Published: February 25, 2025

Want to Play at Music Festivals? Here’s What Organizers Are Looking For

by: The Beat Asia

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Photo by Instagram/Rolling Loud Thailand

by: The Beat Asia

Published:
February 25, 2025

The United States has Coachella, Burning Man, and Lollapalooza, while Europe also boasts Barcelona’s Primavera Sound, England’s Glastonbury, Belgium’s Tomorrowland, and Budapest’s Sziget Festival. Asia’s music festivals, however, are not to be missed. Just within the last two months of 2024, Hong Kong’s Clockenflap and Rolling Loud in Pattaya, Thailand rocked music lovers and festivalgoers alike.

No matter which festival, everyone can agree that one of the most important parts that make – or break – a festival is its lineup of artists. And for emerging artists and bands, landing a spot at a major music festival can feel like catching lightning in a bottle.

But what exactly are festival organizers looking for?

The Beat Asia got the lowdown from leading Asian festival organizers themselves. The panel discussion, moderated by Jim Bacarro of Puddy Rock, brought together powerhouses in the Asian music festival scene: Cora Chan of Clockenflap, Johnnie Moylett of Fuji Rock Festival, Dewi Gontha of Java Jazz Festival, and Sarun “Top” Pinyarat of Maho Rasop Festival. They shared insider tips on how up-and-coming artists can increase their chances of making it to the festival stage.

Thanks to ASIYA Festival, these industry leaders got together and shared their insights for bands and artists looking to entertain tens – even hundreds – of thousands of festivalgoers. Take notes, everyone!

It’s All About the Live Performance

While streaming numbers and social media followings might seem important, festival organizers unanimously agree – nothing beats a compelling live performance. “It’s all about live performance, if they can entertain the audience,” Johnnie revealed. He added that when they evaluate artists, they weigh performance capability (60%) more heavily than musical content (40%).

For artists looking to catch their attention, the Fuji Rock organizer emphasized the importance of video content: “[Send us a] YouTube video of your live performance; [we’re looking for] something about the band that can grab attention.”

Well, what makes a performance stand out then? Johnnie noted that there are a lot of key factors, but he graciously provided two: “Are they good songwriters? Does the lead singer have charisma?”

Do Your Homework

One common mistake that emerging artists make is submitting applications without understanding the festival’s identity. “We get these submissions that feel like they don’t know our festival at all,” Top revealed. “Do your research, go through the past lineups [of the festivals].”

Cora of Clockenflap echoed this sentiment, adding that while they receive submissions from artists who are talented, sometimes “Clockenflap is just not the right home for them, but they’re really good.” Understanding a festival’s programming, ethos, and brand helps artists target the right opportunities and tailor their submissions accordingly.

Art of the Elevator Pitch

No, it’s not just for business opportunities. Organizers receive hundreds of pitches each week and while it might be tempting to compile everything you’ve got and send it to them in an attempt to show them your entire career, the experts say otherwise. Less is more.

“Sending 10 emails with the same material will not get you anywhere,” Dewi warned. Cora put it succinctly: “If Bill Gates could fit his whole career in one page, then so can you.”

Here are some key tips for crafting your submission:

Keep it concise and focused
“Pick your best performance video, just pick one,” advised Top.
Cora suggested including footage of audience reactions
Demonstrate your understanding of the festival
Highlight any relevant experience or recommendations

Start Small, Think Big

For artists without management or significant streaming numbers, the path to festival stages starts closer to home. “Conquer your own turf first, get club shows, start small, even just a 50 to 100 pax gig,” Top recommended.

Dewi emphasized the importance of professional representation: “Get a representative. If you think it’s an instant business, then you’re totally wrong.”

Cora, however, encouraged persistence, “The worst response you can get is ‘No’ or no reply.” So why not try anyway, right?

Still, the organizers agreed that getting representation can open a lot of doors. As with most industries, ‘what’ you know is just one part, and more often than not, it’s about ‘who’ you know that counts. Having people who can promote and make connections for you helps a lot, especially since it allows you to focus on your craft.

Making the Most of Festival Opportunities

Festivals, if you don’t already know, have dedicated spaces for up-and-coming talent. “We have ‘Showcase,’ for the newer artists, not the ‘money-makers,’ as they call it,” Top shared, which Dewi echoed as she said Java Jazz features “smaller stages for new talents.”

If you do land a festival gig, however, maximizing the opportunity is crucial. Johnnie advised: “Get good at the performance, play as often as you can everywhere. Get on social media, social networking [during the festival]. The main thing is to be a good live performer.”

Top stressed the networking potential of festivals: “If you get a chance to go to these international festivals, you’ll be in the bill with all these artists [from] all over the world, try to connect [with them].” He also underscored the importance of “learning from other artists, see the show, see the vibe.”

Understanding the Business

Festival programming involves multiple considerations. For Fuji Rock, the top two factors are financial viability and musical taste, with an emphasis on stylistic variety. Clockenflap’s planning strategy starts with securing headliners before filling out the rest of the lineup.

For newer artists, understanding this business aspect is crucial. Cora noted, “It’s a big investment for a band that’s starting out.” This reality check helps artists approach festivals with realistic expectations and proper preparation. As these organizers take a chance on you, so should you deliver. After all, thousands will be watching and listening – you better be ready!

The Festival Philosophy

At their core, music festivals are about creating memorable experiences. As one panelist noted, “Festivals [are] an entertainment business, success is based on the audience’s happiness. Best ambassadors are the players, the audience.”

This understanding should guide artists in their festival journey. Remember: it’s not just about getting on stage and performing your heart out – it’s also about contributing to the festival’s overall mission of delivering exceptional entertainment and fostering a music-loving community.

Key Takeaways You Should Keep in Mind

Perfect Your Live Show: Focus on putting on a compelling live performance with strong audience engagement. Haven’t you noticed how artists often have scripted sentences that “seemingly” transition them seamlessly from one song to another while also engaging the audience? Yeah, it’s scripted, but hey, it works! Don’t people scream their lungs out when they say this crowd’s the loudest they’ve heard in the entire tour?
Document Everything: Capture high-quality videos of your best performances, and don’t forget to include audience reactions.
Research Thoroughly: Study the festival’s past lineups, philosophy, branding, and identity before submitting your pitch. And make sure your pitches are concise!
Start Local: Build your following through small venues and local shows before targeting major festivals. Everyone’s got to start somewhere, right?
Network Effectively: Make meaningful connections within the industry and with fellow artists. It’s a tough industry to break into, like they said it’s not an instant business, but you might just make friends along the way.
Be Professional: Present yourself professionally in all communications with festival organizers.
Stay Persistent: Don’t be discouraged by rejections – use them as learning opportunities.

For budding artists, the path to festival stages is an uphill climb. It requires patience, preparation, and persistence. By understanding what festival organizers are looking for and approaching the opportunity professionally, bands can increase their chances of finally making it into the lineup.

But keep in mind that making it to the stage is just the start – how well you do from there may just determine the trajectory of your career.

Follow ASIYA Festival, Clockenflap Festival, Fuji Rock Festival, Java Jazz Festival, and Maho Rasop Festival on Instagram.

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Asia/ Vibe/ Pop Culture

Published: April 20, 2026

Up-And-Coming: A Peek Into Halina’s Music and Songwriting Process

by: The Beat Asia

Photo by Mayks Go

by: The Beat Asia

Published:
April 20, 2026

Divino Dayacap, creatively known as Halina, knew he was taking his music in quite a niche direction. We hear old music permeate the contemporary scene from time to time, but Halina’s music stays fairly true to the sound he grew up listening to and still does to this day. From his 2018 single “Ukay Tamis” and latest release “Tukso,” he incorporates classical and mid-century music with a modern twist, ultimately reaching listeners with a particular taste in music.

Halina is a solo recording project Dayacap launched in 2014 and is easily one of the most exciting voices in OPM today, particularly within the indie circle. In 2025, Halina signed with Offshore Music Philippines, an independent record label founded by Eraserheads' Ely Buendia. He is, to put it simply, a rebel from the get-go who knew music had always been his calling — and nothing could stop him from pursuing that passion. Good thing, he has the talent to back such ambitions.

A multi-instrumentalist with an extreme fondness for visual art, Halina has never tried to fit in or conform to what others may perceive as palatable — at least in a mainstream sense. But he’s also a thoughtful artist who cares deeply about the music he puts out into the world. One thing we can say for sure is that he doesn't release half-baked music only for the sake of releasing it.

However crazy his approach to crafting songs is (with one of his songs even taking nine years to finally come into its full form), it’s always guaranteed that each of his tracks isn't released until he is finally happy with it. He said it himself: he is a perfectionist. And that’s what makes Halina an interesting artist, deserving of a place in everyone’s musical consciousness.

In our latest exclusive, The Beat Asia caught up with Halina as he talks about gravitating toward the Baroque pop genre, his influences, his deep love for old music, his penchant for writing sad songs, and how “Tukso” took almost a decade to complete.

Divino Dayacap of Halina — Photo from Website/Offshore Music Philippines

To start this on a more personal note, beyond music and Halina, who is Divino, and what are some of the things about you that your listeners might want to know about?

Firstly, I’m a film scorer and music producer by profession. My day-to-day job is scoring and composing music for films, and I also produce music for other artists like Juan Karlos Labajo, Toneejay (formerly from Munimuni), and Iluna, to name a few. Besides that, I also compose for commercials and jingles — just one of the few things that I do outside of Halina.

What drew you into exploring the Baroque pop genre?

The first time I realized that I wanted to be a musician was when I watched the film “Amadeus” from 1984 on DVD. Before I was into music, I was actually into visual arts, so ever since I was a kid, I was always drawing — I was always painting with oil paints and watercolors. I always thought I was going to be an architect or a painter, but my dad insisted that I should be an architect because the money is there. I actually took architecture when I went to UST (University of Santo Tomas) for the first year. But music was always calling me.

I discovered I was a musician with that film, “Amadeus.” I was always fascinated by the relationship between scribbling notes and the art of it, and making it sound in their head. I was in awe of that ability, so I tried to replicate it. After I watched that film, I went straight to the piano — I didn’t know how to read notes at the time, but I tried to write something. When I got back to school, I had this music teacher who saw me scribbling notes. I was copying sheet music from books in the library, and he told me to download this computer software so I can do my scribbles there and can actually play them back. So I was amassing lots of sheet music and copying it onto my computer and playing it back, I was like, "Oh, that sounds nice!"

Halina in a rust-colored shirt sits pensively holding a wooden flute against a warm, orange-toned background — Photo by Mayks Go, from Facebook/Halina

I was just doing it visually, I was just copying like I’m drawing music. That’s how I discovered harmony and melodic writing. That’s how I developed my ear in music. Classical music is a big part of that. I was always surrounded by classic rock, jazz — everything old from the ‘50s to ‘90s. A little bit of Y2K (early 2000s) music over there. I was always surrounded by old, classical music, and it resonated with me. When I was writing for Halina, I think it was a no-brainer decision that I should incorporate my natural vocabulary and my influences because that’s me! What better should I do than utilize what I know and what I excel at?

Are there any genres you haven’t explored yet but would like to try in the future?

I would like to dive more into hip-hop. With Halina, besides the classical aesthetic and the homage to the old art, I’m not always trying to fit in. But I’m always surrounded by modern music, and I’m also a lover of everything. I always try to incorporate everything. But with Halina, I’ve always been a fan of Motown, soul music, and mid-century music. That kind of music always relies on a groovy, funky beat. It’s always very drum-heavy, beat-heavy, and bass line-heavy. So, when writing with Halina, I always try to incorporate groovy basslines like soul, R&B, and Motown.

In terms of hip-hop, that’s their roots. It’s not too far off, and I can see it working — hopefully, if I try to write in that vein. I always try to incorporate modern pop production, especially with my vocals. I try to layer sometimes. I try to make it sound modern or psychedelic, you know, very out of this world — nothing that exists in the real world. I always wanted to paint pictures with sound. I’m not trying to replicate real life all the time. I wanted to take my audience into a dream-like state of some sort.

Halina performing live — Courtesy of Halina

Divino Dayacap of Halina performing live — Courtesy of Halina

That’s nice! Correct me if I’m wrong, but I noticed your music is also inspired by the classic Filipino sound. Has it always been your plan to incorporate a bit of your culture into your music?

Yes! I grew up with Manila music, and I’m a big fan of Manila sound, like Cinderella, Ryan Cayabyab, Sylvia La Torre, and Celeste Legaspi — those artists. And I discovered that with the way I sang, the Tagalog language, I think, really suits me. [That’s where] I found my comfort zone.

I incorporate Filipino influences because why not showcase it? That’s me! I mean, I’m Filipino. I just wanted to create something new. I think it’s not really getting done right now. I think someone should do it. And I have the arsenal, so why not do it? So I just did it!

I think you’ve already mentioned some artists, but who are some of your musical inspirations?

Right now, I’m a big fan of Frédéric Chopin, the mid-19th-century pianist and composer. My music is not really solo piano, but I’m really inspired by him because even though he only wrote piano music, like 99% of his output is piano music, but the way he utilizes the piano, he could express the whole universe, like he could make you feel melodramatic, angry, he just paints the whole human condition in one piece.

Before I actually wrote love songs and Tagalog songs, I initially thought of Halina as an indie, psychedelic music project because I was a big fan of Tame Impala, the Beatles, and Pink Floyd around 2013 and 2014. That’s the kind of music I wanted to do and in English, but once I discovered that I could write Tagalog songs, especially when I wrote “Ukay Tamis” back in 2017, and had good feedback from people, I realized “I think this is where I belong.”

What’s the meaning behind the name Halina? What was the inspiration?

I was thinking of a random name. I just want something that’s kind of evocative or mysterious because I don’t want to call it Divino or something. Not that I hate my name. I just wanted to do my other things with my name and do something artistic with a different name — it’s like a project name.

I came up with Halina because if you’re a Filipino, maybe you’ll think, "Oh, Halina, tara! (Let’s go!)." It’s like you’re calling someone suggestively, "Halina (come on)." And at the same time, if you’re an English speaker, you would think it’s a girl’s name — they’d wonder. I just want something that sounds good, but at the same time doesn’t have meaning, like anyone can put their own meaning. Maybe, "come on, let’s listen. Halina!"

I’ve heard your latest single “Tukso,” which is great by the way! Can you tell us more about that song and what inspired you to write it?

Thank you! “Tukso” was written back in 2016, which is like 10 years ago. I was just trying to write a song — a love song. Well, it’s not really a love song. But it is now… a love song about temptation, about two people having a conversation. It’s like a love song about letting yourself go. When I wrote it, I actually didn’t have that much experience getting tempted because I hadn’t been in a relationship at that time. Those are one of the few songs [that weren’t inspired by] my own life experience. It’s like painting a picture of other people and other people’s relationships. I just wanted to write something about temptation in general — not necessarily romantic relationships or affairs.

Back in 2016, the verses were there, the choruses were there, but the bridge wasn’t there. When I initially wrote it, it was actually about anything that tempts you, like the food you can’t eat, smoking cigarettes, doing illegal substances, alcohol, or anything that’s not allowed.

I just wanted to write a psychedelic track about temptation. But through the years, I became a fan of Manila sound, so [the song also sounded like that]. Also, in 2016, I was listening to a lot of Up Dharma Down (UDD), so some parts of that song, I think, are also inspired by Armi Millare’s writing. And it took me nine years! It was released last year. It took me that long because I’m quite a perfectionist, and I don’t want to release something I’m not happy with. But it kind of helped!

We started gigging that song two years after I wrote it; we were gigging it in its incomplete form. There was no verse, there was no guitar solo in the end. There was just an intro, a verse, a pre-chorus, and a chorus. I didn’t have an idea if I’m going to put a girl in there yet. Back in 2017, I think I discovered I should put a girl there — the one who represents the temptation. It kind of showed me my progress as a writer because every time I learned something new, “Tukso” just got better and better. It’s a journey.

Out of all your songs, which one is your personal favorite? Or the one you have a deeper connection with?

Right now, “Tukso” because I’m really proud of it. I think I achieved what I wanted to achieve and expressed what I wanted to express musically and artistically. I think the song really solidified my brand. I kind of found my identity by making this song and music video.

Speaking of the music video for "Tukso," I'd like to thank the Director of Photography, Joaquin Puyat, and the writer, Aaron Alegre.

What does your songwriting or production process usually look like?

Usually, when I write a song, it always comes instantly in the most random and most mundane moments. For example, when I was riding the LRT, I suddenly felt something. I’m usually feeling something! Like melancholy or getting lonely. I can’t write happy songs — I rarely write happy songs. I always write sad songs, and I always get inspired when I’m sad. Like when I’m riding the LRT, and I have something to say about a situation, I don’t just say it in words — there’s always a melody. The melody is always in there. It just comes out.

The whole musical picture, they’re always in my head. I have a rough idea of the drums, the chords, and the sound. Once I get that down, I try to hurry back home and record that on my software. That’s how I usually start my songs. I rarely have a routine and sit down and say, "I must write a song." Sometimes that kind of process can be fruitful, but usually I really want that gut feeling, the natural way, and I don’t want to force it. The vocals do come last. It’s a really personal thing for me, recording vocals.

Let me just circle back to what you said earlier. So you mentioned you usually write sad songs, but do you think you can write a happy song in the future?

I’ll try my best! But the most natural thing for me is writing really melancholic songs. Yeah, I can write happy-sounding songs, but the lyrics are always sad. Maybe I’m just too miserable *laughs.* And I like it! It's raw emotion, you know? Pain! It’s so easy to write sad songs. I want to share what I’m feeling with other people and how I see life. That’s why I’m doing this — sharing how you see and how you feel about the world. It’s a privilege.

What has been the biggest obstacle in navigating the music industry so far, and how did you overcome those challenges?

With my music, I’m doing something quite niche. It’s not the mainstream style or anything. But when I try to write the lyrical content, I try to make it as relatable as possible and pair it with interesting visuals. [The challenge so far] is everyone's attention span. No one listens to albums anymore. And AI music, and the industry itself. And right now, because I’m juggling my [corporate] work and career with this Halina thing, that’s another big obstacle for me because I have to balance them.

Have you ever encountered creative blocks? If so, how do you handle them?

Yes, with “Tukso.” It took me 9 years! I get distracted easily with anything and everything. Sometimes I hop to another song instead of finishing the other one. I try to do everything at once. The songs really come to me somehow fully-furnished. I always start with the concept. I always have the concept. But the thing is, it’s hard to flesh out. It’s very easy to write and get inspired, but to flesh it out, I’m like, "What should I write for the second verse? I got this perfect thing going on for the first half. How am I going to finish it? How am I going to make it cohesive? How am I going to make it marketable? How am I going to get people to listen to this?"

It’s very hard to do stuff if you have everything because we have all the technology. I’m a hoarder of instruments. "What instrument should I use? Should I use everything?" But you really have to limit it. It’s all about options and distractions.

What can we expect from Halina in the future? Are you planning to release more music soon? Are there any plans for a full-length album, perhaps?

I have an upcoming song to be released in May! And I have a music video coming out for that song. I intend to release an album in June or July — it depends on how perfectionist I will be in the coming months. But the goal is this year.

A person stands thoughtfully against a backdrop of lush foliage, wearing a patterned vest and bow tie — Photo from Facebook/Halina

If you haven’t listened to Halina, you’re certainly missing out. You can listen to his music on Spotify and YouTube. You may also follow Halina on Facebook and Instagram for updates about upcoming performances and new music.

This interview has been edited for length and clarity.

Enjoyed this article? Check out our previous Up-and-Coming articles here.

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Most Popular Across asia

Asia/ Vibe/ Pop Culture

Published: March 16, 2026

‘K-Pop Demon Hunters’ is Now Officially a Two-Time Oscar-Winning Film

by: The Beat Asia

Photo by Netflix

by: The Beat Asia

Published:
March 16, 2026

K-Pop just made history at Hollywood’s biggest night!

Animated film “K-Pop Demon Hunters” just took home two major awards at the 98th Academy Awards, held on March 15, 2026 (local time) at the Dolby Theatre in Los Angeles.

The popular film won “Best Animated Feature,” while the track “Golden” received “Best Original Song,” making it the first-ever K-Pop song to win an Oscar.

Black and white photo strip — Maggie Kang, Chris Appelhans, and Michelle Wong at the Oscars | Photo from X/The Academy

Cast members and collaborators, including Arden Cho, Ahn Hyo-seop, May Hong, and Ji-young Joo, were present to celebrate the night with filmmakers Maggie Kang, Chris Appelhans, and Michelle Wong. Later in the evening, artists Ejae, Audrey Nuna, and Rei Ami delivered a mesmerizing performance of “Golden,” celebrating their win for Asian storytelling and K-Pop.

A photo of the singing voices of Zoey, Rumi, and Mira from "KPop Demon Hunters" — Rei Ami, Ejae, and Audrey Nuna | Photo from Instagram/The Academy

Beyond the historic win, the ceremony featured several standout moments, including a playful Anna Wintour and Anne Hathaway exchange that’s almost akin to “The Devil Wears Prada,” a reunion between Robert Downey Jr. and Chris Evans with a reveal of a special trailer for “Avengers: Doomsday,” and a nostalgic appearance by Ewan McGregor and Nicole Kidman celebrating the 25th anniversary of “Moulin Rouge!”

Other standout achievements of the night include “One Battle After Another” winning “Best Picture” while Paul Thomas Anderson won “Best Director,” Michael B. Jordan won “Best Actor” for “Sinners,” Jessie Buckley won “Best Actress” for “Hamnet” — the first Irish winner ever, Amy Madigan won “Best Supporting Actress” for “Weapons,” and Sean Penn won “Best Supporting Actor” for “One Battle After Another.”

See the full list of winners here.

Follow The Academy on Facebook, Instagram, and X (Formerly Twitter) for updates.

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Trending Across asia

Asia/ Vibe/ Artists

Published: March 16, 2026

Southeast Asian Musical Acts You Should Watch Out For

by: The Beat Asia

Photo by NIKI/Instagram

by: The Beat Asia

Published:
March 16, 2026

Southeast Asia is home to a diverse, vibrant, and rapidly evolving music scene. A culturally rich region, the area’s musical landscape is also one to watch. Filled with emerging artists across different genres, many of these acts have gained attention far beyond their home countries, helping define the sound of Southeast Asian music today.

Blending global influences with local culture, language, and storytelling, these homegrown talents create music that feels fresh and uniquely their own. More importantly, they remind us that music exists across a wide range that goes far beyond what we already know. Countless artists may not always be on our radar, but they deserve far more recognition.

Get to know some of the best Southeast Asian musical artists you should be paying attention to right now. You’ll never know, a SEA playlist might be your next favorite discovery.

Cup of Joe, Philippines

Cup of Joe band — Photo from Facebook/Cup of Joe

A pop-rock band based in the Philippines, Cup of Joe soon rose beyond the city of Baguio to nationwide recognition, with hits like “Misteryoso” and “Estranghero.” Consisting of members Gian Bernardino, Raphaell Ridao, Gabriel Fernandez, CJ Fernandez, and Xen Gareza, the band has helped define the sound of modern Filipino pop-rock, truly staying true to the footsteps of their predecessors.

The band’s biggest hit as of this writing is the emotional synth-pop "Multo," from their debut studio album, "Silakbo." The track, translated to "ghost" in English, currently has more than 500 million streams on Spotify, resonating deeply with listeners with its themes of loss, longing, and heartbreak.

Listen to Cup of Joe on Spotify.

Regina Song, Singapore

Singaporean singer Regina Song — Photo from Spotify/Regina Song

There’s something about Regina Song’s music that makes you want to fall in love, savor the euphoric highs of first love, and feel butterflies in your stomach all over again. The Singaporean singer-songwriter, whose single “the cutest pair” proved to be a hit, debuted with the single “LUCAS” and released her first studio album, "fangirl," in 2024.

Dabbling in pop and R&B, the singer stands out with her soulful vocals and undeniable talent for songwriting. Listen to Regina Song's captivating music on Spotify.

MILLI, Thailand

Thai rapper MILLI — Photo from Instagram/MILLI

Born Danupha Khanatheerakul, MILLI is a Thai rapper and singer who has made a name for herself as one of the country’s rising talents. In 2022, she made history as the first Thai artist ever to perform on the stage of Coachella — just one of the biggest annual music festivals in the world, mind you.

While MILLI’s musical talent is already a given, she is best known for reinventing her sound and experimenting with a variety of genres, including pop, R&B, hip-hop, and more, making her work all the more distinctive and uniquely hers. The “ONE PUNCH” singer is also known for her collaborations with other artists, including "Just Being Friendly" with Thai band Tilly Birds, "Mirror Mirror" with F.HERO and Stray Kids’ Changbin, and "SORRY" with Flower.far and GALCHANIE.

Explore MILLI’s diverse music on Spotify.

Firdhaus, Malaysia

Mandopop singer Firdhaus — Photo from Facebook/Firdhaus

Firdhaus Farmizi, known professionally as just Firdhaus, is a Malaysian singer-songwriter who has gained widespread attention for his introspective and emotionally charged Mandopop ballads. He uses his fluency in Mandarin, which he became fluent in through his schooling, to connect with listeners across different parts of Asia and beyond.

Exploring themes of personal reflection, love, longing, and more, Firdhaus rose to prominence after the 2020 Mandopop single, “阿拉斯加海湾 Gulf of Alaska,” went viral. Since then, he has continued to release heartfelt music and grow a dedicated fanbase, continuing to resonate deeply with listeners across all corners of the region.

Take time to relax (and perhaps reflect) while listening to Firdhaus’ soothing vocals on Spotify.

52Hz, Vietnam

Vietnamese singere 52Hz — Photo from Facebook/52Hz

Rising Vietnamese singer-songwriter 52Hz first began her music career under the stage name Alice. Known as one of the contestants of the reality music program "Em Xinh 'Say Hi'" before making a name for herself as 52Hz, she is an artist who is not afraid to explore different musical terrains, from R&B to indie-pop and more.

Her breakout hit “Đợi” marked a significant milestone in her career, helping establish her identity as 52Hz and introducing her music to a wider audience.

Listen to 52Hz on Spotify.

NIKI, Indonesia

Of course, this list wouldn’t be complete without Indonesian singer-songwriter NIKI. Known for tracks like "Backburner," "Lowkey," and "Take A Chance With Me," the alternative pop artist stands as one of the most prominent acts under 88rising — a label celebrated for bringing Asian music to a global audience.

NIKI’s music has appeared on numerous “Best of” lists, with her debut studio album MOONCHILD earning strong critical praise. Hailed as one of the most-streamed Indonesian artists, NIKI also garnered even more widespread attention with her rendition of "You'll Be in My Heart," the 1999 song from Disney's “Tarzan.”

Listen to NIKI's soft, distinctive voice and explore her emotionally rich music on Spotify.

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Asia/ Vibe/ Sports

Published: March 09, 2026

Asian Women Olympic Athletes You Should Follow for Fitness Inspo

by: The Beat Asia

by: The Beat Asia

Published:
March 09, 2026

When it comes to fitness inspiration, look no further than women in the Olympics. In Asia in particular, several female athletes have made a significant impact — not only in the world of sports, but also as role models for other women, both within and beyond the Olympic community, who are on their own fitness journeys.

It’s easy to see why people look up to these women athletes. In the high-stakes world of training and competition, they have mastered discipline, perseverance, passion, and dedication. But you don’t have to be an Olympic athlete to reach your fitness goals. Sometimes, all it takes is the same discipline and commitment. And perhaps a little inspiration from women athletes who not only broke barriers but also challenged gender stereotypes.

Below, we’ve put together a list of inspiring Asian women Olympians you’ll want to follow for fitness inspiration.

Hidilyn Diaz (Philippines)

A weightlifting powerhouse from the Philippines, Hidilyn Diaz made history as the first-ever Filipina to become an Olympic gold medalist during the 2020 Summer Olympics. Bringing so much pride to the Philippines, Diaz is also an inspiration to women who dare to dabble in a sport mostly dominated by men. Beyond the medals, her journey is a testament to what women can achieve in sports, even in one that isn’t traditionally deemed feminine.

With a muscular physique from years of intense training, she is not afraid to showcase her feminine side from time to time. That is perhaps why, no matter how strong she may look on the surface, she will always have that endearing quality — a woman in weightlifting who’s also a little kikay on the side.

Through her Instagram, you can see photos and videos of her lifting, while she also embraces her more feminine side in other posts. With her athletic physique, one can’t help but feel inspired.

Siobhan Haughey (Hong Kong)

Siobhan Haughey, a competitive swimmer from Hong Kong, is also a powerhouse in her own field. Similar to Diaz, she brought pride to her country by becoming the first swimmer from Hong Kong to win an Olympic medal. And two medals, at that — one in the Women's 200 metre freestyle and the other in the 100 metre freestyle, both during the 2020 Summer Olympics. She also achieved the same feat at the Paris 2024 Summer Olympics, bringing her accolades to a total of four and making her the only athlete from her country to have won four Olympic medals. Let’s talk about herstory!

On her social media pages, she is also a fitness inspiration, often posting photos of herself at the beach and showing off the physique she developed from extensive swimming training. If there’s one thing her Instagram feed tells us, it’s that she’s an active woman who is always in her natural habitat: if she’s not swimming in competition, she’s having fun at the beach… swimming.

Zheng Qinwen (China)

Sometimes, a healthy body is a great outfit in and of itself. It gives you confidence to pull off any ensembles. It just so happens that Zheng Qinwen’s fashion game is on another level, too. And her confidence isn’t only evident — it screams; the kind of confidence you can see from someone who takes care of their body really well.

A professional tennis player from China, Qinwen holds the record as the first Asian tennis player to have won an Olympic gold medal in singles. On Instagram, she’s more than just a renowned tennis player — she’s also a fashionista. And that physique is simply an inspiration!

Panipak Wongpattanakit (Thailand)

Panipak Wongpattanakit is a retired taekwondo athlete from Thailand. After scoring a medal victory at the 2024 Paris Olympics, Wongpattanakit — nicknamed “Tennis” — decided to bid farewell to the world of Olympics to focus on her Taekwondo gym and coaching instead. Despite that, there’s no denying the indelible mark she left as the top-ranked female taekwondo athlete in the world.

Apart from getting busier coaching aspiring athletes, she also travels in her free time. And she’s also not afraid to flaunt her physique, showing off the strength and discipline she honed from years of competition. You may have seen her battling it out, kicking and punching, but she’s also just as comfortable posing in stylish outfits or sharing glimpses of her adventures. Check out Wongpattanakit’s Instagram account for more travel photos and fitspiration.

Camille Cheng (Hong Kong)

A competitive swimmer from Hong Kong, Camille Cheng is known not only for representing her city at the Olympic Games, but also for making a mark in freestyle swimming. Beyond competitions, she is also a key figure of the IOC Mental Health Ambassadors and the co-founder of MindTheWaves — a Hong Kong-based mental health advocacy group. She really is the epitome of a beautiful woman inside and out.

Apart from her life within and beyond the Olympics, Cheng is also a fitness inspiration for many, often sharing glimpses of her active lifestyle. Follow her on Instagram to see her athletic journey and moments of inspiration both in and out of the water.

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Asia/ The List/ What's On

Published: March 09, 2026

Last Updated: March 11, 2026

BLACKPINK’s Back in Your Area with 'DEADLINE' Pop-Up Stores Around Asia

by: The Beat Asia

Photo by BLACKPINK/Instagram

by: The Beat Asia

Published:
March 09, 2026

Last Updated:
March 11, 2026

Still riding the BLACKPINK fever, BLINKs?

Following the release of their latest mini album, “DEADLINE,” on Feb. 27, 2026, BLACKPINK is continuing to bring the excitement beyond the music with a new series of pop-ups in Asia organized by YG SELECT.

The pop-ups will make stops in Taipei, Kaohsiung, Petaling Jaya, and Singapore, with each location curated to reflect the character and fan communities of the host city. Here are the exact schedules for the upcoming pop-ups:

Petaling Jaya, Malaysia (1 Utama Shopping Centre, GF LUXE): Mar. 6 to 29, 2026
Singapore (Level 2, Wisma Atria): Mar. 12 to 31, 2026

Poster for the Petaling Jaya pop up — Photo from Instagram/Official BLACKPINK Pop Up

Poster for the Singapore pop up — Photo from Instagram/Official BLACKPINK Pop Up

The merch at the pop-up will be inspired by the mini album’s title track, “GO,” with the other designs taking notes from BLACKPINK’s “DEADLINE” album. Expect items like the group’s newest mini album, T-shirts, travel kits, keyrings, caps, hoodies, light sticks, plushies, bags, and much more!

Plus, some on-site promotions and freebies await fans who come and visit the pop-up! Don’t miss out on your chance to get all the BLACKPINK merch you need!

For more information and updates, follow the Official BLACKPINK Pop-Up on Instagram. Reserve your slot for the pop-up in Singapore here.

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Asia/ Vibe/ Pop Culture

Published: March 03, 2026

'Overcooked! All You Can Eat' is Coming to Netflix Games with Collabs

by: The Beat Asia

Photo by Steam/Website

by: The Beat Asia

Published:
March 03, 2026

Let the chaos cook in the kitchen.

Beloved multiplayer game “Overcooked! All You Can Eat” is officially landing on Netflix Games on Mar. 5, 2026 — bringing its signature kitchen chaos to the streaming platform.

Originally released back in 2020 by Ghost Town Games and Team17, the hit title throws players into a fast-paced kitchen where four chefs must work together to cook, plate, and serve customers under extreme pressure. Expect double the shouting, accidental fires, and last-second saves — that's all part of the fun. Plus, some collaborations with popular Netflix titles like “KPop Demon Hunters” and “Stranger Things” are also in order.

A layout of "Overcooked! All You Can Eat" — Photo from Website/Steam

A skin of Rumi from "KPop Demon Hunters" and Dustin from "Stranger Things" — Photo from X (Formerly Twitter)/What's On Netflix

“Overcooked! All You Can Eat” can be played via Netflix’s website and through the app, but not yet on mobile. It will also be available to select countries and territories.

Back in November 2025, it was first reported that Netflix and A24 had teamed up for a reality show based on “Overcooked!,” but no other details have been revealed yet.

With tight timers, unpredictable layouts, and nonstop action, the game might seem to be quite stressful, but it doubles down on the fun, laughter, and unforgettable moments shared with friends.

Aprons on. Orders up and let the chaos begin.

For more information and updates, visit the Netflix Games website and follow Netflix on Facebook, X (Formerly Twitter), and Instagram.

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Asia/ Vibe/ Artists

Published: February 23, 2026

Firdhaus Opens up About Songwriting and His Love of Ballads

by: The Beat Asia

Published:
February 23, 2026

In this lifetime, we get to meet people who wear their feelings on their sleeves — the kind of people who are not afraid to showcase their vulnerability. Some people express that openness in quiet conversations, others through art in its many forms. For artists like Firdhaus, however, emotion finds its home in songwriting.

For the 27-year-old artist, being a singer-songwriter has always been more than just his bread and butter: it is also his greatest creative outlet. Born in Malaysia, Firdhaus has made a name for himself in the Mandopop scene and first gained massive recognition during the pandemic. That song is the Mandarin-language single “Gulf of Alaska,” an emotional ballad that almost feels like a tender prayer, expressing deep longing for a love that once was. It explores themes of loss, which resonated with listeners during the difficult days of the pandemic.

At that point, it was clear that Firdhaus wasn’t just any other singer — he also had a story to tell, a story he’s not afraid to share through his music, one song at a time. After gaining widespread attention due to the track, which currently boasts more than 34 million streams on Spotify, the singer-songwriter proved he’s more than just a one-hit wonder. He followed it up with more releases, all rooted in his usual and go-to genre, and the one he loves the most: ballads.

Firdhaus Has Always Had a Soft Spot for Ballads

Firdhaus with blond hair in a black tank top — Courtesy of Firdhaus

After “Gulf of Alaska” went viral, his singing career didn’t stop there. He has since then released more songs and even collaborated with other artists, with his first full-length album — titled Up & Down (人生，起起落落落落落?) — released in 2022. That record highlighted not only Firdhaus’ soothing voice, but also his knack for songwriting. And that passion didn’t just happen overnight; it’s the very drive that has fueled him since he was a kid, and he found inspiration through Justin Bieber. Unlike Bieber, though, who started young, Firdhaus was naturally shy. Luckily, he didn’t let that shyness take over, and immediately pursued a career in music.

“I’m just a normal guy who loves to write ballads. I think when I saw Justin Bieber’s documentary 'Never Say Never,' that’s when the thought of wanting to pursue a music career came to me. Since I was a kid, I felt that I could sing. I was just extremely shy, so I never really showed anyone in the early days,” said Firdhaus.

Firdhaus with short blond hair and wearing a black shirt performs passionately on stage with a microphone — Courtesy of Firdhaus

Similar to other artists, Firdhaus has his own role models and musical influences. He cited Taiwanese singer-songwriter Jay Chou and English musician Ed Sheeran as his key inspirations when it comes to songwriting and crafting heartfelt melodies. “Jay Chou was someone who made me realise that a singer could also write their own songs, and I also remember I watched Ed Sheeran’s live performance of 'Lego House' when I was a kid, and it really inspired me to write my own music,” the singer recalled. If given the opportunity to collaborate with any artist, he shared, “Gareth T is someone that I would love to collaborate with as I feel like our music could really [merge] together really well.”

Perhaps even more interesting, Firdhaus — born Muhammad Firdhaus bin Farmizi — was born into a traditional Malay family, and his parents only spoke Malay and English. He then learned Chinese when he attended a Chinese independent school from kindergarten through secondary level, in his parents’ attempt to provide him with a strong foundation in Chinese education. That soon paid off. The language didn’t just give him an upper hand, being a multilingual artist able to connect with diverse audiences, but also allowed him to permeate the Mandopop scene, with a versatile and growing catalog. But his music wasn’t just confined to one scene, having reached listeners beyond borders.

“I feel like I drew a lot of inspiration from Ed’s songwriting. The way he could use the simplest words to convey a human emotion. And I feel like that is the reason non-Chinese speakers could also relate to my music,” he shared.

Inside Firdhaus’ Songwriting Process

Firdhaus is reflected in shattered mirror fragments against a pale background, creating a fragmented and introspective mood — Courtesy of Firdhaus

Each artist has their own different process; some plan every lyric and melody meticulously, while others prefer to improvise and let inspiration strike in the moment. But for Firdhaus, he lets the creative juices flow naturally. If there’s one thing people should know about Firdhaus, it’s that he’s a thoughtful artist. He treats his craft with care and with much intention. He is known for his profound and deeply personal lyricism. But what does his creative process usually look like when writing a song?

“The inspiration can come from everywhere. A quote that I see online, a melody, or even a phrase. And then I’ll start from there. It’s like a puzzle for me. Piece by piece. Notes by notes. So there’s not really a fixed way for me to write a song,” he said.

Firdhaus released his second studio album, 619 (六一九), just last year. Of course, it’s also not devoid of ballads. After all, it wouldn’t be a Firdhaus album without any ballads. In the album, Firdhaus continues to build on his strengths in Mandopop and ballad songwriting, delivering emotionally driven tracks that reflect his personal experiences over the years. Each song is crafted with care, showcasing his growth as both a vocalist and a songwriter while remaining rooted in the personal songwriting that has come to define his music.

When asked about a song of his that he considers his favorite, his answer was “能遇見，就很不錯了 (To Have Met You, Is Good Enough),” the eighth track from his second album. Understandably, the song is a tender, heartfelt ballad about finding the person who feels like home through life’s chaos, and that finding that special person is good enough, amidst life’s uncertainties and imperfections. “‘能遇見，就很不錯了’ is my favourite song that I’ve written. For me, it’s a perfect song. From the title to the lyrics to the melody. Simple yet beautiful,” Firdhaus shared.

Firdhaus performs passionately under a spotlight on a dimly lit stage, surrounded by a sea of small, glowing lights — Courtesy of Firdhaus

While the singer has his favorite track (as is the case with almost every singer out there), he refuses to answer the track from his second album that he’s most proud of. The album just holds a special place in his heart, with each track representing a personal story and a piece of his journey as an artist. “I couldn’t choose just one song as it’s a special album in my heart. It may not have a lot of big hits, but it’s a very personal album for me. It captures whatever I’ve been through or felt for the past year,” he remarked.

As a Malay singer with a largely Chinese fanbase, fans (especially from Malaysia) are hoping he’ll expand his catalog more into Malay-language music. He’s not ruling out any possibilities, admitting that it’s something he’d love to do, though he prefers to let it happen naturally. “I would love to. But I won’t force anything. Leave it to God’s plan,” he said. And he would very much love to explore dance music in the future, if such an opportunity arises.

Who Is Firdhaus Beyond Music and Songwriting?

Firdhaus sings passionately — Courtesy of Firdhaus

While Firdhaus is best known for his songs and penchant for writing emotionally-charged ones, there’s much more to the artist beyond the stage. He describes himself humbly, saying, “Just a guy that’s searching for the meaning of life. A flawed human being yet trying to be a better, kinder person every single day."

Some fans are curious about a different outcome, and we’re sure that fans of Firdhaus are curious about a career he would’ve pursued if he weren’t a singer. And while singing has always been his dream, he’s perhaps open-minded about possibilities, saying, “Maybe a writer? Or a photographer?” When asked about some facts about himself that fans may not know yet, he added:

“I think they know everything about me as I'm a very open person. I would say I’ve been really into tennis lately,” said Firdhaus, sharing what he enjoys doing outside of music and performing. “I wish I had a more interesting answer, but playing FIFA on my PS5.”

Firdhaus performing on stage — Courtesy of Firdhaus

Firdhaus has truly taken the Mandopop scene by storm, and he shows no signs of slowing down anytime soon. After closing his world tour earlier this year, he plans to continue releasing songs consistently throughout the year. “The plan for this year would be to release a few songs. And also kick start a new tour by the end of the year.”

Follow Firdhaus on Instagram and Facebook to learn more about his music, get a peek into his daily life and behind-the-scenes moments, and stay updated on his upcoming releases and future tour details. If you'd like to listen to his music, follow him on Spotify.

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Asia/ Vibe/ Artists

Published: February 23, 2026

How This ‘Drag Race Philippines’ Alum Champions Different Facets of Drag

by: The Beat Asia

Photo by Tiny Deluxe/Instagram

by: The Beat Asia

Published:
February 23, 2026

When Drag Race Philippines premiered with its first season back in 2022, it took the country by storm and introduced a dozen queens that only avid fans of drag beyond the reality show could recognize. Since then, drag in the Philippines has become more visible to a wide audience, permeating the mainstream media and local television. With the massive success of Season 1, the second season was already written in the stars; the announcement was just a formality.

Drag Race Philippines Season 2 had bigger stiletto heels to fill, given how the first season was gratefully received by critics and audiences alike. Season 2 arrived with a bigger stage, a bigger werkroom, and a new format. Just like Season 1, it was also stacked with big personalities, including Tiny Deluxe, whose talent and charisma are far from her namesake.

The sad reality about competitions is that not every contestant gets the chance to fully showcase themselves. But with Tiny, who went home third (or second, if we’re counting the first two eliminated queens as a single elimination), being eliminated early in the competition didn’t actually hinder her from making an impression. She arrived with a clear goal: to build a brand as a drag queen who can sing — and we got to witness that during the first episode. Quoting her verse during the girl group challenge, she really is “Tiny, but extra large.” She may not have won the war, but it’s safe to say she left quite an impact.

Tiny Deluxe's promotional look for 'Drag Race Philippines' Season 2 — Photo from Instagram/WOW Presents Plus

From Childhood Dreams To Center Stage

Tiny is known as a live singing drag queen, and that reputation doesn’t come without merit. She can really sing, if the singing competitions she previously joined are any indication. “My drag persona is very diva. I’m a live singing drag queen. I always try to be as polished as I can."

There are two things you can’t clock about her: her singing and her makeup skills. And those skills didn’t just happen overnight. Before Tiny Deluxe was born, there was just Jayper. A fan of RuPaul’s Drag Race since he was young, Jayper was a singer first before he was a drag queen. “When I was 3 years old, I remember we had a DVD of performances of finalists from 'Star for a Night,' [a reality competition show hosted by Regine Velasquez]. I repeatedly watched Sarah Geronimo’s performance of 'To Love You More' — and that’s the first-ever song I have memorized."

Jayper’s love for singing goes way, way back, and that talent has always been imprinted in his DNA. He continued: “My grandmother could also sing, and she’s the one who pushed me to join contests as well. The first contest I joined was when I was 7 years old, and I performed ‘Hawak Kamay’ by Yeng Constantino. Winning my first contest motivated me to pursue singing further."

Part of Jayper’s identity has been shaped by his love for pop culture. And that includes performing, which has always been a central part of his life; thus, when he entered college, he joined a theater organization, where he first met Drag Race Philippines: Slaysian Royale winner Brigiding. Through that organization, he also met Viñas DeLuxe (Drag Race PH Season 1, Slaysian Royale), who eventually became his drag mother.

The Birth of Tiny Deluxe

Tiny Deluxe wears metallic gold corset, yellow flowing cape, and matching boots — Photo by Raymond Cauilan, Instagram/Tiny Deluxe

Before joining Drag Race, Jayper was no stranger to competition shows, having previously joined “Tawag ng Tanghalan,” a competition segment of the noontime show, "It’s Showtime."

“Being a live singing drag queen has become some sort of my edge, because there are only a few of us drag queens who sing in the Philippines.”

When asked about the things some people might be surprised to learn about him, he added: “Outside of performing, I’m also a makeup artist — but that’s no longer a surprise. I’m quite known for my makeup, and I’m also known for doing other people’s makeup. Before being a drag performer, I was already a social media personality, so I’m practically an open book.”

Being a skilled makeup artist is already a given for Jayper. He learned how to do his own makeup with the help of various beauty gurus on YouTube. As he puts it himself, those influencers taught him everything he knows about makeup artistry. His talent in singing, however, sets him apart from the rest — and it only evolved further when he became a drag performer.

“My first-ever drag performance was with Viñas and Maxie (Drag Race Philippines Season 3 winner) during the LoveYourself event in 2021. I think I officially started doing drag in 2021, though I wasn’t Tiny Deluxe at the time. I was actually using my real name because coming up with a drag name is a difficult decision,” said the drag performer.

Tiny Deluxe with her drag mother Viñas Deluxe — Photo from Instagram/Tiny Deluxe

As is the case with other drag queens, Jayper’s drag persona also underwent some sort of metamorphosis. His eventual drag mother, Viñas DeLuxe, was dabbling in vlogging at the time and invited Jayper to do video content. Out of nowhere, Viñas said, according to Jayper, “Alam mo, drag queen ka. Dapat mag-drag ka. (You know, you’re a drag queen. You should do drag.)”

That sparked something in him. When Viñas received a call from the Drag Race Philippines production in preparation for Season 1, Jayper didn’t hesitate to lend her a helping hand. “When Viñas received a call from Drag Race, she called me so I could help her write her talent show. That’s when we became even closer, and I was inspired to do drag more. Then she asked me, ‘Do you want to be a Deluxe?’ So, I was like, of course!"

And at that moment, Tiny Deluxe was born. A fan of Drag Race herself, the inspiration behind her drag name came from RuPaul’s Drag Race All Stars Season 2 winner Alaska. “The inspiration behind my drag name is from Alaska’s verse in ‘Read U Wrote U’ during All Stars 2: ‘Hey girls, my name is Alaska, I got a tiny little question to ask ya.’ Since I’m also a plus-sized girl, Tiny was born. Tiny comes off as ironic — like I’m called Tiny, but I’m a big girl."

Tiny Deluxe on Her 'Drag Race' Journey

Tiny Deluxe in a vibrant red and orange sequined dress — Photo by Delacruz Efraim, Instagram/Tiny Deluxe

Going home early in Drag Race was a devastating experience that only those who have lived it can truly describe. But being part of a groundbreaking show as big as Drag Race is a win in itself. For Tiny, although she went home early, her experience on Drag Race was nothing short of fantastic.

“I had so much fun. Para akong bata na dinala mo sa Disneyland (I felt like a kid being taken to Disneyland). I never thought that dream would be within reach. When I auditioned, I had made peace with not making it. I was even more ready not to make it. I had just started doing drag, and I had never performed in bars as a drag queen. I only performed during viewing parties, but never in actual drag bars. I just feel blessed to be there [on Drag Race]," she explained.

Although Tiny Deluxe was cast in Drag Race with relatively little experience as a drag queen, she arrived with a clear brand. Sadly, despite a cohesive look, she went home during a design challenge in Episode 3.

“I have so much to show. I have a good runway package, I think, which I wasn’t able to showcase. And I still stand by my look," said Tiny. "I wish I had gotten to do the Snatch Game. I feel like if I had made it that far, things might have aligned for me. I was excited for the Snatch Game and for the Rusical. As a Communication student, I was also looking forward to the branding challenge."

When asked if she would be willing to join Drag Race again, she didn’t hesitate to answer, “Yes,” adding, “I had so many firsts on Drag Race as a drag queen, and since then, I’ve experienced a lot after my season, so that could be my [weapon].”

Life After 'Drag Race'

Tiny Deluxe joined another competition after her stint on Drag Race, this time as one of the contenders on the reality singing competition show, The Clash. “It is different from Drag Race. I’m the only drag queen there. I was the first drag artist to join The Clash, I believe. I was so happy. Apart from wanting to join the program, I also want to represent the drag community, especially since drag is only starting to become mainstream in the Philippines. We’re only starting to get a spotlight. That’s why most people aren’t aware that some drag queens can actually sing. Even though I didn’t win, I was still very happy.”

Losing in a competition never really diminished Tiny’s spark. If anything, it only made it shine brighter. “I don’t feel like luck has been elusive toward me; I feel like it’s still not in my favor. If there’s a chance or opportunity to join a competition, I always grab it. But I wish I had been less harsh to myself. Before, I had a tendency to compare myself to others because, of course, it’s a competition. I learned to accept that not every time is your time.”

Tiny Deluxe singing — Photo from Instagram/Tiny Deluxe

The drag culture in the Philippines has been slowly entering the mainstream media. But if there’s something Tiny Deluxe wants to debunk, it’s that drag queens are only constricted to one mold. For her, drag is more than just entertainment. Drag is a statement, drag is art, and drag is political.

“[I want to debunk the idea] that drag queens just do lip syncs. Drag is more than just entertainment. A lot still can’t accept the fact that drag is very political. It started that way — political. When you dress up as a woman, as something that you’re not supposed to dress up, it’s very political,” she said. “They need to understand that drag is performance art. It takes storytelling. Drag isn’t shaped in one specific mold.”

Compared to other veteran queens, Tiny Deluxe is still relatively new to the business. However, her experiences performing in singing contests as a child, along with her stints on competition shows, have helped her gain a full understanding of the kind of performer she is. “I feel like my drag grew with me. I started very young, and I was also a very different person when I started doing drag. I learned it’s not always about getting everyone’s attention or earning everyone’s approval. Over time, I evolved into someone more confident, but more intentional. I’m no longer trying to be everything at once. I know my strengths now, and that’s where I will focus.”

What’s Next for Tiny Deluxe?

Music will always be at the heart of everything Tiny does. And we haven’t seen the last of Tiny, that’s for sure. The queen revealed that she’s set to release her own music soon, hinting at a bold new chapter in her career.

“I just recently signed with a record label. I am releasing my own music, finally. I’m very excited. I’m working on that. I wrote a few [originals], which I’m very happy about. Hopefully, I get to record them soon and have them released very soon,” Tiny Deluxe shared. “I’m really excited because ako ‘yun eh (it’s me) — it’s my artistry. It’s my emotions and my story, and, finally, I’m telling that to the world through my own music, which I’m very, very passionate about. No specific dates yet, but it’s very certain.”

In true RuPaul’s Drag Race fashion, we asked Tiny what she would tell her younger self, to which she responded: “To younger Tiny Deluxe, I will tell her to slow down and trust her own voice. You don’t have to figure out everything right away. And please, don’t be so hard on yourself. Comparison will steal the joy from what you’re doing.”

Of course, there wouldn’t be a Tiny Deluxe without Jayper. And for the young Jayper, Tiny has some words too: “You just need to keep going. You just need to keep believing in yourself. Sometimes, the only person who will believe in you is yourself. Some people would say, ‘Sasali ka nanaman dito, sasali ka nanaman dyan. Gagawin mo nanaman to. (You’re going to join here again, you’re going to join there again. You’re going to do this again).’ And yes, you will do it. You will do anything that you want to do because you know you want it and you know you can."

Catch all the latest from Tiny Deluxe on Instagram and TikTok.

Enjoyed this article? Check out our previous Artist Spotlight profiles here.

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Asia/ Vibe/ Pop Culture

Published: February 09, 2026

Collector's Guide to SKULLPANDA: The Edgy POP MART Character We Love

by: The Beat Asia

Published:
February 09, 2026

There really is no stopping the POP MART craze at this point. Founded in China in 2010, the leading designer toy company has expanded far beyond its home country. Packed with adorable characters like Hirono, Molly, Hacipupu, and the ever-popular Labubu (also known as The Monsters), each character boasts a unique and distinct personality. But among the toy company’s growing roster of in-house IPs, there’s one character that truly caught our interest, emerging as, let’s just say, their edgiest creation yet: SKULLPANDA.

The cool and mysterious character is perfect for collectors who gravitate toward figures with personality and a bit of a moody edge. Combining elements of mystery and goth, SKULLPANDA is a fashion-forward figure that stands as one of the company’s biggest IPs. While some collectibles lean on charm and irresistible cuteness, SKULLPANDA doesn’t try too hard. And their expressive, somber facial details say it all.

If you happen to be a fan of this lovely, gothic POP MART character, or if you’re just starting to get to know them better, this is your guide to the company’s mysterious character that we can’t help but obsess over.

SKULLPANDA You Found Me! Collection — Photo from Website/POP MART

The Avant-Garde Icon of POP MART

POP MART's SKULLPANDA Image of Reality collection — Photo from Website/POP MART

If you’ve been chronically online these past few years, chances are you know that healing the inner child has been the thing lately. Some indulge themselves by purchasing toys they don’t need but absolutely want — because, well, now they can. It’s true that healing that child within you doesn’t always have to involve spending your adult money, although sometimes it’s fun to do so.

That’s perhaps the very reason why POP MART has been capturing global attention lately. It has won the hearts not only of kids, but also of those whose inner child needs a bit of healing. And if that inner child has always had a taste for the unusual, we probably don’t even have to guess what your favorite POP MART character is.

Pranky Peanut and Ratty Bear from SKULLPANDA You Found Me! — Photo by The Beat Asia

The company describes the character as one who has traversed different worlds, taking on various personas and living through multiple lives. According to POP MART, this fan-favorite gothic chic is “on a quest to find its truest self and break new ground all while contemplating the shape of infinity.” And we’re certainly buying that description. We’re not sure if these characters are cosmic beings or lost souls, but one thing we’re sure of: they’re otherworldly and definitely unforgettable. While each POP MART character is undeniably adorable, this gothic chic strays away from the usual — one we just can’t help but adore despite its slightly dark persona.

Created by Chinese artist Xiong Miao, who has a background in architecture and game concept art, SKULLPANDA sets itself apart with its instantly recognizable aura, a helmet in various forms, and darkly whimsical outfits, complete with distinct eye makeup that makes it all the more intriguing and, at times, bordering on creepy. The eyes of most SKULLPANDA figures (mostly the plushies) can be adjusted, allowing you to change their expressions and even make them roll their eyes, simply because you have the freedom to do so. One thing you can’t do, however, is make them look happy. After all, it wouldn’t be a SKULLPANDA figure if it weren’t looking mysterious.

SKULLPANDA's Lazy Panda and Sneaky Chestnut — Photo by The Beat Asia

SKULLPANDA's Pranky Peanut and Ratty Bear — Photo by The Beat Asia

Some of the SKULLPANDA Collection So Far

Part of POP MART’s popularity can be attributed to consumers’ curiosity, especially when you’re buying only a few boxes from a collection. Of course, the design has always been what seals the deal, but we can’t deny the mystery and thrill that comes with opening a blind box, hoping to get that one figure you’ve been eyeing. You can always opt for the whole box, which varies in cost depending on the collection, but there’s a certain joy in buying the unknown. A character that thrives on mystery, SKULLPANDA has a few of its own, ranging from plush dolls and pendants to figures.

SKULLPANDA x Van Gogh Museum Sunflowers — Photo from Website/POP MART

There’s the playful You Found Me! series, while The Paradox is an elegant collection that still stays true to the elements that make SKULLPANDA unique. L’impressionnisme, on the other hand, takes a more romantic route, while Tell Me What You Want explores festive themes, albeit still unapologetically SKULLPANDA (take the Still on the Job figure, for example). The Everyday Wonderland collection leans into a mystic aesthetic, while the Warmth series is perhaps the most ethereal SKULLPANDA has ever looked. Additionally, The Addams Family — inspired by the macabre and quirky family created by American cartoonist Charles Addams — is a perfect addition to any collection.

SKULLPANDA's Image of Reality, The Disguise — Photo by The Beat Asia

The Blind Box collections are as follows:

You Found Me!
The Paradox
L’impressionnisme
The Mirage
Winter Symphony
Tell Me What You Want
The Sound
Image Of Reality
The Ink Plum Blossom
Everyday Wonderland
Warmth
The Mare of Animals
The Addams Family
City of Night
Candy Monster Town
City of Night
Candy Monster Town
Action! Cut!
Hypepanda
Ancient Castle

Just recently, POP MART released its collaboration with Sanrio: the SKULLPANDA x My Melody collection, giving the beloved Sanrio characters a gothic SKULLPANDA spin. The company also launched a Wednesday Plush collection, inspired by the iconic — and gothic — Addams Family character, Wednesday Addams.

Individual plushies typically range in price from US$32.99 and US$39.99 to US$43.99 and US$56.99, while individual figures are usually priced around US$19.99. Action figures (including the DUCATI, Van Gogh Museum Sunflowers, Egon Schiele, NANA, and Mika Ninagawa series) are much pricier due to their size, with prices ranging from US$192.99 and US$359.90 to US$1,467.90.

SKULLPANDA My Melody — Photo from Website/POP MART

SKULLPANDA Wednesday — Photo from Website/POP MART

SKULLPANDA also extends beyond blind boxes and individual collections, offering a range of accessory collectibles, including brooches, phone chains, pendants, and badges, as well as bag charms, cards, magnets, phone lanyards, and earphone cases. As if that weren’t fancy enough, SKULLPANDA also ventures into fragrances, with scented candles and car perfumes included in some collections.

It’s safe to say SKULLPANDA has journeyed into our world and made quite a mark. The Beat Asia recently had the chance to witness the first-ever SKULLPANDA CAGE-UNCAGE Exhibition in Singapore, which will be running until Feb. 22, 2026. The exhibition is located at the National Museum of Singapore, 93 Stamford Road, Singapore 178897, and is open daily from 10 AM to 7 PM.

Visit POP MART’s official website for more details about SKULLPANDA prices, new releases, and other beloved characters.

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Asia/ Vibe/ Pop Culture

Published: February 02, 2026

‘K-Pop Demon Hunters,’ Billie Eilish, Lady Gaga Win at the 2026 Grammys

by: The Beat Asia

Photo by Netflix/Facebook

by: The Beat Asia

Published:
February 02, 2026

Viral hit single “Golden” from the movie “K-Pop Demon Hunters” receives Best Song Written for Visual Media, marking K-Pop’s first Grammy win.

Music’s biggest night welcomed the industry’s brightest artists as the 68th Grammy Awards took place on Feb. 1 at the Crypto.com Arena in Los Angeles. History was made during the pre-ceremony when “Golden” took home the prize, making it the first-ever K-Pop song to win a Grammy award.

The main show was also filled with incredible moments, starting with K-Pop icon Rosé, who opened the show with Bruno Mars as they performed their smash hit “APT.” The BLACKPINK member also made K-Pop history by being the first soloist to perform on the Grammy stage.

A photo of Rosé and Bruno Mars — Rosé and Bruno Mars | Photo from Facebook/Grammys

The single was nominated for several awards, including Song of the Year, Record of the Year, and Best Pop Duo/Group Performance. Unfortunately, it lost to “WILDFLOWER” by Billie Eilish, winning Song of the Year, and “luther” by Kendrick Lamar feat. SZA for Record of the Year. The rapper also took home Best Rap Album, becoming the most awarded rapper in Grammy history with over 27 Gramophones, beating Jay-Z’s previous record. Also rounding up the major categories is “DeBÍ TiRAR MáS FOToS” by Bad Bunny, which won Album of the Year.

Pop icon Lady Gaga proved things only get better with time as she took home Best Pop Vocal Album for “Mayhem.” Additionally, renowned director Steven Spielberg received EGOT status as he was awarded Best Music Film for producing “Music By John Williams,” and“Goddess of Pop” Cher accepted her Lifetime Achievement Award.

A photo of Laufey — Laufey | Photo from Facebook/Grammys

A photo of KATSEYE — KATSEYE | Photo from Facebook/Grammys

Popular girl group KATSEYE also made a spectacular Grammy debut as they performed their hit track, “Gnarly,” complete with a dance break that extended beyond the studio version. While nominated for Best New Artist, the group lost to singer Olivia Dean, Cynthia Erivo and Ariana Grande, who won Best Pop Duo/Group Performance for “Defying Gravity.”

Other notable wins include Lola Young’s “Messy” for Best Pop Solo Performance, Laufey’s “A Matter of Time” for Best Traditional Pop Vocal Album, Kehlani’s “Folded” for Best R&B Performance, and Turnstile’s “NEVER ENOUGH” for Best Rock Album.

To see the full list of winners, click here.

Follow the Grammys Facebook, X (Formerly Twitter), TikTok, and Instagram for updates.

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Up-And-Coming: A Peek Into Halina’s Music and Songwriting Process

To start this on a more personal note, beyond music and Halina, who is Divino, and what are some of the things about you that your listeners might want to know about?

What drew you into exploring the Baroque pop genre?

Are there any genres you haven’t explored yet but would like to try in the future?

That’s nice! Correct me if I’m wrong, but I noticed your music is also inspired by the classic Filipino sound. Has it always been your plan to incorporate a bit of your culture into your music?

I think you’ve already mentioned some artists, but who are some of your musical inspirations?

What’s the meaning behind the name Halina? What was the inspiration?

I’ve heard your latest single “Tukso,” which is great by the way! Can you tell us more about that song and what inspired you to write it?

Out of all your songs, which one is your personal favorite? Or the one you have a deeper connection with?

What does your songwriting or production process usually look like?

Let me just circle back to what you said earlier. So you mentioned you usually write sad songs, but do you think you can write a happy song in the future?

What has been the biggest obstacle in navigating the music industry so far, and how did you overcome those challenges?

Have you ever encountered creative blocks? If so, how do you handle them?

What can we expect from Halina in the future? Are you planning to release more music soon? Are there any plans for a full-length album, perhaps?

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