Lola Amour on 'Dance with My Mistakes' and Songwriting Therapy Sessions

It’s been a couple of years since “Raining in Manila” took over the airwaves and we’re still listening to it today if we’re being honest. But Lola Amour shows no signs of stopping despite their 12-year-long history and ICYDK they’re back with a brand-new song that's sure to be an earworm.
Produced by renowned producers Hyuk Shin (EXO, SHINee, Justin Bieber) and CUURLEY, “Dance with My Mistakes” blends their signature style with fresh influences from their global journey, proving that they’re ready to take their music beyond the Philippines. Fresh from their collaboration with Australian artist Oliver Cronin for “Maria,” the seven-piece Filipino Indie band is showing listeners that they’re sound is ever-evolving, which is what makes them one of the most unique and beloved bands among an impressive lineup of talented local artists.
The Beat Asia hung out with Pio Dumayas (Lead Vocalist), David Yuhico (Keyboardist), and Raffy Perez (Drummer) to talk about their exciting musical journey, the evolving sound of Lola Amour, and the inspiration behind their new dancey single.
Hi Lola Amour! Can you describe your musical journey so far?
Pio: It’s been long. *laughs* It’s been nine years for the band in total. A lot of growth and a lot of things that we never thought would happen to us, but in a good way. Also, a lot of excitement.
David: And a lot of change! Every time there’s a new single that pops, the sound shifts. And then the next thing that pops up is also so different. There are a lot of changes, but a good kind of change.
You mentioned before that you started the band as a hobby. Was there a moment when you realized Lola Amour meant more to not just yourselves but your listeners?
Pio: I think it was when we started making enough to quit our day jobs so we could finally dedicate everything — our entire workdays — to the band. Everything changed when that happened. One by one, we started resigning from our day jobs. Zoe (Guitarist) was the first to resign, and he was so happy.
Also, during the [COVID-19] pandemic, we realized that being in the band isn’t just about playing music. When you make friends with your fans, they start to feel like your actual friends. During the pandemic, we helped some of them out — those having a hard time, like that one fan whose house caught fire. Over time, it’s become not just about the music.
You’ve been together for many years, and we’ve seen members come and go. How do you deal with these major shifts and changes as a group?
Pio: David actually joined during the pandemic. It was easy because we have been missing a keyboardist for a while.
David: It was easy because I was very good. *laughs* Kidding aside, every time it changes, our sound also shifts, because it’s not only what the new member brings but what the new member brings out of the other members, as well. The sound shifts, and so does the band’s personality, because we all adjust. It’s part of the fun and the challenge. It’s simply part of being in a band.
Pio: Was it difficult? Always. There’s always a temporary void that everyone’s sizing up. There’s that transition of adapting to this new change.
Raffy: When I first joined, I often thought about 'How do I make sure that we don’t lose that Lola Amour sound, but at the same time, it’s still me?' There’s a bit of a transitional period where I had to figure out what’s best for everyone. But I think eventually, once you understand the core of the band, it becomes easier.
David: And there also has to be mutual respect for those who left. There are parts like in “Pwede Ba” that I don’t touch because that’s Martin’s (former keyboardist) part. I don’t want to change that because it’s an iconic part of the song. You must have that respect for the person who has been replaced.
Pio: I just realized that I don’t know what you guys are talking about because it’s never happened for me.
David: [Joking] So soon, when he leaves. *laughs*

You mentioned how your sound is often shifting. Do you ever feel nervous about introducing a new sound to your fans? Or is it more exciting?
All: Exciting.
Pio: We don’t make new songs with sounds that we don’t want to explore or music that we’re not excited about. We do think sometimes that this might not be the sound people are used to. Then again, when you look back, they have nothing to get used to because all our songs are different. It’s always been the nature of our music to just try out whatever we’ve been listening to and make our own frantic style from all these.
Let’s talk about your new song, “Dance with My Mistakes.” What was the inspiration behind it?
Pio: 'Dance with my Mistakes' is a song about coming back to someone that you let down before because of circumstances, like not being ready, personal issues, timing — and then coming back to them at some point in time and saying, 'I’m ready. Let’s try it out again if you’re down' — knowing that you might not be granted that second chance.
David: It’s a personal story of mine. It’s about the right person, wrong time, and then after a while — after the healing — is it now the right person, right time? Like, do you know if that person is even willing to have you back in their life?
Pio: Yes, especially with all the history and baggage your last encounter has induced.
Can you walk us through the process of producing it?
David: We were all in the room, and Shin, our producer, loves to talk. Part of the process is getting everyone on board and hearing the idea of the song. He was like, 'Does anyone have a story to tell?' That was our first day of writing, and everyone was still shy, so nobody was willing to share. So, I took it. I said, 'What if we talked about regrets?' Shin wanted more answers. It was like a group therapy session at that point, and everyone was looking at me. We had to be vulnerable. I hated it. *laughs* That’s how it started.
After that, Pio started writing the lyrics in his corner while we did the music. And then suddenly, he comes back with only one line, really excited. He was like, 'Hey guys! I have a line: I’m gonna dance with my mistakes.' And then we used that as the seed to build the song.
Speaking of your producers, how was working with Hyuk Shin and CUURLEY? How did the collaboration come about?
Pio: It was really fun working with them. It’s our first time working with producers on that scale of a project. It was a different experience, especially having us sit in a room at the beginning of the day to talk about our feelings. That was new. I didn’t know people did that. *laughs*
They really knew how to bring out the best in what we were trying to do. They can see you cooking something up, and even when you can’t say the words, they help you bring it out. We met them at a songwriting camp, and they enjoyed our company so much that they told us to come back for more songs.
David: We kept that relationship. You know how, after you end a project with someone, they’re like 'Oh yeah, hit me up,' but it doesn’t mean anything? But for this one, it felt real. So, we came back and worked with them.
Were there any musical influences that created the tune?
David: It started with a jam. We just started playing, tried a few chords. It wasn’t really gelling at first, so I tried the chords that I wrote, and then Shin was like: 'Okay, that one!' And there were a few edits. There weren’t really influences or references that we were looking at. It was just what we were feeling at that time.
Raffy: And we wanted a jumpy beat, like something to dance to.
David: Yes! Part of the prompt was that we wanted it to be dancy and up tempo even if the lyrics or theme is sad. I wanted to dance!
Has it always been intentional to go beyond the local music scene?
Pio: Not intentional. I think it’s just the next step we want to be taking. We toured the Philippines, and now we’re getting inquiries from other countries. It’s just that things are happening, so we’re doing them.
David: If the opportunity presents itself to us, we’re more than happy to perform abroad and represent the Philippines. Whoever wants us, we’ll be there!
Raffy: I remember it wasn’t really a thought even when “Raining in Manila” was skyrocketing in the country. We were just touring around, it's really fun, and the song is so popular! Then the next thing we know, we have an inquiry to play in Singapore. So, like David said, it’s really just as long as the opportunity presents itself, let’s take it! I wouldn’t say it’s intentional. If the eyes see us and they want us to play there, then of course we’ll do it.
Who is your current dream international artist collab?
David: Dua Lipa. So fire!
Raffy: I’d probably say Carly Rae Jepsen. My pop queen!
Pio: I guess Bon Iver. Idol!
Do you have a message for your fans about this new single?
Pio: Thank you so much for the support. We enjoyed making this song, and we were so excited to release it. We made it around six months ago, and it’s finally here! We hope you guys will check it out and appreciate David’s vulnerability.
David: But written by Pio. *laughs*
What’s next for Lola Amour? Anything we should look forward to this year?
Pio: We have a lot of songs coming up. We actually have one at the end of May and more to come soon after. We definitely have a lot in store for everyone. We’ll also be doing a small local tour and maybe some shows abroad.
Raffy: We’ll just see you there!
For updates on their latest music release and shows, stay tuned on Lola Amour’s official Facebook, X (Formerly Twitter), TikTok, and Instagram pages.
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