Best Asian Horror Films This 2024: Can You Watch Them All?
Asia/ Vibe/ Pop Culture

Scariest Asian Horror Films: Can You Watch Them All?

Horror Films Challenge Can You Watch Them All 2 1

Need an adrenaline rush? The Beat Asia has compiled some of the best, scariest Asian horror movies for your viewing displeasure. Are you up for the challenge?

We’ve gathered some classic and newer horror films that define the genre, featuring movies from Thailand, Japan, Hong Kong, South Korea, the Philippines, Malaysia, Taiwan, and Indonesia.

While we also appreciate zombie (and other monster) flicks, slasher thrillers, and gore-core movies that will make you question finishing that popcorn bucket, this list dives into paranormal, supernatural, demonic, and found-footage films that focus on the psychological and cultural (including religious aspects). So while this list packs some serious jumpscares and a lot of running, you might not encounter some cliché scenes – such as a boss battle with the monster, final girl escape moments, and creative forms of torture. But emphasis on “might,” we don’t want to give anything away after all.

Without further ado, grab your friends, maybe some popcorn, and grab a blanket – or maybe forget the blanket, trust us – and watch this list at your own risk.

#10: Soul or Roh (2019) – Malaysia

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IMDb: 6/10

Rotten Tomatoes: 90%

Directed by Emir Ezwan, Roh centers around a family living in the forest. The mom, Mak, and her two children, Along and Angah, lead a simple life which is suddenly upended when they take in a seemingly lost girl they named “Adik (or little sibling in Malay).” As she bestows a horrific prediction upon the family, they choose to live in ignorance until they are forced to face the truth.

Most of us have probably considered giving up on this concrete rat race and just living in the mountains, isolated from the hustle, bustle, and stress. But as Roh depicts, life is never simple, and things are never as they appear. With its masterful atmospheric shots, get immersed in the film’s quiet (too quiet) ambiance – one that will leave you thinking whether life in the forest would be like a live version of FarmVille or you'd be vulnerable like never before, watching your back every two minutes, driven nearly-wild with suspicion?

This Malay folk horror manages to evoke the helpless feeling of being alone in the wilderness as danger hovers around and looms over you. Unlike your typical survival thrillers, the question here is not whether you can drink your pee Bear Grylls-style, but who do you turn to? Who can you trust? Beyond unsettling, Roh manages to make its audience nervous within the first minute – and you never feel relaxed until it ends. By the time the end credits roll, you’re already reconsidering that farm retirement plan.

Stream Roh on Netflix.

#9: Eerie (2018) – Philippines

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IMDb: 4.7/10

Rotten Tomatoes: N/A

Clairvoyant guidance counselor Pat Consolacion strives to uncover the mystery behind a student’s death, leading her to a former student who also met her demise in the school. Using her unique ability, Pat determinedly works to reveal the school’s secrets even as the strict school principal, Mother Alice, watches her closely.

Set in an old, all-girls Catholic school, Eerie is a mystery thriller that takes full advantage of the haunted-holy-place trope. As some of us have firsthand experience of creepy Catholic schools, we confess that this movie felt all too familiar – and therefore, a tad scarier. Director Mikhail Red sets a dark and (we can’t help it) eerie atmosphere early in the film, slowly building up on the tension until it’s so thick you can practically cut it with a knife. While the film’s reveal and subsequent scenes nearly destroy the delicate accumulation of suspense, it is still worth noting and including in our list. After all, any movie that would make you scared of going to the bathroom is a movie that’s achieved its mission.

Stream Eerie on Netflix.

#8: The Eye (2002) – Hong Kong

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IMDb: 6.6/10

Rotten Tomatoes: 64%

20-year-old violinist Wong Kar Mun has been blind for nearly her entire life. After undergoing a corneal transplant, she could finally see again. But since she regained her vision, Mun has been seeing ghosts. Desperate to put an end to the horror, she investigates her cornea donor’s past.

Released over two decades ago, this classic film still holds up. The Eye doesn’t deliver a ton of scares and even features several heartwarming and tear-jerking scenes, quite unusual for a horror flick. But the scares that they did drop were delivered really well. That elevator scene, for one, is something that still haunts our nightmares. Confession time, it’s the reason why we ride the elevator with our backs pressed against the wall.

The Eye’s third act, however, is truly unconventional. Most horror fanatics are used to films that pack a punch all the way to the end. In fact, the best ones are the movies that haunt you long after it ends. But this film took its foot off the gas and allowed the audience to ride smoothly until the end, which is why – while we love this film – it doesn’t rank as high as its counterparts.

Stream The Eye on Netflix or Disney+

#7: Incantation (2022) – Taiwan

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IMDb: 6.2/10

Rotten Tomatoes: 75%

Based on a true story, the story follows Li Ronan who went to a remote mountain village with her boyfriend Dom and Yuan, Dom’s cousin. They broke a serious taboo while trying to document the ritual and the consequences continue to haunt Ronan six years later. With her daughter’s life in grave danger, Ronan does everything she can to protect her child, even if she must go back to where it all started.

One of the newer films on this list, Incantation starts with Ronan addressing the audience directly. We found this to be somewhat different from other found footage films as she commands people watching to follow her chants and instructions, knowingly speaking to an audience as opposed to similar films wherein the characters speak to a potential audience. We’re all familiar with the intro: “If someone finds this…”

Incantation, however, has the audience reeled in and hooked within the first minute of the movie – and we’d be lying if we said this methodology yielded zero effects on us. The chant, Ronan assured, is meant to protect the audience and as it (and the rune) frequently pops up throughout the movie, it’s nearly impossible to get them out of your head.

Starting from that first scene, the film never lets up as the tension exponentially builds. The movie goes back and forth between Ronan’s current situation with her daughter, Dodo, and their careless mistake six years ago, pulling the audience from both ends. On one end, you want to feel bad for the young mother who’s run ragged as she tries to save her child while she also tries to heal herself from the trauma. But her younger self would leave you feeling frustrated, and her present self is not perfect either. When the movie ends, you either hate her or admire her tenacity. Some scenes benefited from the extended stillness and the audience was forced to marinate in the tension, but we feel the film – with its running time of 111 minutes – ran a bit too long.

Stream Incantation on Netflix.

#6: The Medium (2021) – Thailand & South Korea

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IMDb: 6.5/10

Rotten Tomatoes: 81%

A documentary team travels to Isan, Thailand, and interviews Nim, a shaman (or the titular medium) who serves a Goddess, Ba Yan. When a family member, Mink, starts behaving strangely, the family suspects she’s the next in line to be Ba Yan’s medium. As the film goes on, it’s clear that Mink is possessed – but is it by Ba Yan?

The Medium starts off slowly, with some short unnerving scenes here and there. Once the possession progresses, however, and more details come to light, the audience is taken on a rollercoaster ride. With its many twists and turns, the film never lets you relax for even a second. The scenes get wilder and more insane; you’re forced to the edge of your seat and viscerally recoiling simultaneously.

As Nim does everything in her power to save her niece, the audience is forcefully grabbing the rollercoaster harness, praying like hell that the ride will end soon. But prayers may not be enough and even if you’re not a person of faith, this film leaves you feeling powerless as the life of every single character is left to fate and the will of the Gods. It’s like riding a coaster that throws your cart into complete darkness. Is your faith stronger than fate?

Buy The Medium from Google Play.

#5: Ju-on: The Grudge (2002) – Japan

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IMDb: 6.7/10

Rotten Tomatoes: 80%

As far as summaries go, this film may have the simplest one. On IMDb, Ju-on: The Grudge is about “a mysterious and vengeful spirit [that] marks and pursues anybody who dares enter the house in which it resides.”

Considering horror film standards, the summary may seem ordinary. But the movie managed to deliver scares that continue to haunt its audience decades after its release. For the most part, the audience can’t feel anything but helpless as this ghost with a…grudge (yes, we went there) terrorizes everyone it comes across.

Wrong place, wrong time…and that may be the end of you. How scary is that thought? Most people believe that karma is real and bad things (like ghosts haunting you) would never happen if you’ve done nothing wrong. We also would like to think that there are safe spaces that we could run to if we get scared. For some, there are churches and prayers. But one universal port in the storm is under the blanket, so could you imagine what it would be like if that place wasn’t safe? No wonder this movie has traumatized generations – including us, unfortunately.

Rent Ju-on: The Grudge on AppleTV+

#4: Gonjiam: The Haunted Asylum (2018) – South Korea

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IMDb: 6.4/10

Rotten Tomatoes: 91%

At the center of this film is the eponymous Gonjiam Psychiatric Hospital which has been abandoned for decades, naturally creating rumors that the place is haunted. After some teenagers go missing exploring Gonjiam, YouTuber Ha-Joon gathers several people to explore the hospital and broadcast their adventure live. The livestream starts like any other, just a group of young adults having fun. But they soon realize that the evils hidden within Gonjiam are not to be messed with.

After the teens go missing, Gonjiam: The Haunted Asylum finally reveals the main characters. They drink, chat about their backgrounds, and even go have fun in the lake. As the audience, you know the scare will happen soon and this light introduction is setting you up to feel even worse when it comes. True enough, things never return to normal once they enter the hospital premises. Making full use of their first-person POV go-pro set-ups, the film manages to immerse its viewers, making you feel every bit of the scares as if you’re there with them. And the scares are not cheap. No spoilers, so you’ll just have to prepare…somehow.

One by one, no one is safe, and you watch them experience the FAFO rule in all its glory. While you want to feel bad, you also know that they shouldn’t have meddled with supernatural forces…just for content. At the risk of sounding like a Boomer, we were somewhat thrilled that they got exactly what they came for. If anything, this movie is just a reminder. Sometimes, the content is just not worth the risk. Keep safe, kids. Oh, and don’t enter Room 402.

Stream Gonjiam: The Haunted Asylum on Netflix. Or buy from Google Play.

#3: Noroi: The Curse (2005) – Japan

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IMDb: 6.9/10

Rotten Tomatoes: N/A

With a running time of 115 minutes, Noroi: The Curse is a tad hard to digest, let alone condense into a summary. On IMDb, the film is said to be about a “documentary filmmaker [who] explores seemingly unrelated paranormal incidents connected by the legend of an ancient demon called ‘Kagutaba.’”

This is an ultra-simplified version of the story; the reality is you’re caught in a two-hour boat ride in the middle of the Pacific Ocean – no way out and your head is spinning from the massive waves. After all, the film starts with the end: a house in flames, a missing person, and another person found burnt to crisp in the house’s charred remains. Kobayashi, Noroi’s main character, is then revealed to be a prominent paranormal journalist who was working on a documentary before the incident. The film then proceeds to reveal the documentary he was working on.

Noroi doesn’t have a lot of heart attack-inducing jumpscares. In fact, most of the film stays true to its documentary-style format. The main evil, Kagutaba, is only revealed halfway through the film, and even then, Noroi focuses on its origins and subsequent rituals. Those looking for intense scares may be tempted to leave an hour into the film, but we implore you to watch all the way to the end. Compared to Western standards, this isn’t your typical horror movie. But Noroi relentlessly gives you the creeps and sticks with you after it ends. So much so that even those who don’t believe in demons will flinch in abject horror as Kagutaba spreads evil all around.

Noroi: The Curse may be available to watch on Amazon Prime (select countries).

#2: Ringu or The Ring (1998) – Japan

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IMDb: 7.2/10

Rotten Tomatoes: 98%

One urban legend circulating in Japan is that there’s a cursed videotape that kills whoever watches it within seven days. After several deaths, Reiko (who is a journalist and a victim’s aunt), investigates with her ex-husband Ryuji, hoping to stop the curse before their son, Yoichi, is killed.

The Ring, the original Japanese version, is another classic that has terrified generations. People would jump at the sound of a telephone ringing, televisions were covered with blankets, and children would shriek at the sight of television static. It was that iconic – and it still is. Ringu was released nearly three decades ago, but it continues to define Japanese Horror (J-Horror) to this day.

By using technology as a means of spreading horror – a VHS tape containing the curse, a warning through a phone call, and CRT television sets bringing the curse to life – Ringu made its audience paranoid that the curse would eventually find them as these technologies were ubiquitous already. The movie captured the world’s attention and shone a spotlight on the world of Asian horror. Don’t get us wrong, The Ring makes the cut not just because of its notoriety and legendary status. Even with newer films with fancier effects, only a few can truly say they’re better than Ringu (not even the American version holds a candle). We confess this film was one we were not so eager to rewatch – Ringu’s scariest imageries are etched into our brains – but we had to…for science. And we, once again, relived the trauma of seeing the infamous Sadako.

Stream on AMC+ or Shudder. Or rent from AppleTV+.

#1: Shutter (2004) – Thailand

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IMDb: 7/10

Rotten Tomatoes: 63%

After getting involved in a car accident, a young couple – Tun and Jane – finds mysterious shadows in their photographs. As the ghostly figure continues to appear in their photographs, they investigate this phenomenon and discover that your past will always continue to haunt you.

Shutter, in terms of scares, can more than hold its own against numerous horror films across Asia. While several scenes in the film rely on predictable jumpscares, they can undoubtedly still make your blood curdle. After all, if they happened to you in real life, would you still react nonchalantly? Or would you run for your life and scream your lungs out? It’s not so easy to act tough if you think this could happen to you. Fortunately, though, as the film reveals the backstory, you may relax a little. This list has seen its fair share of malevolent spirits, some more arbitrary than others in their quest for revenge, but Shutter leads us to believe in karma. In fact, at some point, you may even say: “Deserve.”

If we compare critical success, other films clearly rank higher than Shutter. But we find that its iconic reveal was immensely effective, having rendered multiple generations traumatized. Yes, including us. After 20 years, this Thai horror classic is still etched in our minds…and body pain is never the same again. Polaroids, too.

Stream Shutter on Amazon Prime, Kanopy, or Hoopla, or rent on AppleTV+

Notable Mentions:

With the vast number of options for good Asian horror films, it was truly a challenge to narrow the list down to 10. We have several runner-ups that also deserve recognition and we’ll be including some on this list. We advise you against dismissing these, there’s a reason why they’re also included. Maybe just think of it as a “Choose Your Poison” situation if you’re determined to only watch 10 movies.

Coming Soon (2008) - Thailand

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With a poster like that, how could you not expect a truly terrifying movie? If you prefer films that will have you screaming, covering your eyes, and jumping in shock then this film is right up your alley. Coming Soon will not leave you hanging in terms of horror – from beginning to end, this film is chockful of scares. The movie-inside-a-movie format doesn’t always work out, but as the title implies, this was integral to the story. For those who watched this in the cinema, like us, we understand your trauma.

Stream Coming Soon on Amazon Prime or rent on AppleTV+.

Satan’s Slaves (2017) – Indonesia

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This 2017 remake of the 1980 version of the same name was the highest-grossing local film that year. Directed by Joko Anwar, Satan’s Slaves is centered around a quintessential Indonesian family in the 80s. The matriarch is ill and the family experiences some strange horrors in the time leading up to her death and after. This movie doesn’t hide its intentions with a title as in-your-face as “Satan’s Slaves,” but the scares are perfectly executed.

Stream Satan’s Slaves on AMC+ or Shudder or rent on AppleTV+ or Google Play.

Impetigore (2019) – Indonesia

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Another Joko Anwar masterpiece, Impetigore takes the audience deep within the Indonesian jungles. Unlike most films that tend to build on a context or story, this one starts with an attempted murder in the most unlikely set-up: a highway tollbooth. Before the audience can even react or begin to understand what’s going on, the attacker is dead. Beyond the initial shock, however, Impetigore delivers some serious scares, well-crafted cinematography, stunning wayang kulit puppetry, and gore that will make your skin crawl. We’d say refuse any inherited mansions in the middle of nowhere, but as the film reveals, you can never truly escape a curse.

Stream Impetigore on AMC+ or Shudder or Hoopla or rent on AppleTV+ or Google Play.

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Asia/ Vibe/ Pop Culture

The Rise of Drag Culture and Queer Safe Spaces in the Philippines

Winter sheason nicole 1Photo by JC Teogaya, Winter Sheason Nicole/Instagram

The Philippines is often considered one of the most gay-friendly countries in Asia, known for being more accepting and open-minded toward the queer community than many of its regional counterparts. With its vibrant LGBTQIA+ scene and Pride marches, the Philippines has undoubtedly fostered a more positive attitude toward the community than many other parts of the world.

However, the country’s legal protections against discrimination and its legal recognition of same-sex couples remain a work in progress. Ironically, legal protections for the community are still lacking. This, of course, raises the question: Is the Philippines truly more accepting of the LGBTQIA+ community, or is it merely tolerant at best?

While legal measures against discrimination remain limited to this day (with the SOGIE Equality Bill repeatedly filed, but to no avail), there is still a flicker of hope on the horizon. In fact, the Safe Spaces Act, authored by Senator Risa Hontiveros, lapsed into law in 2019. The act aims to penalize all forms of gender-based harassment, including those targeting the community.

"This is a big victory and a major push back against the growing 'bastos culture' in our streets and communities. Now, women and LGBTs have a strong policy instrument to protect us from gender-based street harassment," said Hontiveros.

On the other hand, Quezon City — under the leadership of Mayor Joy Belmonte — has established gender-inclusive facilities aimed at addressing the medical, psychological, and legal needs of women, children, and LGBTQIA+ community members. While the fight for full rights and acceptance is still ongoing, there have been notable improvements. This is evident in the Philippines' growing number of queer organizations, drag bars, and safe spaces. But when it comes to measuring progress, how far has the country truly come? Is being bakla (gay) still a challenge in a country as deeply religious as the Philippines?

The Philippines Still Has a Long Way To Go

Pride flags in La Union
Photo by The Beat Asia

The queer scene in the Philippines is undeniably vibrant, and representation is gradually becoming more visible, from public spaces and community events to advocacy work and queer-focused shows in mainstream media. Still, this progress has faced its share of criticism and hostility. Comments sections across social media, though some express support, are still filled with negativity and discrimination. Renato Linsangan, Co-Owner of Rapture (a gay nightclub in Quezon City), said, “I don’t think that we really have the [legal] protection that other countries have. There’s a lot of work that needs to be done in the Philippines. I think more people need to speak out.”

But there’s one thing that holds a very special place in his heart. Renato, who has worked in HIV and AIDS education, says people can’t truly talk about the LGBTQ+ community without acknowledging its connection to the issue. And there's often this stigma toward HIV, which continues to fuel misinformation, discrimination, and silence around both the illness and the queer community. For him, the most fulfilling part about creating Rapture is “[being able] to give jobs to people within the community, to see people enjoying themselves in one space.”

This opportunity will be affirmed by Rapture’s very own performer from Zamboanga, Winter Sheason Nicole, who got into drag by accident. “I was only a band singer before, a vocalist. We had this event in the province, and I was assigned to do a Beyoncé performance. But during the actual show, I lost my voice, so I had no choice but to lip-sync. My boss liked it. I was told I had potential for this, [for drag].”

Winter Sheason Nicole
Photo from Instagram/Winter Sheason Nicole

Winter, who shared that there’s no drag scene in her province, had to fly to Manila just to be able to do drag. A live-singing drag queen, Winter’s talent even impressed international Drag Race queens like Pangina Heals and Plastique Tiara. To say they were amazed would be an understatement — they were gooped and gagged.

Speaking about drag’s impact on her life, Winter said: “It’s such a big thing. It’s not just about the performance. It’s not just about lip sync. Drag is another form of art. Sometimes, when we can’t express ourselves with words, we express ourselves through our performances.”

Representation Matters

Winter, who admits she got into drag because of Drag Race, says that the way many Filipinos perceive drag shifted almost overnight with the launch of the franchise’s Philippine iteration, Drag Race Philippines, which premiered its first season in 2022. The reality competition show received such a positive reception that it’s about to launch its fourth season, Drag Race Philippines: Slaysian Royale, which is set as an All-Stars edition featuring Asian contestants from various Drag Race franchises.

“More people understand [drag] now, unlike before. Especially in provinces, people don’t usually get what drag is all about. They don’t have that wide understanding about drag yet, at least in my province. Pero dito sa Manila, iba eh (But here in Manila, it’s different),” said Winter. “The drag culture changed drastically since Drag Race Philippines started. Lalo nang minahal ng karamihan (The majority grew to love it even more). Now, even straight people are tuning in. I’m happy that they appreciate what we do, which was not even a possibility before.”

She also mentioned that while Manila’s drag scene is vibrant, the situation is quite different in the provinces. “My friend showed me the drag scene in Manila, and I was amazed. The drag queens at the time receive all these claps for their performances, which I also do in the province, but for some reason, I don’t get the same reception from the audience. The clap, the shout, it’s different.”

However, shows like Drag Race have been slowly but surely changing things for the better. “That’s largely thanks to Drag Race Philippines. The drag scene in the Philippines is different. Even international queens can attest to that. I feel like this fire comes from finally being given this kind of opportunity only recently,” the drag performer shared. “Lahat ng mga drag queens sa Philippines uhaw (All the drag queens in the Philippines are eager).”

Pride Month
Photo by The Beat Asia

True Acceptance Must Begin Within the Community Itself

Renato argues that people within the community should speak out more, and Winter — a trans woman — believes even members of the community are sometimes complicit in discrimination. “Not everyone in the community understands what the SOGIE Bill is. It’s challenging for some to understand that you’re part of the LGBTQ+ community. But it’s even more difficult for them to accept that you’re trans. It’s sad. Sometimes, those who participate in discrimination are part of the community themselves.

Like what RuPaul, or what many refer to as Mama Ru, says: “Unless they gonna pay your bills, pay them b****es no mind.” And Winter seemed to have embodied that very well. “I don’t need to please anyone and I don’t need to prove myself to everyone. That’s what I tell myself. I don’t need to impress anyone. Thank you for appreciating. But if you don’t, I don’t care that much. I believe this is my purpose. Some aren’t homophobic, though they’re transphobic. But I learn to ignore them.”

At the end of the day, in a world still full of prejudice, safe spaces truly matter, and Winter believes there should be more. She also thinks that people within the community should grasp the importance of creating and protecting these safe spaces for everyone. “There’s this thing na sasabihin nilaHayaan niyo na, hindi na natin sila mapipigilan eh,’ as if may kailangan pigilin (There’s this thing they say, ‘Just let them be, there’s nothing we can do anyway,’ as if there’s even something that needs to be stopped).”

And her wish for more safe spaces is for all the baklas (gays) who still aren’t accepted by their families. “For me, a safe space is a place where no one is judged, a place where everyone is accepted. It is a place where you can express yourself fully. It is where you can find your chosen family. It is a place that you can also call ‘home.’”

PANTAY (The Philippine Anti-Discrimination Alliance of Youth Leaders) is a non-profit organization founded with a clear and powerful mission: to empower young people to “take up space in the greater fight for equality.” And it’s fitting for an organization named Pantay, which means “equal” in Filipino.

Anna Cubacub, PANTAY's Project Officer for Communications and Creatives, said safe spaces aren’t just important within the queer community. “Safe spaces are important because we all deserve to live a life free from discrimination and violence — whether or not we're part of the LGBTQIA+ community. And, when more safe spaces exist, everyone across all sectors benefits.”

With the rise of safe spaces in the country, there are, of course, still significant challenges. One of the most pressing is the long-delayed passage of the SOGIE Equality Bill. Despite this setback, Anna believes that safe spaces continue to grow. “More local government units are adopting and institutionalizing Anti-Discrimination Ordinances, with 38% of Filipinos now living in LGUs that have such protections in place. At the same time, more queer communities are organizing across regions, many of them youth- and student-led groups forming LGBTIQ+ organizations within schools and universities,” said Cubacub.

Follow Rapture on Instagram for reservations and updates on upcoming events. You can also follow Winter Sheason Nicole on Instagram and PANTAY on Facebook and Instagram.

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Asia/ Vibe/ Pop Culture

Mediacorp In Search of Single Besties for New Reality Dating Show

Best Friends

If you’re single, this is your chance to find love! Mediacorp just opened a casting call for Southeast Asia residents to join their brand-new reality dating show.

Produced by Beach House Pictures, “Wingman” adds an interesting spin to the dating genre as it follows duos of participants who will embark on a group dating experience where finding love becomes a team effort. As the title suggests, one will search for love while their best friend will act as their wingman, offering perspective and support, and often having a front-row seat to every date, decision, and detour. The show was the winning concept at the Unscripted Formats Pitch at Creatives Assembly 2023, which invited submissions for the next big reality format.

If you think you and your BFF have got what it takes, simply submit your application here. This should include your names, ages, recent photos (100mb max), and a short one-minute video introducing yourselves. Applicants are also encouraged to share what makes their friendship unique, why they are both single, and why they believe their best friend can make the ultimate wingman.

Pairs looking to join must be single friends aged 21 to 35 (as of Jan. 31, 2026) of the same sex, and are legal residents of Southeast Asia. Applicants must also be fluent in English and available to film in Singapore for up to three weeks in 2026. Alongside accommodation and meals, selected participants will also get the chance to win prizes. Applications will be accepted until Jan. 31, 2026.

“‘Wingman’ is a standout addition to our growing slate of original unscripted entertainment. The inclusion of best friends in the search for love reflects a slice of reality and offers a refreshing twist to the typical singles-centric show format that we’re familiar with,” said Angeline Poh, Chief Customer and Corporate Development Officer, Mediacorp. “We are delighted to partner with Beach House Pictures to bring this innovative concept to life, and can’t wait to meet the besties ready to show us the power of a great wingman.”

For updates, follow Mediacorp on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Asia/ Vibe/ Pop Culture

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore

SKULLPANDA CAGE UNCAGE Singapore 16Photo by The Beat Asia

In a raw and ethereal reflection on self-discovery, Chinese artist and the creator of viral POP MART character SKULLPANDA, Xiong Miao, seamlessly bridges the gap between fine art and pop culture at her new “SKULLPANDA CAGE-UNCAGE” immersive exhibition at the National Museum of Singapore (NMS). The showcase officially opens to the public today, Dec. 12, 2025, and will be running until Feb. 22, 2026.

Following the success of NMS’ popular “Play:Date - Unlocking Cabinets of Play” exhibition in 2024, featuring childhood classic toys, games, and large-scale installations, the museum has levelled up in collaboration with POP MART and the Singapore Tourism Board (STB).

The first-ever SKULLPANDA showcase in Singapore, CAGE-UNCAGE is taking the lead in contemporary museum programming to explore the craft and storytelling behind collectible design and culture. Being also the first SKULLPANDA exhibit outside of China, this unique collab also places Singapore on the map as an exciting and must-visit destination for both locals and inbound travelers, POP MART enthusiasts, art and culture lovers, collectors, and everybody in between.

“I'm truly excited and honored to present SKULLPANDA's work outside of China for the first time in Singapore. With its unique charm — balancing tradition with innovation, structure with creativity — it's a truly fitting venue for an exhibition that explores the tension between contrasting ideas and perspectives,” shared Miao.

This flawlessly curated exhibition takes you on an immersive journey through the limitations of self to the eye-opening joy of discovery in finding that you were holding the key to breaking free from these restraints all along. Handcrafted, painted, and featuring large-scale collectibles available for sale by Miao, step through larger-than-life installations that invite you to enter the world of SKULLPANDA.

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore
Photo by The Beat Asia

Not only is it a beautiful photo op, but almost every CAGE-UNCAGE artwork is also designed to be interactive. This is a particularly poignant part of the exhibition, where in the traditional art world you know to respect but not touch (with reason and for the protection of old great works!), but POP MART and Miao have done the opposite.

From a giant book detailing the life and journey of SKULLPANDA, where you flip through its pages, to scales balancing the weight of their astronaut helmet, to a giant rotating block puzzle, guests are invited to touch and play.

Just like the wave of collectibles (who do you know that doesn’t own a Labubu) that are empowering generations to heal their inner child, POP MART’s unique collaboration with such a prestigious national institution answers the demand for young people to engage with local arts and culture initiatives and brings a new crowd to the museum.

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore
Photo by The Beat Asia

And this is more than just a fad, as SKULLPANDA CAGE-UNCAGE presents art in its true form, an answer to the current times, conveying a powerful message to those who often feel voiceless in a tumultuous world.

As you step onto the front lawn of the NMS, you will encounter a giant SKULLPANDA sculpture reminiscent of Greek and Roman statues guarding temples of their time. Immaculately detailed, front and back, with beautiful lace and cosmic motifs, you are intrigued by the eerie sculpture and excited to explore more. This is not your usual toy/collectibles exhibition.

As you enter the Neo-Palladian building, you notice how its pristine white walls blend seamlessly with the muted and frosty tones of SKULLPANDA’s cosmic world. You are greeted by the beautiful arched ceiling of its rotunda, featuring six unique paintings in each arch depicting the six themes you will travel through in the exhibition: Emotion, Direction, Fortune, Rules, Life, and Exploration, each reminiscent of your personal life journey.

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore
Photo by The Beat Asia
POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore
Photo by The Beat Asia

CAGE-UNCAGE spans two floors, and upon entering NMS' Stamford Gallery (Level 1), you encounter “The Key,” as you peek through a keyhole mirroring the motif.

You then step into a room, beginning your journey with SKULLPANDA, starting with the theme “Emotion,” projecting the key and keyhole onto the floor and depicting limited-edition SKULLPANDA pieces — some available for sale! This includes a miniature model of the sculpture on NMS’ lawn.

You then step into the next room with “Direction,” where you will encounter a gigantic book of life, filled with transparent hand-painted pages that line up to portray a portrait of SKULLPANDA. You can flip between these pages, symbolizing how you have the power to navigate through your own life. A video display featuring a unique motion graphics art video by Miao is also in the same room. It’s hard to look away as her hand-painted style moves between her signature butterfly motif, birds, and the key and keyhole of CAGE-UNCAGE.

Next, you move to “Fortune,” a frosty room with a crystalline-lined mirror floor reflecting an overhead chandelier and SKULLPANDA frozen in a glass cabinet, two corners cracked and showing the character in a huddled position.

Then, you move through “Rules” and “Life” before re-entering NMS’ grand lobby and heading to the museum’s basement.

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore
Photo by The Beat Asia

The descent may feel regressive, as if you are falling into further emotional darkness, as SKULLPANDA does hold a dark and mysterious aura. When you enter the museum's expansive Gallery Theatre (Basement Level), a feeling of hope and openness creeps through the cage and key motifs. Now, it’s time for “Exploration.”

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore
Photo by The Beat Asia

You then reach the pièce de resistance, “The Room,” and here is where you meet two godly SKULLPANDA sculptures that really make you feel like the smallest atom in the universe. Each celestial statue wears a collar with a keyhole whilst extending a hand holding a key to you, the viewer. The room is lined with mirrors infinitely reflecting yourself, SKULLPANDA, and the indisputable truth that you were holding the key to your freedom all along.

You won’t want to leave the room, but the promise of limited-edition Singapore-exclusive merch will draw you to move along.

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Debuts in Singapore
Photo by The Beat Asia

First, you’ll come across an enchanting co-curated Singapore installation which pays homage to the nostalgic national hobby of bird singing. Beautiful birdcages house miniatures of the CAGE-UNCAGE installations, and a video artwork created by Miao takes you on a journey with SKULLPANDA through Singapore’s historic landmarks guided by birds and butterflies.

Lastly, guests will have the opportunity to browse and bring home a limited-edition SKULLPANDA Plush Cage-Uncage Doll, The Compass of Light figurine, and other showcase-exclusive merchandise. After such a long emotional journey, you will likely feel the urge to take home a souvenir and a reminder that you alone have the key to uncage your personal limitations.

POP MART’s SKULLPANDA CAGE-UNCAGE Exhibition Showcase-exclusive merchandise
Showcase-exclusive merchandise | Courtesy of POP MART

SKULLPANDA CAGE-UNCAGE” officially opens to the public at the National Museum of Singapore on Dec. 12, 2025, and will be exhibiting until Feb. 22, 2026. An exclusive SKULLPANDA CAGE-UNCAGE Singapore gift will be given to the first 4,500 visitors to the showcase, so make sure to book your time slot in advance and opt for an Early All Access Ticket to be one of the first to experience this special exhibition!

Early All Access Tickets from Dec. 12 to 16, 2025, are priced at S$40 for tourist adults, S$32 for tourist concession, and S$22 for locals. Standard All Access Tickets from Dec. 17, 2025 until Feb. 22, 2026 are priced at S$36 for tourist adults, S$28 tourist concession, and S$14 for locals. Tickets can be purchased via the NMS website or Trip.com.

Tickets also include entry to the National Museum’s current exhibitions, “Once Upon a Tide: Singapore's Journey from Settlement to Global City” and “Singapore Odyssea: A Journey Through Time.”

Follow and stay up to date with POP MART’s latest happenings by following them on Instagram, Facebook, and TikTok. Plan your visit to SKULLPANDA CAGE-UNCAGE by checking out the National Museum of Singapore’s Facebook, Instagram, and TikTok, and the Singapore Tourism Board on Facebook and Instagram.

Location: National Museum of Singapore, 93 Stamford Road, Singapore 178897

Dates: Dec. 12, 2025 to Feb. 22, 2026

Opening Hours: Daily, from 10 AM to 7 PM

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Asia/ Vibe/ Pop Culture

Is it White? No, the Pantone 2026 Color of the Year is Named Cloud Dancer

20251205 pantonePhoto by Pantone/Website

Serenity, ethereal, and calm. These are all words used to describe the color white, and now, they’re also adjectives for Pantone’s 2026 Color of the Year.

The Pantone Color Institute has finally named the Color of the Year 2026, and it’s Pantone 11-4201 Cloud Dancer! This color is described as a “lofty white that serves as a symbol of calming influence in a society rediscovering the value of quiet reflection” and “encourages true relaxation and focus,” allowing the mind to wander and for creativity to breathe.

Leatrice Eiseman, Executive Director of the Pantone Color Institute, said in a statement, “At this time of transformation, when we are reimagining our future and our place in the world, Pantone 11-2401 Cloud Dancer is a discreet white hue offering a promise of clarity.”

“A conscious statement of simplification, Cloud Dancer enhances our focus, providing release from the distraction of external influences,” she added.

A man with his arms stretched out against a backdrop of clouds
Photo from Website/Pantone

Laurie Pressman, the Vice President of the Pantone Color Institute, echoed this and added, “Similar to a blank canvas, Cloud Dancer signifies our desire for a fresh start. Peeling away layers of outmoded thinking, we open the door to new approaches.”

She also said, “We are living in a transitional time where people are seeking truth, possibility, and a new way of living. Pantone 11-2401 Cloud Dancer is an airy white hue that exemplifies our search for balance between our digital future and our primal need for human connection.”

It’s a move towards simplicity, while still being in the same category of sophistication as Mocha Mousse, the 2025 Color of the Year. It’s bright, much like Peach Fuzz, the 2024 Color of the Year, but Cloud Dancer is more natural — an “equal balance of cool and warm undertones,” said Laurie Pressman.

What do you think about the 2026 Color of the Year? Let us know what you think!

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Asia/ Vibe/ Pop Culture

Must-Have Jellycat Amuseables That are Too Cute to Resist

Jellycat Amuseables 2Photo by The Beat Asia

In the age of POP MART and designer toy collectibles, Jellycat is carving its own path — winning over adults with quirky plushies that feel like a warm hug from your childhood.

Founded in London in 1999 by Thomas Gatacre, the luxury soft toy brand initially made high-end stuffed toys for babies. But that changed over time, as more and more adults began to collect these plushies, quickly becoming a cult favorite for its unique designs and luxurious quality. These days, they stand out from the countless blind box unboxing videos and massive Labubus simply by being fun, soft, and nostalgic. The British brand was reported to have made US$252 million in revenue between 2022 and 2023, its popularity propelled by Gen Z consumers, as reported by Yahoo Finance.

Although initially made for infants and children, Jellycat’s whimsical collection is for all ages and goes beyond their signature plush bunnies and fluffy teddy bears. There’s a whole other side of the brand that’s just as lovable (if not more), and yes, we’re talking about its Amuseables line, a delightful, quirky collection of toys inspired by everyday objects and food items.

Whether you’re an avid collector or looking for something to cheer up your space, here are some of the cutest and most unique Jellycat toys you’ll want to snuggle — or snack on — stat!

Timmy Turtle

Timmy Turtle
Photo from Facebook/Jellycat
Timmy Turtle Bag
Photo from Facebook/Jellycat

Deemed as the "grumpiest" Jellycat of the group, Timmy Turtle is more than just a frowning reptile, but is the very definition of slow and snugly. With its textured beige tummy and embroidered green shell, Timmy Turtle brings a sense of calm energy and endless cuddles! It’s definitely the type of plushie who doesn’t say much, but will always make you feel better just by existing.

Oh, and that’s not even the best part about him. He also comes in a bag version and a mini charm, so you can bring him anywhere! This bag “holds anything but grudges” and will surely be your next favorite travel pal.

Amuseables Coffee-To-Go-Bag

Coffee bag
Photo from Facebook/Jellycat

In the hustle and bustle of daily life, one plush hopes to do more than just provide comfort and cuddles, but make sure you’re energized and hydrated throughout the day.

Perfect for those on the go, this cross-body brew brings the right dose of charm to any commute or coffee run. We love a plush that can multitask! For the ladies who like to hold several things in the palm of their hand at once, this bag says, “Queen, let me hold your cup while you slay!”

Amuseables Ramen

Ramen
Photo from Website/Jellycat

If you were to ask us, nani ga suki (what do you like)? We’d say ramen off the top of our heads, because who doesn’t?

This delightful Jellycat is full of kawaii charm, and features a plush cream-and-red bowl, topped with noodles, spring onions, fluffy boiled eggs, and a pink embroidered fish cake! A set of chopsticks sits on top, and dare we say it looks good enough to slurp!

Amuseables Teapot and Teacups

Teapot and Teacups
Photo from Website/Jellycat

One of the major things that has contributed to Jellycat’s popularity is their creative pop-ups, which they call cafés. You don’t just buy a plushie in these stores, you experience them. Jellycat makes sure to include their iconic gift wrapping element, which involves fun interactions with their staff and witnessing your toys being prepped and packed like actual food. 

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The brand has established these adorable pop-up experiences across multiple cities, including New York, Paris, and London. Last September, they launched the first Jellycat experience in Asia with Jellycat CAFÉ Shanghai, featuring a set of new characters inspired by Shanghai’s distinct city culture.

Among the plushies are Bartholomew Bear, Magnolia Cupcake, Amuseables Yulania Latte, Yulan Taro Cake, as well as the adorable Titia Teapot and Sip and Slurp Teacups. Definitely too cute to handle!

Amuseables Parisian Delights

Pastries
Photo from Website/Jellycat

During the Paris 2024 Olympics, Jellycat dropped a new set of exclusive Amuseables for their Jellycat Pâtisserie Experience pop-up store located at Galeries Lafayette Paris Haussmann. The collection was composed of charming new characters inspired by iconic French pastries, from macarons, tarts, and brioche.

In addition to this, they also released boulangerie-inspired soft toys such as the Canelé, Eclairs, Croissant, and the baguette! It’s très bien, and we definitely wouldn’t mind walking around Champs-Élysées with a croissant cross-body bag like a true French local.

Amuseables Popcorn Bag

Popcorn bag
Photo from Website/Jellycat

Whether you’re heading out to the cinemas or staying in to binge your favorite series, this Jellycat plushie is the perfect companion. Designed in that signature red-and-white carnival stripes and a fluffy popcorn top, the bag is surprisingly spacious and can fit snacks, your phone, and other essentials.

For those looking to give their OOTD a touch of theatre, why not consider getting this red-carpet-ready cutie?

Amuseables Sports Ball Charms

Sports balls
Photo from Website/Jellycat

Sports fans will be glad to know that Jellycat has a ton of sport-inspired items to help you show off your team pride. And don’t get us wrong, they are all adorable in their own way, but their sports balls just hit different!

From tennis balls, baseballs, footballs, and golf balls, these mini charms make the perfect companions for your gym bags or purses. Each ball is stitched and dyed with their signature designs and colors, with the added accessories like how the baseball and golf ones have tiny hats on. It’s the perfect gift for any sports fan.

Additionally, these charms are also available in mini plushie forms.

Amuseables Succulents

Succulents
Photo from Website/Jellycat

Not a green thumb? No problem. Jellycat’s potted succulents don’t need sunlight or water, just plenty of cuddles — and maybe a nice shelf to sit on.

Some of our favorites include the Silly Succulent Jade with its pebbly felt pot and squashy velvety leaves that have a nice shimmery green shade, the Silly Succulent Aloe, which makes the perfect housewarming gift, and the adorable Silly Succulent Barrel Cactus for very obvious reasons — it makes the cutest desk companion!

Can’t get enough of their cuteness? Browse through their website to discover more Amuseables, or follow Jellycat on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Asia/ Vibe/ Pop Culture

2025 Christmas Movies to Binge This Holiday Season

XmasPhoto by Netflix/Website

We’re at the time of the year when the autumn season is coming to an end, giving way to longer nights and cooler winds. If you’re ready to slip into full holiday mode, 2025’s lineup of Christmas movies on Netflix and Disney+ is here to make your December watching effortless and extra cozy!

From swoony, second-chance rom-coms to daring adventures across cities, this year’s releases deliver all the festive escapism you could want. Whether you’re craving something to binge with hot chocolate or a feel-good flick to unwind after a long day, these fresh holiday drops are guaranteed to keep the season merry, warm, and wonderfully chaotic!

A Very Jonas Christmas Movie

Starring: Kevin Jonas, Nick Jonas, and Joe Jonas

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If you love films where the characters are racing home to make it in time for the holidaysKevin, Joe, and Nick — a.k.a. the Jonas Brothers — go on a chaotic journey from London to New York in this Disney+ original feature.

Equal parts cozy, chaotic, and charming, the comedy film follows the three brothers facing a series of obstacles and mishaps, which hinder them from coming home to their families in time for Christmas. And of course, with a movie starring one of the world’s most famous bands, there’s going to be music. Alongside the release on Nov. 14, 2025 was a soundtrack featuring seven original songs, plus a live and studio version of their 2019 holiday jingle, “Like It’s Christmas,” and a live version of their 2019 hit, “Sucker.” Also joining the Jonas trio are Kevin and Nick’s real-life partners, Danielle Jonas and Priyank Chopra-Jonas, as well as actors Randall Park, Chloe Bennet, Billie Lourd, and Laverne Cox.

Whether you’re a fan of the Jonas Brothers or simply looking for a film to sing and laugh along to, “A Very Jonas Christmas Movie” will instantly lift your spirits and remind you what the season is truly all about.

Genre: Musical, Fantasy, Comedy 

Running Time: 1 hour, 17 minutes

Watch on Disney+

A Merry Little Ex-Mas

Starring: Alicia Silverstone and Oliver Hudson

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Netflix has begun releasing its annual lineup of festive rom-coms, and one of them is “A Merry Little Ex-Mas,” which follows Kate (Alicia Silverstone), a recently divorced mom determined to pull off one last picture-perfect family Christmas before selling the house. But her festive cheer is covered by a cloud when her ex, Everrett (Oliver Hudson), arrives with his much younger girlfriend.

What unfolds is a funny, warm, and tender mix of reunions, co-parenting mishaps, and unexpected second chances. The movie has everything you want in a holiday binge: cozy small town vibes, a nostalgic cast, and a runtime that makes it an easy, feel-good watch. Definitely a movie you can binge with hot chocolate in hand and zero regrets!

Genre: Romantic Comedy 

Running Time: 1 hour, 31 minutes

Watch on Netflix

Champagne Problems

Starring: Minka Kelly and Tom Wozniczka

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The season wouldn’t be complete without that one career woman finding love, as we’ve seen (and still devour) in many Hallmark movies. But this time, Netflix isn’t bringing our leading lady to a cozy small town but across the ocean and right at the heart of France.

Champagne Problems” follows Sydney (Minka Kelly), an ambitious executive who flies to Paris on a mission to seal a high-stakes deal before Christmas: acquiring the iconic Château Cassell champagne house. But she gets sidetracked when she falls for Henri (Tom Wozniczka), a charming Parisian man, who turns out to be the son of the very vineyard she’s trying to buy!

This romantic comedy is the perfect blend of business ambition and holiday romance. Set against enchanting Parisian streets and luxurious estates, this film will take you on a literal holiday — all the while bringing you along for a heartwarming whirlwind romance.

Genre: Romantic Comedy 

Running Time: 1 hour, 39 minutes

Watch on Netflix

Jingle Bell Heist

Starring: Connor Swindells and Olivia Holt

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The holiday romance trope gets a mischievous twist in “Jingle Bell Heist” as a sharp-witted retail worker and a down-on-his-luck repairman plan to rob a fancy London department store on Christmas Eve. It’s like “Home Alone 2” but with a romantic touch!

Through their uneasy alliance, secrets are spilled and schemes deepen, causing them to open up and develop feelings for each other along the way. Will they successfully rob the store or steal each other’s hearts instead? The upcoming movie is perfect for those looking for a holiday movie that’s fun, romantic, and maybe a little daring.

Genre: Romantic Comedy 

Running Time: 1 hour, 36 minutes

Coming to Netflix on Nov. 26

My Secret Santa

Starring: Alexandra Breckenridge and Ryan Eggold

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Netflix’s “My Secret Santa” isn’t just talking about presents this year, but is about the man (or woman?) who delivers them.

The film follows Taylor (Alexandra Breckenridge), a single mom who’s determined to make her daughter’s elite snowboarding dreams come true by sending her to a luxury resort’s snowboarding camp. The only problem is that she can’t afford it. But her solution comes in a seasonal job opening as Santa Claus at a ski resort. She disguises herself as a cheery old man, complete with prosthetics, to get the job. But things get complicated when she develops feelings for the charming manager, Matthew (Ryan Eggold).

This fun “Mrs. Doubtfire”-style twist is a binge-worthy treat this season. Set amidst a cozy mountain resort sprinkled with holiday cheer, the upcoming Netflix feature blends parental sacrifice, romance, and a whole lot of holiday magic to make you feel all the love this Christmas.

Genre: Romantic Comedy 

Running Time: 1 hour, 32 minutes

Coming to Netflix on Dec. 3

Special Mention

Man Vs Baby

Starring: Rowan Atkinson

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Although not a film, this bite-sized Netflix series is only four episodes long and will run just as long as a single movie, making it the perfect holiday binge!

This series picks up from the high-tech disaster of “Man vs. Bee,” and follows Trevor, played by Rowan Atkinson (“Mr. Bean”), who traded the chaos of house sitting for the steadier routine of a school caretaker. But when a generous gig caring for a sleek London penthouse over Christmas was offered to him, he couldn’t resist.

However, on the last day of the term, the baby cast as Jesus in the school’s Nativity scene is mysteriously left behind, leaving Trevor with a tiny sidekick. With a penthouse to look after, a wandering infant, and the looming holiday rush, will Trevor get the relaxing holiday he desires? Or will the festivities end in chaos?

If you’re looking for a good laugh this season, definitely put this on your watchlist.

Genre: Comedy Series 

Running Time: 4 episodes, 30 minutes each

Coming to Netflix on Dec. 11

Can’t get enough of these holiday films? We’ve also rounded up Netflix’s 2024 holiday releases here.

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Asia/ Vibe/ Pop Culture

Six K-Dramas that Capture the Melancholy and Magic of Fall

K Dramas to Binge this Fall

As the air turns crisp and the leaves begin to fall, there’s something about the season that brings a wave of quiet melancholy and tender nostalgia. Fall has a way of slowing things down, making us reflect, feel, and long for something we can’t quite name. And what better way to embrace that mood than with a good K-Drama?

Just like the season itself, these stories are rich with emotion, full of love, loss, healing, and hope. Whether you’re craving a heart-tugging melodrama or a cozy slice-of-life romance, these K-Dramas are sure to stir your heart and keep you company through the bittersweet days of Autumn.

Guardian: The Lonely and Great God (2016)

16 Episodes | Starring: Gong Yoo, Kim Go-eun, and Lee Dong-wook

Genre: Romance, Fantasy, Historical

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Also known as “Goblin,” this 2016 melodrama stars Gong Yoo, who plays a 939-year-old guardian of souls on a quest to find his bride to break his curse that makes him immortal. Through his journey, he meets a cheerful high school girl (Kim Go-eun) who has the ability to see ghosts and might just be the key to ending his centuries-long loneliness.

This drama is set against breathtaking autumn backdrops with a good chunk of the show shot in Quebec, Canada. But the story itself, filled with poetic musings of love, fate, and the passage of time, captures the bittersweet feeling of the season. This show was also considered one of the most popular K-Dramas of all time, having maintained a significant viewership since its release, and marked the pinnacle of the Korean romantic fantasy genre. With fantasy, melancholy, and heartwarming romance, it’s perfect to binge on a cool evening, especially when the season itself feels like a reminder of love's impermanence and magic.

Watch now

Hotel Del Luna (2019)

16 Episodes | Starring: IU, Yeo Jin-goo, and Shin Jung-keun

Genre: Romance, fantasy, historical

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Another fantasy that will give you all the feels this season is “Hotel Del Luna,” which tells the story of a mysterious otherworldly hotel for lost souls run by a beautiful but cursed Jan Man Wol (IU), who has been bound to the property for centuries.

When a young man (Yeo Jin-goo) comes in and unexpectedly becomes its new manager, their fates intertwine in a story of love, regret, and redemption — all the while trying to help lost souls with their unfinished businesses and cross over to the other side of the tunnel.

With its hauntingly gorgeous visuals and themes of letting go, this series captures the wistful and otherworldly mood of fall, showing us that endings can be beautiful too — the way leaves turn into bright hues of orange, red, and yellow.

Watch now

Romance is a Bonus Book (2019)

16 Episodes | Starring: Lee Jong-suk, Lee Na-young, and Jung Eugene

Genre: Romance, slice-of-life 

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Romance is a Bonus Book” follows Kang Dan-I (Lee Na-young), a former copywriter trying to rebuild her life and career, and her longtime friend Ch Eun-ho (Lee Jong-suk), a successful editor-in-chief who has been secretly in love with her.

This K-Drama is set against the backdrop of a cozy publishing house and is a heartwarming story about second chances, self-discovery, and the kind of love that grows quietly over time, making it the perfect show to curl up with a blanket and a cup of tea on a cool fall evening.

Watch now

“It’s Okay to Not Be Okay” (2020)

16 Episodes | Starring: Kim Soo-hyun, Seo Yea-ji, and Oh Jung-se

Genre: Romance, comedy, drama

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If you’re looking for a story about healing and being seen, “It’s Okay to Not be Okay” is a tale about Moon Gang-tae (Kim Soo-hyun), a devoted caregiver who spent his life putting others first, and the reclusive children’s book author Ko Moon-young (Seo Yea-ji).

The two cross paths and slowly open up to each other, and their connection becomes a journey toward forgiveness, love, and self-acceptance. This acclaimed drama helped put the spotlight on mental health and was the most popular romance show on Netflix at the time of its release. It was even named by The New York Times as one of the best international shows of 2020.

With its haunting cinematography, top-notch performances, and deeply human message, this series feels like autumn itself: introspective, healing, and quietly moving.

Watch now

“Twenty-Five Twenty-One” (2022)

16 Episodes | Starring: Kim Tae-ri and Nam Joo-hyuk

Genre: Slice-of-life, romance, sport

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Set in the late 90s and early 2000s, this story follows Na Hee-do (Kim Tae-ri), a determined high school fencer whose dreams are shaken by the financial crisis, and Baek Yi-jin (Nam Joo-hyuk), a young man forced to start over after his family loses everything.

Their paths cross during a turbulent time, which leads to a deep friendship that slowly blossoms into love as they navigate growing pains, ambitions, and heartbreak. The nostalgic backdrop, coupled with the heartfelt tale of youth, change, and the fleeting beauty of first love, “Twenty-Five Twenty One” is a perfect tearjerker for fall, when everything feels tinged with memory and longing.

Watch now

When Life Gives You Tangerines (2024)

16 Episodes | Starring: IU, Park Bo-Gum, Moon So-ri, and Park Hae-joon

Genre: Slice-of-life, romance, period drama

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This 2024 Netflix series is a tender coming-of-age melodrama set on Jeju Island in the 90s, following the intertwined lives of two childhood friends whose bond deepens and drifts as they grow older.

Starring K-pop superstar IU (“Hotel del Luna,” “My Mister”), Park Bo-gum (“Reply 1988,” “Love In The Moonlight”), Moon So-ri (“Jeongnyeon: The Star is Born,” “Legend of the Blue Sea”) and Park Hae-joon (“The World of the Married,” “My Mister”), “When Life Gives You Tangerinescaptures the ache of first love, the weight of time, and the sweetness of ordinary moments.

Through the quiet beauty of Jeju’s landscapes, the bittersweet nostalgia of youth, its warm orange hues, and emotional storytelling, this series feels like autumn itself — gentle, wistful, and full of longing, perfect for those fall days when you want a story that lingers and borders on the thin line between happy and sad.

Watch now

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Asia/ Vibe/ Pop Culture

POP MART’s Toy Sensation Labubu is Making its Way to the Big Screen!

LabubuPhoto by Pop Mart/Facebook

Step aside, Barbie and Lego — there’s a new toy gearing up for its big-screen moment!

According to the Hollywood Reporter, Sony Pictures — home of the “Spider-Man” franchise and Sony Animation’s “K-Pop Demon Hunters” — has officially acquired the rights to turn the wildly popular Labubu brand into a film. The project is still deep in early development, with no producers, directors, or cast attached just yet. It also remains a mystery whether the movie will take the form of animation or live-action, adding to the growing buzz around the project.

For the uninitiated, Labubu is the brainchild of Hong Kong-based artist Kasing Lung and is distributed by Chinese toy giant POP MART in blind box format. This “surprise unboxing” model quickly transformed Labubu into a collectible phenomenon, fueling long queues, restocks that sell out in minutes, and heated resale markets. Part of its rise also comes from its celebrity fans, most notably Lisa of global K-Pop powerhouse BLACKPINK, who was spotted in 2024 with a Labubu bag charm. Her appearance ignited a full-on blind-box frenzy, cementing the quirky monster-like figure as a must-have accessory.

The Monsters
Photo from Facebook/POP MART

With toy-to-screen adaptations also on the rise and character-driven franchises gaining renewed cultural traction, a Labubu film feels right on trend. The 2023 film “Barbie" grossed over US$1.44 billion worldwide, while “The Lego Movie” and “Bumblebee” also achieved massive success. So if the toy’s fanbase is any indication, this little creature might just follow in the footsteps of other iconic toy brands that leaped from shelves to cinema.

Some notable upcoming projects by Sony Pictures include a “K-Pop Demon Hunters” sequel set for 2029 and their collaboration with Mattel Studios on a live-action movie based on its hand-held stereoscopic viewing device, View Master.

Meanwhile, POP MART released the “WHY SO SERIOUS?” series last October, which features Labubu plush pendant dolls in circus-themed designs.

Why So Serious Labubu
Photo from Facebook/POP MART

For updates on the upcoming Labubu film, follow Sony Pictures on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Asia/ Vibe/ Pop Culture

K-Pop Makes Grammy History with Blackpink’s Rosé & ‘K-Pop Demon Hunters’

GoldenPhoto by Netflix/Website

The 2026 Grammy Awards have just announced their dazzling lineup of nominations, and can we just say, they are looking ‘Golden’!

While K-Pop has been making waves long before the current noms, with groups like BTS, Blackpink, and Stray Kids selling out tours in the West and dominating music charts across various platforms, its golden era finally arrives at the Grammys thanks to Blackpink’s Rosé and “K-Pop Demon Hunters.”

Rosé’s hit collaboration with Bruno Mars, “APT .” and HUNTR/X's chart-topping smash Golden” from the “K-Pop Demon Hunters” movie, are the first songs by K-Pop artists to be nominated for Song of the Year, with the former also becoming the first song by a K-Pop artist to be nominated for Record of the Year.

Not only have these two tracks secured spots in two of the Grammys’ top three categories, but they’re also both nominated for Best Pop Duo/Group Performance, marking a historic first for the genre, as it’s the first time two K-Pop songs have been recognized in this category in the same year.

Rosé and Bruno Mars
Photo from Instagram/Rosé

“I cannot believe my life. I am STILL trying to process everything,” said Rosé in a post on her Instagram account. “Thank you so much to the Recording Academy. This means so much to me and many many others. I’m feeling so incredibly grateful today. @Bruno Mars look at that!!! ;’)”

Meanwhile, singer-songwriter-producer EJAE, a.k.a. Rumi’s singing voice in the film and the iconic vocals that made “Golden” a sensational hit, shared an emotional post on her Instagram, quoting, “To say this was my dream is an understatement. This wouldn’t be possible without the fans of the movie who have shown us so much support.”

"Golden” also earned two more nominations for Best Song Written for Visual Media and Best Remixed Recording (David Guetta Remix), while the film soundtrack was nominated for Best Compilation Soundtrack for Visual Media — bringing “K-Pop Demon Hunters” to a total of five nominations, on par with other standout artists like Andrew Watt, Clipse (Pusha T & Malice), Doechii, Sounwave, SZA, Turnstile, and Tyler, The Creator.

HUNTR/X
Photo from Instagram/K-Pop Demon Hunters

Another first joining the ranks is KATSEYE, who bagged two nominations! The global girl group formed by HYBE and Geffen Records has officially made it to the Best New Artist category, having made waves across social media and music charts with their viral hits like “Gnarly,” “Touch,” and the Latin-inspired track “Gabriela,” which has also been nominated for Best Pop Duo/Group Performance.

KATSEYE
Photo from Instagram/KATSEYE

To see the full list of nominations making up Music’s Biggest Night, click here. The 68th GRAMMY Awards is set to air Feb. 2, 2026, live on CBS and Paramount+.

Follow the Recording Academy on Facebook, X (Formerly Twitter), and Instagram for updates.

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Asia/ Vibe/ Pop Culture

2025 Horror Films Ranked: Worst to Best

2025 Horror Films

Halloween is just around the corner, and with the season emerges three kinds of people when it comes to horror films: the ones who love horror, the ones who hate it but still can’t resist watching “just one, for the plot,” and the ones who would rather go for literally any other genre than risk a sleepless night. If you belong to the first two groups, congratulations. You’re exactly where you should be.

2025 has been surprisingly good for horror fans. From franchise finales and streaming stars to box-office hits and festival favorites that earned minutes-long standing ovations, the year gave us everything. We got game adaptations, holy hauntings, cursed subway stations, grief rituals, and, because why not, killer MRI machines.

We watched 14 horror films released this year and ranked them from worst to best. Consider this your survival guide.

Ziam

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Rating: 2/10

In a climate-ravaged future, Thailand barely manages to survive thanks to VS Corporation’s insect-based solution. When a contaminated fish shipment triggers a zombie-like infection, ex-Muay Thai fighter and VS courier Singh punches, kicks, and parkours his way into an overrun hospital to save his doctor girlfriend, Rin.

Don’t get us wrong. We love zombie-action films (Resident Evil is our enduring guilty pleasure series, and we’re willing to die on that hill), and Thai horror films have a special place in our twisted hearts. But Ziam is like a stunt reel that Chat-GPT-ed a screenplay. The Muay Thai fight choreography sequences land harder than the dialogue, and every plot point feels reverse-engineered to set up the next fight scene. Its attempt to be Thailand’s "Train to Busan" never really took off as it confuses noise for depth, leaving us with flimsy motivations and a romance that functions solely as a mission objective.

Ziam’s worldbuilding nods to climate dread and food insecurity could have been timely, but the film sets it aside for a derivative plot. The ending’s tease for a possible sequel was the final nail in the coffin: Singh may have nuclear bunker-level plot armor, but our patience, sadly, did not survive.

Dark Nuns

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Rating: 3/10 

Two nuns, Sisters Juniya and Michaela, defy the rules to exorcise a possessed child named Hee-Joon before cancer claims one of them. Facing death in the eye, Sister Juniya is determined to exit the world with a bang, to rid it of at least one more demon.

This could’ve been a fascinating theological duel: a dying nun facing down the Devil with her own mortality underscoring the importance of every second. Instead, Dark Nuns trades tension for tedium. The cinematography is gorgeously reverent, but the decidedly slow pacing made us long for the end.

Imagine Exhuma but drained of its energy, and Constantine with a terminal, morose main character whose swagger is encased in her ever-reliable multi-gallon jug of holy water and pack of cigarettes. We were praying for a jump scare or an insidious high-tension horror sequence, but it never came. Song Hye-Kyo (Sister Juniya) does her best, but even her face card can’t deliver a miracle.

Untold

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Rating: 3/10

Veteran journalist Vivian Vera (played by Jodi Sta. Maria) built her career on shock and controversy — such as exposes on street food carts using cats for meat and a “Cement Massacre.” Years later, after having catapulted herself to the top of the newsroom, her conscience finally catches up to her as she begins to face horrors that may or may not be of her own making.

The premise was promising: guilt as a haunting force, media ethics, and the price of ambition — all wrapped in supernatural horror. Unfortunately, Untold appears like three movies haphazardly stitched together.

It jumps between genres with whiplash transitions, and the tonal confusion makes it hard to care, especially with the supposed comic relief sequences that only end up undercutting the anxiety the film is trying so desperately to build. Jodi Sta. Maria gives a powerhouse performance — the film’s only saving grace — but even she can’t rescue a script that keeps tripping over itself.

Lilim

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Rating: 4/10

Issa and Tomas are siblings on the run after the elder sister, Issa, kills her father in self-defense. They end up in a remote orphanage run by nuns, and on the surface, it seems like a safe haven. But strange happenings start to lift the veil and reveal the dark truth within.

Director Mikhail Red remains one of the boldest voices pushing the envelope in Filipino horror. Lilim shows flashes of brilliance in its indictment of blind faith in seemingly incorruptible institutions. But its pacing stumbles, and the climactic reveal feels more shock twist for the trailer than narrative payoff. The message whispers, but the chills don’t quite land.

Singsot

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Rating: 4/10

Set in a rural village in Indonesia, a young boy defies a taboo, and it unleashes a curse that spreads throughout the village and targets him and those around him.

Village folklore always hits different, especially in a continent such as Asia, whose traditions run deep and belief systems are indestructible. But while the cinematography and sound design that hums with unease are worth noting, most of the scares are cheap, with only a handful of them standing out in effectiveness.

A lot of the plot points were also left unexplained and mostly, it could be because the film is actually based on a 2016 short made by the same director. Those who are jumping in blind, as we were, may end the film with just as much confusion.

28 Years Later

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Rating: 6/10

The third installment in the ’28’ series, following 28 Days Later and 28 Weeks Later, 28 Years Later reveals the “new normal” since the second outbreak of the Rage virus, which took over the British Isles nearly three decades ago. At the center of the film is a family residing on an island with a small community. Jamie, Isla, and their son, Spike, navigate the post-apocalyptic land while dealing with internal family turmoil and the dark secrets that were forced into hiding.

While it retains the gritty, no-holds-barred attitude that the initial two films were lauded for, there’s still so much left unanswered. Fortunately, however, the second part (28 Years Later: The Bone Temple) is set to be released soon, in January 2026.

As a setup for the sequel, it’s promising: Spike’s coming-of-age and relationship with death ultimately led him to go on his own. As a teenager, the post-apocalyptic, zombie-laden world simply forces him to grow up. But at the end, he is still a kid who is frustrated with being treated like one. 28 Years Later is a satisfying continuation to the 28 series, if only it didn’t rely too much on the shock factor of exposed genitals and shoehorned, novel zombie scenes.

Conjuring: Last Rites

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Rating: 6/10

This year was full of franchise finales, among them is Conjuring: Last Rites. Based on the real-life Smurl haunting case, the final chapter of the Conjuring saga finds Ed and Lorraine Warren confronting demonic hauntings that hit a little closer to home. Alongside the duo, their daughter Judy, who is now grown up, also faces the demon who has been after her since birth.

If you’ve followed the franchise from the start, Last Rites feels like a gentle farewell — warm and nostalgic, strangely enough for a horror film. Unfortunately, the scares are scattered, the dread dulled a bit by sentimentality. Still, a handful of scares upheld the signature horror of the series, and Patrick Wilson and Vera Farmiga’s chemistry remains magnetic. We just hoped to see more of the Smurl family case, instead of incidents being mentioned as an afterthought. It’s a good farewell, but it’s not the haunting banger that forces them to retire.

Until Dawn

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Rating: 6/10

Based on the video game, Until Dawn tells the story of a group of friends who set out to help one of them find their missing sister. They end up in the woods, seeking refuge in a tourist center. Soon, however, they realize they’re stuck in a time loop, with the day resetting each time, with various horrors hunting them down. And the only way out is to survive until dawn.

Adapted from the hit video game, Until Dawn doesn’t reinvent horror, but nails its modest ambitions. The gore is satisfyingly gruesome, and the time-loop concept works just enough to keep you guessing. The characters, unfortunately, are forgettable archetypes that you’d recognize immediately. But if you want a popcorn horror flick that delivers enough scares and zero philosophy, this one’s an easy go-to for your barkada horror film night. Game fans beware, though: it’s far from the source material — take that as you will.

Final Destinations: Bloodlines

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Rating: 7/10

Another franchise ender, Final Destination: Bloodlines wraps up the series with a college student, Stefani, who inherits her grandmother Iris’ visions. Her vision threatens their entire family’s existence, a warning that Death, if the rest of the franchise hasn’t underscored this enough, wins in the end.

Bloodlines is the rare franchise finale that understood the assignment. It ties together 25 years of Rube Goldberg gore with a sense of legacy, connecting all the deaths from the very first Final Destination film to one eerie premonition from 1969. The kills are certifiable classics (here’s hoping we won’t need an MRI scan in the near future), and the fan service is plentiful. While it doesn’t elevate the franchise, it doesn’t need to. It’s a final victory lap for Death, and we couldn’t have asked for a better goodbye.

Good Boy

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Rating: 8/10

Told from the perspective of Indy, a Nova Scotia Duck Tolling Retriever, Good Boy follows the dog (who is not CGI, btw, and is owned by the director) and his owner, who has a chronic lung disease, as they retreat to his grandfather’s remote cabin in the woods — only to encounter something sinister lurking in the shadows.

While it may seem like an easy cop out to use arguably one of the cutest dogs alive as its main character, Good Boy is both heartbreaking and horrifying anyway. The film’s brilliance lies in its simplicity: we see terror through pure, unspoken loyalty. The script is spare, but the emotional payoff is clean. It’s less about ghosts and more about the unflinching devotion that drives a pet to protect the person they love. Those who know Hachiko know all about loyalty, but Good Boy teaches you to dread the moment that loyalty faces something it can’t fully comprehend.

Weapons

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Rating: 10/10

At 2:17 AM, seventeen children from the same third-grade class run away from their homes in a small Pennsylvania town, leaving only one behind. The town unravels as paranoia and grief turn neighbor against neighbor, revealing horrors both human and supernatural.

Weapons is horror at its most disciplined — restrained and devastatingly effective. Its nonlinear storytelling weaves personal guilt, mob hysteria, institutional failure, systemic rot, and grief, resulting in an amalgamation that is a self-reloading weapon that often zones in on the wrong targets. The scares aren’t loud (except for the final act); they’re quiet, creeping, and perfectly timed. While we personally love the cathartic final act, remember that there’s not always a singular monster to hunt down — and refusing this truth often reveals monsters hidden within.

Sinners

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Rating: 10/10

Set in 1932 Mississippi, twin brothers Elijah “Smoke” and Elias “Stack” Moore return home from Chicago to open a juke joint — a rare space for freedom, music, and joy for their Black community during the Jim Crow era of segregation. But the night of their grand opening was everything and nothing like they hoped for.

Sinners is not a traditional horror film, as the lack of cliché jump scares would indicate. Instead, it’s a blues opera of despair and transcendence. The pacing is deliberate, building an atmosphere as thick as molasses as the horror seeps in gradually, like sin itself. The cast, led by Michael B. Jordan and Hailee Steinfield, deliver electrifying performances, and the soundtrack alone deserves an award.

In the end, the film’s genius lies in its question: how much does freedom cost? The price may be very steep — too steep — but Sinners proves even just one night of freedom is worth risking it all.

Exit 8

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Rating: 10/10

Another film based on a video game, Exit 8 is set in a subway station in Japan. A man finds himself trapped in a hallway that is seemingly on a loop, haunted by “anomalies” that distort reality. Each wrong step resets his purgatory.

Based on the game, Exit 8 is minimalist horror perfection. Every step forward is anxiety amplified, and every turn of the corner is stress-inducing. The film’s brilliance lies in its simplicity, as you feel as though you’re pulled into the game itself, scanning for “anomalies” alongside them.

But in its minimalism, you’ll find the psychological dread — loops aren’t just supernatural prisons; they’re psychological ones. More than ever, you’ll resonate with the feeling of being “stuck in a loop,” bogged down by guilt, indecisiveness, and inability to find your way. Exit 8 is proof that horror doesn’t need a monster when the truth in the deepest, darkest corner of your mind is far worse.

Bring Her Back

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Rating: 10/10

After losing their father, two teenagers, Andy and his sight-impaired stepsister Piper, are taken in by Laura, a former counselor who is also fostering another boy, Oliver. As the two orphaned children process their grief and try to settle in their new home, it becomes clear that they’ve become pawns in an elaborate, convoluted resurrection plan.

Bring Her Back is one of this year’s crown jewels: a brutal exploration of grief, obsession, and the monstrous things people do for love (in every beautiful and demented sense of the word). Aside from the brutal gore that makes you flinch viscerally, the film lets you understand the monster without absolving them — a tightrope few horrors attempt (much less succeed in). By the end, you’re not asking: “Who would do this?” You’re asking, uncomfortably, whispering perhaps in the silence between waking: “How far would I go if I believed I could bring them back?

Final Thoughts

2025 proved that horror doesn’t have to scream to be heard. Filmmakers around the world are pushing boundaries — redefining fear as something both external and intimate. The best of this year weren’t just scary for the scare factor; they reached down to your soul and found a common unsettling thread.

So this Halloween, whether you’re braving the couch alone or hosting a marathon with your friends, take your pick from our list. Just remember: sometimes even when the movie ends, the unease doesn’t.

Sleep tight (or don’t).

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