SB19 Delivers an Inspiring Conclusion with ‘Simula at Wakas’ EP
The P-Pop Kings are back with another exciting addition to their discography, boasting their signature sound and inspiring lyrics that encapsulate their journey and growth as artists.
Filipino P-Pop group, SB19, just dropped the third and final EP in their “Ikalawang Yugto” Trilogy, which began with “pagsibol” in 2021 and was followed by 2023’s “PAGTATAG!” In “Simula at Wakas,” the group celebrates a fruitful journey marked by shared experiences and artistic growth as each of the seven tracks explores themes of closure and renewal, narrating their stories as artists who are navigating the complexities of being public figures — a world riddled by fame, pressure, and the constant search for one’s identity.
The mini-album was written and produced by the P-Pop trailblazers themselves, alongside an impressive array of international and local collaborators, including Xerxes Bakker, Alawn, August Rigo, Simon Servida, and Josue (RADKIDZ). It was reported that the group took a hands-on approach in the production of the album and was deliberate in their contributions both musically and creatively.
“It’s our way of saying thank you and showing how much we’ve evolved,” SB19 shared in an official statement. “‘Simula at Wakas’ encapsulates everything we’ve been through — the struggles, the growth, the milestones. We hope it speaks not only to those who’ve been with us from the start but also welcomes new listeners into our world.”
The group has been known for their explosive stages and thrilling soundscape, from the chart-topper “Gento” to the now-viral “DAM,” which is the latest EPs opener. But does this body of work meet our expectations for a trilogy finale? And does it truly show SB19’s growth as artists through the years?
Let’s dive in and find out.
The First Listen: “Simula at Wakas”
The album is made up of seven tracks with both English and Filipino tracks, with some Taglish ones thrown into the mix. “Dam” was everything you expected from an SB19 single: bold, loud, and full of energy. It was undoubtedly SB19-sounding and had all the signature ingredients that make up a good lead track. It was an interesting choice for an opener, though, since it starts at the climax of their story as artists, talking about the price one pays for being on top.
It made a lot more sense, however, as we listened to the next focus track, “Time.” Although the gentle, anthemic ballad was a far cry from its predecessor’s hardcore sound, the message was just as deep, as it talks about the inevitability of time’s passing. This is also the first full English track on the album and boasts impressive vocal chops that further solidify their place among some of the best vocalists in the local music industry. The lyrics were thought-provoking and rhymed well with the music. Our only gripe was that it felt like this track was placed too early in the track list and would’ve been more appreciated if it didn’t come right after such a heart-pumping song, as this powerful ballad made us lose momentum, jarred by the genre and vibe shift.
“8TonBall” might have been a better follow-up to “Dam” as it’s equally bold and loud. Co-written by member Josh, the song is about getting back up and swinging bigger and better (exactly like a massive ball). This track is hardcore Hip-Hop and reminiscent of some of their tracks from the earlier EPs.
The sound shifts once more with “Quit” as the rock track showcases familiar guitar chord progressions and cathartic ohhs near the end that climaxed to a powerful chorus. A collaboration between Felip and Pablo, this track explores identity and authenticity, and the challenges one faces amid judgment and expectations. The raging vocals almost seem like a cry of someone struggling not to fall and remain true to themselves. This might be one of our favorite tracks yet.
The second English track is “Shooting for the Stars,” and once again, SB19 showcases a sonically contrasting song compared to the previous tracks on the album. It’s more lighthearted and feels exactly like a summer K-Pop bop would.
And then, almost as if being stretched like a rubber band, we are thrown back into their Hip-Hop genre with “Dungka!” The third and final focus track features a fun world play on “Doon ka,” or step aside. The song is telling the haters to “step aside” if they don’t like their music or what they see. The lyrics are full of cheeky responses to all the hate, and coupled with its playful and funky tune, it made this diss track more lighthearted than it seemed.
The seventh track is an extended version of “DAM," which features some additional verses, a dance break instrumental, and an enhanced production that enriched the listening experience.
Final Verdict
Overall, the listening experience was an enjoyable one, and SB19 succeeded in creating an EP that showcased their impressive vocal capacity and talent for producing good songs.
However, they fell short in providing a cohesive narrative that plays through like an experience. Although each track had its own story to tell, they felt somewhat detached from one another. Not to mention, the constant genre shifts were a bit jarring and confused us listeners. It made us wonder what exactly SB19’s sound is from a full album’s perspective, and considering this is already the third in a trilogy, we’d expected a more united compilation, narrative-wise. In other words, it lacked that feeling of being taken on a journey.
The album was good, but short of being spectacular. The songs were well-produced, but they were nothing new we’ve heard before. The title hinted at transformation and growth, but it seemed that SB19 has yet to push the boundaries of what they can truly do, which makes us excited for what’s next. Perhaps this EP lacked originality sonically, but the group’s unique vocal stylings gave these familiar tunes new life. Whether you’re a true-blue A’TIN or just a casual listener, SB19’s latest EP is still an impressive showcase of Filipino talent — one you should put on when you need a hype anthem or an inspiring track to get you through the hard days.
“Simula at Wakas” is out now on all digital music platforms worldwide via Sony Music Entertainment.
For updates on more music and electrifying performances, follow SB19 on X (Formerly Twitter), TikTok, and Instagram.
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