What We Learned from Escolta and Its Modern Communities
Manila/ Vibe/ Pop Culture

Getting to Know Escolta: A Deep Dive into Manileños’ Arts & Cultural Hub

Escolta

One cannot talk about Manila without mentioning the rich heritage of Escolta – from the Spanish colonial church of Sta. Cruz to the neoclassical structure of Jones Bridge. Every cobblestone of Escolta has a story to tell of bygone eras. It is, after all, Manila's oldest street.

Established in the 1590s by the Spaniards, Escolta has served as a commercial center and trading hub for centuries. Its proximity to the Pasig River made it a viable choice for a community to flourish. Since its inauguration, Escolta has been: a trading hub for Chinese merchants, a shopping mecca for the Manila elite, and even a hotspot for American soldiers frequenting saloons. Throughout its centuries-old history, Escolta has been at the heart of Manila culture.

Dubbed as the “Queen of Manila Steets,” Escolta has since witnessed a cultural renaissance. There is so much to celebrate in the revival of this city. Its burgeoning arts scene nurtures local and contemporary talents with dedicated gallery spaces and performance halls that have sprung up in the area.

Today, Escolta attracts more of a varied yet niche clientele, all of whom are aiming to rebuild the site into how it was during its glory days.

Escolta

The Beat Asia explored Escolta with a firsthand glimpse at the environment and interviews with stakeholders of the community. We explored HUB: Make Lab, where artists and creators nestle their wares amid the historic First United Building. We also spoke to the members of Nilad Community, an umbrella organization that comprises heritage groups and tour guide initiatives that promote Manila.

Venturing into the microeconomics of Escolta, we gleaned learnings from the Sylianteng family, the Chinese-Filipino proprietors of First United Building (FUB). We also delighted our senses with local specialty coffee, learning from the executive director of Escolta Coffee Company herself. Lastly, Escolta wouldn’t be the same without its resident artists, vendors, and citizens from the local grassroots community.

The Syliantengs of First United Building

Formerly referred to as the Perez-Samanillo Building, the First United Building stands out for its chamfered corner towers, thin cylindrical moldings, and beveled arches gracing the sixth-floor windows designed by Andres Luna de San Pedro (son of the great painter and political activist Juan Luna) in 1928.

Akin to the Regina Building, the FUB is currently owned by Chinese-Filipino couple Robert and Lorraine Sylianteng and has been for over 45 years, together with the Tanco family and United Coconut Planters Bank. It shared a diverse lineage of proprietors including Ernest Berg and later transitioned to Jose Cojuangco, before being acquired by Eduardo “Danding” Cojuangco Jr.

First United Building facade

Upon assuming ownership of the building in 1979, Robert Sylianteng and his siblings (as shareholders) agreed to preserve the property’s architectural significance in memory of their late father, Sy Lian Teng.

“[T]o preserve all those thoughts, we put up a sign in each of these rooms where we know the famous people tenanted,” Lorraine said.

It currently has 93 rooms which includes its first co-working space at Room 502 – the same room that Nora Aunor occupied for Nova Villamore (NV) Productions in 1973-1982.

As the current occupants and owners, Robert and Lorraine emphasized their commitment to strengthening and enhancing FUB’s appearance and functionality, but the façade has remained unchanged since their acquisition.

“We are saving funds to fix [the building]... It's [just] difficult to decide because we don't have the building plan. So, [we] don't know when [we] do something, whether it will be good or bad,” Robert said. “Despite this setback, the City Government of Manila named the FUB the ‘Most Beautiful Office Building’ the same year it was built,” he added.

First United Building

Moreover, FUB is known as Escolta’s hotspot for arts and culture hub, featuring HUB: Make Lab which houses a delightful mix of arts and vintage shops, a museum, and more. The transformation began when the Syliantengs opened their doors to creatives and artists, igniting a world of possibilities beyond their imagination.

And thus, the “latag” activity was born. In Tagalog, “latag” means to spread out or lay down. The activity involves spreading out a blanket or a covering where they can work and showcase their crafts at the same time.

“We never realized that there was such a thing that they would come in one day. They call it a ‘pop-up tiangge,’ they would come in on a designated day as early as 5:30 to 6:00 in the morning. Set up the place and then open up the market from 10 in the morning to 8 at night. This is the HUB: Make Lab – the ground floor where it used to be,” Robert said.

Prior to HUB: Make Lab’s success, the space had a different story altogether. For a good five to ten years, it simply served as storage for the FUB, with no hint of the vibrant cultural hub it would become.

“I was really taken aback, and I was telling Robert that many still love Escolta, we should do something and do something different, not the usual bringing in famous bands to perform,” Lorraine said.

Hub Make Lab

Inspired by the passionate hearts of every artist, the Syliantengs made a generous decision to let them occupy a room for free. Fortunately, there were plenty of vacant rooms available at that time. Their agreement was simple; when a potential tenant would rent the space, the artists would occupy the other vacant rooms, and that persisted during that period.

“Now, we protect them by giving them lower rates. I have to tell my staff to not forget as long as [the renters are] artists... And then we encourage them to do joint projects, to know how to complement each other,” Lorraine said.

“Among the artists that were introduced to us in 2011, arising from that invitation from Mayor Alfredo Lim was Mark Salvatus, who's a graphic designer.”

Salvatus established the 98B COLLABoratory – an artist-run initiative that seeks to provide a safe space and unite artists, designers, curators, writers, musicians, students, and more.

“The reason that space was called 98B and their group became known as 98B was because it was [Salvatus’] house in Cubao. That's where the artists gather, and they will work on their projects there. His space was exploding; he needed more space. It was right when Marika Constantino approached him [and asked] do you want to be involved in this activity?' He agreed."

When it comes to challenges, Robert and Lorraine candidly said that it was difficult for them to understand artists' logic because they were primarily businesspeople. They did not have extensive knowledge about the historical significance of the FUB.

“But later on, we were able to strike a balance because we have to make the artists realize that you still need to live and survive, and it needs money to survive. So today, we have artists who have a sense of business also. So that is a good blending,” Lorraine said.

Moreover, the Syliantengs’ two cents are to keep an open mind and communication systems with your friends.

“As one generation goes to the next, the success story of the neighborhood adds to the heritage of the place, of the nation. I guess, that is what tourists love when they come to the Philippines. They want to see a country that gets together. It doesn't have to be just the First United Building; it just so happens that we allow people to come into our private property. I mean any neighborhood, any group of friends, that's the same thing. So, it is very easily replicable, it can be imitated, and it progresses. It's like a ripple, you have an action and then it expands," Robert concluded.

Nilad Community on Safeguarding the Stories of Escolta

Driven by a “reckless passion” for the capital city, six individuals came together with the aim of staging bigger activations in Manila.

Composed of Benjamin Canapi of WanderManila, Kenny Tai of AKIM and Manila Girls, Stephen Pamorada of The Heritage Collective, Anne and Andre Julian of Don’t Skip Manila, and Diego Torres of Renacimiento Manila, Nilad Community, an organization dedicated to promoting the beauty and history of the Pearl of the Orient Seas’ capital, was born in September 2022.

Nilad Community

Among the many gems Manila has, Escolta, imbued with one-of-a-kind architectural charm and a glorious past, is one of the Nilad Community’s passion projects. But even with the street’s rich history, preserving Escolta’s glory is, according to the group, a “work in progress.”

The organization points to the lack of enthusiasm some stakeholders have over the development of the district and its infrastructure. Nilad Community likewise sees the insufficiency of spaces in the street to carry out such development and preservation efforts. “There are business owners, building owners, who do want to push forward. But the majority are just looking at it in a more practical, pragmatic way,” said Canapi.

“[Building owners] wanted also to preserve the building, it’s just that, perhaps we need some more help from the government and other stakeholders,” Pamorada added.

Amid these challenges, the Nilad Community holds out hope for Escolta. By staging various talks, pop-ups, tours, and exhibitions, among other efforts, the organization is making these hopes and dreams a reality.

Despite being a young organization, Nilad has long recognized and continuously worked on the need to preserve the cultural heritage of the city of Manila, specifically the streets of Escolta. Leading educational tours that are successfully being participated in by locals and even foreigners, the organization also put into work amplifying the calls for preserving the hundred-year-old buildings in the area.

The heritage advocates, Nilad members included, made noise on the ground, and online, and engaged news media outlets to take part in the call for preserving and protecting the heritage buildings, which resulted in the National Commission of Culture and Arts (NCCA) issuing a cease-and-desist order to stop the demolition of the Capitol Theatre in 2022.

Nilad Community

“Some of the people there don’t understand what they’re trying to do, so there is a little bit of a pushback from the community, but I think, little by little, we’re starting to win over people,” Canapi said.

To amplify their efforts, the Nilad Community calls on the public to join in spreading their cause. Further learning and understanding the perspectives of advocates by joining their tours and initiatives would be a starting point in gaining another voice to speak up for the preservation of the buildings and their stories. Breaking oneself into the realm of heritage advocacy might take time, but Pamorada shared a hopeful thought with everyone.

“A lot more things can happen in Escolta if only other stakeholders, other heritage enthusiasts, and concerned citizens would come together and be part of this bigger movement,” he said.

Building on their hopes for the iconic street's future, the Nilad Community sees a peeking ray of light hiding behind the debris of destructed buildings as the younger generation flocks in and buzzes in the “Queen of Manila Streets.” Ending the conversation, Torres left a note, emphasizing what their call was all about:

“We may be fighting for the past, but it is because we want the past to be integrated into the future of the city so that the future will have a root, an anchor, and that anchor will be the cultural heritage treasures of the city. Because without that, Manila will be a city without an identity, and Manileños will be people with no sense of identity, always yearning for what other cities have.”

The Heritage Collective

Escolta Coffee Company

Maricar “Rickey” Ricardos, executive director of Escolta Coffee Company, can be seen through the walls of the little glass house at the end of the First United Building. This is her enclave, her business, the place she built with her husband and business partners. Situated conveniently beside The Den Café, and a few floors below Kalsada Coffee, Escolta Coffee Company is one of the links in the chain of specialty coffee makers at HUB: Make Lab.

True to the ethos of community, these three businesses champion the same cause: to promote Philippine coffee.

Kalsada Coffee works with farmers to harvest green coffee beans, the raw product of which is then transported in sacks to Escolta Coffee Company.

“Kalsada Coffee has been here in the building since 2016. So, when we decided to partner and put up Escolta Coffee Company, saan pa ba kundi dito rin (where else should we be but here)?” she said.

Kalsada Coffee

Here, the green beans are roasted by Rickey and her team, before finally being served to customers at The Den Café (among other notable restaurants). It’s full circle, in other words. Beans ranging from Arabica, Robusta, Excelsa, and Liberica – all of which are grown on our very own islands – are delivered and roasted in Escolta Coffee Company, then distributed to cafes and restaurants across the country.

Curious about the coffee scene, we asked Rickey what it is about Escolta that attracts the caffeine-loving crowd and if people think of Escolta when it comes to good coffee. Rickey explained that Escolta doesn’t specifically draw coffee connoisseurs or bean aficionados. The place itself attracts those who love culture and heritage – and these people will certainly enjoy the work that the Escolta Coffee Company has put into preserving just that.

“People here really appreciate culture and heritage,” Rickey noted. “And we’re all the same [commitment], we want to preserve it. We want to make the culture usable to people. Like this building [First United Building]; it's good to see it in photos but it's better to see that people actually use it [as a hub for offices and creative spaces], she said in Filipino.

“The community here is very broad,” the executive director added. “There are photographers, studios, performers. Just recently, an orchestra performed on the upper floor. Every now and then there is also a vintage market. So even though only [local] artists come here, the crowd is also diverse because the activities are different."

In this contemporary space, the Venn Diagram converges driven by the people’s desire to discover more talents and celebrate local influence.

Escolta Coffee Co

Rickey also noted that the crowd frequenting Escolta has become increasingly young. High school students and college-age young adults are eager to learn more about the past, including heritage sites where filmmakers and stars such as Dolphy and Nora Aunor used to visit.

“Young people are more aware that there is this community or this space. Many people come here not only to drink coffee but also to check out and appreciate what we do here.

From the Lens of Local Community

Situated on one side of HUB: Make Lab, Baki’s Wall, owned by Miko, is a collection of art and novelties from different local artists in the Philippines. Though a very small one, it houses a well-curated hodgepodge of everything from prints and painted canvas bags to denim jackets and even jewelry. It is also – if you can believe it – a notary office.

“It would seem like a missed opportunity if we rent solely for use as a notary office. So, we thought of putting up paintings and artwork. It evolved from there,” he said in Filipino.

A guitarist and musician of close to twenty years, Miko is now also a new yet fully-fledged artist. Having only recently discovered his talent, he spends much of his time practicing at Baki’s Wall, where he sits hunched over his desk, creating Basquiat-esque works.

“Perhaps practice is a lifelong commitment,” he muses thoughtfully.

Using only a pencil or ballpoint pen, Miko draws intricate portraits in maximalist fashion. Though he’s been at this for only a year, it is evident that he possesses a natural talent for it. He claimed to be bad at color combinations, but his creations are often bought and sold out in different mediums.

His fruitful labor has earned him a spot as one of the reasons people flock there in the first place. Amusingly enough, he’s also much like his customer base in that way: artistic, inspired, friendly, and somewhat bohemian.

“It would be great if Escolta could become like Woodstock...No egos. Everyone united as a community, encouraging each other to share ideas. It’s like we’re here; we'll support you.”

It’s this sense of community that Miko really enjoys – and hopes to foster in his own work. When one taps into the collectivist nature of the Philippines, it comes as no surprise that Miko yearns for even more unity around the Escolta community. A haven for artists and bohemians, Escolta has welcomed these patriots, putting those who love culture and heritage at the birthplace of it all.

Baki’s Wall
Miko, owner of Baki’s Wall

As we strolled through Escolta’s labyrinthine alleys, we met Mojahiden Hadjiracman, a Tuktuk driver who has been calling Escolta his home since 2000. Over the years, Mojahiden witnessed a remarkable transformation in his neighborhood as it gradually improved in cleanliness and more tourist spots emerged in the area.

“It became cleaner. The places where people go seem to have become more and more beautiful. Lots of people hanging out. There are also foreigners who came to visit,” he said in Filipino.

As one of Escolta's longest-standing residents, Mojahiden envisions a future where the city flourishes with increased business and tourism opportunities. He eagerly anticipates the development of more spaces where artists can thrive, and visitors can immerse themselves in the rich cultural tapestry of Escolta.

Escolta Resident Mojahiden Cabiran Hadjiracman
Mojahiden Hadjiracman, Tuktuk driver

We also talked with an Escolta vendor who preferred to be called Nanay, who lived almost 57 years of her life watching the streets of Escolta from its glory days to its current situation. She was reminiscing about her days of walking aimlessly and selling sweepstake tickets to make ends meet when we opened about the old Escolta Street that she knew.

When asked about her thoughts about the recent state of the street, her voice turned small with a hint of longing, as the very same street where she grew up has turned into an unknown and unfamiliar stillness.

“Escolta used to be a vibrant street, drawing artists and lively crowds. However, when they all relocated to Quezon City, the fun and noise also left the street.”

Contrasting the perspective of the tenants from buildings and artists caving in old buildings, Nanay, who has lived and witnessed the changes of the very street, sees the changes in gray with no hope of returning to its old colorful days.

Although her vision for her home now has changed, she’ll continue living just like the historical buildings standing tall in the district. Nanay has learned to embrace the changes and watches every corner of it turn into an unknown, holding on to the stories beyond its architecture and footsteps.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

This Week's Events In Manila View more

This Week's Events In Manila

Noel Bazaar 2024
Nov 15 - Dec 16, 2024

Noel Bazaar 2024

Manila/ Vibe/ Pop Culture

BGC’s The Fort Strip Will Be Closing Down Indefinitely in January 2025

20241213 The Fort Strip Photo by Bonifacio Global City/Facebook

Remember when Nectar announced that they were closing down? This is one of the reasons why.

The Fort Strip, a silent witness to the growth of Bonifacio Global City to what it is now, announced that they were closing down starting Jan. 1, 2025. Bonifacio Global City announced this in a social media post on Dec. 12, 2024.

“<3 This is goodbye for now but not forever. We’ll be back. Better than you remember, and better than you can imagine. Until we close up on Jan. 1, feel free to hang out at The Strip like you’ve always done! We’ll see you there," the post said.

Rumors of the closure of The Fort Strip first made rounds on social media when Nectar Nightclub, a well-known LGBT-friendly nightlife spot made an announcement in November 2024 that shocked many of its patrons.

Other restaurants such as the L’Opera Ristorante and the FUGA Bar and Restaurant also announced the closure of their branches, citing the “redevelopment” of the area as the reason why.

The Fort Strip is located at the corner of 5th Avenue and 26th Street and was a foundation for building BGC’s reputation as a center of nightlife, dining, and entertainment options for the youth and families alike. Many can remember the days when Bonifacio Global City was just referred to as “The Fort,” and it was all because of The Fort Strip.

Establishments like Pier One, Prince of Jaipur, Embassy, Go Nuts Donuts, and Amber Ultra Lounge were also found in The Fort Strip.

As of writing, there are no other details regarding the closure of The Fort Strip.

'Til then, let’s all make the most of it and each bid our farewells to this icon.

Location: The Fort Strip, Block 11 Lot 6 Katipunan Circle corner 7th Avenue Taguig City 1630

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ What's On

'Somewhere in France' Exhibition Debuts at Alliance Française de Manille

20241211 Somewhere In France Photo by Alliance Française de Manille

Bonjour, fellow art enthusiasts!

The Alliance Française de Manille presents “Somewhere in France,” an exhibition showcasing the exceptional artistic journey of renowned Filipino artist Manuel Baldemor. This collection celebrates Baldemor’s profound artistic explorations in France in 1973, when he represented the Philippines at the XIV International Exhibition in Paris.

Opening today, Dec. 12, 2024, the exhibit highlights Manuel Baldermor’s technical mastery and his dedication to bridging cultures and fostering understanding between the Philippines and the world. It also offers a rare opportunity to have a deeper look into the works of Baldemor, spanning multiple decades of his career, from his early travels to reaching international acclaim. lastly, this exhibition highlights his long-lasting connection to France, inspired by the country’s landscapes, people, and culture.

“Somewhere in France” will be exhibited at the Alliance Française de Manille Gallery until Jan. 25, 2025. Those interested must register here.

The "Sacre Cour" Painting by Manuel Baldemor
Courtesy of Alliance Française de Manille

Manuel Baldemor: The People’s Artist and Painter of the World

Portrait of Manuel Baldemor painting
Courtesy of Alliance Française de Manille

Manuel Baldemor’s career as an internationally celebrated artist first started when he won the Grand Prize at the Art Association of the Philippines Art Competition and Exhibition with his pen-and-ink depiction of his hometown, Paete, Laguna.

He received the Thirteen Artists Award in 1992 and has since expanded his artistic expertise in different mediums, including watercolor, oil, ceramics, printmaking, and sculpting. His work is deeply rooted in Filipino tradition but also incorporates global artistic practices, influenced by his residencies and collaborations throughout Europe, Asia, the Americas, and the Middle East.

Some of his works, such as the “Pasasalamat” and the “Philippine Skyworld” are attractions in the United Nations Buildings in Vienna, Austria, and New York City, USA. Joel Salud in the December 1999 issue of the Mabuhay Magazine declared that Baldemor isn’t just a painter of scenery, “but a visual narrator of landscapes, people, and cultures.”

In response to all his awards and accolades, Manuel Baldemor said that he was “a Filipino at heart and just an OFW (Overseas Filipino Worker) like the rest of my fellow men…I live to promote our country through my paintings.”

For more information and updates, visit Alliance Française de Manille’s website and follow them on their Facebook, X (Formerly Twitter), and Instagram pages.

Location: Alliance Française de Manille Gallery, 209 Nicanor Garcia, Bel Air II, Makati City.

Opening Hours: 9 AM to 6 PM (Mondays to Fridays), 9 AM to 5 PM (Saturdays)

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture

Claire Betita De Guzman On Writing with Purpose and Honoring Your Progress

Author Claire Betita De Guzman

Writing, like any undertaking, comes with intentions. When you ask people why they want to become a writer, words like “bestseller” and “royalties” often come up in the conversation. Although being a writer can indeed provide prestige and recognition, Claire Betita De Guzman writes not for fame but for the chance to cause a shift in her readers through the stories that she writes.

Known for her romantic chick-lits including the bestseller-turned-TV series “No Boyfriend Since Birth (NBSB)," Claire considers herself called to write. From an early age, she had been a voracious reader, reading anything she could get her hands on from fiction classics by well-known authors like Agatha Christie and Stephen King down to the random magazines she found lying around the house. She graduated with a degree in Journalism from the University of the Philippines (UP) Diliman, and pursued a career not only as a book author but also an editor for several publications including Cosmopolitan Philippines and Harper’s Bazaar Singapore.

With the release of her new novel, “Hue City,” under Penguin Random House Southeast Asia, Claire fulfills her longtime dream of penning a piece of literary fiction. We sat down with the author to learn more about the inspiration behind her incredible new title, the fascinating story of how her debut novel was developed into a TV series, and how writing has saved her life.

Oh, and read on 'til the end because we’ve got the scoop on her next release!

Hi Claire! Can you tell us when you began writing? Was it something you always wanted to do?

Yes! I have always wanted to be a writer. I wrote my first poem at age nine as a class activity, and I discovered that it was fun and effortless for me to “arrange” words. I wrote the first of several short stories — 40 pages long and typewritten, since we didn’t yet have computers in the eighties — at age 13. It was about my barkada (friend group) in school and our crushes.

I have also kept a journal since I was young. I had read about diaries, and I managed to convince my parents to buy me a small, pink, hardbound diary with a lock, an actual lock with a tiny metal key! I recorded what I did during the day, which eventually gave way to recording how I felt about certain things.

I had a chaotic childhood and looking back, I felt it was writing that helped me get through my dysfunctional family. I would not be functioning today without having written all those emotions — frustrations, longings, and yes, joys — in my journals. It is true that writing heals. Writing saved my life.

That sounds amazing! Can you tell us about your debut novel, “No Boyfriend Since Birth,” and what inspired you to write it?

I am, and will always be, a romantic. I also tend to romanticize a lot of things. I’m curious about people, and I’m always interested in everyone’s love life. So when I started hearing friends and colleagues say that they haven’t yet experienced having a boyfriend or being in a love relationship — my mind started working. Initially, I thought that they were “in between relationships.” But soon enough, I realized that they have never had a boyfriend…since birth!

I mentioned that phrase to my editor at Summit Books, Tara FT Sering. She said, “That should be the title of your book!” So NBSB, the book, was born! I really wanted to write it because it’s a story about empowerment. I wanted to tell a story that would empower women to take action in love and in life, and to not wait for things to happen.

What was it like when you found out it was being adapted into a television series?

A few months after NBSB was published, I got a phone call from someone at Unitel Productions. A producer, Tony Gloria, was interested in making a movie based on it! It felt surreal. The story was, Mr. Gloria had been seeing the books in National Book Store and he asked which ones were the bestsellers. He was told that it was NBSB. We eventually met with my publisher, and there were talks about directors, scriptwriters, and budgets.

However, it wasn’t until a few years later that the onscreen adaptation came through. And this time, Unitel was no longer making a movie, but a TV series that would be aired on TV5. We had a flurry of contract signings, and soon, I learned that it was Alessandra Rossi and Joross Gamboa who would be starring in the series.

I don’t have experience in screenplays or productions, so I was totally okay with not being involved in the making of the series. I was already so thrilled, grateful, and even unbelieving that NBSB was going to be adapted into a TV series. I felt, at that time, that it was a perfect way for the story and its lessons to reach a wider audience — and empower more women (and men!).

And now you’ve released your sixth novel, “Hue City.” What was the inspiration for it?

One main inspiration for “Hue City” is the concept of starting over. I have always believed in the power of fresh starts and second chances. I wanted to write the story of three people with very different challenges living in Manila, Singapore, and Hue City Vietnam. So, I created three characters with vastly different backgrounds who are desperate to change their lives for the better, and their various ways of trying to achieve this goal.

Hue City is the story of Carmen, a member of the Ativan Gang in Manila who scams solo tourists; Hai, a hotel receptionist, tour, and part-time pimp in Hue City; and Marina, a Filipino-Singaporean in Singapore who seems to have it all, but has a toxic past.

I am also inspired by Southeast Asia and all the unique stories, experiences, and cultures that we have. I wanted to bring these stories to a global level. I have been living in Singapore for 18 years and have traveled to 51 countries. I realized that I have a special affinity with Vietnam, in particular, with Hue City, which was the former imperial capital of Vietnam during the Nguyen dynasty. These dynasties had rules such as having at least 35 kinds of dishes for each meal and placing tea leaves inside lotus flowers so they would be sweet-smelling when brewed. This concept of life, philosophy, and personality still extend to the people in Hue; so I thought that Hue City was the perfect setting for a story about starting anew.

Claire Betita De Guzman
Courtesy of Claire Betita De Guzman
Claire in Hue City
Courtesy of Claire Betita De Guzman

As I’ve been living in Singapore for 18 years, it was natural for my experience — as a foreigner in a country that wasn’t my own — to seep through the stories I write. In the novel, it was organic that there were themes, scenes, chapters, and lots of questions by my characters about transitions and belonging.

I’ve also been fascinated by scams, and so the book starts with a scam. All scams and modus operandi feel like a secret that needs to be uncovered or decoded. I’d always think: “The audacity!” — and marvel at how these people are in a way, so brave.

Since this story is told from multiple points of view, was it a challenge having to maintain voices for each of these characters?

It was challenging to write a novel with multiple points of view, just because the story and its events need to flow seamlessly. For me, that was the challenge — making sure that there was an even flow and readers don’t get confused with what’s happening.

As for maintaining their voices, it wasn’t difficult for me. In fact, I enjoyed writing the dialogues as well as each character’s thoughts and perspectives. I think this is because I know each character to the core, and have assigned them different values. One technique I’ve learned in writing characters is to think of a single word that encapsulates that character and write everything from there. For the record, one word I used for one of my characters, Hai, is “rage.”

For me, it was fun and liberating writing from the perspective of three different characters. I liked the “option” of seeing and reacting to a situation from multiple perspectives. It also helps me empathize with the characters, especially because they are good people doing bad things.

Do you have a favorite among your published works?

My favorite is “Hue City.” It is the kind of book that I would love to read, and the books that I love to read are those with stories that are heart-breaking yet hopeful. “Hue City” is the kind of book that can hit a nerve. Reviews have been coming in, and many reviewers have expressed how the story of each character stayed with them long after they’ve finished reading the book. Some have said that this book has left them dazed. That this book had them guessing the plot, and that some parts made them tearful. This only means that they’ve become invested in the story and the characters and that somehow, I’ve created a shift in them.

Claire's books
Courtesy of Claire Betita De Guzman

How would you describe your writing style? What genre do you lean more into when it comes to writing fiction?

My writing style has been described as reflective, thoughtful, emotional, melancholic, and sometimes even grim. One of my former teachers in UP, Jose “Butch” Dalisay, Jr. once described the humor in my fiction short stories as “dry.” My tutor in Oxford, where I took writing courses, labeled early chapters of “Hue City” as “nuanced and economical.” That same tutor compared my writing voice to Nigerian novelist and poet Chinua Achebe, whose work was pivotal in African literature.

When I write, each sentence has a purpose, and that is to move the story forward. On genres, I tend to lean towards literary fiction, contemporary fiction, and women’s fiction.

You’re not only a fiction author but also a journalist and editor. Do you enjoy one more than the other?

I enjoy fiction writing the most. It is not easy, but it’s my true calling. I thrive in creating the inner lives of characters. I like making up stories, creating and dreaming up characters and imagined situations. Like reading, writing fiction allows me to be in another world, and that world can be anything — it can be dangerous, uncomfortable, and chaotic and/or outrageous, romantic, and wildly entertaining — experienced and enjoyed from the comfort and safety of my desk.

The second thing I enjoy is editing. I’ve been an editor for magazines, handling lifestyle sections and managing a team of writers. I find great satisfaction in taking a piece of writing, and then trimming and coaxing out the right words so the piece transforms into something even better. My goal when editing is to help a piece of writing be more digestible, clearer, and publish-ready so readers can truly enjoy, understand, and appreciate it. Editing is a creative act for me.

Claire's Singapore book launch
Courtesy of Claire Betita De Guzman

Having been in this career for many years, do you still get writer’s block?

It’s funny because I don’t believe in writer’s block anymore. But I do acknowledge that writers get stuck at some point when writing their pieces, whether it’s a novel, a poem, an essay, or a short story.

When this happens, I leave my desk. I do self-care. I do other things that give me joy. The important thing is to be compassionate to yourself when you feel you can’t seem to write anything. It’s important to forgive yourself for “not writing.” Taking care of yourself, having a rest, and honoring your progress are all ways of taking care of the writer [you] who will eventually be doing the writing.

What’s the best advice you’ve gotten about writing?

As a novelist, I know that writing a novel is a long process. It can take years; you need to produce, create, write, and thresh out hundreds of pages, and thousands of words in the most beautiful way possible. It requires lots of creativity and imagination and, most of all, it requires endurance. I’ve learned to honor, recognize, and celebrate what I’ve accomplished — what I’ve written so far, for me to move forward. It’s like holding your friend’s hand and saying, “May nagawa ka na, and kaya mo pa (You’ve done something, and you can still keep going)."

“Done is better than perfect” is the practice of letting go. I don’t want to admit it, but I am a perfectionist and many of us are! I have sabotaged myself numerous times by trying to perfect a piece of writing, even at the expense of being late. And sometimes, it may just be too late. With this advice, I’ve learned to let go of many things.

How about your advice for aspiring writers?

Write every day. I write first thing in the morning. It sets my day, and I feel I get to record my thoughts when I am my best self. Make writing a part of your life. It is not a hobby; it is not a start-and-stop thing. For me, it is a passion, calling, and a curse. It sounds dramatic, but I can’t live a day without writing something.

Also, read. I was a reader before I was a writer. I wanted to be a writer because books by authors like Margaret Atwood and Butch Dalisay moved me. In connection to that, know your Whys.” As I grew older, I met more and more people who seemed to have “decided to be a writer” because they felt it was prestigious. My advice is to reflect on why they have chosen to write. And this is important because it will guide them on what they will write in the future, and how their writing is. If it’s for “fame,” it will show and it will be short-lived.

Claire in Ubud, Indonesia
Courtesy of Claire Betita De Guzman

Lastly, find or create your community. Know your readers and connect with them. We write to be read. We are nothing without our readers. Go out and attend writing and literary events and workshops if you can. They say writing is such a lonely undertaking, and while I don’t agree with this, I do know that a writer’s life will be made richer (and more fun!) in the company of other writers, readers, editors, publishers, and other creatives in the industry.

I’ve been so lucky to have a Street Team for “Hue City,” an amazing group of readers, book-stagrammers, and content creators to whom I’ve introduced the book and who helped me share information about it when it was newly released. However, it has evolved beyond “Hue City,” and now we have a growing, incredibly supportive community, one that helps connect writing and reading communities through book recommendations, writing projects, skill-sharing, and workshops.

Hue City Team
Courtesy of Claire Betita De Guzman
Claire at MIBF
Courtesy of Claire Betita De Guzman

So what’s next for Claire? Anything exciting we should look forward to next year?

I’m editing an anthology called “Plot Twist,” which is a collection of short stories, essays, poetry, and photography dealing with the topic of unexpected change, written by emerging writers and artists. It will be launched sometime in February 2025.

I am also working on my next novel, called “The Luckiest Girl,” which is another literary fiction piece about a woman who has attained everything she has ever dreamed of, only for it to crash down on her. It is set in Manila, Singapore, Paris, and Tbilisi, Georgia.

Want to meet Claire in person? You can catch her at one of her book events! In 2025, she will be speaking at the Mathrubhumi International Festival of Letters (MBIFL) — the biggest literary festival in South India, and will also serve as a panel at the Hong Kong International Literary Festival in March.

As a proud Filipina, Claire actively promotes Philippine Literature and will be present at the Philippine Book Fair, and several other literary festivals in Manila and Singapore.

Follow her on Facebook and Instagram for updates on book releases and more bookish events. You can also pick up some of her fantastic titles here.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Happenings

ALAMAT's ‘Ragasa’ Concert Showcases P-Pop Pride

TBA 407 Photo by The Beat Asia

The New Frontier Theatre stage was lit up in color and sound last Friday (Dec. 6) as rising P-Pop group, ALAMAT, took the stage for their second headlining concert.

ALAMAT’s “Ragasa: The Concert” was a three-hour musical spectacle that underscored the group’s passion and tenacity through impressive choreography and back-to-back production numbers.

Before the show, their fans — endearingly called “Magiliws” — were treated to fun games that gave them the chance to win prizes from the group’s generous sponsors. Fans were also treated to performances by three up-and-coming P-Pop groups namely, “Pixie,” “Xerenade,” and “Raya.” There were also some P-pop icons sighted in the crowd including G22’s AJ and Jaz, as well the nation’s girl group, BINI Colet, Maloi, and Jhoanna — who FYI, was featured in one of their music videos. They came to support the sextet as they performed songs from their albums, as well as a lineup of surprise solo productions featuring special guests and unreleased tracks.

The Beat Manila got to witness this explosive musical extravaganza and we’re highlighting some of the best moments of the night.

But first, who is ALAMAT?

For the uninitiated, ALAMAT is a six-member boyband that debuted in 2021 under VIVA Artist Agency. The group was formed through the “Pwede: The National Boyband Search,” and was distinguished as a multilingual and multiethnic group. Originally a nine-member act, ALAMAT now consists of Taneo, Mo, Jao, Tomás, R-Ji, and Alas. Each member hails from different regions in the Philippines and has been incorporating their language, history, and folklore into their music.

In February 2021, they debuted with the song “KBye" and made it to Billboard's Next Big Sound chart under "Fastest-Rising P-Pop Group," debuting at number two. They're the second P-Pop group to have made it to said Billboard chart.

Currently, the group has two EPs, “Pasulong” (2022) and “Isapuso” (2023), and has released a slew of hit singles and collaborations including “Kasmala” which won P-Pop Music Video of the Year at the 6th PPOP Awards and “Tibay Yan” with Iñigo Pascual, which won Best Music Video at the 27th Asian Television Awards.

'Ragasa' Concert Highlights

Ragasa is an alternate spelling of the Filipino term “dagasa” which means passionate. Alternatively, it also means “to surge” or rush, and we dare say the show lived up to its name! ALAMAT shone brightly as they opened the show with their biggest hits: “Maharani,” “Dayang,” and “Manila Dreams.” This set was quickly followed by their introductions and first greetings.

“Punong-puno ng pasasalamat ang mga puso namin nang makita kayong lahat dito sa ‘Ragasa’ concert. Sobrang salamat, mga Magiliw (Seeing everyone here at our Ragasa concert fills our hearts with gratitude. Thank you so much, Magiliws)! I love you so much!” said lead vocalist, R-Ji.

“Tonight raragasa ang mga sorpresa naming sa inyo. Talagang pinaghandaan namin ang gabing ito para sa inyo (Tonight, there’s a load of surprises coming your way). We really prepared a special night for you all, added Jao, who made us laugh with his humorous spiels and shoutouts to his friends and family in the audience.

“Please know we truly appreciate all your efforts, Magiliws,” Taneo chimed in, expressing how quickly their fans bought their tickets upon the announcement of their concert. Alas followed this up by introducing their early Christmas gift for the fans: their first live performance of their comeback track, “Hiraya.”

Alamat Ragasa
Photo by The Beat Asia

It seemed that ALAMAT was only warming up with their surprises when the stage suddenly dimmed and revealed the beginning of their solo prods. R-Ji took to the stage with a metal song performance, and showcased his guitar-playing skills with a mean solo!

Lead rapper, Alas, gave us a Hip-hop dance number that truly highlighted his strengths, and sent fans into a frenzy. Afterward, the group returned on stage to give a shoutout to their fellow P-Pop supporters. Mo said, “May space for everyone na gustong gumawa ng P-Pop songs. Hindi ito limited sa atin at sa ibang groups. The more the merrier. Ang daming nagdadagsaan ngayon na mga P-Pop groups and sobrang nakakataba ng puso (There’s space for everyone who wants to write P-Pop songs. It’s not limited to us or existing groups. There are a lot of emerging P-Pop groups today and it’s truly heartwarming).”

Tomas then gave a piece of advice to his fellow P-Pop artists to make sure they have a clear concept for their branding. He told us about how ALAMAT was the product of thorough research and how they continuously incorporate Filipino history and cultural elements into their music and music videos.

The group then performed a medley of tracks from their 2023 P-Pop Con, such as “Nagayuma,” “Aswang,” and “Say U Love Me” before moving forward with another set of solo prods featuring Mo — who serenaded us with a soulful R&B track — and Taneo who gave a stunning song and dance number.

R-Ji Solo
R-Ji | Photo by The Beat Asia
Alas Solo
Alas | Photo by The Beat Asia

Many of ALAMAT’s songs have previously been featured in local films and series and the group performed a medley of these tracks from the heartfelt “Sa Panaginip Na Lang” from “Expensive Candy,” which highlighted their vocals and impressive harmonies to “Walang Hanggan,” which was featured in the 2024 film, “A Glimpse of Forever,” and “Day and Night” featured in “Chasing the Wild” TV series.

Another highlight of the night came in the form of surprise musical guests with Nik Makino joining the group to perform their Coke Studio collaboration, “Ngayong Gabi.” The rising Hip Hop artist also performed his hit track, “SOBRANG SOLID.” The group returned on stage to thank their sponsors, especially their DITO Telecommunity family. They followed this up with the song “Ang Galing DITO” which is tied to the company’s ongoing campaign.

Alamat x Nik Makino
Alamat x Nik Makino | Photo by The Beat Asia

On the last set of solo prods, both Tomas and Jao brought out their special guests which raised the bar even higher. DWTA joined Tomas for an acoustic duet of her song, “Padaba Taka” before the ALAMAT singer serenaded everyone with an OPM classic, “Kahit Kailan.” Meanwhile, Jao set the stage ablaze with a fiery number alongside dance machine Innah Bee, donned in all his pink glory.

Jao x Innah Bee
Jao x Innah Bee | Photo by The Beat Asia
Tomas x DWTA
Tomas x DWTA | Photo by The Beat Asia

As all good things do, the concert reached a climactic end when ALAMAT performed unreleased tracks, “Champorado” and “Sa ‘Yo Pa Rin Uuwi” from their forthcoming EP, “Destino,” which is slated for a 2025 release. The latter track will be released as a single on Dec. 13.

This announcement was the cherry on top of this entire event, leaving fans and concertgoers something to look forward to.

The show ended just past midnight and it’s safe to say that it was nothing short of spectacular. To write songs that highlight Filipino culture through ethnic instrumentations and lyrics that use words from various Philippine dialects already distinguishes them from other P-Pop groups today, but to be able to perform them well makes them an underrated force in the Philippine music industry.

Amid the minor technical hiccups that we believe failed in keeping the energy high throughout, the six members easily carried the entire production on their backs, pulling up the audience along each performance, proving that they are a diverse powerhouse of talent and a true world-class act Filipinos can be proud of.

Alamat
Photo by The Beat Asia

Follow ALAMAT on Facebook, Instagram, and TikTok for more updates on their new releases and appearances.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture

Paskong Pasko Na Talaga! What Makes a Christmas Celebration…Filipino?

Stars 4664313 1280

There's something truly magical about celebrating Christmas in the Philippines — it just hits different. While most countries only start feeling the holiday season by mid-November to early December, Filipinos are well underway in their preparations for the festivities.

We're talking about a holiday season that kicks off as soon as 12 MN hits on Sept. 1 and stretches way over till the first weekend of January...because why not, right?

From the warm glow of parols lighting up every street and corner to the sounds of Christmas carols playing repeatedly almost everywhere, Paskong Pinoy is more than just Christmas; it's a whole experience that goes beyond sensory-overload-inducing decorations.

So, what makes a Filipino Christmas...well, Filipino? Here's your ultimate guide to the traditions that make Christmas in the Philippines the best holiday season you'll ever experience:

Curated Christmas Playlists On Repeat Since September

Since Filipinos are known worldwide for their "throat chakra," it's not a huge thing to have a playlist filled with almost every popular Christmas song in the West blended with their very own Christmas bops.

Almost every establishment in the Philippines is now blasting Christmas hits like "All I Want for Christmas," "Santa Tell Me," "Last Christmas," and of course, "Christmas In Our Hearts," and "Star Ng Pasko" through the speakers and radios. Could you imagine listening to the same Christmas songs repeatedly while shopping, running errands, or whatnot in department stores? It's our everyday reality here and we love it! Naturally, the same artists can be found on practically every Filipino Christmas playlist.

By the way, here's our own The Beat Asia's Christmas Playlist. Give it a listen, maybe?

Maximalist, But Cohesive Christmas Decorations Everywhere

If it wasn't clear enough, Filipinos take Christmas decorations to a whole different level. Numerous Christmas lights are strung across residential buildings, and some people even turn their homes into a spectacle resembling an entire Christmas village.

And, it's not just Filipino homes doing this.

Every year, malls are decked out in new decorations, including large wreaths and parols hanging near the entrances, massive Christmas trees in the middle, and Christmas lights scattered around the mall.

Plus, everything has to be in the same color scheme. They either have to be in the usual red, green, silver, or gold, or much like some malls, they go for a different route and choose other colors for their Christmas ornaments.

If you want to see how Philippine malls go all out on their Christmas decorations, our best bet would be to go to any Ayala Mall. You'd see what we're talking about.

Christmas Shopping at Christmas Bazaars...because obviously?

Christmas bazaars are always a big thing during the holiday season. Well, why wouldn't it be? When it's the season of the year in the country of the biggest Christmas stans, holiday-themed affairs are welcomed by everyone of all ages.

If you're on the lookout for unique Christmas gifts for your loved ones (and probably for yourself), or just in the mood to stroll around and hype yourself up for the upcoming holiday season, then Christmas bazaars are the place to be!

Here's a list of Christmas bazaars to go to this year!

Back to Basics: Traditions Filipinos Follow during Christmas

As Christmas time starts closing in, so do the traditions and customs that make the holiday season heartwarming and sincere.

One of these is the nine-day tradition, Simbang Gabi, where Filipinos attend dawn masses from Dec. 16 to 24. A common belief that's been passed down from generation to generation is that you'll be granted a wish once you attend all nine dawn masses from the 16th to the 24th.

After the dawn masses, some Filipino families head home with some special Filipino delicacies called Puto Bumbong and Bibingka on hand. For many, these two treats cannot be missed out on during Christmas; they've just been there since the beginning, and there's no questioning it.

The Main Event: Noche Buena

Undoubtedly every Filipino's most anticipated holiday moment, the Noche Buena is where everyone gathers around for a festive meal after the evening mass on Dec. 24, or Christmas Eve.

This age-old tradition stemmed from Spanish colonialism and is one of the stars of Filipino Christmas, being a good example of marrying food and community together. Eating together as a family, regardless of the occasion, is something so distinctly Pinoy that it can't be explained in any other way.

A typical Filipino Noche Buena meal (which varies per family, btw) usually includes lechon (whole roasted pig), a type of noodle dish (Filipino spaghetti mostly), queso de bola, barbecued meat, Christmas ham, white rice, fruit salad, mango float, macaroni salad, any type of kakanin, and beverages like soda, wine, alcoholic drinks, and juices.

Still on the fence about what dishes to include in your Noche Buena spread this year? Here are some of our ideas to get you started and multipurpose ingredients to fill up your pantry!

Family Is Love, No Matter Where We Are

For Filipinos, Christmas is the most important holiday, and there is no better way to celebrate this beautiful occasion than with the people we care about the most, is there?

The family is the center of society in the Philippines. But it's not just the nuclear biological family we're born with. They're the people we care about the most, and for a lot of people, it's the family we choose.

However, due to the realities of life, sometimes we just have to spend it away from home. So, what can we do then to maximize the holiday season while we're separated from our loved ones? We celebrate Christmas in the Filipino way, with the occasional modifications, of course. That entails throwing a lavish Noche Buena, decorating to the tee, and inviting some friends to celebrate!

You don’t even have to follow the traditional Noche Buena setup; you can serve anything that you want and just eat, give gifts, and celebrate with your friends. We believe that the true essence of Christmas isn’t because of the decorations or the songs we play on repeat.

As cheesy as it sounds, it’s the people we spend the special holiday with that make Christmas the way we know it.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Happenings

ICYMI: A Rico Blanco Musical is Coming to the Stage in March 2025

Untitled design 7 Photo by Facebook/Rico Blanco

OPM (Original Pinoy Music) fans, rejoice! A new original Filipino musical is officially in the works, featuring the songs of Pinoy Rock icon, Rico Blanco.

Local theatre company, 9 Works Theatrical — the team that brought us award-winning productions such as “Rent,” “Grease,” and the APO Hiking Society musical, “Eto Na! Musikal nAPO!” — announced on social media their upcoming show, Liwanag Sa Dilim. The play will feature songs by the Rivermaya frontman and aims to honor and celebrate the artist's contribution to the Philippine music industry. This will be their first production next year with the run beginning in March at the RCBC Plaza in Makati City.

The company released a series of posters on their social media pages, teasing theatre and OPM fans alike. It was also revealed that Robbie Guevara — who also directed “Once On the Island” — will once again take the helm and write the book. Details on the cast, show dates, and ticket prices are yet to be released.

Rico Blanco needs no introduction being one of the most celebrated musicians in the Philippine music scene. Known as one of the founding members, as well as the chief songwriter and vocalist of the Pinoy rock band Rivermaya, the multi-instrumentalist has penned some of our most beloved pop-rock anthems including “214,” “Balisong,” and “Ulan.” He departed the band in 2007, pursued a solo career, and has since released three studio albums.

Follow 9 Works Theatrical on Facebook, X (Formerly Twitter), and Instagram for updates.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Celebs & Influencers

PH's Chelsea Manalo Nabs Miss Universe 2024’s 'Best National Costume' Award

P Hs Chelsea Manalo Nabs Miss Universe 2024s Best National Costume Award Photo by Instagram/Chelsea Manalo

Another win for the Philippines!

Following her successful stint at the Miss Universe 2024 and her historic Miss Universe Asia win, the Philippines’ bet, Chelsea Manalo, nabs another award at the prestigious pageant — this time as the “Best National Costumewinner!

The recognition, according to the announcement by the Miss Universe organization on social media, is based on the public’s votes for the category.

Called “Hiraya,” Manalo’s award-winning costume is designed by famed designer Manny Halasan. It embodies her “unwavering faith” and represents the complex yet vibrant relationship between the Philippines and Mexico and the introduction of Christianity and Islam to the country.

Hiraya” highlights a design inspired by Our Lady of Antipolo, a historical carving brought from Mexico to the Philippines in the 16th century.

It is also made with a meticulously crafted Inaul fabric, a traditional fabric of Sultan Kudarat representing the Muslims; Galleon, a ship-shaped headpiece that honors the Galleon Trade, one of the earliest forms of global trade in the country; Tongkaling bells, a musical instrument commonly used in Mindanao; and a stunning handcrafted Puni decor, an ode to Manalo’s hometown, Bulacan.

Meanwhile, Chile’s Emilia Dides’ Chilean game show-inspired costume and Vietnam’s Nguyễn Cao Kỳ Duyên’s butterfly parasol-adorned fit win second and third place, respectively.

This marks the Philippines’ second “Best National Costume” award in a row, following Michelle Dee’s win with her aviator-themed costume last year.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.