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Professional football player Seb Buddle, 21, has come a long way from being a young British boy living in Mui Wo with his parents to his first debut representing Hong Kong in a professional football match last month in Japan.
Born and bred in Hong Kong, Seb has been playing football since the age of 3, motivated by his family who had grown up “loving football” and supporting his hometown club, Arsenal FC.
After 11 years of playing football with his club Kitchee, Seb’s dream came true to represent his home country with his first professional cap with the Hong Kong U23 team against Japan U23 team on Oct. 28, 2021, for the AFC U23 Asian Cup qualifiers for the 2022 Uzbekistan tournament.
Seb was born to British parents and has spent most of his life growing up in the quiet expat-heavy area of Discovery Bay. Studying at West Island School in Pokfulam, he was always passionate about playing football, driven by his father who had inspired him to play.
“I never planned to be a pro footballer,” Seb told The Beat Asia. He had begun playing for his school football team entering year seven and Kitchee’s Youth Team when he was 10 years old. “One day the coach from the first team at Kitchee came to school and called me up and three others to the first team. Of course, we wanted to [join and play professionally.]”
Seb began in 2010 playing for Kitchee Youth, transferring in July that year to the Kitchee reserve team, and then in July 2016, received his call up to the men’s team who play in the Hong Kong Premier League.
His call-up and inception of his professional footballing career came coincidentally during the last two years of his high school studies, enrolled in the intense International Baccalaureate system studying six subjects in mathematics, English, a foreign language, a science-based subject, a liberal-arts study, and a creative choice.
“West Island [School] were really flexible in accommodating the extension of my IB program to three years, splitting the 2nd and 3rd with three subjects for each year,” he says.
Photo by Website/Kitchee
His study-football schedule was intense and not easy on the budding footballer.
Seb would wake up at 6:30 AM daily, travel to school for an hour class beginning at 8:30 AM, go to training from 10:30 AM to 1 PM, back to school from 2 PM to 3:15 PM, and then return to Discovery Bay to study.
He was thankful for the support of both his girlfriend and West Island School for the motivation to balance the two disciplines: aiming for a top mark in the hard IB program and challenging for a place on the weekly team sheets in the Premier League.
Seb’s perseverance through high school and dedication to training with the Kitchee men's team helped Kitchee win the 2018 Sapling Cup against Wofoo Tai Po at Hong Kong Stadium.
The "proudest moment of [his] career," Seb played 85 minutes of the 2-1 win against their rivals, helping his team lift the trophy.
“This was a great feeling as my main target for the season was to win this trophy, and Kitchee had never won this competition before. It was great to celebrate on the pitch afterwards with fans, and my friends and family.
“Making my professional debut at Mong Kok Stadium at 17 was very special to me. The fans were chanting my name. That was a great experience.”
Photo by Website/offsidehk
In 2018, following the Sapling Cup win, Seb met with the Ken Ng, chairman of Kitchee Football Club, to discuss his future and the plan crafted specifically for the young British player.
“He had a clear plan for me to get the Hong Kong passport, play for the local and national team, and join in continental [and regional] competitions for the Hong Kong team,” Seb said.
Seb procured his Hong Kong passport in 2019, allowing him to represent the country he has only known on a professional and regional football stage.
With Kitchee, Seb had been a part of the professional team that won the treble Premier League, FA Cup and Sapling Cup for the 2017/18 season, the Senior Shield for the 2016/17 season, and the double Premier League and Sapling Cup for the 2019/20 season.
On Oct. 23 2019, Seb scored his first professional goal against Lee Man for Kitchee during a Sapling Cup match that saw them win the title.
Seb recalls the latest 2019/20 season playing with Kitchee and the battle with rivals Eastern FC to win the title. “We were neck and neck with Eastern throughout the end of the season. Each team had to win every game. We unfortunately slipped up to Southern [FC]; Eastern drew to Rangers [FC].”
“I didn’t get to play the last game but we won 2-0 against Eastern on the final day of the season at Hong Kong stadium.”
When asked about his involvement with Kitchee, Seb recalled his love and commitment to the club. “I have felt a part of the club for 11 years since I began playing at 10 years old. They have always been good to me.”
“A commitment from an early age, I had to travel from DB (Discovery Ba) to Choi Hung and Sha Tin (Kitchee’s training grounds), a two-hour travel time.”
Playing in a majority-foreign team at Kitchee, Seb has never felt out of place. During his one-year loan to Tsing Yi-based Hoi King football club in the 2018/19 season, however, he experienced the “lost in translation” effects of playing with all local Cantonese players.
“You do stick out like a sore thumb. Everything had to be translated for me [at Hoi King],” Seb explained to The Beat Asia. Born in Hong Kong though, Seb never has felt any different about his identity, “I have always felt like a Hong Konger, I love the culture and the food, but don’t know the language. I obviously have a bit of both [British and Hong Kong culture in me.]”
Returning to Kitchee for the 2019/20 season, Seb received a few more caps playing for the men's team before his current loan spell at HK U23 until the end of the season next year spring, with Kitchee having the option to recall him into the squad in January 2021.
Despite losing both games to Cambodia and Japan in the Asian Cup qualifiers, for the next year's tournament in Uzbekistan, Seb treated the Japan trip as “a great experience and a personal target” for his future involvement playing at a national level. He hopes to break into the team for the Asian Games next year.
With a Hong Kong passport, staying and fighting for games is the future for Seb in Hong Kong. He wants to get more caps under his belt and play football at a national championship level with the opportunities for playing the best teams in Asia.
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You may have observed the recent revival of Cantopop and Disco Nights happening across the city or trending on your feed, often hosted by local DJ collective and creative agency Cantomania. From coffee raves to family-friendly daytime discos like their takeover of Murray House in Stanley in partnership with Carnaby Fair, you'll often find DJ Fabsabs behind the decks hyping up the crowd with a flawless set delivering a seamless lineup of nonstop nostalgia.
The Beat Asia sat down with the DJ as he enthusiastically regaled his recent (global!) gigs, educated us to the depth and cultural richness of Cantonese music, and shared his secret to bringing the vibes to every party. As much as we loved Fabsabs' stories, we were also receiving a music education as he illuminated us on the history and intricacies of our Cantonese favorites.
Courtesy of DJ Fabsabs
DJ Fabsabs, also known as Pete Sabine, may have grown up as an expat in our international city, but he and his two brothers found their own ways to feel a sense of belonging in Hong Kong. “Cantopop was an avenue for me to try and connect more with local culture and to have less of like an expat identity,” Pete shares.
Pete grew his love for music into a career starting out as a radio DJ in university, then booking gigs in underground clubs. Cantonese music, though, was not something he imagined spinning in front of an audience of thousands. And little did Fabsabs know, he’d become one of the most visible champions of Cantonese music in Hong Kong’s nightlife scene, leading a movement that’s turning nostalgia into innovation.
Through his work at Cantomania, the genre-fluid party series he now runs, he’s remixing the city’s sonic heritage and building a space where language, identity, and sound collide.
Courtesy of DJ Fabsabs
But this isn’t just a story about a DJ finding his groove. It’s about cultural reclamation, about what it means to grow up in a place and choose to belong more deeply. Fabsabs didn’t inherit Cantonese music- he pursued it, learned the language partly through lyrics, and built a platform that celebrates both the classics and the lesser-known gems of Hong Kong’s musical past.
Tracing his journey from an outsider to a cultural curator, let’s explore the rise of Cantomania, and unpack how a genre once confined to karaoke rooms is now pulsing through dance floors across the city and beyond.
Courtesy of DJ Fabsabs
Cantomania itself, started as a modest party series founded in 2016 by DJ Jayme. A medical doctor by profession and a devoted figure in Hong Kong’s underground music scene, Jayme envisioned a space where Cantopop could be celebrated outside its usual contexts: not in karaoke lounges or concert halls, but on the dance floor.
Drawing from his eclectic DJ background and growing fluency in Cantonese, he began curating nights that blended nostalgia with experimentation. The parties gradually grew in scale and ambition, eventually landing gigs in venues like 宀, Quality Goods Club, and Soho House.
The turning point behind the success of Cantomania may have come during the pandemic, when audiences, starved for connection and craving cultural familiarity, flocked to their events and sets at local festivals like Clockenflap, Pop Fest, and M+ at Night. Social media moments, like a reel that hit over a million views, helped propel the brand beyond Hong Kong, bringing Fabsabs to London, Manchester, Macau, and Singapore.
But even as the project grows, its core remains the same: to celebrate Cantonese music in all its forms.
Courtesy of DJ Fabsabs
For Fabsabs, remixing is sometimes about reframing memory. His approach to Cantonese music is rooted in storytelling, where each edit becomes a way to reintroduce a song or a sound to a new audience, often in a new emotional context.
“Lyrics are so important in Cantopop,” he said. “The people who write lyrics in Cantonese are geniuses. If you think about lyricists like Wyman Wong, their writing is so emotionally involved and they’re referencing a lot of history, literature, and culture.”
That philosophy is especially evident in how he selects tracks. While Cantopop is often associated with slow ballads and karaoke staples, Fabsabs digs deeper, surfacing faster, lesser-known cuts from local artists that rarely get club play. These songs, often overlooked in mainstream settings, have become the backbone of his sets. By pairing them with ambient samples, vintage TV ads, and even MTR chimes, he creates a sonic collage that’s both nostalgic and forward-thinking.
But it’s the Cantonese lyrics that anchor everything. Their emotional density, poetic phrasing, and cultural specificity make them uniquely powerful on the dance floor, especially when recontextualized through basslines and synths.
How long have you been DJing for?
Courtesy of DJ Fabsabs
I’ve been DJing for over 20 years. I started during university in Edinburgh, doing late-night radio slots from 2 AM to 4 AM, which taught me how to collect and mix music, though it was on a radio console, not a club setup.
After graduating and returning to Hong Kong, a friend invited me to DJ at a bar (now Penicillin). I had no idea how to use the equipment, but I winged it, figured things out on the spot, and didn’t get fired, so that’s how my club DJ journey began!
When did you start DJing with Cantopop?
I actually started integrating Cantopop into my DJ sets around 2008 or 2009, mostly in bars and clubs, artists like Sammy Cheng were big then. But the first Cantomania event I played was in 2018 at 宀 in Sheung Wan.
In the early days, it was a niche event with small, dedicated crowds. Things really picked up during the pandemic, and by 2023, after playing Clockenflap and West Kowloon Pop Fest, it blew up. Now there’s huge interest, but I want to keep Cantomania special. not something that happens every day.
What makes a Cantonese track “dancefloor-worthy” in your eyes?
A strong beat and bassline are essential, but it’s also about energy and relatability. While Cantopop is often seen as slow or ballad-heavy, many artists have upbeat tracks that just aren’t widely known. I’ve spent time digging through albums to find those hidden gems.
Ultimately, it comes down to testing, seeing how people respond on the dancefloor. Some slower tracks can work too, depending on how you build the set’s tempo. If it’s not too serious and people can connect with it, it has dancefloor potential.
Cantomania started as a niche party and has grown into a movement. What do you think it tapped into culturally?
Courtesy of DJ Fabsabs
I think it resonated because people, especially during the pandemic, started reflecting on what Hong Kong meant to them, and Cantonese music became a way to reconnect with that identity. Everyone who speaks Cantonese knows the songs, so there’s a built-in emotional link. Social media played a huge role too. One reel from a show unexpectedly went viral, hitting a million views and adding thousands of followers in minutes. That moment made me realize how much interest there was.
Since then, we’ve built a team and streamlined operations. I think Cantomania tapped into a cultural need, especially among Gen Z, to celebrate local language, music, and identity in a fresh, communal way.
How do you balance nostalgia with surprise in your sets, especially when the crowd probably already knows the lyrics by heart?
Courtesy of DJ Fabsabs
It’s a real challenge now that Canton Disco has matured, people know the hits, and repetition can get predictable. So I always keep the essentials but dig deeper into artist catalogs to find lesser-known tracks. I also incorporate non-musical elements like samples from Hong Kong TV ads, movies, and even ambient city sounds like the MTR, things that instantly evoke local culture.
Mashups help too, blending Cantopop with K-pop or Western tracks, but I’m careful not to dilute the Canto identity. The goal is to keep Hong Kong’s culture and language front and center while still surprising the crowd.
Instagram/ DJ Fabsabs
Fabsabs’ recent performance at Murray Summer also marked a symbolic moment. Held at one of Hong Kong’s most iconic colonial-era buildings, the event bridged past and present, turning a heritage site into a living venue for contemporary Cantonese culture. And these choices aren’t accidental. From venue selection to visual storytelling, Cantomania is designed to foster cultural pride and community.
It’s a place where older generations hear familiar melodies in new forms, and younger audiences discover the richness of a language they feel deeply. It’s also a space where diasporic Hongkongers, whether in London, Manchester, or Singapore, can reconnect with home through sound.
You recently participated in the “Murray Summer” takeover of Murray House in Stanley. Can you share a little more about the experience with us?
Courtesy of DJ Fabsabs
Murray House is such a recognizable landmark for anyone who grew up in Hong Kong, so doing an event there felt special.
For the night, I curated the DJs based on vibe, but I never tell them what to play. I want spontaneity, not rigid setlists. That freedom is what keeps the energy alive and the experience authentic. Visuals are central too, they help evoke the memories tied to the music.
Why are such initiatives essential for fostering culture and community in the city?
Events like Murray Summer show how underused spaces, like Murray House, can be transformed into vibrant community hubs. What made it special was that it was all-ages, which is rare in Hong Kong’s nightlife scene. Families could attend together, and that inspired me to think more about inclusive, family-friendly events. It’s important to create spaces where people of all backgrounds and ages can connect through music and culture.
For that event, my team at Neon Tiger handled everything, from the bar to the sound system, even though I’d just flown in from London that morning. It was exhausting but worth it. Collaborations like these, especially in historic venues, help bridge generations and keep Hong Kong’s cultural spirit alive.
Do you think Cantonese music carries emotional weight that’s different from English-language pop? If so, how?
Courtesy of DJ Fabsabs
Absolutely. Cantonese lyrics often carry a depth and poetic quality that’s missing from much of today’s English-language pop.
While older English ballads had strong lyrical storytelling, modern chart music tends to focus more on surface-level themes. In contrast, Cantopop lyricists like Wyman Wong, their writing is so emotionally involved and they’re referencing a lot of history, literature, and culture. That richness creates a deeper connection for listeners. I also see this emotional depth emerging in Hong Kong’s hip-hop scene, where artists are writing with real substance.
Are there songs or lyrics that have stuck with you — ones that feel personal or poetic?
Instagram/ Moon On Planet (MOP) Macau
RubberBand - 未來見 (See You in the Future)
I played this song as the last of an M+ set to 4,000 people. That day I had just come back to Hong Kong from my grandmother's funeral, and I thought it was the perfect ending to the set, as a farewell, see you in the future to my grandparents who are now both passed.
陳奕迅 (Eason Chan) - 任我行 (Let me Roam)
Eason songs can be fairly indecipherable for Western audiences and out of all the songs this one stood out on the Fear and Dreams concert that I went to see in London. I was very kindly provided a ticket by Ben from Congee Sounds who I had played with at a Canton Disco event in Manchester. Me and a friend were talking about the end of this song, bringing in this tension between being free and following others: as a DJ I think this is really real, and it's relevant for everyone.
N.Y.P.D. - 美之 (Mee & Gee)
I just love this song because it references lots of stuff I grew up with. It's a really good example of newer bands writing fun songs without having to be so serious about the song structure or lyrics. And it's all kind of clever and post-modern but really fun.
Gordon Flanders - 全世界停電 第二年 (The Blackout, Year 2)
This is kind of a serious and depressing song in some ways, but I think it's quite a clever Wyman lyric, and it's a bit mental that you can hear this in a McDonald's, that wouldn't happen in English-first speaking countries. You probably would get something more upbeat.
LMF - 大懶堂 (Lazy Clan)
I think this song is something that always gets a great reaction because a lot of people hate their job and working is really stressful. LMF are definitely the type of artist 100% of people love at our shows.
What’s something you haven’t done yet musically that you’re itching to try?
Instagram/ DJ Fabsabs
I’m really keen to explore more visual mediums, things like mini-drama formats or projects that weave in Hong Kong’s cultural elements. I’m also looking at expanding Cantomania into larger-scale festival-style events and more international touring. We’ve already played in London, Manchester, and France, and the response has been incredible.
Musically, I’m interested in remixing older Cantonese tracks using era-specific sounds, like Italo disco and analog textures, to preserve their original aesthetic. Remixing is tricky, you have to add something meaningful without losing the soul of the original. I’ve been reaching out to lesser-known artists from the ’80s and ’90s to collaborate on re-releases and edits that feel authentic to their time.
Beyond that, I want Cantomania to evolve into a full cultural movement, blending music with fashion, design, and visual storytelling. We’ve built a team that can handle everything from visuals to scripting, and we’re experimenting with new venues, including historic spaces like Murray House. I’m also passionate about supporting underground artists and producers, especially those who don’t fit into mainstream venues. A pop-up space could be a great way to give them a platform.
Ultimately, I want to keep pushing boundaries, supporting emerging talent, and creating experiences that go beyond just music.
This interview has been edited for length and clarity.
Catch DJ Fabsabs at his next shows and experience the magic of Cantomania at Maggie Choo’s on Sept 20, 2025, AIA Vitality Hub on Sept 26, and La Vache! on Sept 28. In case they're fully booked, follow the Instagram of DJ Fabsabs and Cantomania to make sure you don't miss their next ones!
Enjoyed this article? Check out our previous In Tune With profiles here.
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Cyclists, clear your calendar! Hong Kong is gearing up for a high-energy weekend that blends fitness, family fun, and waterfront views. On November 30, the Sun Hung Kai Properties Hong Kong Cyclothon returns with its biggest edition yet, welcoming over 6,000 cyclists from across the globe to ride through the city’s most iconic landmarks.
Organized by the Hong Kong Tourism Board (HKTB) and sponsored by Sun Hung Kai Properties (SHKP), the event features a mix of competitive and leisure rides, including the 50km and 32km routes that span the Tsing Ma Bridge, Stonecutters Bridge, and the Central-Wan Chai Bypass.
For the first time, the City Cycling Challenge will introduce a more demanding course in Hong Kong, designed for experienced riders seeking a thrill.
Courtesy of Hong Kong Cyclothon 2025
But the Cyclothon isn’t just for athletes. A Cyclothon Carnival will be held at West Kowloon Cultural District offering a full day of entertainment for all ages with live music, street performances, food stalls, and interactive zones featuring emerging sports.
Families can also join the Family Fun Ride, a new waterfront route with playful parent-child challenges, while the Celebrity Charity Ride adds star power and heart, with all proceeds benefiting The Community Chest of Hong Kong.
“The Hong Kong Cyclothon is a true highlight of our sporting calendar, offering locals and visitors an exceptional competitive cycling experience and showcasing the city’s ability to blend sport with tourism,” said Dr. Peter Lam, HKTB Chairman. “Looking ahead, the HKTB aims to expand the Hong Kong Cyclothon across the Greater Bay Area and work in partnership with neighbouring destinations to build a world-class tourism brand for the region.”
SHKP is also rolling out exclusive perks for participants, including hotel and dining packages through SHKP Club, The Point, and GO Royal. Meanwhile, the debut of the World University Trophy invites top student cyclists from around the world to compete, adding a global flair to the festivities.
Registration opened on September 13 at Discover Hong Kong’s website with entry fees ranging from HK$100 to HK$600 depending on category.
Follow the Hong Kong Tourism Board on Instagram and Facebook for more information!
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If the thunderous roar of Titans and the soaring notes of Jiyuu no Tsubasa still echo in your mind, you should know Hong Kong is now home to the Attack on Titan Exhibition FINAL Ver. Running from Sept. 9 to Oct. 26, 2025, this long-awaited showcase takes over The Twins in Kai Tak, delivering a visceral, immersive experience that plunges fans deep into Hajime Isayama’s dystopian world.
Courtesy of Attack on Titan Exhibition FINAL Ver.
With over 200 original artworks, including a jaw-dropping 2.4m x 9m “Giant Battle Theater,” rare behind-the-scenes content, eight themed zones, and exclusive merchandise, visitors can relive the emotional highs and devastating lows of humanity’s fight for survival.
Courtesy of Attack on Titan Exhibition FINAL Ver.
The eight meticulously curated zones bring the manga’s emotional depth and explosive action to life. The journey begins with the Opening Theater: “Choices in Life,” a cinematic prologue that sets the tone for the moral dilemmas and sacrifices ahead. From there, visitors enter Original Art World 1: “World of the Walls,” where they must choose between two paths, each offering distinct artwork and perspectives on humanity’s struggle.
The intensity ramps up in Original Art World 2: “Clash and Death Battles,”showcasing the brutal confrontations and ideological rifts that define the series. Then, Original Art World 3: “The Heroes” celebrates the beloved characters, Eren, Mikasa, Armin, Levi, and more, through detailed sketches and emotional moments. The 3D Theater: “Titan War” immerses guests in a sweeping battlefield experience on a massive screen, while the Artifact Zone: “Traces of Tragedy” displays symbolic items like Mikasa’s scarf and Levi’s teacup, each echoing the story’s heartbreak.
Courtesy of Attack on Titan Exhibition FINAL Ver.
Finally, the Creator’s Corner offers a rare glimpse into Hajime Isayama’s creative process, featuring original drafts and personal reflections, and the Exit Theater wraps up the experience with a poignant farewell. Each zone is designed to evoke nostalgia and reflection, making this exhibition a tribute to the legacy of Attack on Titan.
Tickets are priced at HK$120 for standard admission and HK$98 for concessions. Booking is available via Klook and Trip.com.
Whether you’re a die-hard fan or just Titan-curious, this exhibition is a rare chance to step inside one of anime’s most iconic worlds. Snap a photo with Levi, stare down a Colossal Titan, and walk away with memories (and merch) that’ll last a lifetime.
Ready to face the Titans? Learn more from the exhibition’s official website, and follow Attack on Titan’s official Instagram and Facebook
Attack on Titan Exhibition FINAL ver.
Location: The Twins, 10/F, TT SITE, 12 Concorde Road, Kai Tak
Exhibition Period: Sept. 9 to Oct. 26, 2025
Opening hours: 11 AM to 9 PM (Daily)
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This is for all the Hong Kong ONCEs who love skincare!
TWICE’s Mina is set to meet fans up close at her first solo fan meeting in Hong Kong, presented by Japanese cosmetics brand SK-II. The event is set to take place on Sept. 25, 2025, at Langham Place, where ONCEs can see and discover Mina’s summer skin secrets and crystal-clear complexion.
Photo from Facebook/SK-II Hong Kong
As part of the celebration, fans who purchase SK-II’s PITERA™ Trial Kits at their counters and stores will receive a limited-edition “Mina Summer SkinREADY” photocard, with exclusive Langham Beauty designs available in random designs while stocks last. ONCEs are also invited to join the SK-II WhatsApp group for more updates.
Mina has been SK-II’s global brand ambassador since March 2022, leading campaigns for the brand’s signature Facial Treatment Essence powered by PITERA™.
TWICE is currently on the Asian leg of their “This Is For” World Tour, with their next show set for Tokyo this Sept. 16 to 17, which will be followed by Macau on Sept. 27 to 28.
More details about Mina’s Hong Kong fan meeting will be announced very soon.
For more information, follow SK-II HK on Facebook and SK-II’s official Instagram.
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“Glass Heart” fans! Here’s your chance to see Takeru Satoh up close!
Fictional musical group TENBLANK from the Japanese drama series “Glass Heart” is set to go on their first Asian tour, “TENBLANK from 'Glass Heart' FAN MEETING – ASIA TOUR feat. Takeru Satoh,” which will bring the band across four cities in Asia this November. Naoki Fujitani, the band’s frontman, played by renowned Japanese actor Takeru Satoh, will be the only one performing on tour.
The band will kick off their tour in Taipei, which will be followed by Seoul, Hong Kong, before wrapping up with a show in Bangkok.
Official Poster for the TENBLANK Fan Meeting | Photo from Instagram/Live Nation Hong Kong
Taipei, Taiwan (Taipei International Convention Center (TICC)): November 1, 2025
Seoul, South Korea (KBS Arena): November 8, 2025
Hong Kong (Asia World Expo Hall 10): November 19, 2025
Bangkok, Thailand (UOB Live): November 29, 2025
“TENBLANK from Glass Heart” FAN MEETING in Hong Kong
Seating arrangement for TENBLANK's Fan Meeting | Photo from Instagram/Live Nation Hong Kong
The show in Hong Kong is scheduled for November 19, 2025, and will be organized by concert organizer Live Nation. Tickets will go live via Cityline on Sept. 9 (HSBC Mastercard Credit Presale), Sept. 10 (Live Nation Members Presale), and Sept. 11 (General On-sale).
Tickets are priced from HKD$699 and HKD$899, with all seated seats.
“Glass Heart”: Popular Netflix Japanese drama series
The Official Poster for "Glass Heart" | Photo from Website/IMDb
The hit Netflix Japanese drama is based on the novel series of the same name by Miko Wakagi, published from 1993 to 2011. The story follows the story of musical group TENBLANK and its members as they make a mark on their journey as musicians.
Akane Saijo (Yu Miyazaki), a college student and aspiring drummer, is unexpectedly removed from her former band just before their debut. She gets recruited by Naoki Fujitani (Takeru Satoh), a talented musician, for his band TENBLANK. Together with members Sho Takaoka (Keita Machida) and Kazushi Sakamoto (Jun Shison), they slowly become famous and known to the public eye.
For more information and updates, follow Live Nation Hong Kong on Facebook and Instagram. Visit their website here.
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The signature moves of wrestlers in World Wrestling Entertainment (WWE) have been captivating many of us growing up, but do you know wrestling is a thing in our city? And our local wrestlers are not short of styles!
Get ready for body slams with a skyline view on September 25, 2025, as the Hong Kong Wrestling Federation (HKWF) is transforming AIA Vitality Park into a high-octane battleground with its first-ever outdoor wrestling competition: "Ring of Harbour."
Courtesy of the Hong Kong Wrestling Federation
Set beneath the iconic Hong Kong Observation Wheel at the Vitality Park, this one-night-only event will feature an international lineup of over 20 professional wrestlers from Mexico, Ireland, India, and, or course, Hong Kong, turning the harborfront into a global wrestling carnival and making it a cultural collision of athleticism, adrenaline, and international flair.
Wrestling is sport deeply rooted in Mexican culture, where Lucha Libre has captivated audiences for nearly a century. Known for its high-flying maneuvers, colorful masks, and dramatic storytelling, as acultural tradition, it blends athleticism withfolklore and identity.
Wrestlers, or luchadores, often represent larger-than-life personas, and their masks carry symbolic weight while some even passed down through generations. This rich heritage has influenced wrestling styles worldwide and adds a vibrant layer to HKWF’s Ring of Harbour, especially with Mexican talent joining the lineup.
Courtesy of the Hong Kong Wrestling FederationCourtesy of the Hong Kong Wrestling Federation
And, in fact, Ring of Harbour will be the opening act of a larger cultural celebration hosted by the Mexican Chamber of Commerce in Hong Kong (MexCham HK)'s annual The Latin Kaleidoscope event – celebrating Latin America in Hong Kong. Running from September 26 to 28 at the same venue, this vibrant festival showcases Latin Americanarts, cuisine, fashion, business, and innovation, bringing together communities from across the region to share their heritage with Hong Kong.
Courtesy of the Mexican Chamber of Commerce in Hong KongCourtesy of the Mexican Chamber of Commerce in Hong Kong
Expect interactive installations, live performances, curated exhibits, and a feast of Latin flavors — from street food to gourmet tastings. It’s a kaleidoscope of culture designed to bridge gaps and spark new connections, with Ring of Harbour kicking off the festivities in true high-impact style.
Whether you're a wrestling fan, a culture lover, or just looking for an unforgettable activity by the harbor, this waterfront double-header promises something for everyone. Come for the curiosity, stay for the adrenaline rush — and celebrate the power of sport and culture in one of Asia’s most iconic settings.
Doors open at 6:30 PM for Ring of Harbour, with the show kicking off at 7:30 PM. Tickets are priced at HK$450, and it’s a free-standing event, meaning fans will be up close and personal with the action. With limited spots available, tickets are on sale via PopTicket.
Follow HKWF’s official Instagram and Facebook for details of the event and their other offerings. Also, for information about Mexican Chamber Hong Kong’s The Latin Kaleidoscope, check out their official website here and Instagram here.
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Global pop group Now United has officially found its newest member in Hong Kong!
Ariel Tsang, the newest member of Now United, made her debut performance with the group at a media unveiling held on August 28, 2025, at Tai Kwun. This marks the end of a months-long search to find the group’s missing piece, consisting of auditions, Hollywood-level training, and intensive bootcamps powered by the partnership of the Hong Kong Jockey Club (HKJC) and international brand XIX Entertainment.
Meet Ariel Tsang, Now United’s First Member from Hong Kong
Alex Tsang | Courtesy of Hong Kong Jockey Club
Born in Hong Kong, Ariel Tsang brings extensive stage experience as a homegrown singer, rapper, and dancer, and has gained attention for her musical talent and youthful energy.
She speaks Cantonese, English, and Putonghua, allowing her to collaborate well with the Now United group members and connect with audiences around the world. She provides a bridge that connects Hong Kong’s new generation of talent to the global stage.
Hong Kong Jockey Club and XIX Entertainment’s Partnership
Dennis Hau, Executive Director, Customer Strategy, Insights, and Innovation of The Hong Kong Jockey Club, said that the partnership between the two aligns with the HKJC’s vision to become a global sports entertainment brand. “This collaboration will deliver attractive world-class racing and entertainment experiences,” he shared. “The Club has long been committed to youth and talent development, and this once-in-a-lifetime opportunity provides young local talent with world-class training.”
Superstar Aaron Kwok also attended the media unveiling as HKJC’s “Rising Star Ambassador.” He is a well-known proponent of encouraging performers and artists to shine on the stage, keeping with the Club’s commitment to youth and talent development.
XIX Founder Simon Fuller also praised the Club’s innovative vision of combining world-class sports and entertainment, noting how Now United complements the dynamic energy of Hong Kong perfectly, and how Ariel reflects the city’s optimism and resilience to show on the world stage.
The members of Now United with Aaron Kwok | Courtesy of Hong Kong Jockey Club
This collaboration between HKJC and XIX also features Masterclass workshops from industry-leading professionals at XIX Entertainment’s Academy of Pop, featuring world-class dancer and choreographer Nicky Andersen and renowned vocal coach Berkley The Artist as some of their tutors.
The members of Now United are set to film a YouTube reality series and music videos, sharing positive stories about Hong Kong and Hong Kong racing with their fans worldwide across multiple platforms.
Now United is also set to embark on a world tour in November, featuring stops in Portugal and Brazil, before returning to Hong Kong in December for the Club’s racecourses and at the LONGINES Hong Kong International Races.
For updates on Now United’s activities in Hong Kong and to learn more about the Club’s initiatives, follow the Hong Kong Jockey Club on Instagram and Now United on Instagram and Facebook.
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FE!IN, FE!N, FE!N, FE!IN, FE!N! Global rap icon Travis Scott is set to ignite Macau with his Circus Maximus Tour on October 29, marking one of the most anticipated stops on his Asia circuit. While his high-energy shows will take cities like Delhi, Seoul, Tokyo, and Mumbai by storm, this one-night-only performance at the Macau Outdoor Performance Venue promises an electrifying experience for fans across the region.
Instagram/ Travis Scott
The tour, officially titled Utopia Presents: Circus Maximus, supports Scott’s critically acclaimed fourth studio album, Utopia, which debuted to massive fanfare and commercial success. Known for its genre-bending production and cinematic soundscapes, Utopia has redefined the boundaries of modern hip-hop. Audiences in Macau can expect a setlist packed with hits like “FE!N,” “HYAENA,” and “MODERN JAM,” alongside fan favorites from JackBoys 2, Astroworld, and Rodeo.
Scott’s live shows are legendary for their high-octane energy, surreal visuals, and immersive stage design. The Macau performance is expected to deliver all that and more, with state-of-the-art production and a crowd of thousands ready to rage. Whether you’re a longtime fan or a newcomer drawn in by Utopia’s sonic allure, this is a concert experience not to be missed.
Instagram/ Travis ScottInstagram/ Travis Scott
Tickets go on public sale September 5 at 12 PM, with multiple tiers available to suit every fan’s vibe. From the ultra-exclusive SKYDECK VVIP package (HK$7,599), which includes premium stage access, exclusive merchandise, and butler service, to more accessible standing options like CAT3 (HK$459), there’s something for everyone. Local fans can purchase via Macau Pass or Damai, while international attendees can book through Cityline.
With Macau just a short ferry ride from Hong Kong and a cultural hotspot in its own right, this concert doubles as the perfect excuse for a weekend getaway. Travis Scott’s Circus Maximus tour is going to be a full-blown spectacle, get ready to step into the world of Utopia.
Check out Travis Scott’s Instagram for more information and Spotify for his songs to hype up yourself.
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There’s something about Clockenflap that lingers long after the music fades. Maybe it’s the memory of dancing with the loved ones, or it’s how the passionate strangers reinterpreted a festival experience. For years, Hong Kong’s premier music and arts festival has been the place where indie meets mainstream, where global sounds collide under Hong Kong’s skyline, and where strangers become friends over beats, drinks, and food.
Now, with the second wave of its 2025 lineup officially released, Clockenflap is turning up the volume, and the anticipation. The newly announced artists add even more depth, diversity, and surprise to an already stacked roster, promising a weekend, from December 5–7, 2025, that’s not just unforgettable, but unrepeatable, promising another genre-blurring, culture-crossing celebration of sound, dance, and culture.
Courtesy of Clockenflap
Among the newly announced artists on the festival’s opening night, Japanese chart-topper Vaundy leads the charge with his first-ever public performance outside Japan, an exclusive appearance that will make waves across Asia.
Joining him on Friday are art-pop legends Sparks, performing in Hong Kong for the first time, and local shoegaze band Chung’s Astrology, who will pay tribute to late indie hero Kwan King-chung with a deeply personal set. DJ duo Johnny Takigero and Pesky Azabu Punks will also perform on Friday, bringing Tokyo’s underground pulse to the harborfront.
Courtesy of Clockenflap
Saturday’s additions include French nu-disco band L’Impératrice, whose shimmering synths and retro grooves are tailor-made for Hong Kong’s skyline. UK techno pioneer Dave Clarke and Belgian electronic provocateur Bolis Pupul add edge to the night, while Japanese duo Rikon Densetsu (離婚伝説) and Taiwanese funk bandRobot Swing round out the eclectic mix.
Courtesy of Clockenflap
Sunday’s lineup expands with American singer-songwriter Jeremy Zucker, known for his introspective pop anthems, and Japanese rock veterans ELLEGARDEN, returning to Hong Kong after years of cult acclaim. Rising Polish guitar virtuoso Marcin, Singaporean synth-pop artist Yeule, and Estonian nu-folk duo Puuluup bring global flair to the final day, alongside UK dubstep DJ RSD, DJ/producer Special Request, and Taiwanese indie voice Andr.
Having long been more than a music festival, Clockenflap is a cultural ritual. Since its founding in 2008, it’s grown into Asia’s premier outdoor music event, known for its open-minded spirit, waterfront views, and immersive art installations. Past editions have featured surprise collaborations, spontaneous dance circles, and abundance of joy.
Courtesy of Clockenflap
Tickets are available now via Ticketflap. General admission for all three days is HK$1,990, with single-day passes at HK$1,280. Youth tickets (under 18) are discounted, and children under three enter free. For international travelers, Japan Airlines is offering exclusive travel packages to make the journey seamless via this website.
Whether you’re chasing the discovery of sound, cultural connection, or just a weekend of pure joy, Clockenflap 2025 is shaping up to be unforgettable. With its final lineup locked in, all that’s left is to grab your ticket and maybe start gathering your outfit inspirations.
Clockenflap 2025 Central Harbourfront Event Space Fri, December 5 6:00 PM
onwards
Catch Rich Brian, Jacob Collier, Franz Ferdinand, and more at Clockenflap 2025, returning on Dec. 5-7, 2025, to Central Harbourfront. Grab your Early Bird tickets now!
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If you’ve scrolled through social media lately, you may have stumbled upon the charming sight of a young woman, watercolor brush in hand, capturing the soul of a dish before ever taking a bite. Between bustling café tables and candlelit bistros, Anna Ka wai Kwan is transforming plates into painted keepsakes — each stroke a love letter to flavor and form.
Hong Kong–born and now a familiar face in New York’s vibrant dining scene, Anna has always been a passionate artist who has recently begun her journey in food content creation, blending her two passions into a signature style that’s as appetizing as it is impressive.
The Beat Asia caught up with the artist to talk about her beginnings, her foray into live painting, love for food and art, and how those two combined make up her colorful and vibrant world.
Instagram/ Anna Ka wai Kwan
A Plate Full of Inspiration
Anna has always been a gifted artist — a passion that was founded, unsurprisingly, at the dinner table.
“I always tell people it's such a full circle moment. My mom told me that I started picking up a coloring pencil, probably a few months in, when she brought me to restaurants,” she shared. “Ever since I was little, I have always drawn at restaurants and during meal times. I’d always hold on to crayons that she gave me and just scribble and stuff.”
As she grew older, her hobby of scribbling and coloring morphed into a full-blown passion. She started focusing on acrylic painting, which is the primary medium she likes to use. She was also introduced to Chinese watercolor painting later on, a medium she uses mostly for her food content. Anna was also an art scholar in high school and even had an exhibition at the Hong Kong Public Library when she was fourteen years old. She eventually moved to New York where she pursued a Fine Arts degree at the Parsons School of Design.
Anna Ka wai Kwan
Known mostly for her live painting escapades in cafes and bistros in the city, Anna dipped her toes into content creation only last year when she started doing live portrait painting as a way of exploring what she wanted to do after graduation.
“I was always good at painting and drawing really fast,” she told The Beat Asia. “So I just set up an easel in Washington Square Park and just did that one day. People came up to me and bought the paintings and it was like a 10-minute portrait painting, but with acrylic paint! So, people were like, 'what?' It was new compared to just sketching on a piece of paper.”
Beyond her skills, Anna also shared that a reason she decided to start with live portrait painting was to share more about the process of creating a piece, which she believes creates meaningful connections with people and sparks interest in the art form.
“Everyone kind of views art as something you create at home or in a very secluded area. But I feel like with live painting, when people see the process, they feel a little bit more inclined to start as well. It’s kind of intimidating as a person who doesn't do art to only see the final piece, not realizing how many steps or how many ‘trust the process’ moments actually happen throughout the painting process. It just doesn't go from blank page to a final piece. I think that's one of the beauties about it. People can see it. People can feel more comfortable talking to an artist about it. I have so many who come up to me and start a conversation and say that they just see me enjoying the moment and they want to be into that too. I think it’s really beautiful.”
LinkedIn/ Anna Ka wai Kwan
Today, Anna’s live painting and previous food content work have evolved into a distinct niche: painting at restaurants. The artist told us about how she only began recording herself in September 2024 while on a trip to one of her favorite bakeries in the West Village called Claude, with the encouragement of her best friend, who went with her. Armed with her portable watercolor palette, a medium she was re-familiarizing herself with at that time after focusing on acrylic for a while, and with the help of her friend in recording, she created her first live food painting.
“It was just us tasting the pastries and me painting. It felt awkward at first but when I rewatched the video, it was so soothing. I loved watching it. So, I edited the video and added a little voiceover where I talked about my mom wanting to open a bakery when she was little and posted it.”
“The video didn't do amazing, but I didn't really care at that point. I was just amazed at how the video encapsulated me as a person and as a creative. I was doing a lot of food content at that time. I love like cooking, I love making food, and I love the community aspect of food. I also loved editing, doing social media, and talking. So, in the moment, I felt like this kind of video encapsulated me as a whole. It was authentically me.”
Anna continued to create and post her live food painting escapades for fun, until she posted one from her Paris trip which blew up. People started genuinely liking her post, and she eventually earned a solid following—around 157k on Instagram as of writing. She also shared how she views food as a portrait, every dish having its own personality, even fashion and culture behind it.
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“Food is such an art form and it's not appreciated enough. You kind of just see it, maybe take a photo, but a photo lasts two seconds and then you eat it and you forget about it. Where it's like when you're painting, you kind of look at the food more; you look at all the details and the colors and the composition. It’s kind of like a flavor for the eyes.”
But more than followers and likes, it’s her art and how she expresses herself through it that shines through her page. In each painting that she creates, a lot of elements come into play—from the lighting, sound, and overall atmosphere and vibe of the place. All of those things are incorporated into her work, creating something truly unique and impressive. She puts in a lot of research into the food places she visits, often looking up the destination, reading through reviews on Reddit, and asking locals to make sure that she’s featuring something she would personally recommend.
Anna also adores fashion and can be seen matching her outfits to the vibe of the restaurants she’s dining in, which adds to the performance factor, all without compromising authenticity.
When asked about her typical setup, Anna shared her top painting essentials, which include her sketchbook, iPad mini, a painting pouch that has her Van Gogh palette, and a waterbrush; her Micron pen, which is waterproof when it dries, perfect for outlining her drawings; a mechanical pencil, and a kneadable eraser, which was recommended by her followers. Since she records herself, she also brings a small tripod for her phone and manually adjusts the angles for her reels.
As part of her process, she talks to the restaurant's owners or staff before doing a painting session and always makes sure she visits during off hours when it isn’t too busy. When asked about some of her favorite moments while filming, she mentioned an interaction she had at a café in Paris when a waiter had come over and admired her work and proceeded to showcase it to all the other staff. But the memorable part about it was how, on her next visit six months later, the waiter had recognized her.
“I painted their hot chocolate and then I went again to paint their macarons. They didn't know I was going but I sat down, I painted, and then the guy was like, I remember you! He brought over some snacks for me, which was really sweet. It was really great to be remembered.”
Website/ Anna Ka wai Kwan
Having been born and raised in Hong Kong and now living in the Western side of the world, Anna is exposed to a lot of different cultures and flavors.
When asked how it has influenced her art, she replied, “I was fortunate enough to be born and raised in Hong Kong. I moved here only four years ago and then I just built my life here by myself. Back in Hong Kong, I went to an International School, so I was very immersed in a lot of different cultures, which was great. Hong Kong's food scene is so diverse and so rich. It's phenomenal! You can literally have any type of cuisine in one building.”
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“And then in New York, I get here and it's the same thing, but the cultures are a little bit different. The diversity is still there, but I think the communities that dominate New York City are a bit different. It's a lot more interesting because Hong Kong is more British-oriented and more European-esque compared to America. So it reallyshaped me as a creative to be immersed in such diverse cultures; to be able to just hone that into my practice and be super open-minded with both food and how I paint. People say that my style is unique in a way that they can't really pin a style to it. It's not Japanese-looking, but it does have some French influences, but it's not 100% that either. I feel like that also encapsulates me as a person.”
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During our conversation we also touched on balancing creating for herself versus creating for an audience and the artist had been candid that she’s still learning to balance everything.
“I'm so grateful to be able to do what I do. I'm still learning how to balance it because I do go through burnout sometimes. But one thing that's helpful for me is to always have a personal project. It's nice to not have to video myself. Sometimes I just want to paint and not stare at my phone. So I think just having something for yourself is so important.”
Anna’s painting escapades and travels also led her to meet other fascinating personalities including Japanese contemporary artist and icon Takashi Murakami who even drew a Shrimp cocktail with her at a dinner she attended.
“I want to get to a point in my career and in my life where I also have that similar community and support of people who appreciate my art and appreciate me as an artist as well,” she said about meeting the legendary artist. “And the way that he did it was so fast and natural. I just found that really inspiring. You can tell that he really loves what he does.”
LInkedIn/ Anna Ka wai Kwan
As for what her advice would be for up-and-comingartists or those hoping to pursue a similar creative path, she said to “take the leap and keep going” despite how terrifying it could be.
“Being nervous is a good thing, because that means that you actually care enough to be nervous. If you’re not afraid to fail, then I don't think it matters that much to you, and you need it to matter that much to you. Every day I get really nervous and that means I'm just so passionate about it. You just have to trust yourself and your intuition. Don't use nervousness or being scared as a way to back out but use it as a way to power through.”
Anna is returning to Paris soon and will stay there for a while to pursue what she calls her “European arc.” She shared her desire to explore more cities there, get in touch with the food scene, and hopefully work with big names like the Michelin guide. She also mentioned how she plans to publish a coffee table book, and explore the world more, especially the culinary scene in Asia.
You can view some of Anna’s art prints for sale on her website or follow her creative journey on Instagram and TikTok.
Enjoyed this article? Check out our previous Artist Spotlight profiles here.
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