. I would like to paint about love and because of love.
You can view some of Michelle’s art by following her on Instagram.
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Who’s going to be the best—Team Philippines or Team Korea?
Filipino lifestyle brand BENCH is hosting a “Shoot of Asia” basketball exhibition match this October 26, 2025, at the SM Mall of Asia Arena, where Filipino and Korean celebrities are set to face off with an intense game of basketball.
The “Shoot of Asia” basketball exhibition match is part of SBS’ upcoming sports-reality series, “Rising Eagles,” set to premiere in November. The Philippine exhibition game serves as one of the Rising Eagles’ international challenges.
Instagram/ BENCH
Team Kuys Showtime (Team Philippines) will be represented by Vhong Navarro, Jhong Hilario, Billy Crawford, Ronnie Alonte, JC De Vera, David Licauco, Wendell Ramos, Dustin Yu, Ion Perez, Baileys Acot, Johannes Rissler, Arthur Nery, and Adie Garcia.
Meanwhile, Team Rising Eagles (Team Korea) will feature SHINEe’s Minho, NCT’s Johnny, actor Eun Seok, 2AM’s Jeong Jin-woon, Moon Su-in, Kim Taek, Dae Hee, Seung Hoon, Chan Woong, Kyu Min, and Tae Jin.
Former pro basketball player and variety show personality Seo Jang-hoon serves as Team Korea’s coach, with Jeon Tae-poong as assistant coach. For the Philippine side, sports broadcaster Beaujing Acot will be the coach, and assisted by Julius Teruel and Baffy Acot.
Global P-Pop group HORI7ON, K-Pop girl group BILLLIE, and Sandara Park will perform at the basketball exhibition.
Instagram/ BENCHInstagram/ BENCH
Tickets are now available via SM Ticket outlets and online. Tickets are priced from P860 (General Admission), P2370 (Upper Box), P3550 (Lower Box), and P8610 (Patron).
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Robinsons Movieworld, through its Premier Cinemas, presents the second season of CineArts, an exclusive cultural cinema experience at Opus Mall and The Mall – NUSTAR that brings world-class performances to Filipino audiences.
In partnership with Trafalgar Releasing, this unique series offers exclusive screenings of opera, ballet, and concert films from London’s Royal Opera House, giving Filipino moviegoers a front-row seat to global icons and an experience to enjoy high culture without leaving the country.
Courtesy of Robinsons Movieworld
Season Two opened with “Andrea Bocelli: Because I Believe,” on Sept. 23 and 30, but there are other runs on Oct. 7 and 14, followed by an exceptional lineup of performances from the Royal Ballet and Royal Opera, including “Tosca,” “Cinderella (2024),” “The Nutcracker,” “La Traviata,” “Woolf Works,” “Giselle,” “Siegfried,” and “The Magic Flute.”
Screenings will be held every Tuesday at Opus VIP Cinema and NUSTAR VIP Cinema, where state-of-the-art visuals, surround sound, and plush seating elevate the viewing experience. Ticket prices start from P900.
Here is the schedule for Season Two of CineArts:
Andrea Bocelli: Because I Believe – Sept. 23 and 30, Oct. 7, and 14
Royal Opera: Tosca – Nov. 4 and 11
Royal Ballet: Cinderella (2024) – Nov. 18, 25, and Dec. 2
Royal Ballet: The Nutcracker – Dec. 9, 16, 23, and Jan. 13
Royal Opera: La Traviata – Feb. 10, 17, 24, and Mar. 3
Royal Ballet: Woolf Works – Mar. 10, 17, and 24
Royal Ballet: Giselle – Mar. 31, Apr. 7, 14, and 21
Royal Opera: Siegfried – Apr. 28, May 5, 12, and 19
Royal Opera: The Magic Flute – May 26, Jun. 2 and 9
For tickets and full screening details, visit the website here, follow Opus Premier Cinemas on Facebook and Instagram, and NUSTAR Premier Cinemas on Facebook and Instagram.
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It’s not every day that a Broadway phenomenon lands in your neighborhood cinema. But starting Oct. 1, 2025, Filipino fans will finally get their shot to experience Hamilton, Lin-Manuel Miranda’s genre-defying musical, on the big screen for a strictly limited one-week run until Oct. 7, 2025. And it’s not just the filmed version you may have streamed on Disney+. This release packs an exclusive prologue titled “Reuniting the Revolution,” featuring fresh interviews with the original cast and creators.
Courtesy of Walt Disney Studios
Timed to celebrate the 10th anniversary of the show’s Broadway debut, this cinematic event is more than nostalgia. Filmed at the Richard Rodgers Theatre in June 2016, the production stars Miranda himself as Alexander Hamilton, alongside Leslie Odom Jr., Renée Elise Goldsberry, Daveed Diggs, Phillipa Soo, and Jonathan Groff.
Directed by Thomas Kail and produced by RadicalMedia, the film captures the raw energy and emotional depth that made Hamilton a Pulitzer Prize-winning, Tony-sweeping phenomenon.
Photo from Instagram/Hamilton Musical
The Philippine release follows earlier rollouts in the U.S., Canada, Puerto Rico, and the U.K., and precedes Australia and New Zealand’s November premiere. For Southeast Asian fans, this marks a rare chance to experience the show’s full theatrical power on the big screen, complete with surround sound, communal gasps, and maybe a few tears.
Tickets are expected to sell fast, especially with the buzz surrounding the exclusive content and the limited screening window. Be sure to catch “Hamilton” in select cinemas from Oct. 1 to 7, 2025.
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Step into the world of live theatre with "Standing Ovation," your trusted companion for navigating Asia's vibrant performing arts scene. From the neon-lit streets of Hong Kong to the historic stages of Manila, we're scouring the region to bring you honest, engaging reviews of the most talked-about shows. Whether you're drawn to the flawless elegance of ballet, embarking on a musical journey through moving tunes, or the raw emotion of dramatic plays, let us guide you to the performances that will resonate with you. So grab your playbill and join The Beat Asia as we immerse ourselves in the region's dazzling arts & culture scene. The curtain's rising – let the review begin!
Lately, it’s not just the rains that have been pouring in Manila, but also a wave of theater musicals, turning the season into one of song, dance, and powerful performances.
Earlier this month, the Theater at Solaire presented the Tony Award and Oliver-Award Award-winning Best Musical, “Dear Evan Hansen,” moving Filipino audiences with its touching storyline, inspiring songs, and important messaging.
The stage musical debuted in 2015 with music and lyrics by composing duo Benj Pasek and Justin Paul (“La La Land,” “The Greatest Showman,” “Snow White”), and a book by screenplay writer Steven Levenson (“tick, tick ... BOOM!”). It follows the story of a high school senior with social anxiety who gets mistaken as a close friend of a classmate who dies by suicide, leading him to fabricate a lie that spirals into an unexpected journey of connection, guilt, and self-acceptance. The musical has also been adapted into a movie in 2021, with Ben Platt reprising the role he originated on stage, alongside actors Kaitlyn Dever, Julianne Moore, and Amy Adams.
GMG Productions and ATG Productions joined forces to bring this Broadway hit to the Philippine stage for the first time, which featured the UK Touring Production’s cast and crew. The Beat Asia got to witness the brand-new staging of the beloved musical, and here’s why we believe it’s more than just your average Broadway export.
Photo from Website/Dear Evan Hansen UK Tour
Tears and Truths in ‘Dear Evan Hansen’
One thing that makes “Dear Evan Hansen” stand out among other stage plays is its contemporary relevance, which manifests through its story and modern sound.
If you’re unfamiliar with the story, here’s how it goes: Evan is an anxious high school student longing for a sense of belonging. As advised by his therapist, he writes letters to himself, journaling what made his days good and worth celebrating. When one of these letters is mistaken for a final note from his classmate, Connor Murphy, who has died, his life takes an unexpected turn as he’s pulled into the boy’s grieving family.
Misunderstandings and assumptions stack up one over the other until Evan had woven a lie so intricate that it became impossible to get out of. The fabricated story, however, allowed him to connect with new people, making him feel like he now belonged. As the story unfolds, he becomes torn between telling the truth and losing everything, and maintaining a lie that brings him closer to the life he had always longed for.
This musical explores modern issues like social anxiety, depression, and the role of social media in shaping identity and relationships. The latter, especially, is woven so deeply into the story, showing just how powerful a tool it can be in spreading awareness, providing support, and becoming a bridge for connection. But like a two-edged sword, it was also portrayed as having the power to easily destroy someone’s life or reputation in a single click.
What we love about this show is how it’s direct in its messaging without feeling preachy, and how real and personal it feels. Unlike big, flashy musicals with intricate plotlines and out-of-this-world characters, “Dear Evan Hansen” zooms in on one teenage boy’s struggle with anxiety, loneliness, and wanting to be seen. That simple premise sparked massive conversations beyond the stage about mental health, authenticity, and connection, giving it a social impact and making it a memorable experience for theatergoers.
It may not boast grand sets, large ensembles, or intricate props and backdrops, but its emotional rawness kept audiences engaged. Some notable scenes include the self-pep talks Evan does with an imaginary Connor — especially the one in the second act when he’s forced to face the reality of his accident at the park, and the “Requiem” musical number the Murphys perform, which shows the different ways people deal with grief.
Photo from Website/Dear Evan Hansen UK Tour
Lighting and the projected screens were also utilized well on stage, emphasizing various emotions and providing additional movement like silhouettes walking across the screen while Evan passes through crowded hallways or the projected social media accounts during “You Will Be Found,” demonstrating how Evan’s speech went viral and put him in the spotlight, spiraling deeper into his fabricated story that has now turned into a movement. In his conversations with Connor, the latter is always a step behind him, which allows the spotlight to focus on Evan, all the while giving Connor a muted sheen. From the audience, it makes him look like a ghost or a figment of one’s imagination. Their voices during these scenes also seem to reverberate more, emphasizing the haunting truth.
This production’s emotional core lies in its music, which, ICYDK, won a Grammy for Best Musical Theater Album in 2018. Throughout the 16 musical numbers, viewers are taken on an emotional journey that starts in loneliness and ends in self-discovery and belonging. It also leans more toward pop than traditional theater tunes, which makes it easier to connect to, especially for younger audiences.
“Waving Through a Window” conveys feelings of being an outsider and longing to make a meaningful connection, while “For Forever” beautifully captures Evan’s deepest desires — to simply make a friend and have the most perfect day together.
There are also anthemic and inspirational tracks like “You Will Be Found,” which emphasizes that no matter how lonely or isolated one feels, there is always someone who will find and support them, and even romantic ballads like “If I Could Tell Her” and “Only Us,” which reflect Evan’s developing relationship with Connor’s sister, Zoe.
Photo from Website/Dear Evan Hansen UK Tour
The current production cast did a remarkable job restaging this iconic show, each actor breathing new life into their character. Sonny Monaghan’s Evan was nothing short of spectacular. While his vocals in the opening song started a little shaky at first, the actor quickly found his footing, his voice soaring as the show progressed. His performance drew real tears during “For Forever,” when Evan fabricates his story about Connor, and again in “Words Fail,” when he finally comes clean about his lies. It was also impressive how closely his tone echoed that of the original Broadway Evan, without ever feeling like an imitation.
Rebecca Mckinnis, as Heidi, delivered an emotional and heartfelt “So Big/So Small,” perfectly capturing the unconditional love of a parent. Her distinctive mix of country twang and rock edge added grit and punch to “Good For You,” making it one of the standout moments of the night. Meanwhile, Tom Dickerson brought natural charisma to Jared, providing a much-needed break between the heavier scenes. His playful “Soda Pop” line — a clever nod to the film K-Pop Demon Hunters — earned plenty of laughs from the audience. Meanwhile, Rhys Hopkins made an impressive professional debut as Connor. Though his role kept him absent for much of the show, he left a lasting mark with his commanding stage presence and powerful vocals. His impressive range had us eager to see what roles he takes on next.
Photo from Website/Dear Evan Hansen UK Tour
If there was one moment that fell short, it was the romantic duet “Only Us,” which lacked some of the tenderness and chemistry we were hoping for. Still, this was a minor dip in what was otherwise a beautifully executed production. With such a gifted cast, the show was moving, heartfelt, and a worthy tribute to the original.
Final Verdict
This limited run is a true gift for Filipino theater enthusiasts, offering not only captivating entertainment but also moments of deep insight and emotional resonance. More than its amazing cast and award-winning music, “Dear Evan Hansen” proved that change can start from somewhere small, like a post on your feed, or on a bigger platform, like a theater’s stage. It also sends the message that you are not alone and that everyone has a place to belong.
Relatable and moving, we highly recommend seeing it while you still can! The show is currently running at the Theater at Solaire until Oct. 5, 2025. You can book your tickets here.
Enjoyed this article? Check out our previous Standing Ovation reviews here.
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The cast for Netflix’s newest season of “Physical: 100” has now been announced.
In a press release, Netflix revealed the 48 contestants of “Physical: Asia,” the franchise’s first-ever nation-vs-nation showdown. Eight participating countries — South Korea, Japan, Thailand, Mongolia, Türkiye, Indonesia, Australia, and the Philippines — will clash in a high-stakes competition of strength, strategy, and teamwork, all in the name of national pride.
Each country is represented by a six-person squad, with a national superstar to lead and embody the competitive spirit of their homeland.
Photo from Website/Netflix
South Korea:
Kim Dong-hyun “Stun Gun” (Ex-UFC Fighter) (Leader)
Yoon Sung-bin (Olympic Skeleton Racer)
Kim Min-jae (Ssireum)
Kim Jae-hong (Amotti) (Winner of Physical: 100 Season 2)
Jang Eun-sil (Women’s Wrestling Athlete) (Physical: 100 alum)
Choi Seung-yeon (CrossFit Asia Champion)
Japan
Okami Yushin (MMA Legend, UFC Asia Record Holder) (Leader)
Itoi Yoshio (Professional Baseball Player)
Nakamura Katsumi (Swimmer)
Hashimoto Soichi (Professional judoka)
Ozaki Nonoka (Amateur Wrestler)
Watanabe Kana (Judo Practitioner)
Australia
Robert Whittaker (Former UFC Middleweight Champion) (Leader)
Alexandra Milne (Fitness Coach, Influencer)
Eddie Williams (Strongman Athlete, Two-time Australia’s Strongest Man Winner)
Dom Tomato (Professional Parkour Athlete)
Eloni Vunakece (Former Professional Rugby League Footballer)
Kayelin van Zyl (CrossFit Athlete, Former Australian Hockey Player)
Philippines
Manny Pacquiao (8-Weight-Class World Champion) (Leader)
Lara Lorraine Deang Liwanag (CrossFit Athlete, 2020 Philippine National Champion)
Mark Mugen Striegl (Mixed Martial Artist, Former UFC Fighter, SEA Games Champion)
Ray Jefferson Querubin (Strongman, Powerlifter, Weightlifter, Multiple-time Philippines’ Strongest Man)
Justin Coveney (Rugby Player for the Philippine Volcanoes)
Robyn Lauren Brown (Track and Field Athlete, 400m Hurdles National Record Holder for the Philippines, Asian Champion 2023)
Thailand
Superbon Singha Mawynn (Muay Thai World Champion) (Leader)
James Rusameekae (Former Volleyball Player)
Sun Kerdkao Wechokittikorn (National Team Rugby Player)
Anucha Yospanya (National Team Wrestler)
Nuannaree Viste Olsen “Ploy” (Muay Thai Coach)
Uracha Teerawanitsan “JaJarr” (CrossFit Athlete and Trainer)
Mongolia
Orkhonbayar Bayarsaikhan (Mongolian Wrestling Champion) (Leader)
Dulguun Enkhbat (Professional 3x3 Basketball Player, Member of the Mongolian National Team)
Lkhagva Ochir Erdene Ochir (Professional Contortionist and Handbalancer)
Enkh-Orgil Baatarkhuu (Mixed Martial Artist, Competitor in ONE Championship)
Khandsuren Gantogtokh (Professional Volleyball Player, Middle Blocker for the Mongolian National Team)
Adiyasuren Amarsaikhan (Judoka, Competitor in the +78kg Weight Class)
Türkiye
Recep Kara (4-Time Turkish Oil Wrestling Champion) (Leader)
Anil Berk Baki (Extreme Sports Athlete, Sailor, Social Media Personality)
Ali Sofuoglu (Turkish Karateka Specializing in Kata, Olympic Bronze Medalist)
Ogeday Girisken (Actor, Fitness Influencer)
Yasemin Adar Yigit (Retired Turkish Freestyle Wrestler, 2-time World Champion, 7-time European Champion, Olympic Bronze Medalist in Tokyo 2020)
Nefise Karatay (Actress, Former Model, Fitness Advocate)
Indonesia
I Igedz “Executioner” (Bodybuilder) (Leader)
Mrcus Gideon (Retired Professional Badminton Player)
Jeremiah Lakhwani (Model and Athlete)
Glenn Victor (Olympic Swimmer and Model, Mister International Indonesia 2024)
Fina Philippe (Presenter, Actress, and Brazilian Jiu-jitsu Athlete)
Maria Selena Nurchaya (Actress, Model, Former Basketball Player, Miss Universe 2012)
The series is set to blend elite athleticism with cultural tradition, highlighting combat sports, ball games, track and field, and sports events like Korean ssireum, Mongolian wrestling, Turkish oil wrestling, and Muay Thai. This show is more than just a clash of athletes; it’s a showcase of heritage, pride, and physical mastery on an unparalleled global stage.
“At its heart, the Physical series is about raw competition that transcends disciplines and generations,” said Producer Jang Ho-gi. “By bringing national pride into the equation, the battles will be more intense, more emotional, and more unforgettable than ever.”
“Physical: Asia” will premiere this October 2025 on Netflix.
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Been looking for a new K-Pop group to stan? Maybe we could help.
Among all the K-Pop boy groups that have debuted in recent years, there’s one group that stands out for their dynamic choreography, strong vocals, and overall global appeal: NTX.
Photo from Website/NTX
NTX is an eight-piece group comprised of members Hyeongjin (Co-Leader, Main Vocalist), Yunhyeok (Co-Leader, Main Vocalist), Xiha (Vocalist, Main Dancer), Changhun (Vocalist, Rapper), Hojun (Lead Vocalist), Rawhyun (Main Producer, Rapper, and Sub-Vocalist), Eunho (Vocalist, Main Producer), and Seungwon (Rapper, Lead Dancer, and Maknae).
NTX, short for “NEO TRACKS NO. X,” is a representation of their ambition to rise up the ranks, explore new perspectives, and widen the reach of K-Pop from South Korea to the world. Since their debut in 2021, the group has toured the world, reaching countries like Mexico, Brazil, and Kazakhstan to name a few.
The boy group had also recently visited the Philippines, performing at a free-for-all mall show at Robinsons Galleria last Aug. 16, 2025. They performed alongside P-Pop boy group 1st.One, who said that NTX was amazing to perform with.
If you’ve just heard about NTX or a veteran NTFul, here are some songs to introduce NTX:
Kiss The World
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What better way to introduce a new group than with their debut track? NTX’s global ambition and vibrant energy shine brightly here, and the chorus feels straight out of a coming-of-age movie — like that moment where the main character finally realizes what they’re meant to do. The members’ harmonies add a hopeful glow, making it a true, feel-good anthem that perfectly captures their mission to connect with fans all over the world.
Black Hole
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Catchy and undeniably one of their dreamiest songs to date, “Black Hole” pulls the listener into a fantasy universe. With lyrics painting the galaxy as a place where you can do whatever your heart desires, NTX’s optimism and youthful charm come alive through every line. It’s a song that’s both vast and personal, almost like stargazing with friends and wondering what the future may hold.
Like This
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Switching up the vibe from the first two tracks, “Like This” shows NTX’s “NEO TRACK” versatility with swagger, old-school hip-hop flavor, and hard-hitting choreography. The song gleams with their bad boy charms while still carrying a message that’s true to their group’s identity: inspiring listeners to follow their hearts unapologetically, with no regrets.
PROBLEMATIC
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Powerful and charismatic, “PROBLEMATIC” sees NTX playing around with EDM while keeping their signature sharp choreography at the forefront. The pounding bass beats and exhilarating lyrics give the track an electrifying feel to it — the kind that leaves both fans and first-time listeners breathless and in awe.
OVER N OVER
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Their most recent release, “OVER N OVER,” channels the early 2010s party music vibe — think Flo Rida’s “Club Can’t Handle Me,” but with NTX’s own youthful twist. The track is irresistibly bouncy, pulling both fans and first-time listeners into the party. With its infectious chorus and catchy hook, it’s proof that NTX can deliver a crowd-pleasing performance, while still sticking to their signature energy and identity.
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The Philippines’ brightest OPM talents will now be honored at this historic event.
The Filipino Music Awards (FMAs) is set to become the country’s largest celebration of Original Pilipino Music (OPM), bringing together over 500 musicians, industry leaders, and music fans for a landmark night.
The historic event will spotlight the artists, record labels, and creative projects that continue to shape and elevate the OPM movement, honoring the extraordinary talent that exemplifies Filipino music today.
Happening on Oct. 21, 2025, 6 PM, at the SM Mall of Asia Arena, The Filipino Music Awards is produced by AGC Power Holdings Corp. and presented by its subsidiary, Modern Media Group Inc. (MMGI).
The FMAs will recognize 20 prestigious awardees across five distinguished categories, each with a unique evaluation process that reflects the FMA’s mission to honor the best of Filipino music in all angles.
Photo from Instagram/Filipino Music Awards
Genre Awards: Celebrating the songs that redefine genres and drive musical innovation. These awards will be determined by the official FMA jury, composed of OPM icons and industry veterans, to ensure artistic credibility and expert recognition.
Folk Song of the Year
Hip-Hop Song of the Year
Alternative Song of the Year
Pop Song of the Year
R&B Song of the Year
Rock Song of the Year
People’s Choice Awards: Recognizing the artists and songs shaping today’s culture and setting tomorrow’s trends. These will be determined entirely through public voting. The official nominees for each category have also been revealed:
Legacy Awards: Paying homage to timeless artistry and legacies that shape generations. These awards will also be determined by the official FMA jury.
Lifetime Achievement Award
Music Foundation of the Year
Tribute Award
Grand Awards: Honoring Filipino artistry and impact on both a national and global scale. These awards will be determined through a balance of jury deliberation and metric achievement, reflecting both artistic merit and data-driven success.
Album of the Year
Artist of the Year
Concert of the Year
Music Company of the Year
Song of the Year
Tour of the Year
Special Awards: more details will be revealed soon.
Photo from Instagram/Filipino Music Awards
The evening will also feature world-class performances, bringing generations of standout OPM talent on one stage. The first batch of performers has been announced:
SB19
BINI
IV of Spades
Philippine Philharmonic Orchestra
Lolita Carbon
Yeng Constantino
BGYO
Maki
Ely Buendia
Ben&Ben
Gloc-9
More announcements will be made in the coming weeks, so stay tuned!
Photo from Instagram/Filipino Music Awards
Complimentary tickets are now available through SariSari Shopping until Oct. 19, 2025, with different magazine package types and inclusions:
Platinum Record Package (P4,000)
One exclusive shirt (black)
One exclusive tote bag
Three magazine back issues:
One Billboard Philippines magazine (randomly selected)
One Rolling Stone Philippines magazine (randomly selected)
One NYLON Manila magazine (randomly selected)
One complimentary Lower Box Ticket
Gold Record Package (P3,500)
One exclusive shirt (white)
One exclusive tote bag
Two magazine back issues:
One Billboard Philippines magazine (randomly selected)
One Rolling Stone Philippines magazine (randomly selected)
One Complimentary Upper Box Ticket
Silver Record Package (P1,500)
One exclusive tote bag
Two magazine back issues:
One Billboard Philippines magazine (randomly selected)
One Rolling Stone Philippines magazine (randomly selected)
One Complimentary General Admission Ticket
For more updates and information, follow The Filipino Music Awards on Facebook, Instagram, and TikTok! Vote for the People’s Choice Awards here.
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Locking eyes with a K-Drama heartthrob while clutching a signed poster isn’t always just a dream because Lee Jong-suk is coming to town. The breakout star is set to arrive at his 2025 Asia Fan Meeting Tour: “With: Just Like This!” in Manila on Nov. 30, 2025, at The Araneta Coliseum in Quezon City.
Known for his unforgettable roles in Big Mouth, W: Two Worlds, Pinocchio, Romance Is a Bonus Book, While You Were Sleeping, and the new legal drama Law and the City, Lee has become a household name across Asia. His magnetic screen presence and emotional depth have earned him legions of fans, and now, Filipino supporters will get the chance to meet him face-to-face.
Photo from Instagram/Lee Jong-suk
This marks Lee Jong-suk’s second fan meeting in the Philippines, following his 2023 visit. With his latest drama gaining traction and his fan base stronger than ever, the Manila stop is expected to be one of the most memorable legs of the tour.
Lee’s Manila stop is just one leg of a seven-city tour that kicked off in Seoul on Sept. 14, coinciding with his birthday. From there, he’ll greet fans in Tokyo, Osaka, Taipei, Bangkok, and Hong Kong, bringing his signature warmth and charm to each destination. The tour’s title, With: Just Like This!, is a nod to his official fan club “With,” and reflects his desire to create intimate, lasting memories with supporters across Asia.
Tickets go on sale Oct. 4, 2025 at 12 PM via TicketNet and all TicketNet outlets. Prices range from P3,500 (Lower Box B) to P12,000 (VVIP). All attendees will receive an exclusive photocard, while VIP and VVIP ticket holders will enjoy additional perks like a special ID and lanyard. Select fans will also be eligible for signed posters, group photos, and a hi-bye session, with raffle allocations across ticket tiers.
For longtime fans or newcomers to the K-Drama universe, this event promises an evening of charm, connection, and cinematic magic. Follow Lee Jong-suk on Instagram to keep yourself updated on his latest shows and events.
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The word “tawid” in Filipino primarily means “to cross.” It simply means moving from one place to another. As is the case with most words, the country’s counterpart to "crossing" has also developed new meanings. And for The Juans — consisting of members Carl Guevarra, Japs Mendoza, Chael Adriano, and RJ Cruz — the word represents the current stage in their respective lives.
While the pop-rock band started out with more upbeat songs during the early years of their career, they have unexpectedly established a name for themselves as a “hugot band,” known for their songs about love and heartache. It is a songwriting style they have mastered over the past few years, with singles like “Hindi Tayo Pwede,” “Hatid,” and “Dulo.” All these tracks, also categorized as “mapanakit (hurtful)” songs, tackle love in its purest form, though not in its most tender.
For their new album, titled TAWID, The Juans is still devoted to their brand of storytelling. This album, however, is more nuanced. It marks a reinvention of their musical style, both lyrically and sonically. During the listening party and press conference held at TriNoma last Sept. 4, The Beat Asia got a chance to experience TAWID before its official release. Here’s what we think about the album.
Courtesy of The Juans
‘TAWID’ Proves the Juans Is More Than Just Their ‘Hugot Band’ Moniker
If there’s one thing fans can expect from the album, it’s that The Juans’ customary songs about the heartbreaking side of love are still very much present. On being branded as a "hugot band," lead vocalist Guevarra said during the press conference, "I think hugot songs only make sense if they come from a point of sincere, honest love. The lover part will always be an integral key to our messaging."
In Tagalog, “Hugot” means “pull.” The word has also taken on a new meaning, especially in the contemporary era, where it refers to drawing out something more profound and sentimental from deep within. For Guevarra, all their hugot songs stem from a genuine feeling of affection. It’s not something they just pulled out of thin air. Pain wouldn’t be present, after all, if the love wasn’t real in the first place. It’s the authenticity of it all that has made their songs strike a deep emotional chord among listeners. And Gueverra couldn't have explained it better.
“Hindi ka naman masasaktan kung hindi ka nagmahal ng tunay (You won’t get hurt if you weren’t truly in love). Therefore, [love] is essential to our storytelling. It’s part of the formula… We are storytellers first before we are musicians. There will be love songs all the time,” Guevarra added.
Photo by The Beat AsiaPhoto by The Beat Asia
The band members revealed it took them half a year to fully flesh out the album, with some songs written a few years ago. The album, which consists of 10 songs (including the previously released “Ako Na Lang” and “Ano Ba Talaga Tayo?” featuring Janine Berdin), originally had more than 10. While the band admitted it was scary at first to put as many as 10 out there, it was also a struggle for them to narrow the list down.
“It was more about truly committing to the messaging and storytelling. [Our one guiding light was what we wanted to write] from a place where we actually are — at this point in life, our age, and our emotional state,” said Guevarra.
It’s clear that TAWID wasn’t intended to be just an album fans can listen to during sad hours. It serves as a representation of where the band is currently, both in creative and personal aspects. Although writing about the different facets of romance has always been The Juans’ bread and butter, they have, from time to time, incorporated songs that aren’t all about love. TAWID is no different. If anything, it only showcases the band’s sensibilities as both artists and storytellers, having successfully conveyed complex emotions through their songwriting.
Courtesy of The JuansCourtesy of The Juans
The album’s opening track, “Gusto Kita,” is a high-energy, disco-leaning number about a bold declaration of love. It is a fun contrast to the album’s far less energetic tone, setting the stage for what would become an emotionally charged listening experience. It is followed by "Ako Na Lang," where the narrator clings to the hope of being chosen by the one they desire. However, one romantic single from the album stands out the most: “‘Di Na Masakit.”
The Juans point out that we often hear songs about the painful aftermath of a relationship, but rarely about what happens when both the pain — and the love — finally fade. The track is a celebration of moving forward, free from the weight of what once was. Of course, it wouldn’t be a The Juans record without a generous dose of “hugot.” And “hugot” they deliver. But it’s in songs like “Tanda” and “Naiwan” where we truly get a chance to connect with the band on a deeper level.
Inspired by a band member’s friend who recently got married, “Naiwan” is a song about contemplating life and realizing that it’s moving quickly for everyone they love. It’s not a bitter song — just a sudden realization that time is passing, things are changing, our friends are getting their lives together, and at some point, we start feeling a little left behind; hence, the title.
“Tanda,” on the other hand, is a sentimental single about looking back on what they’ve accomplished as a band, holding onto their fondest memories as they grow older, and preserving them until the moment age finally catches up with them.
Photo by The Beat Asia
TAWID is undeniably a The Juans album. They are not yet done writing about the different aspects of love — and, by all means, they don’t have to be. After all, the band thrives greatly on authenticity. Every song they write is based on real experiences, whether romantic or otherwise. That said, the album could have been even stronger with more songs outside the romantic context, as the band has proven they can handle deeper and more diverse themes just as well.
The Juans Is Done Chasing Popularity
Having recently celebrated their 10th year as The Juans, the lesson they continue to embrace is to see things through “purpose, not popularity.” Over those 10 years, they've learned that "longevity is the name of the game." As Guevarra said, "it’s not about chasing hype — it’s about living a life with purpose."
Reflecting on their journey and drive, Guevarra shares insights into what fuels The Juans’ perseverance and evolving aspirations. “Being ambitious is one of the reasons why we keep pushing, even if we don’t see the output that we desire. In our 10 years as The Juans, not every song we release [has been a hit]… But our dreams have expanded from [wanting to be] known and famous to being an inspiration to the people that we are singing for… Our dreams are expanding. And this ambition that we have is also one of our driving factors in giving our best even if we don’t see the [fruits of our labor] yet.”
Years ago, the members of The Juans asked themselves one question: “Bakit kaya wala nagsusulat tungkol sa’tin (Why is no one writing about us)?” They’re thankful that several journalists have started writing about them, especially last year.
“Uy, nakikita na tayo sa balita (Hey, we made it to the news),” said Gueverra.
Courtesy of The Juans
During the press conference, a number of Juanistas (the band’s fanbase) were already flocking to experience the album firsthand. Despite time constraints, The Beat Asia managed to ask at least one question that all members could answer quickly: “If each member could pick just one personal favorite track from the album, what would it be?”
RJ: “Ngiti.”
Carl: “Naiwan.”
Japs: “Gusto Kita.”
Chael: “Tanda.”
No explanations. Just a raw glimpse into where the members currently are, songs that would allow listeners a look into their personal journeys. Overall, TAWID is a strong reflection of who The Juans truly are as a band and as individual artists. It is a great milestone album, serving listeners a record perfect for late-night hours. The album shows they are more than just a band known for heartbreak anthems, as they venture beyond their usual comfort zone while staying true to what fans love about them. And we’re excited to see them bare more layers of themselves in the future.
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