October 27, 2025

Artist Spotlight: Over October and the Magic of Moving ‘Dahan-Dahan’

by: The Beat Asia

October 27, 2025

by: The Beat Asia

If there’s one thing Over October has mastered, it’s the art of growing slow and steady. Formed in 2014, the Filipino indie/alternative rock band has spent the past decade quietly building their sound, their story, and their community of listeners — endearingly called “Octobears.” Then came “Ikot” in 2024, the heartfelt track that launched them into the mainstream music scene, proving that patience really does pay off.

Now, with more eyes (and ears) on them than ever, Over October is showing no signs of slowing down. Their music, described as equal parts nostalgic, sincere, and full of soul, feels like the soundtrack to late-night drives and long, quiet moments. Their latest single, “Dahan” showcased a more romantic side of the band as they told the story of a slow-burning romance wherein one realizes their feelings for someone they’ve known all their life.

In an exclusive sit-down with The Beat Manila, Josh Buizon (vocals), Josh Lua (lead guitar), Joric Canlas (bass), Janessa Geronimo (drums), and Anton Rodriguez (guitars) talked about where it all began, how their creative process has evolved over the years, and what’s next as they continue to define who Over October really is.

From the early days of jamming in small venues to navigating the wave of newfound attention, the band opened up about the challenges, the laughter, and everything in between that keep their music alive.

On Music Being the Glue

It might surprise some to learn that Over October just celebrated their 11th anniversary — a milestone marked with a free concert at the SM Mall of Asia Amphitheater last Oct. 12, 2025. With “Ikot” only recently making waves on mainstream playlists, it’s hard to believe the band has been around this long, quietly building their sound and fanbase before finally getting the spotlight they deserve.

“The process allowed the music and our relationship with each other to really marinate,” said Josh on how their slow rise made the band what it is today. “So it’s like now we’re just at the stage where more people are listening to the songs. It’s still authentic.”

The band started making music while still in college, having been part of a music organization in Ateneo de Manila University. The band’s guitarist, Lua, told us all about the night of their year-end recital, and how he had asked that one question that sparked the beginnings of what will eventually be known as Over October.

“I was at the back of a pick-up truck with Josh, and riding on that high of the recital, I thought, ‘I want to do more music.’ Personally, the reason why I joined that [organization] is to really form a band. So I asked them: 'Josh, mag-kapangalan naman tayo. Gusto mong mag-banda (Josh, we have the same name. Do you want to form a band)?'” Lua revealed with a laugh.

From there, the band eventually took shape with Janessa, who was also the drummer of their group at the recital; Anton, the organization’s president, and Joric, Josh’s childhood friend, joining the team. The band’s original bassist had been Andrew de Pano, who’s currently a member of Ben&Ben.

The five members began writing and recording their own music early on, even setting up fundraisers to help cover the costs of producing their EPs. Lua recalled how they used to serenade people on Valentine’s Day just to raise money to record and print their CDs.

It’s clear this band never took any shortcuts. They built everything from the ground up — crafting their sound, growing their discography, and slowly earning a loyal following along the way. While both Josh and Lua shared that music had always been something they actively pursued, the other members admitted it was a pleasant surprise to see how far their shared passion for music has taken them.

“I really didn’t think of pursuing it. Part of it was that I was really discouraged by my parents,” Janessa said. “But it’s the thing that keeps coming back for me. These guys found me. It became one of those things where I know I’m good at this, and I know I love doing this, and so I stuck with it.”

“I came from an engineering family, so I took up engineering, but the band changed everything,” Joric added. “Music was an outlet for me in college until it became the real thing.”

The band’s rhythm guitarist, Anton, also shared how music was the one constant thing in his life. “I never thought I would be doing it as the main thing. I always thought it was going to be there. I had a lot of bands in college, and slowly everyone grew up and started getting their own jobs. I even stopped music for a while. It wasn’t really in the plan. It was more like something that I reunited with every so often.”

On Creating Music that Moves

A lot of the band’s songs have been described as heartfelt and soulful. Their musical stylings have even been compared to the likes of Coldplay, John Mayer, and even Hillsong for their emotional rhythm that almost seems cathartic when you listen to them.

When asked what inspires their music, Josh replied, “A lot of our songs are written from personal experience. When we started collaborating, it also became more like universal experiences that we’ve experienced in the past. And that’s really where we get it from. We also try to base it on experiences that other people share, so they can resonate with the music that we put out.”

Personal and universal may be words that come from opposite ends of the spectrum, but the band had an interesting take on how they balanced these two when making music.

“What we noticed is that although we write a song for a specific theme or with a specific message, it’s always interpreted differently by different people. I think that’s the beauty of music. Sometimes, it doesn’t matter what message you’re trying to put across. We have this song, and I meant it to be such a loving love song, but some people who listened to it said that it was painful. It really reacts to people in different ways, so finding a balance is like magic!”

“What we usually do is we come up with a story, and it becomes like a musical score. We write a song based on that scene. Subconsciously, as we craft that story, we draw inspiration from pop culture, literature we’ve seen, read, or watched. So I guess that’s why it becomes universal since it’s also based on the media that we consume. At the same time, we balance it with real-life experiences. From there, we kind of romanticize them,” Lua explained.

The band also shared that everyone pitches in when it comes to the arrangement. However, when it comes to songwriting, Josh usually takes the lead with Lua often pitching in.

Apart from “Ikot,” we asked the band if there was a song they’ve produced that they found memorable.

“We have this song called ‘Gising Bangon,’ which came from our ‘Maybe Today, Maybe Tomorrow’ EP. We wrote that all together, and we were in a locked-in recording. We’re in the middle of the pandemic, and I remember that so vividly. We were just in one room writing songs together.”

“It was just about the uncertainty of the future,” added Lua.

“Yeah, and Anton had to leave for a bit because he was focused on studying,” Josh continued. “I remember we called him while we were writing that song. And we told him to come back already. *laughs*”

Being an independent band comes with its fair share of perks and challenges. When asked about the struggles they’ve faced over the past decade, Jannesa pointed to the ever-evolving music industry. Having been around long enough to witness the shift from CDs to online streaming, the drummer shared that the band has had to constantly adapt and find ways to keep up with the fast-changing landscape, and with the many new artists emerging along the way.

“We’re independent, so we also don’t have a big machinery behind us,” Janessa explained. “With our small production team and our manager, Kat, we’re just trying to keep up with all the other mainstream artists with better backing. It’s difficult, but we’re still here, so we’re still able to achieve what we want.”

When asked if they feel any pressure to release more music, she replied, “I don’t think 'pressured' is the right word for it. We kind of just understood that that’s how the music industry is now, and it’s up to us to adapt to it. We know that’s how it is, so we conform to that.”

“It’s also not just the timeline of releases but also the resources that come from it,” Anton added. “As an independent band with no backer and no institutional mechanism keeping us here, we rely solely on our own savings. We understand that because of the way listeners are consuming music, we have to release a certain number of songs, but that also comes with its own promotional campaign and shows. That’s a big struggle. Although the band’s situation now is that the songs are already recorded for the foreseeable future, the ideas that we have to come up with and the resources that we need to make those releases meaningful are still up in the air.”

Speaking of new releases, we also talked about their latest single “Dahan,” a love song about slowly falling for a friend. It’s a slow-burn romance wrapped in an alternative-rock arrangement that mirrors that very feeling. The chorus starts off gentle and restrained before building up toward the end, when those emotions can no longer be contained and everything suddenly changes.

Over October has always had a gift for translating emotions that are often hard to put into words into pure, heartfelt music and that might just be their greatest strength. After 11 years of playing and creating together, it’s clear the band has not only refined their craft but also deepened their connection as musicians, resulting in songs that feel both deeply personal and universally relatable.

When asked if their slow rise had changed their perspective on what success looked like, Josh replied, “I think every band or every artist has a different journey. Some are overnight successes or have been famous since their first or second year. Ours just took a little longer. I think it’s a much more fulfilling feeling because it took so long to get there. We’re more grateful to be here because of the years that it took to get here, and we’re also hungrier for more because we want to achieve so much more than what we’re doing right now.”

Indie Band — Photo from Facebook/Over October

As for if there was a moment in their 11-year run that felt like a turning point for the band, Lua shared, “Definitely “Ikot.” When it was released, we went up to Baguio to record, and we were constantly monitoring the numbers. It kept rising and rising. We were like, ‘Is this really happening?’ After that, it was a blur. We started getting invited to more shows and awarding ceremonies. We also started seeing that this can actually sustain us. I ended up resigning from my job this year and now I’m doing music full-time!”

From intimate gigs to arena shows such as their recent performance as Coke Studio performers, Over October shows no signs of slowing down. Having honed their sound for years now, it’s only natural that they’ve built a stronghold that can last for many years to come.

“We want to reach more people, not just here in the Philippines but also abroad. Maybe to tour abroad in countries where we have fans who message us asking us to come and perform. That’s a dream for me to be able to do that,” Josh said.

“For long term goals, we wanted to be able to keep doing this for as long as we can,” added Lua. “To do larger-scale shows and release more music.”

Before wrapping up, Josh also gave a short and sweet message for the Octobears: “Thank you so much for supporting our music and making it the soundtrack of your lives. We just want to give back to you. We love you! Stream 'Dahan!'”

For updates on music releases and upcoming shows, follow Over October on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Manila/ Vibe/ Pop Culture

October 24, 2025

Sony Music Philippines Artists Dominate the First Filipino Music Awards

by: The Beat Asia

Photo by Sony Music Philippines

October 24, 2025

by: The Beat Asia

Mabuhay ang musikang Pilipino!

Sony Music Philippines emerged as the biggest winner at the first-ever Filipino Music Awards (FMA), with its artists taking home nine major awards.

Global pop phenomenon SB19 led the group, sweeping a total of six awards, including Tour of the Year, Concert of the Year, and the much-coveted Artist of the Year. The boy band also bagged three People’s Choice Awards — for Artist and Song — and another one for Pop Song of the Year, driven by the wide-ranging appeal of their chart-topping single “DUNGKA!” from their latest EP, Simula At Wakas.

SB19 at the Filipino Music Awards — SB19 | Photo from Instagram/Filipino Music Awards

Also representing the label, IV of Spades marked their celebrated return to the spotlight, winning Rock Song of the Year for their hit single “Aura.” The track debuted at No. 4 on the Spotify Philippines Top 50 a few months ago, with their upcoming headlining concert at the SM Mall of Asia Arena also sold out two months in advance.

Rising Bicol-born singer-songwriter dwta earned Folk Song of the Year for her track “Sampung Mga Daliri,” made in collaboration with SB19’s Justin. This recognition adds to her growing list of milestones, including contributions to the “Flower Girl” soundtrack and songwriting credits on BINI’s newest viral single, “First Luv.”

IV of Spades at the Filipino Music AWards — IV of Spades | Photo from Instagram/Filipino Music Awards

dwta at the Filipino Music Awards — dwta | Photo from Instagram/Filipino Music Awards

Sony Music Philippines also bagged the prestigious Music Company of the Year, reaffirming its position as the country’s leading powerhouse in music.

“These wins are a testament to the extraordinary talent, creativity, and hard work of our artists and to the collective passion of the Sony Music Entertainment team,” says Kevin Foo, Managing Director-Southeast Asia, Sony Music Entertainment. “Through this recognition, we remain committed in empowering Filipino musicians and showcasing the diversity and global potential of OPM as a music movement.”

Beyond the recognition, the night featured standout performances from IV of Spades, Ely Buendia, and Gloc-9, with a monumental finale brought SB19 and Ben&Ben together for their first live performance of “Kapangyarihan.”

The Filipino Music Awards (FMA) is a landmark celebration of Original Pilipino Music (OPM), which took place on Oct. 21, 2025, at the SM Mall of Asia Arena. The event gathered more than 500 artists, industry leaders, and executives, alongside music fans in a historic evening that celebrates the creativity, diversity, and global potential of Filipino music.

Catch the official telecast of the Filipino Music Awards this weekend on TV5 and via livestream on Facebook.

Part 1: Oct. 25, 2025, 9:45 PM

Part 2: Oct. 26, 2025, 9:30 PM

Follow Sony Music Philippines on Facebook, X (Formerly Twitter), and Instagram.

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Manila/ The List/ Nightlife

October 23, 2025

&FRIENDS Halloween Rave Brings Knock2, Dabin, BEAUZ & More to Okada Manila

by: The Beat Asia

Photo by &FRIENDS Festival/Instagram

October 23, 2025

by: The Beat Asia

Forget haunted houses and pumpkin spice — Manila’s Halloween scene is about to get a full-blown rave resurrection. On Oct. 31, 2025, the city’s most decadent venue, Okada Manila, will be crawling with costumed creatures, bass drops, and neon chaos as &FRIENDS throws a Halloween rave. This isn’t &FRIEND's usual rave but a spooky party with a celebration of identity, creativity, and community.

Billed as the largest Halloween rave in the Philippines, &FRIENDS is a curated experience at Okada Manila with a stacked lineup of genre-fluid artists and back-to-back sets designed to keep the energy surging until sunrise.

Lineup of the night — Photo from Instagram/&FRIENDS Festival

Leading the charge is Knock2, making his long-awaited Philippine debut. Known for his explosive bass sets and viral tracks like “Dash,” Knock2 is one of the most in-demand names in the global trap and bass circuit. Joining him are melodic heavyweights Dabin, BEAUZ, and SABAI, each bringing their signature blend of emotional drops and festive energy.

Also on deck are a back-to-back set from FrostTop b2b RemK, two rising stars in the bass and future trap scene, plus a performance from Y3llo, whose genre-fluid style adds a fresh layer to the night’s sonic palette.

Expect sonic chemistry from Ggpete b2b Eko, Zana, Smyliek b2b Nghtshift, Jemina ft Queen, Molly b2b Thryloz, Markdc b2b Paracelcius, Yuichi, Exodus Era, and Dreamdriver, each bringing their own flavor of electronic heat to the crowd to move, connect, and lose themselves in the music.

&FRIENDS Festival 2025 — Photo from Instagram/&FRIENDS Festival

The venue, Okada Manila, is no stranger to opulence. But for one night only, it’s transforming into a sonic playground where fashion, music, and identity collide.

Tickets are available now via TicketMelon with Last Chance General Admission starting at PHP3,750 and VIP packages offering exclusive lounge access, fast-track entry, and premium bar service.

As &FRIENDS is carving out space for community-driven nightlife in Southeast Asia, where creativity and connection take the spotlight. Check out the event’s website, and follow them on Instagram and Facebook for updates.

Location: Okada Manila, New Seaside Drive, Entertainment City, Parañaque, Metro Manila

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Manila/ Vibe/ Celebs & Influencers

October 23, 2025

Spotify PH Launches First-Ever RADAR Creators for Filipino Podcasters

by: The Beat Asia

Photo by Spotify

October 23, 2025

by: The Beat Asia

Staying true to its mission of amplifying Filipino voices, Spotify debuts RADAR Creators Philippines, a new initiative spotlighting fresh local voices who are reshaping the local podcast landscape.

RADAR Creators is Spotify’s global program supporting emerging audio and video talent, expanding on the success of RADAR for Artists. With the Philippines among Spotify’s top five markets in Asia-Pacific and local video podcasting growing by nearly 65% annually, the program strengthens the platform’s support for the country’s vibrant podcast community. Through editorial promotion, marketing support, and mentorship, RADAR Creators helps Filipino creators reach wider audiences and foster deeper connections with listeners.

“Filipino creators are pushing the boundaries of podcasting, using audio and video to tell stories that are real, relatable, and uniquely theirs,” said Carl Zuzarte, Head of Studios at Spotify Southeast Asia. “Through RADAR Creators, we’re amplifying the voices of emerging Filipino audio talent, giving them the platform and support to shape Filipino storytelling.”

The inaugural RADAR Creators Philippines Class of 2025 features a diverse lineup of voices from established names exploring new storytelling frontiers to digital-native creators redefining expression and community.

This year’s class included Kuya Kim Atienza’s Ano Ba Talaga? With Kuya Kim, singer-actress Karylle Tatlonghari-Yuzon’s K’s Drama, Chariz Solomon and Buboy Villar’s Your Honor, Sophie Prime’s DAGOK TIME!, and Yani Villarosa’s yani’s room. Together, they showcase the many sides of Filipino storytelling and reflect how podcasting in the country continues to evolve — authentic, creative, and distinctly local.

“I’ve always loved expressing myself — whether through television, digital, or podcasting — and this program is another way to keep doing that,” said Kuya Kim Atienza. “I’m proud to represent Filipino storytellers who are making an impact both locally and globally.”

“As part of Spotify’s RADAR Creators program, I’m proud to represent Pinoy creativity and the way our generation blends humor, authenticity, and digital storytelling,” added Sophie Prime. “I’m excited to bring that bold and uniquely Filipino Gen Z energy to the global stage.”

Chariz Solomon and Buboy Villar — Courtesy of Spotify

Learn more about the voices shaping Filipino conversations on the RADAR Creators Philippines playlist on Spotify.

Follow Spotify Philippines on Facebook, X (Formerly Twitter), and Instagram.

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Manila/ The List/ What's On

October 23, 2025

ENHYPEN’s Global VR Concert Tour Lands in Manila This Nov with ‘IMMERSION’

by: The Beat Asia

Photo by ENHYPEN/ Instagram

October 23, 2025

by: The Beat Asia

This November, Manila becomes the gateway to a new frontier in K-pop fandom. From November 20 to December 6, 2025, ENHYPEN, one of the genre’s fastest-rising global acts, will debut their first-ever VR concert experience, IMMERSION, exclusively at Gateway Cineplex, Quezon City.

Presented by Wilbros Live, this event marks a milestone not only for ENGENEs (ENHYPEN’s devoted fanbase) but for the evolution of music entertainment itself.

Official poster of IMMERSION — Courtesy of AMAZE VR

Unlike traditional concert films or live streams, IMMERSION is a fully interactive, multi-sensory journey. The experience begins with a cryptic invitation from the members themselves, leading fans down a surreal corridor where whispers blur the line between reality and fantasy. From there, viewers are transported into a series of cinematic dreamscapes, a sprawling office, an eerie factory, and a rooftop under twin moons, each revealing a new facet of ENHYPEN’s artistry.

Produced by AMAZE, the concert uses cutting-edge technology including 12K ultra-high-definition live-action filming, Unreal Engine-powered VFX and AI super-resolution combine to deliver a hyper-realistic, emotionally charged performance.

But it’s not just about visuals. Fans can interact with the concert in real time. By making a hand-heart gesture, you can watch a heart effect appear on screen, or choose one of the seven members, Jungwon, Heeseung, Jay, Jake, Sunghoon, Sunoo, or Ni-Ki, to view the show from their perspective.

ENHYPEN's 7 members — Instagram/ ENHYPEN

IMMERSION is also notable for its global scale. It’s the first VR concert to be simultaneously announced and confirmed across 40 major cities, including Seoul, Tokyo, Los Angeles, Paris, and now Manila. This underscores ENHYPEN’s growing influence as a global artist and highlights AMAZE’s expanding distribution network in immersive entertainment.

For ENGENEs in the Philippines, this is a portal into ENHYPEN’s world, crafted with precision, emotion, and cutting-edge technology. For more details, check out the VR concert’s official website, and follow ENHYPEN’s Instagram and Facebook for their updates.

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Manila/ Vibe/ Artists

October 20, 2025

Cup of Joe Concludes Sold-Out ‘Stardust’ Concert and Makes History

by: The Beat Asia

Photo by Viva Artists Agency

October 20, 2025

by: The Beat Asia

From intimate gigs at the New Frontier Theater to sold-out shows at the Araneta Coliseum, there’s no doubt that Cup of Joe (COJ) has soared to incredible heights, leaving behind a trail of stardust that glows brighter with every song they release.

The Filipino alternative pop sensation recently wrapped up their three-day concert series, “Stardust,” at the Araneta Coliseum last Oct. 12, 2025, marking an incredible milestone for both the band and the Araneta Group. They were recognized as the first Filipino band to achieve a total of five sold-out concert dates in a single year, following their two-day solo concert “SILAKBO” last February and their latest “Stardust” shows. In line with this, the group was also inducted into the Araneta Wall of Fame.

Additionally, COJ was awarded by Believe Music for reaching a total of 4 billion streams across all music platforms, making them the most-streamed artist in the Philippines. Their mega hit “Multo” also holds the record for the longest-running #1 song and highest single-day streams in Spotify Philippines’ history, and the longest-charting top song on the Billboard PH chart, having spent 27 consecutive weeks at #1 on the Billboard Top 100.

Awards — Courtesy of Viva Artists Agency

“Stardust” is more than just a concert, but a culmination of their incredible journey in the past few months. Unlike their second solo concert, which highlighted their first studio album, this show is rooted in the theme of “creating a new world,” positioning the band as storytellers as they reinvent their music with powerful new arrangements, surprise elements, and breathtaking production designs.

The Beat Manila was there to witness the magic last Oct. 12, 2025, which was an immersive musical experience that transformed the Araneta Coliseum into COJ’s very own galaxy. With a center-stage setup that gave fans a 360-degree view of the band’s electrifying performances, every beat felt closer, every note more alive. Overhead, colorful planet fixtures shimmered like distant worlds, pulling the crowd deeper into the band’s orbit.

The concert was packed to the brim with fans, and also had some star-studded guests in the crowd. Some of the celebrities spotted on Day 3 included Maki, Will Ashley, Alexa Ilacad, Barbie Forteza, and James Blake.

For three nights, Joehwas weren’t only treated to incredible performances of the band’s beloved hits but also from surprise guests, with a setlist mapped across five distinct emotional worlds.

Indie pop singer Keanna Mag raised the energy high for the pre-show, giving fans a delightful performance of “To the Bone,” “Takipsilim,” and her latest single “Babalik.” Right after, the lights dimmed and the concert officially began with “Silakbo,” welcoming audiences into the grand and euphoric Planet Crimson. Like this bold hue, this segment featured some of their most powerful anthems like “Sinderela,” “Tatata,” and “Wag Na Lang.”

Concert stage — Courtesy of Viva Artists Agency

Fans were then transported to Planet Ivory, a world that embodied warmth and brightness through heartfelt tracks like “Mananatili,” “Ikaw Pa Rin Ang Pipiliin Ko,” and “Misteryoso.” Singer-songwriter Janine Teñoso joined them on stage to sing their major hit, “Tingin,” as well as a cover of “Hulaan.”

The band has made a tradition of including one surprise song per show, and for the last day, they sang their rendition of Backstreet Boys’ “I Want It That Way,” sending a wave of nostalgic fun from the stage up to the highest section in the arena.

In Planet Pink, we got to hear “Estranghero,” as well as a mash-up of some of their well-known tracks, “Sagada,” “Nag-iisang Muli,” and “Hayaan.”

The band also welcomed Yeng Constantino to the stage on Day 3, delighting fans as she sang her hit “Jeepney Love Story” and a cover of COJ’s “Wag Na Lang.”

Janine Teñoso | Courtesy of Viva Artists Agency

We traversed deeper into the galaxy and arrived in Planet Emerald, where we heard most of the band’s most soul-stirring tunes like “Hinga,” “Kanelang Mata,” “Bubog,” “Lagat ng Bukas,” and “Pahina.”

Lastly, COJ braved the chill and darkness of Planet Azure, armed with songs “Bagyo,” their latest single, “Sandali,” and of course, the massive hit, “Multo.”

The interstellar journey concluded with an encore performance of their song, “Patutunguhan.” We thought it was a fitting end to this musical adventure as the song talks about one’s beloved serving as their final destination, who provides clarity amid the chaos.

With “Stardust,” Cup of Joe proved that their rise is no fleeting moment, but a movement. The concert was a journey through sound and sentiment, each song weaving stories that resonated far beyond the stage. It was a success not only in scale but in soul, touching hearts across the Philippines and shining bright enough to reach the world.

Riding the wave of this stellar success, Cup of Joe is now setting their sights beyond home. The "Stardust” World Tour kicks off in Los Angeles on Oct. 31, followed by stops across the US, Canada, and Dubai. Here’s where you can catch them next this 2025:

Oct. 31- Los Angeles (Saban Theater)
Nov. 1 and 2 – San Francisco (Graton Resort and Casino in Santa Rosa)
Nov. 7 – Calgary (Chinese Cultural Center)
Nov. 8 – Edmonton (Edmonton Expo Center)
Nov. 14 - Winnipeg (Transcona Country Club)
Nov. 15 - Vancouver (Chandos Pattison Auditorium)
Nov. 16 – Toronto (The Arena Pickering Casino Resort)
Nov. 29 – Dubai (Coca-Cola Arena)

Araneta Coliseum — Courtesy of Viva Artists Agency

The band also recently announced the release of the “SILAKBO” vinyl album, which you can pre-order here.

For updates on additional tour dates and new releases, follow Cup of Joe on Facebook and Instagram.

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Manila/ Vibe/ Sports

October 16, 2025

Thrilla in Manila 2 Brings Boxing Legacy Back to Philippines After 50 Years

by: The Beat Asia

Photo by Nico Ali Walsh/ Instagram

October 16, 2025

by: The Beat Asia

Fifty years ago, the Philippines hosted a fight so brutal, so poetic, and so globally resonant that it was etched into boxing history as The Thrilla in Manila.

Now, half a century later, the echoes of Muhammad Ali and Joe Frazier’s legendary war return, not as a reenactment, but as a revival of spirit, sweat, and legacy. Thrilla in Manila 2 is set to ignite the Smart Araneta Coliseum on October 29, bringing a new generation of fighters into the ring where legends once bled.

The event is spearheaded by Manny Pacquiao’s MP Promotions, in partnership with IBA Pro. Headlining the card is Melvin Jerusalem, the reigning WBC Minimumweight World Champion, who will defend his title against South Africa’s Siyakholwa Kuse. But the emotional spotlight is the appearance of Nico Ali Walsh, grandson of Muhammad Ali, stepping into the same arena where his grandfather fought the fight of his life.

The original 1975 bout between Ali and Frazier was the third and final clash in their storied rivalry. Held in the sweltering heat of Manila, it was a 14-round war of attrition that ended with Frazier’s corner throwing in the towel. Ali later described it as “the closest thing to dying.” That fight didn’t just crown a champion, it defined an era.

Thrilla in Manila 2 aims to channel that same intensity, but with a modern twist. The undercard features a mix of rising Filipino talent and international contenders, showcasing the Philippines’ enduring role as a global boxing hub. Pacquiao himself has called the event “a passing of the torch,” hoping to inspire a new generation of fighters and fans alike.

Tickets are priced to welcome everyone: P100 for Lower Box, P75 for Upper Box, and just P50 for General Admission. It’s a rare chance to witness history, again.

Secure your ticket now via Ticketnet and be there when history swings back. For more information, follow IBA.Pro on Instagram.

Location: Smart Araneta Coliseum, Quezon City, Metro Manila

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Manila/ Vibe/ Pop Culture

October 16, 2025

Shop & Stan: BT21 Characters 101 & Merch Spots in Manila

by: The Beat Asia

Photo by The Beat Asia

October 16, 2025

by: The Beat Asia

With BTS gearing up for their highly anticipated comeback next year, there’s no better time to revisit the adorable world of BT21—the lovable characters the group created in collaboration with LINE Friends.

Whether you’re a longtime ARMY or a casual listener, BT21 offers a fun and heartwarming way to connect with the K-Pop legends, with each character reflecting the boys’ personalities and creativity. This makes them more than just cute mascots, but an extension of their talent and charm.

If you’re just getting into the fandom or need a refresher, you came to the right place. This is your stan and shop guide to BT21. Meet the squad and find out where you can grab your favorites in Manila!

Who is BT21?

For the uninitiated, BT21 was born in late 2017 when BTS signed on to the LINE Friends’ Creators project, an initiative where the brand works with artists to produce characters and product ideas.

The group was the first to take part in this project and had gathered together to draw the characters themselves. More than creating cartoon avatars, the brand mentioned in their making video that the project goes beyond creating new characters but is a visual representation of “what BTS wants and making them alive in the real world.”

The group name is a mix of “BTS” and “21st century,” inspired by member Suga’s comment that the characters should represent both BTS and the 21st century, so they can live on for the next 100 years.

The characters’ origin story doesn’t stray very far from the group’s identity either, as it also tells about their journey of wanting to become idol superstars. The ever-curious Prince TATA from Planet BT crashes into Earth with his robot companion VAN. With a mission to spread love on the planet, TATA decides to become a star and teams up with six other members: RJ, CHIMMY, MANG, SHOOKY, and KOYA—creating the UNVIERSTAR BT21!

TATA – “An Off-the-Wall, Curious Prince”

Tata was created by member V and is the crown prince of Planet BT. This heart-shaped character is described as a curious soul with supernatural powers, including the ability to stretch his body far and wide!

V had been dubbed a “4D Alien” by fans for his distinctive and endearing personality traits, as well as his otherworldly good looks.

KOYA – “The Gifted Sleepyhead”

This Koala-looking character is shaped by RM and is as brilliant and multi-talented as his creator. However, his brilliance means his mind is always working, so he’s also always sleepy!

Koya also has removable ears and a cute purple nose, which—although unofficial—represents the fandom color.

RJ – “Kind, Loving, Foodie”

Member Jin has always been known as the “mom” of the group, a good cook, and a big foodie! So, it’s no wonder that his character is the same. He resembles an alpaca, which Jin has reportedly been doodling for years and was so happy to finally find a place to use it. The members had also mentioned that he looks like one whenever he munches on food.

More than his cute appearance, RJ is compassionate and makes everyone feel at home, which is similar to how Jin holds everyone together as the eldest of the group.

SHOOKY – “Mini Prankster”

This badass cookie was created by member Suga. During the initial sketching stage, he had wanted to draw his poodle, Holly, but felt like it was too similar to the other members’ creations.

So instead, he drew a bunch of different expressions of his dog Holly, which gave birth to the adorable Shooky, who loves to pull pranks and hates milk.

Valid, Shooky. If we were a cookie, we’d avoid getting dunked in milk, too.

COOKY – “Brawny Hearty Rumps”

It’s a known fact among fans that Jungkook loves to work out, so he made sure to make his character a gym buff like himself. Jungkook has been endearingly called a bunny by fans due to his adorable overbite, so in his initial sketches, he drew a rabbit with a six-pack!

We thought this character perfectly describes the member who is notorious for his duality—one minute he’s the adorable maknae (youngest of the group), the next he’s firing up the stage with his smooth vocals and killer dance moves.

Cooky is almost always seen holding a cookie, which also served as inspiration for Shooky’s character design.

MANG – “Expressive-Faced Dancing Machine”

Mang is a dancing pony created by the group’s main dancer, J-Hope, and wears a mask to hide his face. People have noticed that when J-Hope laughs, his lips are shaped like a heart, which is why Mang’s nose is shaped like one.

Recently, LINE Friends revealed the face behind the mask, and it turns out the pony is a cute squirrel with a heart smile.

CHIMMY – “The Pure-At-Heart”

This adorable puppy represents member Jimin and is a bright ball of sunshine! Jimin had initially named it after his nickname “Chimchim” and had been very invested in the early sketches, even drawing the character in a tuxedo and an army uniform!

The vocalist also made sure the puppy had chubby cheeks, which were one of his defining features back when he debuted, earning him the nickname “Mochi” among fans.

VAN – “Guardian Space Robot”

BTS has always had a close relationship with their fans, so it makes sense that there would be a character for them, too. Van was created by LINE Friends designers, inspired by the group’s interviews about the kind of characters they wanted to create with the brand.

Van is described as an all-knowing robot who protects BT21—a fitting role considering ARMYs are always at BTS' side to protect them.

Where to Find BT21 Merch in Manila?

Now that you’ve met the gang and most likely claimed your favorite (this is a no-bias zone, and we claim to love every character), where exactly can you get them?

BT21 has had numerous partnerships over the years, from food and beverage companies like Dunkin' Donuts and Paris Baguette, to retailers and beloved brands like Uniqlo, Converse, and Vice Cosmetics. They even have virtual stickers on Facebook Messenger and TikTok and have become official promoters of Incheon Airport.

LINE Friends’ online and offline stores are the best places to find the latest BT21 collections, but with shipping costs and the fact that there isn’t a LINE Friends permanent shop in the Philippines, hunting these cuties down can be challenging and expensive.

But luckily, the brand is currently partnering with several retailers here, each of them releasing BT21-inspired merchandise such as shirts, plushies, gadgets, and more. Here are some of the places to stan and shop!

SM Store

BT21 Pop-up — Photo from SM Megamall/Facebook

Wear your ARMY pride with fashionable tees from SM Department Store, which boasts a ton of them in a variety of colors and designs, featuring the beloved UNIVERSTAR characters. They’re also selling nap pillows, pajama sets, tote bags, plush notebooks, and stationery sets priced as low as P150!

If you’re looking for plushies, head over to Toy Kingdom, where you’ll find all the characters in cuddly forms in varying sizes for no more than P1,000.

SM Group is also holding the very first interactive BT21 pop-up in the country at several of their malls this year, called “BT21: The Journey to the Philippines.” The event features several photo spots and interactive spaces with life-sized character statues where ARMYs can enjoy and show their love for the members.

The Manila leg has just concluded but the tour will continue to bring more love and magic shops across South Luzon, specifically at SM Bacoor (July 9 to 25), SM Santo Tomas (July 31 to Aug. 31), SM Santa Rosa (Aug. 19 to Sept. 7), SM Dasmariñas (Sept. 12 to 26), and SM City Tanza (Oct. 2 to 15).

MINISO

MINISO is known to sell a variety of consumer goods, kitchenware, household items, cosmetics, stationery, and toys. The popular retail chain launched its BT21 collection last year, featuring a variety of character goodies.

There are BT21 plushies, bolster pillows, blankets, earphones, charging cables, night lights, bags, and purses. We’re not even sure we got the whole collection down because there’s an entire shelf aisle and wall dedicated to the collection at every MINISO branch, with items priced between P299 to P2,000. Talk about cute and affordable!

Robinsons Department Store

BT21 Fashion — Photo from Robisons Department Store/Facebook

BT21 Tees — Photo from Robisons Department Store/Facebook

Another Department Store that has been taken over by the galaxy’s cutest group is Robinsons Malls, which has a line of BT21 apparel from oversized tees (P599) to cozy pajama sets (P749) perfect for lounging at home while watching BTS concert films or docuseries.

Fun fact: Did you know that the first-ever LINE Friends store opened at Robinsons Place Manila way back in 2019? Fingers crossed we get a more permanent shop soon because we simply can’t get enough of them!

Hanabishi

The Philippines’ leading home and kitchen appliance brand has also teamed up with LINE Friends to release limited-edition mini jumbo fans (P1,299).

Perfect for the country’s summer weather, cool down in style with Hanabishi’s adorable fans designed with each character in bright colors. There’s only a limited number of fans produced (24,500 units to be exact!), so make sure to grab yours today at an appliance store near you!

For updates on the latest BT21 collections, follow them on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Manila/ Vibe/ Pop Culture

October 15, 2025

Artist Spotlight: Michelle Alde on Championing Bold Femininity

by: The Beat Asia

October 15, 2025

by: The Beat Asia

At first glance, Michelle Alde’s works captivate with their elegance. From the quiet grace of her figures, the fluidity of her brushstrokes, down to the refined play of texture and space. However, if you linger a little longer, her art reveals something deeper: a fearless exploration of femininity in all its strength, softness, and complexity.

A painter and multidisciplinary artist based in Alabang, Michelle’s practice spans both traditional and digital media, with oil as her signature medium. Through her craft, she captures the sentimentality and movement of the human experience, particularly those associated with femininity. Her pieces have been exhibited in several group shows across the country, including In An Ordinary Minute at Altro Mondo Creative Space in Makati. More recently, she has also commissioned an art piece for skincare brand Lactacyd, for the Museum of Speaking Skin, where she brought to life her own personal skin story through her signature strokes and hues on the canvas. Beyond painting, she also lends her creative eye to design as a mentor to burgeoning painters at the Young Artists Studio.

In our latest Artist Spotlight, The Beat Asia sat down with Michelle as she opens up about her artistic beginnings, her evolving interpretation of femininity, and how she balances the dualities of womanhood — their strength and vulnerability, as well as their delicacy and defiance with bold and elegant intent. She also reflects on her creative process, her feminist influences, and the empowering messages she hopes young women will take from her art.

Hi Michellle! Can you tell us about how you first discovered your love for art?

Absolutely! I have been active in the art scene for over two years now, participating in group exhibitions at galleries in the Philippines.

But my artistic journey really began much earlier. I grew up in a highly creative environment where I observed some relatives practicing their own art forms, which inspired me to pursue mine. During my early teens, I was fond of drawing portraits and clothing, because, back then, I wanted to be a fashion designer. Then, as I grew older, I began exploring painting, and there’s just something about the process of mixing paint, seeing the colors, and putting it onto the canvas that drew me into doing more of it. The next thing I know, I’ve fallen in love with it already.

Did you undergo any formal training? How has that shaped your current style and practice?

I was fortunate enough to have been exposed to many art forms early on. I joined various workshops as a child and explored both visual and performing arts.

With the support of the people around me, I was able to pursue my passion for art all the way to university. I studied at UP Diliman College of Fine Arts and majored in Painting, where my art skills have developed a lot in terms of technique, form, and conceptualization. Having been mentored by brilliant and talented artist-professors and exposed to various artists and artworks, I was able to develop my own visual language.

Over time, I became fascinated with the visual qualities of fabric, initially by how something so inanimate can be dynamic and full of movement at the same time. I’m also drawn to its shifts in movement when it interacts with other objects and figures, and so, it became a recurring metaphor and symbol in my art practice.

Yes, we’ve noticed the recurring themes and symbols in your pieces. What draws you to the theme of femininity?

My art, at its core, stems from personal thoughts, memories, and experiences, as well as the drive to preserve them, which are acts often associated with femininity. I’m drawn to this theme because of how sentimentality and femininity are often perceived as fragile and vulnerable. But for me, I think these are the qualities that carry so much strength. I want to honor these feminine qualities through my art, showing that there is a lot of strength in embracing them.

Could you describe how you interpret them through your art?

There’s a lot of fabric and drapery, alongside objects, figures, and colors that are often viewed as feminine symbols, involved in my work.

I use the fabric’s movement, texture, and folds as a visual metaphor for memory. I believe it carries memories and sentiments just as we do, where each movement creates a wrinkle or crease, just like each interaction reshapes us in some way. Like femininity, it’s seen as delicate, but also resilient. For me, the fabric embodies comfort, concealment, isolation, and visibility, depending on how I want it portrayed in the piece. As women, I think we can relate our experiences to these states. Our need for comfort and protection, the feeling of isolation, and most times, wanting to be seen and heard.

“Priced Possesions” (2025) | Courtesy of Michelle Alde

"On and on and on” (2025) | Courtesy of Michelle Alde

Can you name some of your biggest influences that have inspired your style and subject matter?

I like looking at different works of various artists, especially women artists who explore emotion and identity in their work. I also find inspiration from personal experiences and concepts that are not specific to visual art. I’m drawn to the fabric and figures’ movement, and I also think my quiet love for the performing arts shaped my fascination with “movement.”

Can you walk us through your creative process, from idea to finished piece?

I document a lot of moments in my life. I like to keep remnants of things and experiences. At the same time, I also enjoy capturing movements that interest me, like the fabric. It’s fascinating how each fold or crease shifts with light movement and touch. I then layer it with pieces of moments that have touched me, adding a blanket of interest to the work. Sometimes, I also play around with the fabric and figures in my work, concealing, wrapping, or unveiling the figures in my pieces, depending on how much I want them visible.

The painting process is a meditative act for me. Painting becomes my own act of preservation, using experiences and my inclination to document and keep memories. It brings me comfort that I can hold on to a moment and keep it with me as I continue to grow.

Is there a part in the process that you find particularly easy or challenging?

The easiest part of the process is when I’m fully immersed in my work, and I'm not worrying about what comes next. I just trust the process. I love it when I can just get lost in the middle of painting.

It can become quite challenging to start a piece at times because of self-doubt, like deciding when a painting is truly finished. At the same time, my inner critique gets the best of me sometimes, which I think happens to many artists as well. When that happens, it feels so scary and vulnerable to put my work out there. But sharing it anyway, I think, is a brave act.

How do you see art as a platform for feminist expression?

I think art has always been a way for us women to share our stories. Throughout history, women have been fighting to become visible and heard. It opens up spaces for more conversations about truths and lived experiences among women, helping us connect.

Having spaces that welcome diverse women’s perspectives is also really important. I feel lucky to be in a time where there are more and more spaces, platforms, and opportunities that celebrate feminist expression. I believe we still have a long way to go, but we’ve also come so far already.

"Of Poise and Power" (2025) | Courtesy of Michelle Alde

How do you balance showcasing both the strength and vulnerability of womanhood in your pieces?

Reflecting on my lived experiences as a woman, I’ve been exploring how to translate them visually through my chosen subject. I’ve been working with the duality of the fabric: how it can feel soft and comforting yet heavy and full of tension at the same time. I try to express this through gentle colors and form, contrasted with movement and texture that carry a sense of resistance.

Women are often seen as nurturing and soft, but in reality, we carry so much pressure from the expectations placed on us.

Has your own understanding of feminism evolved through your art practice?

Definitely. Through art, I broadened my perspective on the different approaches women take in their art practice, which I have also taken into my own. I have embraced themes, concepts, materials, and subjects that are often seen as “too soft and feminine” and learned to see them as powerful.

At the same time, I acknowledged that femininity is broader than just softness and strength. Feminism is not only about honoring softness, but also about recognizing the struggles and resistance women have faced throughout history and still face today. It’s expressed through different materials and subjects, which keep shaping my perspective as an artist.

Are there particular pieces of yours that feel especially personal or transformative to you?

Some of my artworks showcase the interaction between the fabric and the body figure. In one of them, I explored printmaking again after several years, which became a freeing experience. For one, since it was different from my usual painting medium, I think it released me from the pressures I usually encounter when I’m painting. I had lower expectations, so I was able to explore them freely.

Secondly, the process of making multiple images of the figure on a sheer fabric and then layering them on top of one another became a vital part of its meaning-making that was really personal to me. The pieces in particular are “Grounded” (2025) and “Water Bearer” (2025).

Another one that felt transformative was when I finally decided to unveil the veiled figure that had been present in my work in the past couple of years. I think it’s time for her to interact and move with the fabric more visibly.

You also teach at Young Artists Studio. What message do you hope women — especially younger women — take away when they encounter your art?

I hope they find comfort and feel that it’s alright to embrace their softness and sentimentality. There’s a lot of strength in doing so. I also hope they feel inspired and courageous enough to create something, even if it feels vulnerable and scary.

What do you hope to explore in future works? Are there any themes or directions you’d like to push further?

I want to dive deeper into the idea of softness and create works centered on the concept of “love.” Not just romantic love, but all kinds: platonic love, self-love, quiet love, etc. I would like to paint about love and because of love.

You can view some of Michelle’s art by following her on Instagram.

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Manila/ Vibe/ Sports

October 13, 2025

Filipino and Korean Celebrities Go Head-to-Head at BENCH “Shoot of Asia”

by: The Beat Asia

Photo by Instagram/ BENCH

October 13, 2025

by: The Beat Asia

Who’s going to be the best—Team Philippines or Team Korea?

Filipino lifestyle brand BENCH is hosting a “Shoot of Asia” basketball exhibition match this October 26, 2025, at the SM Mall of Asia Arena, where Filipino and Korean celebrities are set to face off with an intense game of basketball.

The “Shoot of Asia” basketball exhibition match is part of SBS’ upcoming sports-reality series, “Rising Eagles,” set to premiere in November. The Philippine exhibition game serves as one of the Rising Eagles’ international challenges.

The two teams facing off at the "Shoot of Asia" exhibition match — Instagram/ BENCH

Team Kuys Showtime (Team Philippines) will be represented by Vhong Navarro, Jhong Hilario, Billy Crawford, Ronnie Alonte, JC De Vera, David Licauco, Wendell Ramos, Dustin Yu, Ion Perez, Baileys Acot, Johannes Rissler, Arthur Nery, and Adie Garcia.

Meanwhile, Team Rising Eagles (Team Korea) will feature SHINEe’s Minho, NCT’s Johnny, actor Eun Seok, 2AM’s Jeong Jin-woon, Moon Su-in, Kim Taek, Dae Hee, Seung Hoon, Chan Woong, Kyu Min, and Tae Jin.

Former pro basketball player and variety show personality Seo Jang-hoon serves as Team Korea’s coach, with Jeon Tae-poong as assistant coach. For the Philippine side, sports broadcaster Beaujing Acot will be the coach, and assisted by Julius Teruel and Baffy Acot.

Global P-Pop group HORI7ON, K-Pop girl group BILLLIE, and Sandara Park will perform at the basketball exhibition.

Ticket prices with charges — Instagram/ BENCH

Seat plan for the "Shoot of Asia" exhibition match — Instagram/ BENCH

Tickets are now available via SM Ticket outlets and online. Tickets are priced from P860 (General Admission), P2370 (Upper Box), P3550 (Lower Box), and P8610 (Patron).

For more information and updates, follow BENCH Philippines on Facebook, X (formerly Twitter), and Instagram.

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NYT Bestselling Author Thea Guanzon on Love that Weathers the Storm

Hi Thea! Can you tell us when you began writing? Was it something you always wanted to do?

You’ve always had ink in your veins! We heard you’ve got some background in writing Fanfictions too?

That’s so cool! So, what inspired you to write “The Hurricane Wars?”

Did you have to do a lot of research on Filipino myths? Was it a subject you’ve always been interested in?

Considering you’ve incorporated high fantasy elements; it must’ve taken a huge amount of worldbuilding! Can you tell us a bit about your process of creating it and the magic system at work in the world?

Were there any characters or plot points that you really enjoyed writing or developing for this book?

We all love a good love story! Do you think there’s a reason the romance genre is so popular and continues to entice all kinds of readers from different backgrounds 'til this day?

Do you have a favorite romance trope?

We totally agree! And “The Hurricane Wars” surely delivered in that aspect. How did you feel when it became a New York Times bestseller?

But the journey is only beginning for Talasyn and Alaric. Rumor has it the sequel, “A Monsoon Rising” is coming soon! What can we expect?

Oooh! Can we get a sneak peek?

That quote gave us chills! Do you have any dream projects or tropes you would like to explore or write about next?

Romance Quick Q&A with Thea Guanzon

BONUS QUESTION: If Talasyn and Alaric lived in our world, what would their careers have been, and would they have still fallen in love?

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Shop & Stan: BT21 Characters 101 & Merch Spots in Manila

Who is BT21?

TATA – “An Off-the-Wall, Curious Prince”

KOYA – “The Gifted Sleepyhead”

RJ – “Kind, Loving, Foodie”

SHOOKY – “Mini Prankster”

COOKY – “Brawny Hearty Rumps”

MANG – “Expressive-Faced Dancing Machine”

CHIMMY – “The Pure-At-Heart”

VAN – “Guardian Space Robot”

Where to Find BT21 Merch in Manila?

SM Store

MINISO

Robinsons Department Store

Hanabishi

Artist Spotlight: Michelle Alde on Championing Bold Femininity

Hi Michellle! Can you tell us about how you first discovered your love for art?

Did you undergo any formal training? How has that shaped your current style and practice?

Yes, we’ve noticed the recurring themes and symbols in your pieces. What draws you to the theme of femininity?

Could you describe how you interpret them through your art?

Can you name some of your biggest influences that have inspired your style and subject matter?

Can you walk us through your creative process, from idea to finished piece?

Is there a part in the process that you find particularly easy or challenging?

How do you see art as a platform for feminist expression?

How do you balance showcasing both the strength and vulnerability of womanhood in your pieces?

Has your own understanding of feminism evolved through your art practice?

Are there particular pieces of yours that feel especially personal or transformative to you?

You also teach at Young Artists Studio. What message do you hope women — especially younger women — take away when they encounter your art?

What do you hope to explore in future works? Are there any themes or directions you’d like to push further?

Filipino and Korean Celebrities Go Head-to-Head at BENCH “Shoot of Asia”

This Week's Deals in Manila

Most Popular in MNL

Trending in MNL