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The practice of drag kings, that involves female performance artists dressing in masculine drag and personifying male gender stereotypes, has been long embraced by the LBGT community for centuries in our corner of the world.
From the middle of the Tang dynasty (617 to 908) in China, “female men” characters were represented in stage performance, all the way through the 19th and 20th centuries in the nation.
One troupe called K.I.N.G.S, formed by four Hong Kongers, are embracing the ancient performance practice in 2023, shining light on an underrepresented theatrical performance within the LGBT community.
Group members Uncle Apollo, Gin Pan, Boy Bawang and Jamie Blue sit down with The Beat Asia to introduce Hong Kong’s newest theatrical troupe.
What is a drag king and why is its role important for the LGBT community?
Jamie Blue (JB): A Drag King is traditionally a person who identifies as a female and plays a character of a male person. This definition has expanded to include males who want to portray a bigger version of themselves. They are called Bio Kings, it is under the Drag King umbrella. It is important to the LGBT community because it celebrates expression, creates a safe space for people to express and celebrate masculinity, just as drag queens do with exploring femininity.
Boy Bawang (BB): It is important because it offers a multifaceted representation of girls (and not only the queer ones). Representation is important! There are a hundred ways to be a girl, to be queer, and we showcase that diversity in drag.
Why did you create the group and bring drag king culture to Hong Kong?
JB: K.I.N.G.S is a group formed by the drag kings within Dragjam. We decided to create a group mostly because we got along well, and also because there is something special in a group of drag kings together. Which as far as our knowledge, this had not been done before in Hong Kong.
Our group includes Uncle Apollo (@uncle.apollooo), Gin Pan (@king.ginpan), Boy Bawang (@boy_bawanggg) and myself, Jamie Blue (@jamieblueking). We hope to be able to showcase the uniqueness of expressing masculinity in a silly way.
BB: Because bros support bros! Queer friendship and solidarity are so important. For many queers, we relate a lot to “chosen family” because we grew up around people who are mostly heterosexual and could not provide guidance in exploring our identity.
If you find three other girls who are as curious about their individualities as you are, who are cool and friendly, why not start a drag king group?
How do you explore gender identity through your acts as drag kings?
BB: I like to combine my masculinity and femininity into my drag. Sometimes, you’ll see me doing a hip thrust, and then, ten seconds later, I’ll be doing a more feminine dance move. I just let myself have fun with it and express myself without limitation.
Gin Pan (GP): When it comes to "exploring gender identities" & "drag", we usually only think of men (or any other equivalents of men) exploring their feminine sides. It is also cool for females to explore and express their hyper-masculinity through drag.
Where do you educate the ‘grey area’ of drag kings in Hong Kong?
JB: There are venues in Hong Kong that are supportive of people within a minority community, for example Eaton Hotel and The Aftermath. They have allowed us to perform and hold workshops, where we can share more about drag, including its different styles, and how it brings variety and life to the LGBT community.
What can Hong Kong and Hong Kongers do more for alternative art in the LGBT and arts community?
JB: To the people of Hong Kong, the best ways would be to watch our shows! You do not have to be within the LGBTQ community to enjoy the shows that we put on! They are about fun and laughter, poking fun at the everyday and not taking how we express ourselves too seriously!
What is the future for drag kings in Hong Kong and Asia?
BB: More to come!! We’re just getting started! Follow @k.i.n.g.s_drag for more!!
JB: Hopefully more performers and bigger shows! That Asian drag kings will develop its own uniqueness that is distinct from its western counterpart, and we can have even more diverse performances!
The Hong Kong Drag Kings will be joining the mega drag show event DragJam: All Around the World, held on Apr. 29 at The Hive Studios in Kennedy Town for a night of music, comedy and drag art. Buy your tickets here and don’t miss this one!
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If fake blood and plastic fangs aren’t cutting it this Halloween, how about something permanent? Trick or Ink 2025 is bringing Hong Kong its first-ever tattoo festival inside a shopping mall, and it’s set to leave a lasting impression. From Oct. 31 to Nov. 2, 2025, the 3rd and 4th floors of Airside in Kai Tak will transform into a buzzing hub of ink, artistry, and Halloween flair.
Photo from Instagram/ Trick or Ink 2025
With nearly 80 local tattoo artistson-site, the event offers a rare opportunity to get tattooed right there and then, whether you’re booking ahead or walking in for a spontaneous flash piece. Styles range from fine-line minimalism to bold neo-traditional, anime-inspired designs, and dark illustrative work that channels the spooky season. Each artist brings a distinct voice and technique, turning the venue into a living gallery of skin and story.
Beyond the ink, Trick or Ink delivers a full sensory experience. Expect interactive games, prize giveaways, and immersive Halloween decor that turns Airside into a spooky-chic playground for families, friends, and curious passersby. Pop-up booths will showcase merch, artist portfolios, and possibly themed food and drink from local vendors.
Photo from Instagram/Trick or Ink 2025Photo from Instagram/Trick or Ink 2025
Admission is free, making it one of the most accessible art festivals in town. This is a perfect event for tattoo enthusiasts or those curious about Hong Kong’s evolving creative scene to explore body art as both personal expression and cultural celebration.
Organized to spotlight the city’s vibrant tattoo community, Trick or Ink reframes ink from subculture to spotlight, placing it in the heart of a mainstream retail space and aligning it with the playful, transformative spirit of Halloween.
Head to Airside this Halloween and celebrate creativity that lasts far beyond the weekend. For full tattoo artist lineups, follow the Instagram of the event and the organizer.
Location: Airside, 3/F & 4/F, 2 Concorde Road, Kai Tak, Kowloon
Dates: Oct. 31 to Nov. 2, 2025
Opening Hours: 12 PM to 10 PM (Oct. 31), 10 AM to 10 PM (Nov. 1 and 2)
Admission: Free entrance
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In the heart of Hong Kong’s fast-paced urban sprawl, where skyscrapers crowd the skyline and ambition pulses through every street, a quiet revolution has been unfolding — one in the squared circle. Professional wrestling has found a home in the city thanks to a handful of passionate pioneers. At the center of this movement stands Bitman: wrestler, mentor, and president of the Hong Kong Pro-Wrestling Federation (HKWF).
The Beat Asia had a conversation with Bitman ahead of HKWF’s upcoming event on Friday, Oct. 24, 2025, stepping into his world: a high-impact arena of sweat-soaked storytelling, cinematic grit, and grassroots resilience.
Known for his hybrid wrestling style and community-first ethos, Bitman is both a community builder and a ring warrior, shaping Hong Kong’s wrestling identity.
Courtesy of Bitman
As a kid growing up in Hong Kong, Bitman was captivated by the World Wrestling Federation (WWF), now World Wrestling Entertainment (WWE) and icons like Hulk Hogan and Ric Flair.
“Those larger-than-life characters and the high-stakes drama felt like a live-action comic book,” he recalls. “It was the perfect escape in a city that never slows down like ours.”
That childhood fascination evolved into a calling. In 2009, Bitman stepped into the ring through the newly formed HKWF, training in a modest gym in Fo Tan. Their early shows were humbly held in warehouse venues with just a small group of fans, but the vision was bold.
“What keeps me going is the family we’ve built, the energy of the crowd, mentoring new talent, and showing the world that Hong Kong belongs in the global wrestling conversation. Wrestling isn’t just a job and it’s how I tell stories, with sweat and heart.”
Bitman describes his community as “tighter than a figure-four leglock. Since day one in 2009, we trained together in cramped gyms, shared meals after shows, and supported each other through tough tours.”
Courtesy of HKWFCourtesy of HKWF
The federation's creative approach reflects the city’s cinematic legacy. “HKWF promotes culture by blending athletic spectacle with Hong Kong’s storytelling flair like high-flying moves inspired by our action cinema roots,” Bitman adds. “Beyond the ring, we run workshops, youth programs, and collaborations that help demystify wrestling and turn skeptics into superfans. In a city where space and funding are always tight, HKWF plays a crucial role as the bridge, making wrestling accessible, inclusive, and unmistakably Hong Kong.”
Wrestling in Hong Kong isn’t just about the spectacle, it’s about survival. The city’s high rents and limited space make venues and rings a luxury, forcing collectives like HKWF to get creative. “Space and visibility are the biggest challenges,” Bitman explains. “With Hong Kong’s sky-high rent, rings and venues are expensive, so we often make use of warehouses or shared spaces.”
Courtesy of BitmanCourtesy of Bitman
But it’s not just logistics — it’s perception. “Some locals still see wrestling as ‘fake’ American entertainment, not the athletic art form it really is,” he says. “Building a fanbase takes serious grassroots hustle.”
Without the backing of major TV deals, HKWF relies on ticket sales, sponsors, and sheer passion. “Funding’s tough too because we’re indie at heart,” Bitman adds. “And post-COVID, travel restrictions hit our international tours hard. But these challenges push us to innovate — we’re leaning into online content and pop-up events, turning limitations into the kind of underdog energy that makes HK wrestling raw and real.”
Managing to organize regular events in recent years, this underdog energy was set to shine even brighter this year at “Ring of Harbour” on September 25, HKWF’s first-ever outdoor wrestling showcase at Central Harbourfront’s AIA Vitality Park. The event was designed as a cultural collision of athleticism and international flair, featuring over 20 wrestlers from Mexico, Ireland, India, and Hong Kong. It was also the opening act for “The Latin Kaleidoscope,” a festival hosted by MexCham HK to celebrate Latin American culture in Hong Kong. But nature had other plans — a typhoon forced its postponement, leaving fans and fighters disappointed but undeterred.
Courtesy of HKWF
Now, HKWF is channeling that momentum into its next major event: “Shin Squared Circle: Lucha Libre VS Puroresu,” set for October 24 at Chai Wan’s Youth Square.
“Get ready for fireworks — this clash of titans pits Mexico’s aerial wizards against Japan’s stiff-shot samurai in a dream feud,” Bitman teases. “Expect a stacked card: Opening high-fly tag with Hong Kong’s Outer Space stable against lucha imports for flip-fest frenzy; mid-card grudge where Mikey Man defends his AWGC strap in a puroresu-style ironman bout, building to brutal submissions.”
The storyline is classic invasion of arc gold. “Luchas ‘raiding’ our turf, sparking betrayals and alliances, culminating in a main-event mask-vs.-title war that’s equal parts drama and destruction,” Bitman says. “And yes, there’s a twist: a surprise HK-Japan pact to fend off the invaders. It’s pure adrenaline, with narrative hooks that’ll keep fans buzzing long after the final bell.”
Bitman’s story isn’t just about building a wrestling promotion — it’s about carving out a space for Hong Kong identity in a global sport. Through HKWF, he’s helped transform wrestling from a niche curiosity into a vibrant subculture that blends athleticism, storytelling, and local flavor. From cramped gyms to international partnerships, from typhoon cancellations to packed venues, the journey has been anything but predictable.
Courtesy of HKWF
Yet through it all, Bitman remains grounded in the belief that wrestling is more than entertainment — it’s a mirror of life. The ring becomes a stage for grit, redemption, and community. And as Hong Kong continues to evolve, so too does its wrestling scene, with Bitman leading the charge not just as a performer, but as a mentor, promoter, and cultural architect.
Now, in his own words, Bitman shares more about the people who inspire him, the philosophy behind his craft, and what fans, new and old, can expect from the roar of the ring.
Are there any local wrestlers you particularly admire?
Courtesy of HKWF
Definitely — Jason Lee stands out. He’s a homegrown beast from our early HKWF days, and he’s gone on to hold the NWA World Junior Heavyweight Championship, wrestling across Japan and beyond. His technical skill and resilience inspire me. He took all the doubt and turned it into gold.
We’re part of a generation that blends grit with charisma, and we’ve helped put Hong Kong on the map. Guys like Jason aren’t just peers — they’re the reason our scene feels solid and unshakable.
If a young person wanted to become a wrestler in Hong Kong, what advice would you give them?
First, commit to the grind.
Start with the basics like push-ups, squats, running. Build your body before you even step into a ring. Find a local gym and get trained the right way; don’t try to wing it or you’ll risk injury.
Study the craft: watch everything from New Japan’s “Strong Style Evolved” to WWE’s storytelling, but adapt it to your own.
Network relentlessly and if you can, train overseas in places in Japan and Taiwan.
Most of all, be patient. We started with 50 fans; now we sell out. Stay humble, respect the ring, and remember — it’s 10% athleticism, 90% heart. Hong Kong needs more dreamers. You could be one of them.
Are there any collaborations or international exchanges that have helped elevate Hong Kong wrestling?
Courtesy of HKWF
Definitely — those partnerships have been game-changers.
Our 2012–2015 collaboration with Japan’s Pro Wrestling ZERO1 brought in technical masters and gave our talent global exposure. Jason Lee, for example, went on to win NWA titles abroad. We’ve also worked with Taiwan’s Impact Wrestling Love, where I defended belts and picked up new high-spot techniques.
More recently, our 2023 alliance with mainland China’s King of Pro Wrestling (KOPW) and INFIN Pro Wrestling opened cross-border talent swaps, blending styles and packing shows with diverse rosters. And our WWE Tryout in 2016 put Hong Kong on the global radar, inspiring a wave of hopefuls. These exchanges aren’t just travel as they evolved our style, infusing puroresu stiffness, lucha flair, and everything in between into our unique HK hybrid.
Wrestling blends athleticism and storytelling — how do you personally navigate that balance?
Courtesy of Bitman
It's like directing your own action movie — half athleticism, half storytelling, but the story always drives the stunts.
Physically, I drill every move to perfection. High-flying spots need to land clean to keep the drama alive without breaking the moment. But the real magic is in the emotional arc.
A grudge match isn’t just about chops but betrayal, redemption, and giving the crowd that cathartic release. I build those beats into promos that reflect real emotions like channeling Hong Kong’s hustle into underdog fire. If the story doesn’t land, the athleticism feels empty. If the moves don’t pop, the story drags. So I listen to my opponent in the ring and the crowd’s energy. That’s the balance. That’s why wrestling grabs you — it’s life, amplified in the ring.
Do you think Hong Kong’s wrestling culture leans more toward performance or real combat? How does it compare to places like Mexico, Japan, or the U.S.?
Courtesy of Bitman
Hong Kong leans heavily into performance, almost like a martial arts opera. You’ll see flashy flips and character-driven brawls that echo our kung fu film heritage, but the combat is choreographed and designed for spectacle, not pain.
Compared to Mexico’s lucha libre, we’re like cousins: both love aerial moves and masked personas, but lucha is rooted in family-feud folklore, with clear lines between heroes and villains. Japan’s puroresu is our stiff uncle — brutal and strong style, heavy psychology, and strikes that feel like thunder. Then there’s the U.S. WWE scene, which is all about big promos, pyros, and soap-opera drama.
Hong Kong’s style is our own remix with performance at the core but borrowing Japan’s intensity and Mexico’s flair to create a unique East-meets-West pulse.
How do you prepare yourself for each match, both mentally and physically?
Physically, it’s all about ritual. I start my mornings with cardio, usually runs along Victoria Harbour to clear my head, then hit afternoon weights, focusing on core strength and explosiveness. After that, it’s ring drills with partners to fine-tune timing and flow.
My diet stays clean with high-protein dim sum twists like steamed fish and greens, and absolutely no junk before a show.
Mentally, I visualize the match like a story as I replay the arc in my head, use affirmations like “Own the narrative,” and listen to a quiet playlist of old-school WWE and New Japan themes to lock in. Right before the bell, I take deep breaths, chat with my opponent to build chemistry, and soak in the crowd’s energy. It’s a full-body, full-mind prep.
Win or lose, I step into that ring feeling unbreakable.
What do you think is the most important quality for a wrestler?
Courtesy of BitmanCourtesy of Bitman
Adaptability, hands down. The ring is unpredictable with slippery mats, off-night crowds, last-minute changes to the card. You’ve got to pivot fast without losing the story. That’s what separates the survivors from the stars.
Look at Ho Ho Lun, who went from indie basements to WWE spotlights, or Jason Lee, who switches styles seamlessly across borders. Physiques fade, moves evolve, but that chameleon instinct keeps you safe, sharp, and relevant. In Hong Kong’s ever-shifting scene, adaptability is useful and essential.
How has the local audience evolved over the years? Are you seeing more engagement or new types of fans?
It’s been a complete transformation.
Back in 2009, we had maybe 50 curious skeptics. Now we’re drawing 500+ passionate fans who chant, cheer, and know the storylines. Social media’s played a huge role — Instagram clips of our high spots go viral and pull in Gen Z gamers and pop culture fans who love the drama.
Families show up now too — kids in masks, parents reliving their ‘80s WWF memories. Since the WWE buzz hit Hong Kong, we’ve seen more expats and tourists, plus fans crossing over from mainland China thanks to our partnerships with KOPW and INFIN.
Engagement is through the roof: Cantonese chants, fan art, even merch collabs. It’s a diverse crowd now with office workers, students and creatives — and that evolution feels like victory.
What aspects in a wrestling event do you think audiences in Hong Kong enjoy the most?
Courtesy of HKWF
It’s the spectacle with heart. Our fans love high-flying chaos like moonsaults off cages and wild dives, but what really hooks them are the stories behind the action. Rivalries that echo Hong Kong’s hustle and grit make it personal.
Our crowds love the interactive vibe: Singalongs to entrance themes, “This is awesome” pops for near-falls, and post-show meets where we sign merch over bubble tea. Cultural touches like dim sum jokes or neon-lit entrances give it that local flavor. At the end of the day, it’s the escape in a high-pressure city, that communal roar turns strangers into a roaring family.
What can first-time attendees expect from your next event? Any surprises or standout matches?
Courtesy of HKWF
Energy overload — like a live HK action flick, but you’re ringside! Expect vibrant chaos: Colorful masks, thunderous chops, and dives that defy gravity, all in a packed venue pulsing with Cantonese cheers.
First-timers? Grab seats early for the full immersion — that electric pre-bell hush and the hype on the next second.
Standouts: The main lucha-puro hybrid tag, flair meets fury in a 20-minute epic, blending technical locks with quebradas. It’s welcoming, wild, and unforgettable. Come hungry for the roar!
This interview has been edited for length and clarity.
Secure your ticket for "Shin Squared Circle: Lucha Libre VS Puroresu" via POPTICKET while they're still available.
Follow Bitman on Instagram for personal updates on wrestling, and HKWF's Instagram and Facebook for event updates. Meanwhile, event highlights can be viewed on HKWF's YouTube channel.
Shin Squared Circle: Lucha Libre VS Puroresu
Date: Friday, October 24, 2025
Entrance: 7PM
Location: Chai Wan’s Youth Square, 238 Chai Wan Road, Chai Wan, Hong Kong
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It’s not every day you get inked between bites of grilled skewers and sips — but in Hong Kong, subculture knows no boundaries. On October 26, 2025 one of the city’s most stylish culinary-art crossovers returns: the Golden Gip x CENSU Crew Flash Tattoo Pop-Up, now in its third edition.
Hosted at Golden Gip, a modern Korean-inspired dai pai dong on Wellington Street, this one-day-only event fuses gourmet bites, body art, and subcultural energy into a multi-sensory experience.
Instagram/ Golden Gip
This year’s lineup features six renowned tattoo artists from Hong Kong and Japan, including Yeeki Lo, Shigeo Kimura, New School Art, Who’s nosey, Gentaro, and Megumu.
Instagram/ Shigeo Kimura & New School Art
Each artist will offer pre-designed flash tattoos, available on a first-come, first-served basis, so guests can walk away with fresh ink and a story to tell. Expect styles ranging from delicate linework to bold neo-traditional pieces.
Meanwhile, Golden Gip's kitchen, helmed by Head Chef Nigel Kim, will serve up a culinary journey with canapés and a complimentary drink for guests to complement the edgy, art-forward atmosphere. The venue’s interior, designed by Studio C8, blends wabi-sabi minimalism with nostalgic neon, turning the space into a visual feast.
Instagram/ Golden Gip
Tickets are priced at HK$300 per person, which includes a drink, food, and a special gift for all attendees. The event runs from 12PM to 9PM. While walk-ins may be accepted, advance booking is highly recommended.
This is your chance to experience one of Hong Kong’s most expressive pop-ups, where ink meets local food culture, and every detail is designed to leave a mark.
Consuming alcohol before can thin your blood, increase sensitivity, and even affect healing. If you’re planning to get tattooed at the pop-up, it’s strongly recommended to hold off on alcohol before and after your session.
Date: Sunday, October 26, 2025
Location: Golden GIP, 41 Wellington Street, Central, Hong Kong
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It’s been seven years since Hong Kong last hosted Asia’s most electrifying music event, and now, the wait is over. The 2025 MAMA Awards, the region’s premier K-pop celebration, is making its grand return to the city with a two-night celebration on November 28 and 29 at the newly opened 50,000-seat Kai Tak Stadium.
Courtesy of VISA
Presented by CJ ENM and sponsored by Visa, this year’s MAMA Awards promise a full-scale sensory experience that includes jaw-dropping performances, dazzling visuals, and appearances from some of the biggest names in K-pop.
The awards span a wide range of categories, from Artist of the Year, Song of the Year, and Album of the Year, to genre-specific honors like Best Dance Performance, Best Vocal Performance, and Best Rap & Hip Hop Performance.
Instagram/ MAMA AwardsInstagram/ MAMA Awards
This year’s nominations reflect both global dominance and fresh talent. Superstars like aespa, BABYMONSTER, and ZEROBASEONE are up for awards, while rising acts such as Hearts2Hearts, CORTIS, and BabyDONTCry are making their MAMA debut with nods in the Best New Artist category. The awards also include fan-voted categories, giving international audiences a direct voice in the celebration.
The ticketing rollout is choreographed. Fans can choose from a wide range of seating options, with prices starting at HK$899 and climbing to HK$2,599 for premium seats with dedicated entry lanes. A limited Blind Ticket Sale opened on September 30, offering early access to front-row seats on a first-come, first-served basis.
Visa cardholders enjoy exclusive presale access via Cityline:
Visa Infinite Presale: October 17, 10 AM–2 PM
Visa Presale: October 17, 6PM – October 18, 2 PM
General Sale: October 20, 10AM HKT
With Hong Kong’s skyline as the backdrop and Kai Tak Stadium as the stage, this event marks a new chapter in the city’s relationship with global pop culture. It’s a celebration of music, fandom, and the power of performance to unite across borders.
Location: Kai Tak Stadium, 38-39 Shing Kai Road, Kowloon City, Kowloon, Hong Kong
2025 MAMA AWARDS (마마 어워즈) in Hong Kong Kai Tak Stadium Fri, November 28 4:00 PM
onwards
Celebrate the best in K-pop at the 2025 MAMA Awards on Nov. 28-29, 2025, at Kai Tak Stadium, Hong Kong.
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In a quiet corner of Hong Kong, Allex Chan began crafting songs in a space so small it could barely contain the weight of his emotions. That space, Room307, was both literal and symbolic: a bedroom, a cocoon, and eventually, a name that would carry his music far beyond its walls.
The indie artist started releasing music under the name Room307 in 2017, uploading lo-fi sketches made on GarageBand to platforms like SoundCloud. His debut eponymous EP, Room307, arrived in 2021 via Wildstyle Records, a Hong Kong-based indie label known for spotlighting experimental and emotionally raw voices. Though his sound leaned more toward dream pop and ambient textures than the label’s usual rap roster, the creative exchange helped shape his early identity, one that blurred genre, language, and emotional tone.
The Beat Asia sat down with Room307 before his performance for "M+ at Night: Good Times" in September, stepping into his world: a lo-fi dreamscape of whispered narratives, retro and psychedelic visuals, and emotional honesty. Known for his layered songwriting and nostalgic aesthetic, Room307 is both a visual and a sonic storyteller.
Through a conversation that drifted from chrysanthemum tea metaphors to punk alter ego in N.Y.P.D., and the emotional weight of healing, he opened up about his dual life as a musician and Chinese medicine practitioner, the making of his 2025 debut album Memory Boy, and the quiet rebellion of choosing softness. What unfolded was a meditation on self-expression, growth, and the art of listening with intention.
Instagram/ Room307
“I’m deeply honored to bring my music from the room to different countries and museums,” Room307 reflects on his journey. “I hope I can continue to reach more people down the road, from one big room to the world.”
By day, Allex works in a Chinese medicine clinic. By night, he crafts songs that soothe emotional wounds. To him, these roles aren’t opposites because they’re reflections of the same impulse: to feel deeply and help others do the same.
Instagram/ Room307
“Everything I do, including being a Chinese medicine practitioner, is part of who I am,” he answers on whether there's a version of him that only exists when he's making music.
“I'm always diagnosing people’s symptoms and sickness, which requires a deep sensitivity to what people need. So, I think this ability translates into my music because music is also about evoking emotion and connecting with people on a sensitive level.”
Whether he’s diagnosing physical ailments or layering ambient synths beneath vocals, Room307 is always listening, to the body, to the mood, and to the silence between sounds, proving that the sensitivity does run through all his work.
Instagram/ N.Y.P.D.
And yet, there’s another side to him. As the guitarist and synthwave artist of post-punk band N.Y.P.D., Allex channels a completely different energy that’s much louder, rawer, more chaotic. But this shift isn’t a contradiction but it’s a duality.
“It’s also me because I listen to lots of different genres like ambient, rock, and punk,” he says. “Based on my hardware, I can’t really sing loud or hardcore, so I put this personality into N.Y.P.D., which is the expression of my energy. Punk music is just so straightforward, but my own music is more like talking to my inner self. People can have two faces, right? So that’s how I can satisfy both of my faces — the introverted one and the angry one.”
Instagram/ N.Y.P.D.
That duality plays out not just in sound, but in performance. With N.Y.P.D., he has recently taken the stage at Boiler Room Hong Kong, channeling punk’s visceral immediacy. In contrast, his solo work invites listeners into a quieter space, one where emotions unfold slowly, like a whispered confession.
This ability to inhabit multiple emotional landscapes is part of what makes Room307 so compelling. Instead of choosing between softness and rage, he honors both and give them a voice.
Instagram/ Room307
This is echoed in his debut full-length album, Memory Boy. The title comes from the first guitar effects pedal he ever bought: a delay pedal that repeats sound in soft, echoing loops. It’s a fitting metaphor for the way his music lingers: subtle at first, then emotionally resonant on repeat, emphasizing how he’s both a bedroom producer and an emotional architect.
“I would describe it as chrysanthemum tea because it helps you relax,” he says when asked to describe the new album with a type of herbal tea. “It soothes and eases the tension of your liver, allowing your mind and senses to stretch out.”
While Room307 handled most of his songs' lyrics, composition, and production himself, the album marked a rare moment of collaboration. Co-produced by Kok Kok (曾國宏) of Sunset Rollercoaster and mixed by James Fouren, the album added polish to his signature lo-fi textures without compromising their intimacy.
The Beat Asia
Another meaningful creative relationship behind the album is with Akira Mimasu, drummer of Hong Kong’s groove-jazz band R.I.D.D.E.M. Their connection began years ago, when Room307 first uploaded his music to SoundCloud.
“Originally, you know, it’s Room307 in his bedroom,” Akira recalls. “And then when he released his first cassette, it [had] quite a good reception. And when I saw that, I thought ‘Wow! This guy’s making great music,’ so I just hit him up and I said, ‘Yo, if you need a drummer, hit me up.’”
That casual offer evolved into a long-standing creative exchange. Akira contributed drums and flute to his tracks, and Room307 welcomed collaborators into his process, though he still prefers to work solo.
“I handle almost everything by myself because I don’t want to burden others,” he admits. “Especially since I can’t always compensate financially.”
Courtesy of M+Courtesy of M+
Even so, the spirit of collaboration helped shape Memory Boy into something more expansive. It’s a shared emotional language built with trust and mutual respect.
“The story I wrote based on the lyrics is fictional; most of it is imagination,” Room307 explains. “However, I infuse genuine emotions into the imagined story. When performing, I’m immersed in the soul of that character.”
That blend of fiction and feeling is what gives Memory Boy and his earlier releases their emotional weight, telling something that isn’t confessional but feels true, relatable, and emotional honest. And that honesty extends to how he hopes listeners engage with his music.
“You can enjoy it as a background music,” he says. “You can also do nothing and try to explore the details within each track. My music contains many layers but sometimes it takes careful attention to uncover.”
“For the second time beyond, you can try to concentrate more deeply, discovering new textures like a different version and for a different sensation.”
Courtesy of M+The Beat Asia
In Room307’s world, music isn’t just something you hear but also something you return to, again and again, each time uncovering a new musical and emotional layer.
That’s why his recent performance at M+, alongside mainstream artists, felt like a meaningful moment because it was a bridge between underground intimacy and public visibility.
“I think it’s really important for us to play in occasions like this because, in the indie music scene, we often don’t have budget for marketing and promotion,” he says. “Opportunities like this are rare, but sometimes, I mean the best marketing is simply putting your work out there, letting people experience your music to connect and surprise them, especially for those who might not have heard it before.”
Your different works speak to very different emotional landscapes, and you’ve also performed across cultural textures. Has moving between these identities and places ever shifted how you create?
Instagram/ Room307
When we are touring, it’s valuable to meet a lot of artists and musicians. We have a lot of discussions, and we share how we each create and exchange ideas. I think this process is really important for an artist because it provides perspectives. When you play different genres in different locations and meet a variety of people, you naturally encounter new influences. And if you’re open to these experiences, they can have a positive impact on your growth.
How important is it for someone’s thoughts or memories to have an outlet for expression? How would you suggest people express themselves?
The Beat Asia
It’s definitely important for everyone to have some kind of outlet. When I was making this album, I didn’t think too much and simply focused on doing things that I could really feel and enjoy.
I’m not mature enough to be a mentor or to teach someone exactly how to express themselves. I’m still a young person figuring things out, like discovering the best way to express emotions and understand how things work. But I’d say music is one of the ways and activities like sports or other hobbies can also help.
What role does nostalgia play in shaping your aesthetic choices?
I’m not really trying to be too retro, but since I was born in the ’90s, the movies I watched and music I listened to definitely shaped my aesthetic. I’m creating something to blend the aesthetic from that time with some modern music too.
There’s a band called Yellow Magic Orchestra, which is Ryuichi Sakamoto’s work, that really inspired me. The way they make music is kind of similar to the way I create to an extent.
What’s the most unexpected reaction a listener has ever shared with you?
People seldom comment on my music because my audience tends to be too introverted and they don’t talk to me.
But one of the most frequent responses I hear is, ‘Your music really heals my schizophrenia or my mental health problems.’
I feel genuinely happy knowing that my music can soothe people’s emotions. Sometimes, I enjoy working in music more than my work as a Chinese medicine practitioner, because in the music industry, I can be more helpful.
Your past music videos are visually striking, creative, and occasionally psychedelic. How do you and your team come up with those concepts?
The Beat Asia
I've always been inspired by psychedelic music as well as glam rock.
The aesthetics in these genres are often linked to subcultures and altered states of perception influenced by drugs. It’s the aesthetic they bring out that have had a strong influence of my creative approach.
These subcultural elements shaped my perspective and made me want to bring them into the Hong Kong scene, allowing audiences to experience that sense of the unexpected.
Will there be any music videos released for Memory Boy and what can we expect?
Instagram/ Room307
We did shoot in Japan, but I’m still finalizing the editing and the color grading. I don’t have very high expectation of the video, but putting out something that I love is in itself enough. The storyline and set design turned out really cool.
We filmed in a grassy field somewhere near Mount Fuji, where we dug a large hole and built something inside it. That’s about all I can share for now.
Courtesy of Room307
Following the release of the album, Allex isn’t chasing the next big moment but building something slower — something that lasts.
“It won’t be anything extremely surprising,” he says. “But the plan is to slowly release new music. I hope to have a long music career, so I’m just trying not to shock anyone and just keep a gradual workflow.”
That philosophy extends to touring, too. He’s already begun writing his next album and hopes to take it on the road.
“We’ve been wanting to tour in Taiwan and China. We’re trying to figure things out because you need a long set, at least half an hour,” he explains. “So we keep working on that until we’re feeling ready and confident. Hopefully, it will happen soon.”
Meanwhile, his punk project N.Y.P.D. is gearing up for their Southeast Asia Tour in Malaysia, Singapore, and Bangkok from Oct 30 to Nov 5. Follow them on Instagram for more updates.
Room307’s journey, from a bedroom in Hong Kong to museum stages and beyond, isn’t about spectacle. It’s about staying true to feeling, to softness, and to the kind of art that whispers and shouts at the same time.
This interview has been edited for length and clarity.
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Shi Fu Miz Festival, Hong Kong’s pioneering celebration of underground music, art, and sustainability, returns on March 21, 2026, with a new venue, a new format, and a renewed sense of purpose.
After a one-year hiatus, the beloved cultural gathering reemerges at Tai Tong Organic EcoPark for a one-day experience blending electronic music, creative expression, and community spirit filled with wellbeing, while the opening party is set to take place a night prior.
Photo from Website/ Shi Fu MizPhoto from Website/ Shi Fu Miz
Located in the tranquil valley of Tai Tong village, just ten minutes from Yuen Long, the EcoPark spans over a million square feet of farmland and lychee forests, having long been a destination for leisure and recreation among local communities.
Now, it becomes the venue for Shi Fu Miz’s next chapter, offering expansive natural surroundings and a deeper connection to the land. The 2026 edition will feature three distinct stages: the Feng Shui Stage, set outdoors on a grass field with a spiritual atmosphere; the Warehouse Stage, an indoor space with raw, industrial energy; and the Dragon Stage, which brings a traditional Asian aesthetic to life in an intimate indoor setting.
Photo from Website/ Shi Fu Miz
This marks a notable shift from previous editions held at Saiyuen Camping Adventure Park on Cheung Chau Island, where the festival sprawled across multiple open-air zones, forest paths, and beachside installations. The island’s bohemian charm and ferry-accessed remoteness gave the event a sense of escapism and adventure.
In contrast, Tai Tong offers greater accessibility and logistical flexibility, but with a more streamlined setup, downscaling to three stages, and condensing the experience into a single day. While the scale may be reduced, the intention remains: to create a space where music, nature, and community converge.
Photo from Website/ Shi Fu Miz
The weekend kicks off with an opening night on Mar. 20, 2026 at 宀 Club in Sheung Wan, Hong Kong’s iconic underground venue, setting the tone for a weekend of deep grooves and cultural connection.
Founded by FuFu Asia and La Mamie’s, Shi Fu Miz has built a reputation for curating eclectic sounds, from bass to house to techno and beyond, while championing wellness, sustainability, and artistic exploration. The move to Tai Tong reflects the festival’s continued commitment to environmental consciousness and immersive experiences.
Tickets for Shi Fu Miz Festival 2026 are now officially on sale via TIKS Asia. The Early Access Ticket is priced at HK$508 and requires arrival before 2 PM, while late entry will incur an upgrade fee to the standard door rate. The Student Access Ticket, also HK$508, is available to attendees aged 12 to 23, with free entry for children under 12. All under-18 attendees must be accompanied by a guardian and present a valid ID. The First Release General Admission is priced at HK$588, offering flexible entry throughout the day.
For more information and line-up announcement, stay tuned to Shi Fu Miz’s website, Instagram, and Facebook.
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The biggest impressions of Pink Dot, one of the most beloved LGBTQ+ celebrations in Asia, must be its sea of pink, the laughter, the music, and the unmistakable feeling of community.
And this year in Hong Kong, the biggest annual event of its kind is taking a different route — one that leads straight to your living room. Pink Dot Hong Kong 2025 is going fully online, transforming its signature outdoor carnival into a vibrant digital concert on Nov. 2, 2025 from 3 PM to 6 PM.
Photo from Website/Pink Dot HK
The shift to a virtual format comes after organizers were unable to secure their usual venue at the Art Park, West Kowloon Cultural District. While the details behind the venue denial remain undisclosed, the team behind Pink Dot has chosen to focus forward, embracing the opportunity to reach audiences wherever they are. And judging by the lineup, they’re doing it with style.
This year’s concert features a dynamic mix of artists who embody the spirit of pride and inclusion.
Photo from Instagram/On ChanPhoto from Instagram/Marf Yau
Leading the charge are event ambassadors Marf Yau, from the girl group COLLAR, and On Chan of C AllStar — two voices that have long championed diversity in Hong Kong’s music scene. They’ll be joined by a star-studded lineup of performers, including Terence Siufay, Cath Wong, Zeno, Billy Choi, Kira Chan, J.Arie, Andy Lin, and Higgo Raj. Hosting duties will be handled by the ever-charming Bonnie Wong (Ah Jeng) and Joe Wong, ensuring the show flows with warmth, wit, and plenty of pink sparkle.
Since its Hong Kong debut in 2014, the event has grown into the city’s largest LGBTQ+ gathering. The team works year-round to promote visibility, support the queer community, and foster inclusion through workshops, outreach, and cultural programming. Their efforts extend beyond the stage, creating safe spaces and amplifying voices that deserve to be heard.
Photo from Instagram/Pink Dot HKPhoto from Instagram/Pink Dot HK
While the absence of a physical venue may feel like a loss, the digital format opens new doors. Viewers from across Hong Kong and beyond can tune in, celebrate, and show their support. And with Pink Dot actively exploring new venue options for future editions, there’s hope that the pink glow will return to the city’s skyline soon.
As pride comes home, mark your calendar and get ready to celebrate love in all its forms with three hours of love going online. Join the celebration online via this link.
Don’t forget to visit Pink Dot’s website and follow their Instagram and Facebook for more information and updates.
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Canadian rapper and singer bbno$ (pronounced “baby no money”) is bringing the third leg of his world tour “It’s Pronounced baby no money” to Asia this November 2025, taking him to Singapore, Hong Kong, Taipei, Seoul, and Tokyo.
bbno$ is set to kick off the third leg of his tour in Australia on Oct. 31, touring Australia and New Zealand until his first stop in Asia in Singapore on Nov. 12. This will be followed by Hong Kong on Nov.13, Taipei, Seoul, and Tokyo, before wrapping up this leg with a show in São Paolo on Nov. 22.
“It’s Pronounced Baby No Money” in Hong Kong
Instagram/ Live Nation Hong Kong
Following his successful debut in Hong Kong at Clockenflap in 2024, bbno$ is returning to Hong Kong for his first event at TIDES, the newly opened entertainment space at Whampoa.
Alexander Leon Gumuchian, professionally known as bbno$ first gained fame following the release of his TikTok viral hits “Lalala” with Y2K and “Edamame” with Rich Brian. Since then, he has released more tracks like “Mathematics,” “It Boy,” “Antidepressants,” “C'est la Vie,” and “Mary Poppins.”
Recently, he made his Philippine debut at the &FRIENDS Festival, where he took the stage in an Ironmouse cosplay and performed his then-unreleased track with the VTuber “1-800” to the crowd.
Instagram/ bbno$
Tickets now available via Live Nation priced at HKD$599 for an all-standing show.
For more information and updates, follow Live Nation Hong Kong on Facebook and Instagram.
Listen to the bbno$ “It’s Pronounced baby no money” Concert setlist here:
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The popularity of pickleball in Hong Kong is getting hotter and hotter and in Wong Chuk Hang, the sport has been reimagined as a full-blown lifestyle, Now officially open, 212HK is Hong Kong’s largest indoor pickleball social club, redefining what it means to play, connect, and unwind with four premium courts, two floors of curated amenities, and a philosophy built on going the extra mile.
Courtesy of 212HK
Spread across 15,000 square feet and two expansive floors, 212HK offers four state-of-the-art, all-weather courts, solving one of the city’s biggest recreational challenges: indoor court access. Whether you’re a casual player, a competitive enthusiast, or a family looking for weekend fun, this club is built to welcome all skill levels and ages.
Inspired by the 212° philosophy, that one extra degree of effort can spark transformation, every detail of the club is designed to elevate the experience. Apart from the elevated basic amenities, large TV screens are available to replay your best pickleball moments. The in-house café and lounge, The Kitchen, serves up curated bites and bar snacks, with four giant screens streaming live sports from around the world.
Courtesy of 212HK
212HK also houses a dedicated gear shop featuring top brands like Joola and Selkirk, and offers specialised coaching led by Asif Ismail, Hong Kong’s first USPPR-certified coach. The club’s elite academy is committed to nurturing the next generation of pickleball talent through tailored training programs.
Beyond the court, 212HK brings the energy with recurring themed events like After Dark, a glow-in-the-dark pickleball experience, plus corporate team-building sessions and private event packages.
Four memberships range from Club (HK$1,000/month) to Inner Circle (HK$2,500/month), offering perks like complimentary court bookings, priority access, free parking, and exclusive event invites. There’s also a Family Plan (HK$4,000/month) for households looking to rally together.
Ready to play, connect, and glow? Visit their official website and follow them on Instagram and Facebook to join the movement.
Location: 15-16/F, S22, Heung Yip Road, Wong Chuk Hang
Opening Hours: 7 AM to 10 PM (Sundays to Thursdays); 7 AM to 11 PM (Fridays to Saturdays)
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Hong Kong-based charity More Good, known for providing high-quality, nutritious meals to those in need, is set to host its first-ever charity event at the prestigious Clearwater Bay Golf & Country Club.
The inaugural “More Golf More Good” Charity Golf Classic invites you to make every swing count on Oct. 9, 2025, where More Good will bring the same vibrant energy to the course, leveraging their network of chefs, creatives, educators, and food and beverage experts to create unique and engaging experiences for everyone.
Participants can expect a day packed with tournament games followed by a gala dinner that will highlight food and drinks from their F&B partners, as well as special moments from their sponsors and donors. The gala dinner will showcase dishes from culinary stars, including Michelin-awarded chefs from community partners such as Yardbird and Ando, drinks from Asia’s No. 1 bar, Bar Leone, as well as special moments from confirmed generous partners Marshall and Nomad Caviar.
“We are delighted to host the More Golf More Good Charity Golf Classic at Clearwater Bay Golf & Country Club. More Good is a valued charity partner, and this event reflects our shared commitment to supporting those in need,” said Dr. Jack WK Wong, Chairman of The Clearwater Bay Golf & Country Club.
This event’s immediate goal is to achieve its fundraising target and increase weekly meal output by 25% throughout the 2025/26 period.
“This isn’t just about golf,” said Timothy King, Co-Founder of More Good. “We hope to make the More Golf More Good Charity Golf Classic more than just an annual fundraiser, but represent our commitment to nourishing our most vulnerable communities here in Hong Kong. Every swing will help us expand our meal services and make a real difference in our community.”
Courtesy of More GoodCourtesy of More Good
Born in 2022 in Yardbird’s kitchen during the height of the pandemic, More Good has since grown from a small community effort into a full-blown organization supported by a dedicated group of volunteers, chefs, and supporters who all share the same belief: that everyone deserves access to nutritious, flavorful food. The charity has since prepared and distributed over 110,00 meals to the elderly, refugees, homeless, and low-income families, and this upcoming fundraiser aims to embody that same spirit of creativity and care as the previous More Good events — this time coming to the fairways of one of Asia’s most spectacular courses designed by five-time British Open champion Peter Thomson.
Don’t miss this amazing opportunity to play a good round of golf while helping those in need.
More Good is currently open to sponsorships, brand partnerships, prize donations, and volunteer applications. You can find more information here or contact them via email at golf@moregoodhk.com. Those who wish to get more hands-on can also sign up to volunteer with More Good beyond this event here.
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