Wild Dream Records Introduces Next-Gen Filipino Indie Artists

Looking for a new book to read? There’s a new novel hot off the press, and if you’re a fan of horror or speculative fiction, you’re going to want to sit down for this. 

“Head by the Ceiling” is a horror novel by Anthony Shieh that follows the story of a group of employees at a network company who are hounded by a series of murders. As fear takes hold, they begin to suspect that these horrors are far from coincidental. Each chilling event brings them closer to a horrifying truth — one far more sinister than they could have ever imagined. 

The Beat Asia got in touch with the Filipino-Taiwanese-Dutch author to pick his brain on his inspiration and influences for this bone-chilling tale. This marks the author’s debut in the genre, which he described as a “homecoming” after publishing a string of successful diverse books including “Death of a Loved One in the Time of Pandemic,” one of Philippine Inquirer’s Noteworthy Books of 2024; the #1 Amazon Bestselling BL (BoysLove) romance “White Mocha Americano,” and “VERGE” — a poetry collection about life at its breaking point. 

A true genre chameleon, Anthony enjoys experimenting with his writing and finding new ways to tell a story. But his latest book is a fulfillment of a childhood dream, having written his first horror story at only fourteen years old! The author expressed that while his previous novels explored different genres and improved his craft, they were also stepping stones that led him back to where he truly belonged: in the dark and mysterious world of the horror genre. 

In our latest exclusive, we’re diving into Anthony’s current magnum opus, his processes and influences, as well as how the genre has shaped his career as a storyteller. 

On Returning to Horror

Despite being his debut, “Head by the Ceiling” wasn’t Anthony’s first brush with the genre. The author had been a fan of all things horror at a young age, fostered by a love for horror films such as “The Exorcist” and “Friday the 13th: The Final Chapter.” His mother often brought him to their local video stores to rent Filipino horror movies like “Aswang” and “Shake Rattle and Roll,” which exposed him to the local tales. It was from there that his interest in the genre took root and led him to write his very first horror story, “Tormented,” when he was only fourteen years old. However, the author revealed an intriguing fact about where his fascination with the supernatural also comes from. 

“Beyond film, it also comes from personal experience. I have a 'third eye,' which opened when I was four years old. The first elemental I ever saw was a Kapre perched atop a coconut tree on Makiling St. At first, I mistook it for the PLDT Radio Light, but then I noticed two fiery red dots…eyes, glaring back at me. As I focused, its full silhouette emerged. This experience later became a key influence in my debut horror novel.”

Anthony also revealed that he’s gifted in palm reading, a skill passed down from his Oma in Taiwan to his mom — who also reads tarot — and then to him. It’s clear to see that the writer’s relationship with the genre is deeply rooted in his culture and family history, and how these ties to the unseen have shaped his perspective and his writing. 

When asked about his definition of horror, Anthony replied, “Horror has always been part of our lives. It’s stitched into our history, our fears, and even our Filipino DNA. From oppression and war to crime and the everyday dangers we face, it lingers in the background. It’s not just a genre, it’s something we all experience in different ways. More than just scares, horror reflects the world around us. It brings to light our anxieties, struggles, and hard truths. People don’t always give it the credit it deserves, but horror is one of the strongest forms of storytelling. It makes us feel, question, and see the world in a way no other genre can.”

With the release of his latest novel, Anthony likens it to a homecoming as he finally wrote a story that fully embraces horror — a genre he had always felt destined to write. It features LGBTQ+ characters, explores themes of friendship, love, and family, and even draws inspiration from Japanese folklore, yokai, and films like “Final Destination,” “Evil Dead,” “Pulse,” and “It Follows.” 

“‘Head by the Ceiling’ is the realization of that dream,” he told The Beat Asia. “It's an emotional rollercoaster with immersive world-building and intense, terrifying moments. One reviewer called it ‘a gory & nightmarish horror with great pacing, non-linear storytelling, and vivid, eloquent writing that adds to its cinematic feel.’ That’s exactly what I strive for: stories that play out like a film in your mind, pulling you in frame by frame.”

On Reinventing Storytelling

Debuting his first horror novel is a true milestone, indeed, but Anthony has been known for his craft for years, having released both prose and poetry books that showcased his versatility, wit, and talent as a writer. 

“Horror is my tribe, but I’ve always been the kind of writer who likes to explore. I’ve dabbled in memoir, dramedy fiction, and poetry. Always experimenting, always testing my limits. Each writing has pushed me to try something new, but no matter how much I explore, I always circle back to horror. Every story I’ve written has been part of that journey, pushing me further, sharpening my voice, and ultimately reinforcing that this is where I’m meant to be.” 

“I love writing both [prose and poetry], but at the core, I’m a novelist,” he added. “Poetry lets me capture emotions in snapshots; raw, introspective, and sometimes cathartic. But novels? That’s where I thrive. I love building worlds, shaping characters, and letting stories unfold in their own time. There’s something about the long form that allows me to dive deeper, to really explore the layers of a character or theme. A novel feels like a journey, and I love bringing readers along for the ride.”

Anthony also gave us a glimpse into his brainstorming and planning process, which is almost as intriguing as his palm reading talent! The author admitted to having taken inspiration from dreams and how he would sometimes wake in the middle of the night to jot down the details, which has shaped many of his stories, including “Head by the Ceiling.”

“My writing process is structured yet flexible. Some days, I focus on one novel, and the next, I might feel drawn to another. It all depends on my mood,” he shared. “While many say you should write daily, I disagree. I believe you should write when you feel like writing. Otherwise, you’ll just end up hitting the backspace button.”

The author also listed some impressive influences that have shaped his craft through the years. He admitted to gravitating towards novelizations and screenplays more, finding inspiration in works like “Alien” by Alan Dean Foster, Fede Álvarez's reimagination of “Evil Dead,” and Stephen King’s  “Carrie.”

He also listed some local favorites, explaining how horror in the Philippines is deeply rooted in culture and folklore. He expressed how he has so much respect for authors such as Dean Francis Alfar, Kenneth Yu, and Yvette Tan, whose passion and dedication to Philippine folklore and realism have contributed immensely to the reason why it’s still alive and thriving today. 

With a new book just released and a whole lot more in store — including his participation in an upcoming anthology and two more novels in the works (you heard it here first!), Anthony is shaping the Philippine horror fiction landscape one chilling story at a time, and we simply can’t wait to devour more of them! 

You can get “Head by the Ceiling” at National Book Store (NBS) branches nationwide and online at Anvil Publishing and NBS website, Shopee, and Lazada shops. You can also learn more about Anthony Shieh by visiting his official website and following him on Facebook and Instagram for updates on upcoming events and releases. 

In a world where art often bridges the tangible and the transcendent, Jezzel Wee’s works are experiences rather than mere objects. Drawing inspiration from shifting landscapes, the organic beauty of nature, and the rich artistic legacies of both Japanese and Filipino cultures, her work is a seamless fusion of intricate patterns and natural textures that transform clay into immersive, interactive installations that invite touch, movement, and exploration. 

Rooted in tradition while also deeply contemporary, Jezzel Wee’s ceramics are a story of noticing the small details and finding inspiration in the cliché. 

In our latest artist spotlight, Jezzel Wee talks about her journey into ceramics, learning from masters, and leaving a message of hope through her work. 

What led you to pursue ceramics as a medium?

I like the tactile quality of clay, and I was also drawn to the process of ceramics. It is very tedious, and it has risks, but at the same time, it has high rewards. 

I learned that you learned your craft from a Japanese ceramic artist. Can you share your journey in learning the craft?

I learned from Ryoji Matsumiya, owner and potter of Tsugaru Kanayamayaki in Aomori, Japan. In Tsugaru Kanayamayaki, they process their own clay, fire climbing (noborigama) and anagama wood kilns, and have studios that focus on the slab technique, wheel throwing technique, slip cast technique, jigger and jolly technique, and pressure mold technique. 

I was fortunate to have done and learned most of the techniques of production in Tsuguru Kanayamayaki. They also trusted me to make designs for them, I had to learn what designs were appealing to the Japanese market. 

The biggest challenge for me was when they assigned me to be their chief designer. One of the last projects I made for them was the lamp design production for Hoshino Resorts in Aomoriya, Misawa, and Aomori, Japan. 

Strict discipline and respect for the art and craft are needed.  

Who or what are your biggest influences in your work?

I cannot name a specific person who influences my work because all my mentors, potter friends, and artist friends inspire me to do well in my work. It may sound cliché, but nature and my surroundings have the biggest influence on my work. 

How would you describe your style of aesthetic in ceramics?

I think my style/aesthetic in ceramics is a blend of Japanese and Filipino patterns and influences. 

You find inspiration in the complexities of organic forms and relate them to changing landscapes. Can you share specific examples of natural elements that have significantly influenced your recent works?

For the “Liberating the Chawan” show last 2022 in Pinto Art Museum, most of my works were inspired from growing moss and marine life. Another example is my work for “Weighing Seeds, Pulling Through” at Gravity Art Space, the installation was inspired from Kapok pods and seeds that I often see when I walk around UP Campus. 

I like the idea on how nature can present itself in a broad perspective and as we spend time immersing ourselves, we notice the small details that completes the whole. I guess those characteristics significantly influence my work. 

How did your involvement in the Art Fair PH 2025 come about?

It started when Eya Beldia and I were having a conversation about an exhibition that I wanted to do. Ms. Dawn Atienza of Tin-aw Art Projects and Eya Beldia told me last September that they proposed the idea to Art Fair PH 2025 and got chosen for their special projects. 

What does it mean to you to have been a part of this event?

It meant that I could show another perspective or way to appreciate ceramics as an art form. 

Can you describe your work, “Pagbulong”?

“Pagbulong” is a site-specific ceramic art installation where the viewer is encouraged to hold and engage with the pieces. 

Each ceramic doll is a bell that they can gently shake after they whisper their wishes. As they hold and shake the ceramic doll, a ringing sound will be heard, and other dolls will resonate the same sound. 

What motivated you to create interactive art, and how do you think it enhances the connection between the artwork and the viewer?

For the past few years, my works have always been interactive and immersive; I wanted to create a space where viewers are invited to engage with the work. I think I want to share my experiences with the viewers on how I view the world. 

The tactile or the sense of touch grounds us to be at the present, the sound being produced prompts us to pay attention to the work or what’s in front of us. I think that the time spent with the work creates this intimate connection between the work and the viewer.

What did you hope to convey to the viewers through your exhibition, “Pagbulong”?

I hoped that they had the time to slow down and take the opportunity to say wishes for themselves, for others, or even our country. To realize that each and every one of us carry that wish or hope for things to be better. 

How do you see your work evolving after Art Fair Philippines?

My work will always be grounded in creating experiences for the viewers, to connect with themselves and be more self-aware. I think I will explore more on how to create site-specific works that will engage viewers.

Do you have any upcoming collaborations or exhibitions your audience can look forward to?

As of now, the bulk of the preparation was for Art Fair Philippines. Maybe a few group exhibitions in the 3rd or 4th quarter of the year. 

Learn more about Jezzel Wee and her works by following her on Instagram. 

Known as the largest convenience store chain in the world, 7-Eleven has become a staple in the lives of many Filipinos. You can find their stores every few blocks across the country, cementing their role as the people’s trusted kapitbahays (neighbors) who serve and support their everyday needs. 

7-Eleven’s in-house coffee brand, City Café (CC), is a testament to that commitment, providing every Filipino with their favorite coffee fix to get them through their hectic daily schedules. Last Mar. 26, the brand launched an exciting new era as they welcomed a new member to their family, who will help them in ushering in new and exciting things to your coffee experience. 

“More than just an establishment, what we really want to be is a companion wherever, whenever. If 7-Eleven is your trusted neighbor, then City Café is your bestie, your reliable go-to that’s always there to keep you fueled day and night,” said Valerie Uy, Marketing Communications Division Head of 7-Eleven Philippines. “Over the years, we’ve seen coffee culture evolve in amazing ways, especially here in the Philippines. We’ve seen more young people embrace coffee, experiment with flavors, and make it a central part of their lifestyle. We’re so excited to introduce something new today, and we are sure that you’re going to love what we have in store for you this year.”

City Café plays a key part in how 7-Eleven builds brand love, and this year, they’re giving you more reasons to enjoy coffee at the most affordable price and premium quality alongside their newest ambassador, Darren Espanto. The singer and actor stepped up on stage and officially revealed himself as CC’s newest bestie in a launch event at 7-Eleven’s 4,000th store located in Newport Circle, Pasay City. The event was filled with DARRENatics, 7-Eleven executives, and friends from the media as they welcomed the charismatic singer to the CC family. 

In line with the celebration, City Café also announced a special promo. Coffee lovers can enjoy any small City Café drink (hot or iced) for only P30 until Apr. 1!

“I feel like I drink coffee so much that I’ve manifested a project like this,” Darren said when asked how he felt after being chosen as the new brand ambassador. “Everything happens so fast, and I just feel so grateful!” 

The actor also shared how he always started his day with coffee and was an avid drinker, relying on the beverage to keep him energized through his busy schedules. 

“At the start of my day, coffee po agad (I have coffee first thing)! I usually enjoy it iced. When the days are long because of work, I try to pace my coffee drinking if I need to get energized again. Usually before showtime, or if I have stuff to do afterward.”

As part of the celebrations, Darren also got to play Barista for the day and made coffee for some of his supportive fans. 

For those who live an active lifestyle like Darren, City Café provides a variety of blends that can keep you fueled throughout the day or night. These include Americano, French Vanilla Cappuccino, Mochaccino, and Spanish Latte, which you can enjoy iced or hot. For the hot beverages, you can also get a shot of espresso, a Classic Brewed Coffee, or their Signature Hot Chocolate. Iced beverages have standard regular sizes and are priced at P49 (P47 for Americano), while hot drinks can be as low as P30 (small), P45 (medium), and P55 (large) per cup. You can get your coffee from their shiny self-service coffee machines. Just grab a cup, tap your coffee of choice on the screen, and let it brew! Afterward, just pay at the counter, and you’re good to go. It’s that simple!

When asked how the coffee selection was curated, CC executives replied that it was all based on consumer preferences. 

“At 7-Eleven, delighting the customers is at the heart of what we do, and for the CC team, it means actively listening to what the consumers want and keeping up with the trends, ensuring that we deliver high-quality products,” said Sette Bañez, Marketing Communications Section Manager of 7-Eleven Philippines. 

“This has been the brand’s approach over the years. The strongest testament to that commitment was the launch of City Café’s Iced Coffee, which was driven by the insight that more and more consumers, especially Gen Zs, prefer their coffee iced. So whatever we do, rest assured it will be guided by and shaped by the consumer’s preferences — from new product launches to exciting promotions.”

Darren also encouraged everyone to try out City Café, because not only is it affordable, it's also premium coffee made from 100% Arabica beans. He shared that although a simple black Americano is his go-to coffee drink, he holds an exception for CC’s Spanish Latte and French Vanilla Cappuccino, which he said are his preferred pick-me-up drinks. 

“Aside from the taste, it’s a different flavor. Nakaka-happy siya (It makes me happy),” he said.

From classic brews to trendy new twists, coffee has become more than just a drink but an experience that many people enjoy and look forward to, and CC has much to offer in the next few months with this collaboration. 

Charlene Harn, Section manager for Cup Drinks at 7-Eleven Philippines, passionately told us about the projects their coffee brand has launched and how they intend to push the boundaries of Filipinos’ coffee experience further in the coming weeks.

“Starting today until Apr. 1, we are offering as much as a P7 discount on any small City Café drink. On the sustainability side of things, our campaign ‘Good Coffee, Good Habits’ allows you to avail a P5 discount when you bring your tumbler or reusable cup for your coffee,” she said. “But what is next for City Café? We are not here for nothing, we can only go bigger, bolder, stronger, and better! The sky is the limit for City Café. We don’t want to spoil the surprises, but one thing is for sure: with Darren, your kapitbahays, and coffee besties in tow, leveling up your bean-to-cup experience with City Café will always be our priority. Whenever, wherever.”

To get the latest updates and all the exciting brews to come, follow 7-Eleven Philippines on Facebook,  Instagram, and TikTok.