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Xingmi and EXO-Ls are surely delighted to hear another pop song from the global superstar Lay Zhang with his latest single, "Psychic,” released on April 17.
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A collaborative work from Lay and a lineup of great producers, “Psychic” showcases his artistic evolution. The song's high and vibrant energy is combined with garage and bass rhythms and R&B chordal movements.
The song marks a milestone for Lay’s global career because it blends diverse musical elements that are both innovative and resonant, showcasing his musical versatility and goal of bridging cultures through the universal language of music.
Released on April 17, “Psychic” is available in Chinese, English, and Korean, further empowering and marking his place on the global stage.
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You can also watch the song’s official music video on YouTube, which was also crafted to perfection and features the majestic city of Dubai.
Starting his career in the music industry as a member of the South Korean boy group EXO, Lay Zhang released his first single in 2016, “What U Need,” and is currently promoted mainly in China and globally as a solo artist.
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If you’ve been vibing to Tyla’s infectious beats and vocals, get ready to experience the magic live — because the Grammy-winning South African star is officially heading to Asia with her “We Wanna Party” Tour. This run kicks off this November and will light up five major cities across the region, promising unforgettable nights of rhythm, fashion, and fierce performance.
The tour begins in Tokyo on Nov. 11, 2025, followed by stops in Bangkok (Nov. 14), Hong Kong (Nov. 23), Manila (Dec. 3), and wraps up in Singapore on Dec. 4. Fans can expect a high-energy setlist featuring hits from her debut album “TYLA” and her latest mixtape “We Wanna Party,” including crowd favorites like “Water,” “Truth or Dare,” and “Push 2 Start.”
Tickets are either generating anticipation or selling fast. For the Bangkok show at IMPACT Challenger Hall 3, artist presale ran earlier in August 2025, with public sales opening Sept. 17 via megatix. For Hong Kong, no further ticketing details about the show at AsisWorld-Expo Hall 10 have been announced since the pre-sale but fans can sign up for information on the tour’s official website.
Singapore’s Arena @ EXPO show released tickets via ticketmaster and tickets to Tokyo’s edition at Ariake Arena can be purchased via creativeman. Manila fans can secure their seats at the SM Mall of Asia Arena via SM TICKETS.
Tyla’s rise has been nothing short of meteoric. After winning the first-ever Grammy for Best African Music Performance with “Water,” she’s become a global fashion darling and a Gen Z icon. Her previous tour sold out across continents, and this second leg promises to be even more immersive, blending dance, fashion, and raw vocal power.
Whether you're a longtime fan or just discovering her sound, this tour is your chance to catch one of music’s most exciting new voices in her prime. So mark your calendars based on your location and get ready to party in Tyla style.
Don’t forget to follow Tyla on Instagram, Facebook, and X for everything about her, and be sure to listen to her music on Spotify whenever you get to.
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If your playlist has been sounding a little stale, August is here to shake things up. If July was a feast, then August is the afterparty; louder, brighter, and serving up the perfect sonic refreshments.
The month has been buzzing with fresh tracks that feel like ice-cold drinks on a sweltering day, from Filipino indie gems like We Are Imaginary and Vietnamese singer-songwriter MINH, to global heavy-hitters Ed Sheeran and Doja Cat. There are also exciting collabs currently making waves, like Filipino R&B mainstay Jay R teaming up with LA-based rising pop artist Shanice and rising Filipino artist Jolianne working together with Korean producer Ziv.
Whether you’re on the hunt for your next obsession or simply looking for some fresh bangers, here are some of the newest releases hot off the press for you to listen to.
Produced and co-written by Grammy-nominated producer Mark Feist, “Never Ever” is an R&B track that combines the soulful voice of Filipino R&B artist Jay R with the powerhouse vocals of LA-based pop artist Shanice.
This track is composed of lush strings and slow-burning grooves, capturing the soothing warmth of coming home to a loved one. A love song at heart, this track stands as a promise to stay even through life’s coldest seasons.
“‘Never Ever’ is about love and wanting it forever,” said Mark in an official statement. “It’s a tale as old as time, and something all people can relate to, whether it manifests in the form of love, loss, or longing.”
Filipino indie rock band We Are Imaginary explores toxic relationships in their latest single, describing it as “a gripping meditation on toxic attachment disguised as love.”
The track also marked a pivotal moment for the band’s frontman and guitarist Ahmad Tanji, who channeled his personal emotions and experiences into the song — creating their most sonically and lyrically captivating release to date.
“Stockholm” was accompanied by a Dracula-themed music video where the iconic vampire has been reimagined into a brooding, hopeless romantic, lost in a world that has outgrown him. The video was directed by their long-time collaborator, Darrell Guinn of Hungry Cat Pictures, and was shot entirely in the vibrant city of Bangkok.
“Dracula can almost interact with the world, yet there’s this passive obstacle that prevents him from completely connecting,” Darrel explained. “It felt right for the lyrical mood: like he’s there but not quite seen.”
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The band will also be representing the country at this year’s NO HEADLINER 4, which is happening on Oct. 18 to 19, 2025 at West Lake Water Park in Hanoi, Vietnam, and is expected to release an album in November.
The Singapore-based producers just dropped a smooth lo-fi house track with a jazzy twist, the kind of song that makes your morning coffee taste better and keeps you going on those long workdays. The single also brings in saxophonist Roxy Modesto, a familiar name in the rock and jazz scenes of the Philippines and Indonesia, adding that extra layer of soul to the mix.
“I wanted to make a track that bridges my previous work with the current sound I’m dropping at my DJ sets across Southeast Asia," explained the artist. “The improvised nature of Roxy’s sax adds this organic human element on top of the music I produced in a DAW. It's like finding clarity in the noise we all experience more and more of.”
Moreover, this track also represents the artist’s continued commitment to featuring diverse artists from the region, showcasing local talent, and building bridges between Southeast Asia’s music scenes.
Vietnamese singer MINH is channeling the sting of betrayal in this razor-sharp pop confessional. “Gossip” was inspired by a real-life friendship break-up that blindsided him, turning it into a catchy and clever pop tune that’s both edgy and bold.
“This song was me not caring anymore, taking back my power. Yeah, I like gossip. So what? People love to shame others for being messy, emotional, or loud. But everyone gossips. If you say you don’t, you’re lying,” MINH shared in a statement.
The track moves like a one-on-one confession, tense and dangerously intimate as it peels back layers of drama after each verse. It’s raw with just a touch of revenge.
Often deemed as a guilty pleasure in Vietnamese culture, gossip is as entertaining as it is hurtful, depending on which side you’re on. MINH leans into that paradox with this new single, as he unapologetically dances on the fine line between pain and play, truth and theatrics.
This self-written track by Filipino-Ghanaian artist and producer Jewel Owusu reflects on the “what ifs” and the fleeting thoughts and emotions one sometimes feels despite having settled in a relationship. It’s about fantasizing over a connection you know would never work, and how our craving for aliveness can sometimes be mistaken for the thrill of someone new.
This riveting track is wrapped in an electronic pop dance sound that feels like a good time, but in hindsight holds a deeper meaning, which is all about reconnecting with oneself and finding that confidence — your “spark” inside of you.
English hitmaker Ed Sheeran is gearing up for the release of his forthcoming album, “Play,” which is slated for release on Sept. 12, 2025. Following up instant hits “Azizam,” “Old Phone,” and “Sapphire” is “A Little More,” a playful track with witty and sharp lyricism, underpinned by a blues sound. Although the lyrics carry words of hate and resentment towards a previous relationship that unraveled, they also carry a message of self-preservation and moral courage.
Ed wrote the song alongside DAVE, who previously worked with him on “Nothing On You” and “F64,” Blake Slatkin (Charli XCX, Kid Laroi), Cirkut (The Weeknd, Lil Nas X), and his long-time collaborator Johnny McDaid.
The single was also accompanied by a music video starring the musician and “Harry Potter” star Rupert Grint, who reprised his role as Ed’s stalker in the 2011 “Lego House” music video.
Acclaimed Filipino-Japanese singer-songwriterEna Mori returns with a thrilling new EP, “rOe,” which steps away from the explosive energy of her previous full-length album to present a more introspective and sophisticated body of work.
This coming-of-age project is composed of six tracks that navigate the emotional whiplash of entering your twentieswhile still having one foot planted in childhood. In short, it’s about the paradox of moving forward while feeling stuck.
One of our favorites is “Portion Control,” a powerful pop single that’s both dreamlike and disoriented.It’s deeply emotive and nostalgic, reminiscent of an 80s-inspired sweep. The artist’s voice in this carries a raw vulnerability that perfectly balances the lush synth layers of the track.
We believe this song embodies the production aesthetic of the entire compilation, which leans more into unconventional textures, mixing string quartets with lo-fi guitar sketches, nylon-string plucks with harps, and layered vocal whispers with glitchy electronics. The artist collaborated and co-produced the EP with Tim Marquez to bring this unique sonic landscape to life, one they described as “microbe-like.”
“Tim and I talked a lot about the visual imagery of the album while we were working on the record. We gathered tons of photos and shapes for inspiration, but one of the main things we were trying to capture was this idea of “microbe-like” sounds — something that feels alive from within,” the multi-awarded pop artist explained.
If you’re at that early stage of crushes and butterflies in your stomach, Jolianne’s new single “Kuryente” is the perfect accompaniment to the soundtrack of your life, as this pop soul track captures the feeling of infatuation in its earliest stages.
The rising Filipino artist teamed up with acclaimed Korean producer Ziv to bring to life this new track co-written by Miguel Benjamin of the award-winning band Ben&Ben, as a love letter to his wife. The song took inspiration from the couple’s intimate anecdotes, letting those tender details shape the music and lyrics.
“That inspired me to make and produce this playful song about how infatuation and early romance feel,” shared Ziv in an official statement. “I really wanted to hit the right balance of expressing who I was through my musical background. Being Korean yet being born here in the Philippines, I wanted to find the right balance of putting both of those influences into the production, which I feel makes it unique.”
“Vocally, this was one of the more challenging songs I’ve put out because it pushed me to access my voice in a different way,” the “Plain Girl” singer added. “From a technical standpoint, I experimented a lot with dynamics and registers. And of course, singing in Tagalog also shaped the way I sounded here, adding another layer of character to the performance.”
Blending funky pop groove with heart-stopping charisma, “Kuryente” merges Jolianne’s silky and infectious vocals with Ziv’s soulful R&B production. Definitely worth a listen!
The “Say So” and “Attention” heavy-hitter returns with a new single, “Jealous Type,” which is part of her fifth studio album, “Vie,” coming out this Sept. 26, 2025. The singer penned the track with producers Jack Antonoff (Taylor Swift, Lorde) and Y2K (Ariana Grande, Tate McRae).
Even though the summer is over, “Jealous Type” brings back the heat and fun vibes every time you play it. It’s catchy, groovy, and pure pop perfection — as expected from a Grammy-award-winning artist! We especially love the 80s synth elements and how Doja Cat’s singing voice shines through in this, balancing well with the colorful sounds.
In line with the release of her new album, the artist also announced her first-ever tour across Asia, New Zealand, and Australia. The “Ma Vie World Tour” will kick off on Nov. 18 in Auckland, while the Asian leg will start on Dec. 7 in Manila. This will be followed by Singapore (Dec. 10), Seoul (Dec. 13), Tokyo (Dec. 15), Bangkok (Dec. 18),and Kaohsiung (Dec. 21).
Singer-songwriter Audrey Hobert just released her much-anticipated debut album, “Who’s the Clown,”led by the single “Sue Me.”
A singer, musical theatre devotee, and dancer, Audrey got her first taste of songwriting when she teamed up with her childhood best friend and then-roommate Gracie Abrams to make her album, “The Secret of Us.” Together, they penned some of Gracie’s standout hits, including “I Love You, I’m Sorry,” and “Risk,” for which Audrey also directed the music videos.
Audrey released her debut single, “Sue Me,” in May, and it was an instant hit! The artist shared more about the song in a statement, saying how it was inspired by feelings of wanting to be desired again.
“It was the fifth song I ever wrote alone and one of the first I made with my producer, Ricky Gourmet. I was with Ricky the week after I had slept with my ex, who I knew still had feelings for me,” she said. “I felt pretty bad about it — although it was a nice evening with him — because deep in my heart I knew I didn’t feel the same way. But we were at the same party and we were — put simply — vibing/reconnecting. It had been a while for me. I thought, 'Jeez, why not?' Hence, ‘being a saint is exhausting.’ I wanna do it, okay? Let me do it. This was one of the only instances in making all of my music where I said out loud to Ricky in his kitchen, ‘Sue me, I wanna be wanted.’ Then I sang it to the melody. Then we made the beat. Then I took that beat home and it was just me and the pen, moonlight, and the truth.”
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Back in 1989, Danny DeVito brought Warren Adler’s best-selling novel “The War of the Roses” to life on the big screen. Over three decades later, Jay Roach got his hands on the original to reimagine the classic tale, this time with new faces at the forefront of the story and a new, simplified title: “The Roses.”
Roach is, after all, no stranger to comedies. He is the filmmaker behind some of the beloved comedy flicks, including the Austin Powers film series and Meet the Parents. His version of “The War of the Roses” only further solidified his knack for the genre, giving it a contemporary flair while staying fairly true to the original’s satirical core. Similar to the 1989 box-office hit, “The Roses” centers on a lifelong married couple called, well, the Roses. On the surface, they seem to be a picture-perfect couple. Imperfect, but also loving toward one another. But behind their façade lies a longstanding hidden resentment.
The Beat Asia got a chance to attend an advance screening of the black comedy last Aug. 20. Here’s what we really thought of the modern remake — or should we say, a classic in the making.
What better way to market a movie than by casting prominent figures in the industry? That is the case with “The Roses,” a film that boasts an ensemble cast led by Benedict Cumberbatch (“Doctor Strange”) and Olivia Colman (“The Favourite”) as Theo and Ivy Rose, respectively.
The movie also features an impressive supporting cast, including the likes of Andy Samberg (“Brooklyn Nine-Nine”), Ncuti Gatwa (“Barbie”), Kate McKinnon (“The Spy Who Dumped Me”), Zoë Chao (“The Afterparty”), Sunita Mani (“GLOW”), and Allison Janney (“I, Tonya”), who — however brief her appearance was — stole a particular scene as Ivy’s ferocious divorce lawyer, Eleanor.
Despite its stacked cast, “The Roses” is more than just a showcase of star power. At the heart of the movie is its storytelling: it’s tense and hilarious, bordering on drama, yet remains light enough to keep you engaged. Even more impressive, it doesn't try too hard to be funny, which is why all the lines land smoothly. That is, of course, thanks in no small part to its talented cast, backed by an incredible screenplay from “Poor Things” and “Cruella” scribe Tony McNamara.
The movie opens with Theo and Ivy in couples therapy as they try to mend their relationship. You know, you never try to fix what’s not broken. So it’s clear from the get-go: they’ve already fallen apart. They are then asked to list all the things they love or like about each other. The problem is that both of them seem to struggle to come up with one, except for things that aren’t really compliments. For example, one of them says they like the fact that their better half has… an arm.
It was truly, to say the least, a struggle for the two that couples counsellor Janice (Belinda Bromilow) raised the ultimate concern: Theo and Ivy’s relationship was beyond fixing. It was irreparable. They were no longer good for each other, and their marriage was already doomed — it might as well end. Neither of them had the capacity to fix their problems, according to Janice herself. In their therapist’s defense, though, even a person who isn’t a professional could say the same thing.
Can Love and Hatred Really Co-Exist?
Perhaps. That is especially true for Theo and Ivy, whose competitive and prideful natures got the best of them, ultimately driving them away from what really mattered. Before their love turned sour, they had what many — or at least some — desire: a perfect marriage. Theo, an architect, and Ivy, a chef, hit it off almost immediately. They first met inside a restaurant kitchen, where Ivy worked. What began as a chance encounter blossomed into a fruitful marriage years later.
Both Colman and Cumberbatch portrayed their roles exceptionally well, playing a couple who, to quote Tinashe, "matched each other’s freak." They understand each other and are both so good at being their funny, sarcastic selves. A power couple, if one must say. A decade into the story, we’re introduced to their two great kids, Hattie and Roy Rose, who share the same wit and deadpan humor as their parents. It was just the ideal married life anyone could’ve asked for.
Theo and Ivy’s married life is anything but frigid. They’d certainly have audiences rooting for them. At first, at least. Plus, the couple lives on the California coast. It can't get better than that. They were also supportive of each other, with Theo having helped Ivy build her own restaurant, which she later named We’ve Got Crabs. Theo also had a flourishing career as an architect — until things went south when a storm literally ruined everything. As Ivy’s career began to take off, Theo watched his crumble before his eyes. A storm crashed the establishment he had taken pride in creating, tarnishing his reputation and credibility forever. The same pivotal night Ivy saw her career’s trajectory change for the better was also the same night Theo’s career collapsed.
Movies have always been a cinematic (sometimes romanticized) reflection of reality. “The Roses,” no matter how over-the-top, is weirdly relatable. It showcases the many facets of love, particularly one that is strong and affectionate but suddenly goes wrong — no warning, no hints.
‘The Roses’ Is a Masterclass in Walking on Eggshells
Theo did try to be happy for Ivy. On the other hand, Ivy couldn’t afford to celebrate her recent win in life just yet, while her husband was going through a rough patch, from losing his job to being an internet meme and turning into a laughing stock overnight. Theo’s life, at that moment, was an endless spiral of despair and agony. It also didn’t help that people around him kept reminding him of his failure, albeit in a comedic manner. So Ivy kept it all to herself, as — although sad for Theo — she was nonetheless elated at how her career was turning out. She was also careful with her words and had been mincing them to be sensitive enough to Theo’s current situation. No celebratory words. And she would tend to veer away from things that would remind Theo of that night, sometimes to no avail.
Ivy walked on eggshells every time, while Theo tried his very best (emphasis on tried) not to be jealous of Ivy’s victories. Ivy's career was really taking off to greater heights, which meant more time tending to her growing business and less time with her family. Theo, who was technically jobless, had more time to spend with their kids, whom he had been training to be athletic, disciplined, and responsible. That would later make Ivy feel she was slowly losing connection with her children.
Hattie and Roy (played by Hala Finley and Wells Rappaport as the teenage counterparts of the siblings) grew even closer to their father, while their mother had not always been present, mainly because she was practically the breadwinner of the family. Ivy began to feel jealous of Theo’s relationship with their children, while Theo continued to feel jealous of Ivy’s career. And then came the simmering resentment.
“The Roses” truly delved into some pretty dark and depressing themes, though Roach was still able to incorporate the funny. It’s his strong suit. Both Colman and Cumberbatch carried the movie on their backs as the main leads, but the supporting cast members refused to be mere fillers. Gatwa, who recently took on the mantle as the next Doctor Who, contributed plenty to the film’s humor, starring as Ivy’s waiter, Jeffrey.
The script is strong in and of itself, but Gatwa’s delivery was spot-on — almost as if he brought some Eric Effiong (a character he played in “Sex Education”) to this role, but one that is stronger and fully realized. Then there’s McKinnon’s Amy and Samberg's Barry, who would go on to become Theo's divorce lawyer. The “SNL” alums played husband and wife and were dear friends to the Roses. Amy, however, seemed to be capitalizing on Theo and Ivy’s dying marriage, making some not-so-subtle efforts to seduce the former. The result was a funny and uncomfortable dynamic that added both tension and humor to the story.
An Explosive Conclusion
Neither one of them wanted to give their relationship up — and neither did their professional ambitions. Theo wanted to go back on track and reignite his passion, but that meant Ivy would have to shun her growing empire for a much simpler life. Technically, back to the early years of their marriage. But Ivy didn’t want that. They, however, eventually reached common ground: Theo served as an architect for their luxurious dream house, and Ivy paid for everything. A win-win situation for both, or so we thought.
At that point, it was clear that they were beyond repair. During a dinner celebration for their new home, they just couldn’t get along anymore, making their guests uncomfortable. Real trouble emerged when Theo helped save a whale (yes, a whale), which he claimed he had a connection with. In that very moment, he realized one thing: he was no longer happy. And he no longer wanted to live an unhappy life; thus, he wanted a divorce.
Perhaps the most heartbreaking part wasn’t the divorce, but the fact that none of them actually fell out of love. Not even Theo, who constantly dismissed Amy’s sexual advances. Although heartbroken and furious, Ivy agreed to settle the divorce on one condition: she wanted sole ownership of the house. After multiple fights and a chaotic hearing, an epic battle ensued one night. All Theo wanted was for Ivy to sign the paper agreeing to let him have the house for himself, while Ivy was still reeling from the end of it all.
To say they fought would be an understatement. It was a battle — a dangerous one, at that. Ivy fired a few bullets toward Theo. To justify her actions, Theo tried to kill her, somewhat, by using her allergies against her, just so she’d sign the papers while he held off the EpiPen. Ironically, the EpiPen Theo once used to prevent Ivy from succumbing to her allergies was the same medical device he'd use to his advantage. It should also be mentioned that the movie didn't leave any loose ends or unresolved plot points just to add fillers to the story; most of them were integral to the whole narrative and would later become important moments for the film.
Ivy’s final straw was recognizing such hatred brewed inside Theo that he was willing to do everything, even at the expense of her life, leading to her ultimately losing it. After that one chaotic battle, they both realized they couldn’t live a life without each other. Shocker, I know, but who are we to judge these two damaged souls? Even their kids agreed it was best for them to part ways. But their love was just so, so strong — or was it codependency?
In the end, both seemed to have it figured out. But the Julia Child stove that Theo destroyed that very night was on the verge of exploding. The film leaves its conclusion deliberately ambiguous. Did they die in the explosion? Did the house burn to ashes? Was it the start of a new dilemma? Or is it symbolic of their relationship’s destruction?
Is ‘The Roses’ Worth Watching?
Our final verdict? Yes. “The Roses” could easily have failed. The black comedy genre has been hit or miss over the past decades, with several features seemingly struggling to balance satire and comedy. Furthermore, it’s a remake of a classic, critical darling of a movie. And the thing about remakes is, they’re either unnecessary or so iconic they don’t tarnish the original’s charm. In fact, some of them are deemed better than the original. “The Roses” is definitely the latter.
If you’re someone who loves dark humor in your comedy (yet one that’s also smart and bold), “The Roses” will be a perfect cinematic ride. There are no dull moments, and it’s entertaining — sometimes shocking — from start to finish. It also explores how pride and hatred can consume people, getting the best of them. On the acting front, we can expect nothing less from Cumberbatch and Colman. Both are forces to be reckoned with in the industry.
“The Roses” is now showing in Philippine cinemas. Follow 20th Century Studios Philippines on Facebook, X (Formerly Twitter), and Instagram for updates on more exciting movie releases coming your way.
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Many legendary girl groups have stepped into the limelight and have gifted the world with songs that would be labeled as “iconic” today. From ‘90s girl groups Spice Girls, who gave us the timeless dance-pop classic "Wannabe,” and Destiny’s Child, who infused R&B into girl group music with tracks like “Say My Name” and “Lose My Breath,” to the 2010s vocal powerhouses Little Mix and Fifth Harmony, girl groups have significantly shaped pop culture and music and have consistently pushed boundaries and set trends.
In Asia, K-Pop has been one of the driving forces for Asian girl groups to emerge on the global scene. Take, for example, Girls’ Generation who shook the world with their bubblegum-pop hit “Gee;” 2NE1, the “I Am the Best” hitmakers who pioneered the girl crush music and concept in K-pop; or the recent generations’ BLACKPINK who dominated global charts (and even the fashion industry) with their bold and fierce music; and TWICE who charmed the world with their diverse discography and intense choreographies.
Now, what happens when we mix Western musical influences and K-Pop's clean-cut performances?
Enter KATSEYE, the newest girl group that’s all the rage right now. Formed under the collaboration of HYBE, the K-Pop agency that birthed mega-popular boy group BTS, and American record label Geffen Record, whose artists include pop stars, such as Olivia Rodrigo and Camila Cabello, KATSEYE is pegged to be the next big girl group to take on the global stage.
The Beginning of it All: ‘Dream Academy’
With the goal of “forming an international group based on K-Pop methodology,” HYBE and Geffen Records announced their partnership in 2021 and launched an audition for a global girl group venture. The online and offline auditions saw over 100,000 hopefuls, who came from various parts of America, Europe, and Asia.
Those who passed the auditions then underwent training under the two labels’ supervision, which is patterned after the training system of K-Pop. This training system involves practicing with the help of dance and vocal coaches, among others, and getting graded through evaluations held every month or so.
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In 2023, they launched the reality survival show, “The Debut: Dream Academy,” which featured 20 contestants — most of which were recruited from the auditions and have been HYBE and Geffen’s trainees for the past two years. These contestants participated in performance challenges to test their skills and star factor and determine the six members who would take the spot in the girl group. They were also evaluated based on fan voting via fan platform Weverse, along with scores from executives from the HYBE x Geffen collaboration.
Although the show concluded in 2023, Netflix released a docuseries just last August titled, “Pop Star Academy: KATSEYE.” The documentary, which showcased the story of making KATSEYE, how the survival show’s contestant went through rigorous K-Pop training, and introduced trainees who did not make the cut (plus a dash of sizzling drama), earned mixed reactions from netizens and became a hot topic on social media.
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Ultimately, six trainees were picked to form KATSEYE in a live finale show in November last year. The group then made their debut in June 2024 with their first single, “Debut.”
Meet The Members
KATSEYE is a six-member group with members Sophia, Manon, Lara, Daniela, Megan, and Yoonchae. Read on to get to know the girls!
Known throughout the competition as the trainee with well-rounded talents, Sophia, 22, is the group’s leader and one of its lead vocalists. She was the survival show’s first-placewinner with the highest number of votes (if you watched her performance in the “Buttons” mission, you’ll get it!) and carries her Filipina pride with her hardworking attitude and vocal prowess. Music also runs in Sophia’s blood, as she is the daughter of Filipina TV and musical actress Carla Guevara Laforteza.
Manon, 23, who finished the show in sixth place, was born in Switzerland and has Swiss, Italian, and Ghanaian ethnicity. Prior to joining KATSEYE, she worked as a model and was popular on social media because of her star quality, which can be attributed to her angelic visuals. Fun fact: aside from singing and dancing, she also has a talent for painting and songwriting!
With unique vocals and confidence like no other, Lara, 19, made it into KATSEYE after finishing in second place. Born in 2005, Lara is an American national with an Indian ethnicity. A fashionista, she is also known for her impeccable sense of style. Like Sophia, she also has a family member who is in the music industry — her sister, Rhea Raj, a singer-songwriter based in America.
Representing the Latinas is Daniela, 21, who has a Venezuelan-Cubanbackground. She finished the competition in third place through her spectacular dancing skills and stage presence, which captured the hearts of “Dream Academy” audiences. Before KATSEYE, she also joined the 13th season of the American reality dance competition “So You Think You Can Dance?” and earned 10th place.
Another all-rounder from the group is Megan, 19, who finished the show in fifth place. Although she hails from Honolulu, Hawaii, Megan is of Chinese and Singaporean descent, so she can also speak a bit of Cantonese. She has also worked as a model, participating in runways and magazine shoots, and has also appeared in TV shows, including the Disney TV show “Sydney to the Max.”
Yoonchae, 17, is the only Korean member of KATSEYE. She’s the group’s youngest member, but her talents are not to be overlooked! She came in fourth place because of her youthful charm, but also because of her ability to perform fiercer songs! Prior to joining the group, she had also trained in other South Korean entertainment agencies, which honed her talent in the K-pop craft.
Music and Reception
KATSEYE made an explosive debut with the single, “Debut,” a dance-pop track that evokes empowerment and confidence — a perfect song to introduce America’s next big girl group. As of this writing, it has already garnered 6.7 million views on YouTube and over 10 million streams on Spotify, proving their massive popularity even after just a few months since they debuted.
However, their follow-up single, "Touch,” was an even bigger hit. Since its release in July, the track already has over 30 million streams on Spotify and 12 million views on YouTube. It has also become a viral dance challenge on TikTok and entered major music charts in New Zealand, the Philippines, Singapore, and South Korea.
The group has also released their first extended play, “SIS (Soft Is Strong)," on Aug. 16, which includes “Debut” and “Touch” as well as B-side tracks “My Way,” “I’m Pretty,” and “Tonight I Might.” The album has since peaked at the 119th spot on the US Billboard 200 and 27th place on South Korea’s Circle chart, among others.
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The formation of KATSEYE is one that will definitely go down in the history books, not only because it is a collaboration of two major music labels but also because of their artistry that combines the magic of girl group pop music and the charm of K-pop performance, plus the diversity that the group gives. This is just the beginning for KATSEYE; we can’t wait to see how they will dominate the music industry!
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In a music landscape often dominated by visual impressions, lullaboy stands out by keeping things intimate. The Singapore-based Indonesianartist, Bernard Dinata, has quietly built a reputation for crafting emotionally honestpop that resonates across borders. With over 100 million streams across platforms and a fanbase that stretches from Jakarta to Amsterdam, and beyond, he’s become a voice for the quietly heartbroken and the quietly hopeful.
His songs, like Someone Like U and Shortcut to Heaven, for example, are catchy and cathartic. Blending acoustic textures with R&B smoothness and pop clarity, lullaboy’s music feels like a late-night conversation with someone who gets it, and it’s just perfect for both sunny days and lonely nights.
2024 marked a turning point: lullaboy closed all six nights of Taylor Swift’sEras Tour in Singapore. In 2025, he is set to become the first Singaporean artist to perform at Summer Sonic Bangkok, bringing his deeply personal songs to live audiences across the region. But even as the stages get bigger, his mission remains the same, which is to make music that feels like home.
His upcoming album, hotels & heartbreaks, precisely reflects that. Each song captures a different emotional checkpoint and it’s like walking through a hallway of memories, pointing to a direction in love life that we call, growth.
The Beat Asia caught up with lullaboy to talk about the new album and especially the song i don't like u (but i love u), his creative process, emotional boundaries, and what it means to be an artist who listens as much as he sings.
Can you introduce us to your musical journey and how you started out as an artist?
I don’t talk about this often, but before I went to Berklee College of Music, I had a private meeting with Daesung from Bigbang.
It was a dream come true to show him my songs even though they were really rough, and he gave me the most incredible advice. Ever since then, I’ve dove headfirst into making music my life.
You’re Singapore-based but Indonesian by heritage — how do those two cultures shape your sound and storytelling?
My family is Indonesian Chinese, and growing up with Indonesian culture taught me the importance of singing from the heart. At the same time, growing up in small but mighty Singapore showed me that the world is so much bigger than I imagined and that there’s so much more about love and life to explore.
What drew you to R&B and soul-pop throughout your musical journey?
At this point, music is so interwoven that I don’t even know what my genre is anymore. I’ve been influenced by R&B, rock, folk, and gospel all my life, but I think we can sum it up as a new genre I call Emotional Pop.
You’ve been established as the “healer of the broken-hearted.” How do you personally relate to the power of music as a form of emotional therapy?
Pouring my most intense feelings into lyrics and melodies has always been my way of journaling, processing the highest highs and lowest lows. I just hope I can keep writing songs that help people say what they don’t know how to express.
You’re the first Singaporean artist to perform at Summer Sonic Bangkok — how did that moment feel when you got the call?
I felt on top of the world, really. It’s my biggest festival performance to date, and one with so much rich history. I didn’t even let myself fully believe it was happening until I saw my name on the lineup, haha.
What does it mean to you to represent Singapore and Indonesia on such a massive international stage?
It’s the greatest honor. I promise to give it my all and represent us with everything I’ve got.
You’ll be performing alongside icons like Alicia Keys and Camila Cabello. Any artists on the lineup you’re especially excited to meet or learn from?
Black Eyed Peas were my jam! A friend lent me their albums Elephunk and Monkey Business when I was nine, and I was obsessed. And of course, Alicia as well. I even sang one of her songs for a singing competition audition. The whole lineup is unbelievable, and I’ll definitely be disguised in the crowd watching the shows whenever I can.
The title alone is so universally relatable. Can you walk us through the story behind your new song ‘i don’t like u (but i love u)’ and how you want it perceived?
Someone I care about deeply went through a devastating breakup after a long-term relationship. A heart-to-heart with him made me realize that sometimes, liking someone is more important than loving them. I remember asking why it didn’t work out, and he said, “I loved her, but I didn’t like her.” That’s when the song was born. I hope this track helps people going through the same thing feel less alone.
How does this track fit into the emotions of your upcoming album ‘hotels & heartbreaks’
It’s a really important one because it’s the first stripped-down ballad on the album with just vocals and electric guitar telling a painfully relatable story. But stay strong and don’t leave the elevator. Healing is coming. Huge shoutout to my dear friend and creative director @psychottie.pngfor helping me bring this year-long, crazy idea to life. I couldn’t have done it without her.
Do you think love can survive without compatibility?
That’s exactly the question this song explores. Personally, I think yes, it can. But that’s not the kind of life I want. And honestly, it’s not a life anyone deserves.
You closed all six nights of Taylor Swift’s Eras Tour — that’s huge. What was one or two things that impressed you the most behind the scenes?
I don’t think she knows who I am, but her team certainly does, and that’s more than enough to be immensely grateful for. I realized we share a similar fanbase: big-hearted people who aren’t afraid to feel everything that love and life have to offer.
You also made history at Waterbomb SG as the first Singaporean artist to perform. How does performing at home compare to international stages?
Don’t sleep on Singaporean fans, they go hard! My Singaporean lullafam is always there for me, showing up at small shows and big ones, and they never fail to make me smile. I used to believe the stereotype that fans in SG wouldn’t match the energy of overseas crowds, but I’ve been proven completely wrong. Honestly, every stage around the world is a chance to connect with people, and that means everything to me.
Did these milestones change how you see yourself as an artist?
They remind me that we’re doing something right, and that I should never stop as long as there are hearts out there that need these songs.
What’s one thing about you that fans might be surprised to learn?
I really like WWE, lol. They are master storytellers.
If you could send one message to young Southeast Asian artists trying to break into the global scene, what would it be?
Don’t try to be anyone else. There’s only one you in this world, so be your authentic, genuine self, and you won’t have to play a character forever.
What’s next after Summer Sonic and ‘hotels & heartbreaks’? Any dream collaborations on your radar?
Is it too early to manifest another tour? Let’s make it happen. As for collaborations, we’ve got a couple on this album, and more to come.
Catch lullaboy on Day 2 of Summer Sonic Bangkok on Sunday, Aug. 23, 2025, at 7:10pm at the Thonburi Stage. Follow us on Instagram @thebeat.bangkok for live event updates throughout the event! For more details, check out the event below.
Catch all the latest, from albums updates to incoming Summer Sonic Bangkok highlights, and more from lullaboy on his Instagram, while you can check out his Spotify and YouTube for his music.
This interview has been edited for length and clarity.
SUMMER SONIC BANGKOK 2025 IMPACT Challenger Sat, August 23 3:00 PM
onwards
Summer Sonic Bangkok 2025 roars back on Aug. 23-24 at Impact Challenger Hall with global icons like 21 Savage, Alicia Keys, Camila Cabello, and top Asian acts.
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Want access to your favorite Hollywood shows and the latest C-Dramas and K-Dramas? Streaming platforms Viu and HBOMax are set to offer a new streaming bundle that will give viewers in Southeast Asia the best of both worlds!
This streaming collaboration will be the first of its kind, spanning multiple markets in the region, and is set to launch in Q4 across Singapore, Malaysia, Thailand, the Philippines, and Indonesia. This follows a trend among many media companies, with HBO Max having existing bundles with other platforms in other territories around the world.
The bundle will offer complimentary content including HBO Max’s “The Last of Us,” “The White Lotus,” “House of the Dragon,” “A Minecraft Movie,” “Sinners," and "Superman” and Viu’s popular Korean, Chinese and local Asian shows such as “Running Man,” “2 Days 1 Night, “The Immortal Ascension” and “Love Has Fireworks.” The new single subscription plan will also include upcoming Viu features such as the third season of “Taxi Driver ” and “My Youth” starring Song Joong-Ki and Chun Woo-Hee.
“Following the proven consumer and business benefits of HBO Max bundles in other parts of the world, this new streaming offering will provide strong entertainment value for consumers across Southeast Asia, and help drive subscriber growth and stronger retention,” said James Gibbons, president of Asia Pacific at Warner Bros. Discovery, in a statement.
“By combining HBO Max’sHollywood content with Viu’s Asian favorites in a single bundle subscription, we’re offering more choice in shows, easier access to diverse content, and greater value across a wider range of programming,” added Janice Lee, CEO of Viu and Managing Director of PCCW Media Group.
The new bundle will be offered via their respective websites once it launches later this year. More details on the subscription plan will be revealed in the coming months.
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Did a new show pop up on your Netflix watchlist? Or maybe there's a new Asian drama making its rounds on social media? Stop scrolling before you fall into the spoilers black hole and let us help you decide if it's worth watching.
From Hollywood sitcoms that tickle your funny bones and thrillers that keep you on the edge of your seats to romantic K-Dramas that make your heart skip a beat, The Beat Asia is taking a first look at the latest series releases for your viewing pleasure.
So, sit back, relax, and enjoy the review!
“Wednesday” Season 2: Episode 1
RunTime: 1 hour
Rating: 13+
Genre: Crime, Mystery, Fantasy
SubtitleAvailability: English, Spanish (Latin America), Filipino, Chinese (Simplified), Chinese (Traditional)
AudioAvailability: English - Audio Description, English (Original), Spanish (Latin America) - Audio Description, Spanish (Latin America), Filipino, Japanese - Audio Description, Japanese
Warnings: Contains violence, profanity, and injury detail
*SPOILER ALERT! This section contains details from the first episode of “Wednesday” Season 2.
Three years later, we’re back to the scene of the crime — or rather at Nevermore Academy, and Wednesday Addams wastes no time pulling us into another semester of dark humor, deadpan glares, and deliciously twisted secrets.
Even though October is still two months away, Netflix has kicked open the crypt early with “Wednesday” Season 2. In a cruel-yet-clever move, they’ve dropped only the first four episodes on Aug. 6, leaving the rest to creep onto our screens on Sept. 3. That means weeks of speculation, theories, and suspicious side-eyes until we get the full story.
Created by Alfred Gough and Miles Millar, with Tim Burton once again sprinkling his gothic magic behind the camera, the season sees Jenna Ortega return in the iconic titular role, alongside Catherine Zeta-Jones as Morticia, Luis Guzmán as Gomez, Emma Myers as the colorful Enid, and Hunter Doohan as Tyler. The premiere wastes no time introducing fresh mysteries — some lurking in the shadows, others right under Wednesday’s nose. For our latest Screen Test, we’re discussing the pilot, what worked, what didn’t, and whether the rest of the season can match the hype. From the looks of this opener, however, the semester is already shaping up to be deliciously dangerous…and morbid! Read on to find out why.
The Semester Begins…with Bloodstains
Season 2 picks up after the events of its predecessor, where Wednesday returns to Nevermore Academy after an interesting summer that showed her mastering her psychic abilities using Goody’s book of spells and capturing a serial killer. The Addams family pulls up to the school just like in the first season, but this time, they’re dropping off two kids instead of one. Pugsley (Isaac Ordonez) will now be joining Wednesday at Nevermore, and seems to have developed a new skill, now able to control electricity like his Uncle Fester.
Meanwhile, somewhere deep in the woods, a man is capturing photographs of a couple who look like they are having an affair, and he gets attacked by a flock of crows. Just like that, we’re immediately given the first glimpse of a new mystery brewing, considering the photographer made a call before his attack, and said, “They’re onto me. If I don’t make it, the evidence is safe at the bullpen.” So far, the pacing is good, keeping us engaged and hooked while we refamiliarize ourselves with this fantasy world.
The episode continues with the introduction of some new characters, such as the new principal Barry Dort (Steve Buscemi), who shares that he’s reinstating an outcast tradition called the Pyre ceremony. He then invites Wednesday to be his student of honor, which our lead, unsurprisingly, turns down. As she walks away, we see that she’s receiving a fair amount of admiring looks from her schoolmates, who seem to have become fans since her act of heroism last semester. She climbs up to her dorm and meets Enid. While catching up, Wednesday opens her closet, and an arrow comes flying out with a photo of her and Principal Dort earlier. It also came with a note that said: “Welcome back, Wednesday. I’m still watching,” which gives us another mystery, insinuating that her stalker is back.
Wednesday tries to get a psychic read on the photo, but ends up empty. Her eyes also begin to water with black tears, which takes us back to the first scene. We assume it happens whenever she’s overexerting her psychic abilities. She also receives a goodbye letter from her former classmate Xavier (Percy Hynes White), showing a crow with a strange eye sitting on top of a headstone, marking the second time crows have shown up in the episode.
Season 2 is also expanding its side stories, as Morticia gets offered to become the chair of the Gala Fundraising Committee, insinuating that we’ll be seeing more of her at the academy. Later on, she tries to bond with Wednesday, which ends with the latter walking out when her mother mentions how she reminded her so much of her sister Ophelia.
Additionally, we also see Pugsley struggling to make friends with his roommate, the siren Bianca (Joy Sunday), being invited (or more like subtly blackmailed) by Principal Dort to become the student liaison for the committee, and Enid struggling to face Ajax (Georgie Farmer), with whom she wants to break up. On top of this, we’re following the mysterious murder case connected to the crows and Wednesday’s stalker that keeps sending ominous letters.
One of these letters involves threatening to burn her manuscript at the Pyre ceremony, which pushes Wednesday to crawl underneath the massive unlit bonfire to retrieve it. Enid tries to stop her just as the bonfire is lit, but Wednesday thankfully makes it out unscathed with her manuscript. The principal then unveils a very smiley portrait of her with the rest of the student heroes, but in true Wednesday fashion, she delivers a scathing speech and burns it down.
As she storms off the stage, Enid reaches out to stop her, but as soon as she makes contact, Wednesday starts having a seizure, and black tears roll down her cheeks. She’s hit with a vision where she sees a crow atop a headstone with Enid’s name. Looking around, she notices more crows, and out of nowhere, Enid appears and strangles her while yelling out, “I died because of you!”
The first episode was undeniably jam-packed, which was both a blessing and a curse. On one hand, it kept the pace engaging and delivered strong character development. We could tell from this pilot that season 2 intends to dig deeper into Wednesday — not just her powers, but also her relationships with the people around her. The mention of Ophelia hints at a richer family backstory, one that may connect to Wednesday’s psychic abilities and explain why Morticia is terrified of seeing her daughter follow her sister’s footsteps.
The recurring crow imagery was cleverly scattered through the episode, too, providing just enough anticipation and mystery. It gave audiences the chance to collect easter eggs and spin theories, while tying seamlessly into Wednesday’s arc, rather than feeling like a detached subplot.
However, the episode juggles several side stories that occasionally pull focus from the main plot, causing the pace to drag in places. With so many threads in play, there’s a risk of leaving some hanging or underdeveloped by the finale. It’s too early to judge, but we hope these subplots will eventually weave together — and, in Wednesday’s own words, “be of use to me” — by serving the central conflict.
Acting-wise, Jenna Ortega continues to shine as Wednesday, effortlessly breathing life into the iconic character through her sarcasm, wit, and deathly stares. We also observed that she had gotten a little softer when it came to her friend Enid, which was a nice change considering how much they’ve been through together last season. Catherine Zeta-Jones also steps into a more “motherly” role this season, keeping a closer watch on her daughter, while the rest of the cast, both returning and newcomers, blended seamlessly, making each character feel authentic and compelling.
Final Verdict
“Wednesday” Season 2’s opener indeed lived up to the hype, wasting no time as it pulled us back into the twisted hallways of Nevermore, delivering a mix of sharp character work, eerie symbolism, and just enough mysteries to keep you on the edge of your seat.
While the abundance of subplots threatens to stretch the audience's focus, the intrigue kept us focused, coupled with Jenna Ortega’s spectacular performance, the gothic atmosphere, and the stunning setting. If this first episode is any indication, we’re in for another semester of secrets, family drama, and plenty more bloodstains.
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Labubu has taken the designer toy world by storm — and it’s not stopping there. In Labubu x The World, we spotlight the most iconic and unexpected collaborations that have turned this mischievous monster into a global pop culture sensation.
Labubu x The Monsters x One Piece brings together three iconic worlds in a crossover no one saw coming! Beloved Straw Hat Pirates like Luffy, Chopper, Franky, Jinbe, Brook, and more get a wild reimagining by Kasing Lung, the creator of Labubu. This playful and collectible series fuses One Piece’s legendary characters with the quirky, monster-like charm of Labubu and The Monsters, resulting in a must-have line for anime fans and designer toy collectors alike.
Don’t miss the Pop Mart Labubu The Monsters x One Piece Series, featuring the rare Monkey D. Luffy Gear 5 (Secret Edition) figure.
Labubu Hide and Seek (Singapore Edition) brings a whimsical twist to the Lion City! Designed by Kasing Lung, this collectible features Labubu in a soft, fur-like vinyl plush finish, complete with rosy cheeks, pointy ears, a toothy grin, a fishtail, and a tiny pearl detail — making it one of the most adorable versions yet.
Compact at just 10 × 10 × 17.5 cm, this pendant doubles as a quirky accessory thanks to its handy hook. Whether you’re a Pop Mart fan, a Labubu lover, or just into cute things with character, this exclusive Singapore release is a charming addition to any collection.
Labubu Lemon Tea Figure serves up the perfect blend of cute and refreshing! This collectible features Labubu chilling with a zesty glass of lemon tea, capturing a lighthearted moment in a compact and display-worthy design.
Measuring 9.8 cm in height and made from sturdy PVC/ABS materials, this figure highlights Pop Mart’s trademark craftsmanship, capturing everything from Labubu’s playful grin to the bright, detailed lemon tea cup. It’s a fun addition to any toy shelf, desk, or collector’s lineup, and makes a playful gift for fans of designer toys and all things quirky.
Labubu The Monsters COCA-COLA Series is a fizzy fusion of pop culture and collectible art! This limited-edition collab between Pop Mart and Coca-Cola reimagines the mischievous Labubu with bold, soda-inspired designs that bring a refreshing twist to your display shelf.
Each Vinyl Face Single Blind Box holds a surprise figure, adding a spark of mystery to every unboxing. From vintage Coke aesthetics to playful reinterpretations of Labubu’s iconic face, this series is perfect for both Pop Mart veterans and Coca-Cola fans looking for something unique and artistic.
Labubu x How to Train Your Dragon is here — and it’s pure mischief in dragon form! In this whimsical crossover, Labubu transforms into Light Fury, Toothless, and more, bringing a playful twist to the world of Hiccup and Berk.
The POP MART The Monsters How to Train Your Dragon Figurine Series blends fantasy with cuteness, capturing the charm of DreamWorks’ beloved dragons through Kasing Lung’s signature Labubu lens. Each sealed blind box holds a surprise figure, making every unboxing an adventure in itself.
The Labubu Wacky Mart Series transforms everyday convenience store snacks into fun, collectible figures with a playful twist!In this deliciously fun drop, Labubu gets a foodie makeover — dressed up as onigiri, yakitori, milk, chips, chow mein, fried shrimp, and more. Each figure playfully captures the charm of Japanese grocery packaging with monster-style flair.
The highlight? A secret "Microwave Oven" edition, with only a 1/144 chance of being drawn — making it a must-hunt for serious collectors. Blending humor, nostalgia, and everyday cravings, The Monsters Wacky Mart is perfect for fans of offbeat vinyl art and cozy konbini vibes.
Labubu Let's Checkmate Series crowns the king of mischief in plush perfection! This 14.57-inch vinyl plush features Labubu decked out in a regal red cape, white frills, and a tilted red-and-gold crown, holding a matching red box with his name in gold script — because every monster needs a royal flair.
With soft brown fur, piercing blue eyes, and that signature toothy grin, this Let's Checkmate edition blends cuddly charm with Labubu’s iconic chaos. Released on Feb. 6, 2025, it’s a must-have for collectors who love their vinyl art with a little rule-breaking royalty.
Labubu Art Basel Edition takes center stage as the ultimate art-meets-toy collectible of 2025. Designed by Kasing Lung and released exclusively at the Art Basel Shop, this limited-edition porcelain Labubu — dressed in the fair’s signature blue and clutching a tiny spirit level — pays cheeky tribute to the precision of the art world.
With only 100 pieces produced, this mischievous monster quickly became the most sought-after item at the fair, selling out within hours and sparking a frenzy among collectors and resellers. Elegant, witty, and wildly exclusive, it’s a true statement piece for art lovers and designer toy fans alike.
Don’t let your event or deal go unnoticed! Seize the opportunity to be featured in our The List, Top Deals, and Delish Insider newsletters, the go-to source for the city's most captivating events and can’t-miss deals. Click here to get started!
In the age of POP MART and designer toy collectibles, Jellycat is carving its own path — winning over adults with quirky plushies that feel like a warm hug from your childhood.
Founded in London in 1999 by Thomas Gatacre, the luxury soft toy brand initially made high-end stuffed toys for babies. But that changed over time, as more and more adults began to collect these plushies, quickly becoming a cult favorite for its unique designs and luxurious quality. These days, they stand out from the countless blind box unboxing videos and massive Labubus simply by being fun, soft, and nostalgic. The British brand was reported to have made US$252 million in revenue between 2022 and 2023, its popularity propelled by Gen Z consumers, as reported by Yahoo Finance.
Although initially made for infants and children, Jellycat’s whimsical collection is for all ages and goes beyond their signature plush bunnies and fluffy teddy bears. There’s a whole other side of the brand that’s just as lovable (if not more), and yes, we’re talking about its Amuseables line, a delightful, quirky collection of toys inspired by everyday objects and food items.
Whether you’re an avid collector or looking for something to cheer up your space, here are some of the cutest and most unique Jellycat toys you’ll want to snuggle — or snack on — stat!
Deemed as the "grumpiest" Jellycat of the group, Timmy Turtle is more than just a frowning reptile, but is the very definition of slow and snugly. With its textured beige tummy and embroidered green shell, Timmy Turtle brings a sense of calm energy and endless cuddles! It’s definitely the type of plushie who doesn’t say much, but will always make you feel better just by existing.
Oh, and that’s not even the best part about him. He also comes in a bag version and a mini charm, so you can bring him anywhere! This bag “holds anything but grudges” and will surely be your next favorite travel pal.
In the hustle and bustle of daily life, one plush hopes to do more than just provide comfort and cuddles, but make sure you’re energized and hydrated throughout the day.
Perfect for those on the go, this cross-body brew brings the right dose of charm to any commute or coffee run. We love a plush that can multitask! For the ladies who like to hold several things in the palm of their hand at once, this bag says, “Queen, let me hold your cup while you slay!”
If you were to ask us, nani ga suki (what do you like)? We’d say ramen off the top of our heads, because who doesn’t?
This delightful Jellycat is full of kawaii charm, and features a plush cream-and-red bowl, topped with noodles, spring onions, fluffy boiled eggs, and a pink embroidered fish cake! A set of chopsticks sits on top, and dare we say it looks good enough to slurp!
One of the major things that has contributed to Jellycat’s popularity is their creative pop-ups, which they call cafés. You don’t just buy a plushie in these stores, you experience them. Jellycat makes sure to include their iconic gift wrapping element,which involves fun interactions with their staff and witnessing your toys being prepped and packed like actual food.
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The brand has established these adorable pop-up experiences across multiple cities, including New York, Paris, and London. Last September, they launched the first Jellycat experience in Asia with Jellycat CAFÉ Shanghai, featuring a set of new characters inspired by Shanghai’s distinct city culture.
Among the plushies are Bartholomew Bear, Magnolia Cupcake, Amuseables Yulania Latte, Yulan Taro Cake,as well astheadorable Titia Teapot and Sip and Slurp Teacups.Definitely too cute to handle!
During the Paris 2024 Olympics, Jellycat dropped a new set of exclusive Amuseables for their Jellycat Pâtisserie Experience pop-up store located at Galeries Lafayette Paris Haussmann. The collection was composed of charming new characters inspired by iconic French pastries, from macarons, tarts, and brioche.
In addition to this, they also released boulangerie-inspired soft toys such as the Canelé, Eclairs, Croissant, and the baguette! It’s très bien, and we definitely wouldn’t mind walking around Champs-Élyséeswith a croissant cross-body bag like a true French local.
Whether you’re heading out to the cinemas or staying in to binge your favorite series, this Jellycat plushie is the perfect companion. Designed in that signature red-and-white carnival stripes and a fluffy popcorn top, the bag is surprisingly spacious and can fit snacks, your phone, and other essentials.
For those looking to give their OOTD a touch of theatre, why not consider getting this red-carpet-ready cutie?
Sports fans will be glad to know that Jellycat has a ton of sport-inspired items to help you show off your team pride. And don’t get us wrong, they are all adorable in their own way, but their sports balls just hit different!
From tennis balls, baseballs, footballs, and golf balls, these mini charms make the perfect companions for your gym bags or purses. Each ball is stitched and dyed with their signature designs and colors, with the added accessories like how the baseball and golf ones have tiny hats on. It’s the perfect gift for any sports fan.
Additionally, these charms are also available in mini plushie forms.
Not a green thumb? No problem. Jellycat’s potted succulents don’t need sunlight or water, just plenty of cuddles — and maybe a nice shelf to sit on.
Some of our favorites include the Silly Succulent Jade with its pebbly felt pot and squashy velvety leaves that have a nice shimmery green shade, the Silly Succulent Aloe, which makes the perfect housewarming gift, and the adorable Silly Succulent Barrel Cactus for very obvious reasons — it makes the cutest desk companion!
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Orange is officially the color of the season, now that Taylor Swift has just announced her newest album, “The Life of a Showgirl”!
After sending the Internet into a sleuthing mood with hints on her website, Taylor Swift sent the entire world into a frenzy after dropping the news that she will be announcing her 12th studio album, “The Life of a Showgirl,” on New Heights, a sports podcast hosted by her beau, Travis Kelce, and his brother Jason Kelce.
In the podcast episode’s teaser, Taylor was seen bringing out a mint green briefcase with an orange “TS” at the front. When she opened it, she revealed the cover of her newest album (albeit blurred), to which Jason Kelce reacted ecstatically surprised. Travis Kelce also exclaimed, “TS 12!!!”
Prior to the announcement, Taylor Swift’s website showed a countdown for Aug. 12, 2025, 12:12 AM EST, with a glittery orange background and mint green font.
The album cover has yet to be revealed (literally locked), so everyone has to keep their eyes peeled! No release date has also been announced, but Taylor’s website says that the albums will be shipped by Oct. 13, 2025, so it may be released before then!
Also, there may be some variants to the album, with eagle-eyed fans spotting some sneaky additions to the "New Heights" set, with a couple of “T.S.” designed covers in different colors here and there.
Taylor Swift has also dropped a Spotify playlist titled “And, baby, that’s show business for you,” featuring songs produced by Max Martin and Shellback, who worked with Taylor for her “1989” and “Reputation” albums. Some fans speculate that the two have produced the songs for TS12, but we shall have to wait and see.
Stay tuned to this space once we get more updates!
Listen to the "And, baby, that's show business for you" playlist here:
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