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Don’t pack up your swimsuits and sunhats just yet, because summer isn’t over, folks! Two massive franchises that have permeated the pop culture scene for yearshave just been announced today by Disney and Amazon Prime Video, bringing nostalgia, music, and romance to the season.
Prepare to be swept away by more whirlwind romances at Cousins Beach in the upcoming “The Summer I Turned Pretty the Movie,"and get ready to return to summer camp as Disney greenlights the third installment of one of its most popular Disney Channel Original Movies, “Camp Rock.”
Here’s what we know so far about the two upcoming movies.
Belly and Conrad’s Love Story Continues
“The Summer I Turned Pretty” (TSITP) series may have just aired its last episode yesterday, but Prime Video confirmed that summer isn’t over with the announcement of a feature film installment that aims to conclude the story of Jenny Han’s beloved Young Adult trilogy.
Fans can expect to see more of Lola Tung’s Belly and Christopher Briney’s Conrad in this new movie spin-off to be directed by Jenny Han and co-written by Sarah Kuckserka. The news was revealed on the red carpet premiere of the season 3 finale in Paris, France.
Photo from Prime Video/Facebook
The plot is currently being kept under wraps but we expect the film to pick up from season 3’s final episode when Belly and Conrad finally get back together (Alexa, play “End Game” by Taylor Swift), after he followed her to Paris and Belly confessed that she will always choose him. While the books ended in a wedding scene, the series showed Belly and Conrad returning to the summer house in Cousins Beach, so fans are eagerly anticipating what the author has in store for the film.
The series began airing in 2022 and has since become a hit not only among fans of the novels, but also the new generation, gaining mostly favorable reviews with an 88% approval rating from Rotten Tomatoes for the first season.
Music is a big part of TSITP, with each and every song included perfectly capturing the emotions the characters are currently feeling. The artist whose music was featured had also seen a resurgence in their sales, including hits from Taylor Swift like “Lover,” “The Way I Loved You,” and “Back to December.” Jenny Han even revealed how she wrote the artist a handwritten note about how much it would mean for her and the fans to have her music featured on the series.
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“’The Summer I Turned Pretty’ has struck a chord with audiences everywhere, creating moments of joy, nostalgia, and connection that have made it a global sensation,” said Courtenay Valenti, head of film, streaming and theatrical at Amazon MGM Studios, and Vernon Sanders, Global Head of Television, at Prime Video and Amazon MGM Studios. “We’re proud of the series’ extraordinary success and couldn’t be more excited to partner again with Jenny Han to bring fans an unforgettable next chapter.”
“There is another big milestone left in Belly’s journey, and I thought only a movie could give it its proper due. I’m so grateful to Prime Video for continuing to support my vision for this story and for making it possible to share this final chapter with the fans,” added Jenny Han.
Connect 3 Returns to Camp Rock
We knew that the moment the Jonas Brothers brought out Demi Lovato for a surprise reunion at their sold-out MetLife Stadium show last month, things were about to cook. And as expected, we were right!
After photos of what looked like the Jonas Brothers filming in Vancouver circulated online a few days ago, Disney finally confirmed that “Camp Rock 3” is officially in production, 15 years since the sequel came out! Disney dropped a reel of the Jonas Brothers currently on set of the movie across their social media platforms, with the iconic “Play My Music” track playing in the background.
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Joe, Nick, and Kevin Jonas will be reprising their roles as Shane, Nate, and Jason of Connect 3, alongside a new batch of campers. It has also already been revealed that Liamani Segura (“Descendants: WickedWonderland”) will be playing Sage, Malachi Barton (“Zombies 4: Dawn of the Vampires”) as Fletch, Lumi Pollack (“Electric Bloom”) as Rosie, newcomer Hudson Stone as Desi, Casey Trotter (“The Thundermans”) as Cliff, Brooklynn Pitts as Callie, and Ava Jean as Madison. Chinese-American actress and comedian Sherry Cola is also reported to join the franchise as Lark, while Maria Canals-Barrera (“Wizards of Waverly Place”) will be returning as Connie.
But what of our girl, Mitchie Torres, you might ask? The role played by Demi Lovato has not been revealed to be a part of the cast, but the singer is listed as executive producer along with the Jonas Brothers, Betsy Sullenger, Spencer Berman, and Gary Marsh. But we’re keeping our fingers crossed for surprise cameos and maybe even a song number or two from previous campers.
Photo from Disney+/Facebook
According to Deadline, the movie will pick up when Connect 3 loses their opening act for a major reunion tour, and decides to return to Camp Rock to discover the next big act. As campers vie for the chance to open for their favorite band, tensions rise and friendships are tested, leading to unexpected alliances, revelations, and romances.
“‘Camp Rock is an important part of the Disney Channel Original Movie legacy, with unforgettable music, energetic storytelling, and characters that live in the hearts of fans to this day,” said Ayo Davis, president, Disney Branded Television. “Bringing it back with Kevin, Joe, Nick, and Demi is such a full-circle moment, and we can’t wait to reintroduce this world to a new generation.”
For updates on the release dates of these exciting franchises, follow their official media channels here:
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Did a new show pop up on your Netflix watchlist? Or maybe there's a new Asian drama making its rounds on social media? Stop scrolling before you fall into the spoilers black hole and let us help you decide if it's worth watching.
From Hollywood sitcoms that tickle your funny bones and thrillers that keep you on the edge of your seats to romantic K-Dramas that make your heart skip a beat, The Beat Asia is taking a first look at the latest series releases for your viewing pleasure.
So, sit back, relax, and enjoy the review!
“‘Bon Appétit, Your Majesty” Limited Series EP 1: “Course No. 1 Gochujang Butter Bibimbap”
RunTime: 1 hour, 20 minutes.
Rating: 13+
Genre: Romantic Comedy, Period Pieces
SubtitleAvailability: English (CC), English, Filipino, Korean (CC), Korean.
AudioAvailability: Korean [Original], English, Japanese
Warnings: Contains violence and profanity
*SPOILER ALERT! This section contains details from the first episode of “Bon Appétit, Your Majesty.”
Photo from Website/Netflix
Following the success of the popular romantic drama, “King the Land,” Im Yoon-Ah (a.k.a. Yoona) returns to grace our screens with another romcom — this time serving a ‘king’ in the Joseon era.
The Girls’ Generation member stars alongside Lee Chae-Min (“Heirarchy”) in “Bon Appétit, Your Majesty,” a romantic historical fantasy K-Drama about a South Korean French cuisine chef who time-slips to the past and encounters a Joseon king, renowned as both the best gourmet and the worst tyrant.
This series was adapted from the web novel, “Surviving as the Tyrant’s Chef,” by Park Kook-Jae and directed by Jang Tae-Yoo, who is celebrated for his visionary storytelling in K-Drama classics like “My Love from the Star” and “Lovers of the Red Sky.” The time-travel series blends romance, comedy, and political intrigue as Yoona’s character, Yeon Ji-Yeong, navigates a life as a chief royal cook, serving both delicious and unique dishes to satisfy a king with a discerning palate.
Now in its third week since premiering earlier this month, the show has climbed to the Netflix Top 10 in 73 countries, even claiming the top spot in Hong Kong, Singapore, Malaysia, and the Philippines. With over 58,500,000 viewing hours to date, it’s clear that this ongoing series has struck a chord with audiences worldwide. But does it truly stand out in the crowded field of time-travel K-Dramas? And is it worth adding to your watchlists? Let’s find out in this Screen Test.
A Recipe for An Isekai Crowd-Pleaser
The first scene showed Yeon Ji-Yeong being taken to King Yi-Heon, where his court pleaded for her to be sentenced to death, only to be appointed as the chief royal cook instead. We are then taken to a flash-forward scene, as Ji-Yeong explains how she got into that situation in the first place. We learned that she’s a French cuisine chef at the height of her career in the present, and has just won a prestigious culinary competition that named her the Head Chef at a 3-Michelin-starred restaurant.
During the competition, we saw Ji-Yeong as an ingenious and resourceful chef when she made a makeshift stove out of straw and rice when her stove stopped working in the last five minutes of the competition. This scene provided the perfect foundation for how the character’s skills would be used in her time in Joseon.
Photo from Facebook/Netflix
After the competition, Ji-Yeong shared the good news with her father, who also told her about a book that was sent by his professor friend in Paris. The chef receives the package and gets on a plane to South Korea, where the time slip happens. After a passenger accidentally spills his drink on her bag, she immediately takes the book to the toilet to examine it for damage. She realizes then that it was a cookbook, and reads an inscription on the back where the writer asked his loved one to come back to him.
In true Isekai (“Otherworld” – a genre that involves the protagonist being transported to a different world or time) fashion, a solar eclipse was also happening outside, and as she read those words aloud, it set off the magic that sucked her into the pages of the book, whisking her back in time and into an animal trap in the middle of the forest! While struggling to make sense of her surroundings, King Yi-Heon rides into the scene and almost shoots her with his arrow mid-hunt.
The series had an exceptional start, giving us a mid-conflict hook before winding back to show a brief backstory. Not only did it explain how she got there, but it also highlighted her exemplary skills that made the king appoint her as the chief cook. It was brief, but packed, and the pacing was just right.
All was well until King Yi-Heon and Ji-Yeong met, which we felt ran a bit too long, filled with unnecessary banter that made the king look a lot less intimidating than he was initially introduced to be. If he were truly a terrifying tyrant, he would’ve cut her down the moment she disrespected him, but instead, he played along with her antics, like a predator toying with her prey until he—quite literally—had her cornered on the edge of a cliff. Lee Chae-Min might have lacked the sinister look of a ruthless tyrant with his youthful good looks, but he managed to deliver with his acting and gave his character a unique personality.
The succeeding scenes went on like this, with Ji-Yeong convinced that Yi-Heon is some kind of actor in costume, and the latter convinced that she’s crazy. 70% of the entire episode was spent on them having an argument, dragging the episode out. However, their miscommunication due to era-specific language differences was comedic, and it did give us a lot of time to appreciate their on-screen chemistry. Despite that ten-year gap between the main actors, the chemistry was off the charts—and we’ve only ever seen them arguing in this episode. The cookbook’s inscription from the earlier scene may be hinting at a Soul Tie kind of relationship, so we’re looking forward to having their love story unfold.
Photo from Netflix/Facebook
In between the banter scenes, we were also introduced to some of the key figures in the palace and some of the king’s important policies, such as the “chaehon,” which takes women from all over the country to the palace. The reason was yet to be explained.
The episode takes a better turn when the duo comes across an empty house, and Ji-Yeong finds some clothes to change into, leaving a tied-up and injured king outside. There she met a girl, a maid named Seo Gil-Geum (Yoon Seo-Ah), who turned out to be hiding from the chaehon. In exchange for the clothes she took, Ji-Yeong offers to cook them a meal.
This was when things got interesting as we got to see the chef’s resourcefulness and skills, working with the ingredients and materials available to her at the moment. Despite working with materials from that era, Ji-Yeong was still able to make a delicious Bibimbap, a classic Korean dish made up of rice, vegetables, meat, and eggs. But you might be wondering — where did she get the butter and gochujang paste, the main condiment that gives it that signature spicy flavor and red color, when it hadn’t been invented yet at that time? Luckily, she always had a tube of gochujang on hand, which was in the pocket of her modern clothes, and the butter was from the plane’s food tray she had kept for later. Our Chef Ji-Yeong is always thinking ahead!
The process of her cooking the dish was what made this episode take off. The shots and sequences were similar to those of a cooking competition show, like “Culinary Class Wars” or "Master Chef.” We enjoyed watching her transform the ingredients into a delightful meal. Actress Yoon-Ah shared how she did an intensive cooking training for the role, and had chef advisors on set. Additionally, all the meals prepared in the drama were researched by experts on Joseon cuisine, so you can be sure that the dishes she made and the ingredients she worked with were in existence at that time.
The food gets some mouth-watering sequences too, with Ji-Yeong explaining the dish and even the history behind it, just like how she did in the earlier scene when she cooked a venison steak dish from King Yi Heon’s reign at the French cooking show. This was a clever foreshadowing implanted at the start of the episode, as now she got to face the king himself and have him taste her dish.
As expected, her bibimbap was a hit and even brought tears to the king’s eyes as the taste — and Ji-Yeong’s warm presence — made him remember his late mother. Afterwards, the chef leaves with Gil-Geum to search for her bag, which the king’s arrow had shot and sent flying off the cliff earlier in the episode. While they’re gone, the king’s men finally find Yi-Heon, and he orders them to find Ji-Yeong and burn the house down, showing his ruthless side once more.
The episode ends with Ji-Yeong and Gil-Geum being found by the cavalry by the stream.
Photo from Website/Netflix
Final Verdict
Upbeat, historically accurate, and comedic, “Bon Appétit, Your Majesty” is as entertaining as any K-Drama would be. It has an interesting premise and strategically planted clues that foreshadow political intrigue and a timeless romance between a humble chef and a tyrant ruler.Although the romance aspect of it is nothing new, with several historical K-Dramas having the same premise of a strong-willed woman taming a beastly king, the cooking aspect of it might just be what gives the show its unique flavor.
Although a good chunk of this episode was wasted on Ji-Yeong and Yi-Heon finding their way back, dragging the episode longer, we still think it’s a promising start to the series, one where you can learn more about traditional dishes and inventive ways to transform ingredients.
With its stunning cast, captivating setting, and a concise 12-episode run, this series is poised to be your next foodie obsession. We expect even more mouthwatering dishes as the story develops, so go ahead and hit “Next Episode.”
Enjoyed this article? Read more of our Screen Test reviews here.
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Dating in 2025 doesn’t sound or even look the way it used to. In fact, it’s low-key a whole new language. These days, Gen Z isn’t just dating; they’re vibing through situationships, spiraling over the dreaded DTR talk, and making TikToks about singing for their bae.
If you’re a millennial (or older) and none of these words make sense, don’t stress. You’re not being left on read. We’ve rounded up some of the most popular slang terms Gen Z kids are saying when it comes to love, crushes, and everything in between, so you can keep up with the tea in today’s dating world.
Affordating
If anything, Gen Zs have always been practical and direct, and “affordating” exemplifies this trait, referring to the trend where couples go on budget-friendly dates. Who says you can’t be romantic and thrifty at the same time?
Example: “Park dates or exploring night markets is peak affordating.”
BAE
Joining the ranks of pet names is “Bae,” which is an acronym for “before anyone else” (aww!). It’s often used to refer to someone’s significant other or crush, or a shortened term for “baby.”
Example: “Hanging out with bae at the beach!”
Beige Flag
In dating, “red flags” are signs of negative, unhealthy, or manipulative behavior, while “green flags” are the exact opposite. But what happens when it’s a “beige flag”?
This term describes the odd traits in a partner that are neither good nor bad. It may catch you off guard, but it’s not that big of an issue to make that person less desirable.
A good example of a “beige flag” is someone who has dull or unoriginal responses to prompts found on dating app bios — like answering, “just ask” or including their opinion on the Oxford comma or why pineapples shouldn’t be on pizzas in their profiles. These are answers that don’t say anything about one’s personality other than they’re overly particular about certain things, which, in Gen Z language, is a “beige flag.”
Example: “My roommate’s beige flag is how they leave dirty dishes in the sink.”
Photo from Pexels/Website
Benching
Similar to sports, to bench means to set aside. In dating, it typically means casually dating someone without committing. It’s similar to stringing someone along and keeping them on the sidelines, often with multiple partners at a time.
Example: “I think he’s benching me. He replies just enough to keep me interested but never makes real plans.”
Breadcrumbing
If you’re familiar with mixed signals or being led on, then “breadcrumbing” is a concept that is almost too easy to pick up on. This is the act of providing your significant other with just the right amount of affection and attention without actually having any intentions of progressing into the relationship.
Example: “If she’s only liking your posts and dropping emojis but never making plans, that’s classic breadcrumbing.”
Catch Feels
Gen Z does enjoy shortening their words and phrases, and this basically means developing romantic feelings for someone, a.k.a. “catching feelings.”
Example: “Be careful, you might just catch feels if you keep hanging out with her that much.”
Cuffing Season
This interesting slang term is influenced by the weather and refers to the time of year when single people begin looking for a relationship. “Cuffing Season” usually begins in the colder months of October, lasting until Valentine’s Day, and is a period when people are looking for companionship during the bleak winter months. The word “cuff” references handcuffs, but in slang it actually means “hooking up.”
Example: “Everyone's suddenly on dating apps. You can tell cuffing season has officially arrived.”
Dry Dating
For a long time, dating has been synonymous with going out for drinks. But with Gen Zs leading the wellness movement and reinventing socializing and nightlife culture through coffee raves and other daytime events, “dry dating” or the act of abstaining from alcohol while going on dates, has become a thing. This trend leads to more genuine connections, as daters can communicate better, be more present, and engage in conversations.
Example: “I suggest coffee instead of drinks since I’m more into dry dating these days.”
DTR
Stands for “define the relationship,” which refers to the conversation when two people finally label the relationship or help them get on the same page. The talk is usually triggered by the question, “What are we?”
Example: “He totally dodged my attempt to DTR last night. Guess he’s not ready.”
Freak Matching
This dating trend was coined this year by the Plenty of Fish dating app and refers to daters looking for partners with shared quirks and qualities. The term originated from Tinashe’s song “Nasty,” but the everyday term is more wholesome compared to the song’s explicit undertones.
Wanting someone to “match one’s freak” also means finding a partner who enjoys doing the same things you do.
Example: “You know the chemistry’s crazy when the freak matching is on point!”
Ghosting
To ghost is Gen Z slang for ignore. The term essentially describes scenarios wherein a person stops responding to your texts or simply disappears (like a ghost), insinuating that they’re not interested.
Example: “He kept making plans and then ghosting, so I stopped reaching out.”
Photo from Pexels/Website
ILY
A common term but still very much used in today’s dating lingo, ILY simply means “I love you.”
Example: “She texted me ‘ILY’ out of nowhere and I’ve been smiling ever since.”
Ick
This refers to what you would consider “turn-offs” in a potential partner. However, it’s often about something superficial like wearing flip-flops or discovering they kiss their dogs on the mouth.
Example: “I got the ick when he chewed with his mouth open on our first date.”
Love Bombing
This term refers to an emotionally abusive behavior wherein someone showers their significant other with love, gifts, and affection for the purpose of manipulation. The word “bomb” is rooted in “bombard,” describing the act of bombarding someone with so much love it seems almost too good to be true.
Some examples include excessive clinginess, saying “I love you” early on in the relationship, and sending too many gifts. Although these may be considered normal behavior at the start of a relationship, they can also be signs of love bombing, which is a manipulation tactic. If things feel like they’re moving too fast, be vigilant!
Example: “He went from barely texting back to full-on love bombing me with poems and playlists.”
Situationship
The lack of “DTR” often leads to this term, which is a romantic or sexual relationship that remains undefined. It’s a label that describes being somewhere in the middle: a relationship that’s more than a casual hookup but not quite a committed one. This allows partners to come and go as they please, which can often result in someone always being led on.
It may also be people’s way of escaping the expectations of being in a typical relationship.
Example: “He’s posting you on close friends but not the main feed? That’s classic situationship energy.”
Shrekking
This new, viral dating term might sound fun and all, considering it came from the popular animated film, but it’s actually quite savage!
“Shrekking” means dating someone you’re not attracted to in the hopes of being treated better in return. Much like how Princess Fiona ended up with the brute but soft-hearted Ogre in the film and lived Happily Ever After, this dating trend hopes to mimic that.
However, if you get Shrekked it means the person you lowered your standards for still ended up playing villain. So, to get Shrekked is to get hurt anyway. So much for “dating down.”
Example: “I thought I couldn’t get hurt by dating down, but I still got Shrekked!”
Photo from IMDB/Website
Soft Launch
In the age of social media, everyone seems to want to get in on our love lives, which makes it slightly overwhelming to announce once you do start a new relationship. This trend is the act of sharing obscure photos of your new partner online. Think of it as a teaser for a film, where you’re only showing snippets of your new partner. Some popular examples include a photo of the two of you holding hands, a backshot, or even an artsy silhouette.
This is usually followed by the “Hard Launch,” which is when you reveal the face of your partner or post a photo together, making it “Instagram official.”
Example: “He posted a hand-holding shot! Definitely a soft launch of his new girlfriend.”
Soul Tie
The Gen Z term for “soulmate,” this term describes a person with whom you share a deep emotional and spiritual bond.
One type of “Soul Tie” is a “Twin Flame,” which refers to the intense connection that can either be romantic or platonic. It’s based on the concept of one soul being split into two bodies. So if you’ve found a “Soul Tie,” consider yourself one of the lucky ones.
Example: “They met once, but the connection was so strong it felt like a soul tie.”
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Asia’s fast-casual dining scene is about to get extra spicy, in the Californian way. After years of global buzz and countless social media shoutouts, Chipotle Mexican Grill is finally making its debut in Asia. Teaming up with South Korea’s SPC Group, the legendary burrito bowls and guac-loaded creations are coming to South Korea and Singapore in 2026.
Photo from Instagram/ChipotlePhoto from Instagram/Chipotle
The move marks a major milestone for the California-based brand, which has built a global following thanks to its fresh ingredients, customizable bowls, and authentic approach to real food. With over 3,800 restaurants across the U.S., Canada, and Europe, with another 300 to open this year, Chipotle is now setting its sights on Asia’s dynamic dining scene, where demand for fast, flavorful, and responsibly sourced meals is ever-growing.
Known for its bold flavors and build-your-ownformat, Chipotle’s menu is popular among those who are after something fast, easy, and simply good. Their Chicken Burrito Bowl, for example, reigns supreme, packed with grilled chicken, rice, beans, salsa, and a generous scoop of guacamole. Other fan favorites include the Steak Burrito Bowl and Barbacoa Burrito, while their plant-based choices offer a hearty, spicy alternative.
Photo from Instagram/Chipotle
“Real food prepared fast is in high demand in these markets,” said Chipotle CEO Scott Boatwright, citing strong brand awareness among Asian consumers. SPC Group, known for bringing Shake Shack and Paris Baguette to the region, will lead the charge locally. Executive VP Heesoo Hur added that they “see an opportunity to introduce Chipotle’s delicious, responsibly sourced food to guests across the continent who aren’t yet familiar with the concept.”
While the brand has not yet arrived in Asia, Chipotle has already gained their Asian fanbase, thanks in part to viral K-Pop shoutouts from BTS to Le Sserafim, and social media buzz due to their meme-style posts. The brand’s cultural influence and Californian taste have long been anticipated for lift-off.
Prepare for Chipotle’s openings in South Korea and Singapore next year. Until then, check out their website and follow them on Instagram and Facebook for a sneak peek at their menu.
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David Archuleta is no stranger to our playlists. Having stepped into the pop spotlight over seventeen years ago when he won first runner-up in “American Idol” Season 7, David has enchanted fans with his charming voice and genuine star power.
Today, the American singer-songwriter marks a bold and confident new chapter with his newly released EP, “Earthly Delights,” featuring six tracks that explore pleasures, sensuality, and fiery human attractions.
The artist has come a long way from his “Crush” days or his previous music that sang about the ups and downs of being in love, as he tackles themes that describe the more physical aspect of love, all the while embracing his queer truth and his most authentic self in this new compilation.
Courtesy of Ken Philips Publicity Group
“I’m in my indulgence mode when it comes to giving into my sensuality. Something I always villainized before,” the artist shared in an official statement.
“There’s something sweet about being naughty, and it’s actually helped me to get in touch with more tender, vulnerable parts of myself. ‘Earthly Delights’ is taking in the pleasures of what I always thought would keep me out of heaven. For the belief I always had of the hell and unhappiness I would experience for giving into my 'carnal nature' of sexuality, which is the natural instinct of humans and even what leads to the source of life itself, here’s to a big F you to my old fears and embracing the sensual side and 'earthly delights' of how good and rich it feels. It really is the source to life.”
Pleasure Reimagined
We dove into the opening track expecting a continuation of the upbeat, dance-floor energy introduced by the EP’s funk-pop lead single “Crème Brûlée.” Instead, we were met with a stripped-down guitar strumming and raw vocals. “Give You the World” emerges as a tender ballad, romantic on the surface yet carrying an unexpected contradiction. Despite its sweet title and lush instrumentation, the song reveals a poignant truth: the singer can give everything to his partner, but his heart. Gentle drums and a wistful piano melody weave seamlessly with the guitar, evoking the nostalgic feel of a teen drama montage.
What makes this first track resonate deeply is its lyrical honesty, as David admitted, “staying in love isn’t one of my strengths.” That vulnerability — the fear of letting someone too close — renders the song both relatable and quietly devastating. As an opener, it sets the tone for the record: acknowledging the “carnal nature” of desire while reframing it with tenderness. We believe this ability to make sensuality feel delicate and earnest is something the artist has consistently done well throughout his discography.
In an interview with The Beat Asia, David revealed the opening track to be the most personal on the album, showcasing a vulnerability he had never fully explored before.
“‘Give You the World’ really shows that brokenness that you can feel still — even when you’re in a good place in life, you still feel raw and exposed,” he explained. “Th,is feeling is so weird to get out, but at the same time it’s also satisfying. You feel that frustration and anger — 'Why am I like this? Why has this happened? Why do I hurt people?' I don’t know, but I do. I can at least be honest with that in a song.”
In “Crème Brûlée,” the singer takes on a more flirtatious tone as he sings about the sweetness of the first spark of attraction and thrills of casual sex, painting it in lyrics like “Just one night and had the best bite of your life” and “I can’t help that you don’t wanna wait.” Even its catchy pre-chorus cleverly points out how fast dating goes these days, with how people are often “skipping stages.” This is also a lot steamier than anything we’ve heard from the artist before, and although it doesn’t cross over to the explicit side, it definitely highlights physical desire.
Photo by Ryan Welch | Courtesy of Ken Philips Publicity Group
We see some development in the compilation’s storyline in “Can I Call You,” which describes the situation when you get hooked on someone and start wanting to be with them every hour of the day. Coupled with its dreamy synth pop sound, it delivers a sexy but also romantic vibe that stands out from the earlier tracks.
David goes full-on romantic in the dreamy, R&B-infused “Lucky,” a track that captures the dizzying feeling of being so head over heels that reality itself feels surreal. The slow-burning rhythm maintains the EP’s sensual tone, but lyrically, the song shifts towards sweetness and unabashed romance.
This progression carries into the fifth track, “Home,” where David sings about his partner becoming a place of belonging. Among all the songs on this record, this feels the most personal and unguarded, supported solely by delicate piano keys and his unadorned vocals. The rawness gives the track this certain heaviness, like the words were taken directly from a diary entry. This intimacy crescendos in the bridge where he delivers the vulnerable line, “Home is where I can finally be myself” in his soaring falsetto before ending with a strong declaration, “Loving you feels like coming home.”
Since coming out in 2021, the LA-based artist has embraced his queer identity with sheer openness and has begun writing songs that reflect his unfiltered truths since 2022, with narratives evolving around growing up as a closeted Mormon kid, and the journey towards living authentically while allowing himself to find love. The closing track, “Dulce Amore,” feels like a culmination of this arc; the gospel-like song feels almost reverent, like he’s finally fully accepted himself and is determined to love openly and with all of his mind, body, and heart.
David shared more about his experience in curating this compilation and how that stage in his life inspired his new music, describing it as his “Lover Boy” era, where he can be more open, bolder, and expressive.
“With any project that I do, I’m just living my life, but I feel like with this, I’m living my life more. I was a missionary, and everybody in my religion was dedicating their life to God. Even back then, other missionaries would say how square David Archuleta is. He’s really uptight, and he’s having a hard time having fun because of how he takes things so seriously."
When asked how he got into the groove of this new direction in his music, he added, “I think it had to do with how I was closeted, and I didn’t understand what I was holding. I feel like I had a hard time holding it in. Now, I’ve learned to just let go. And I feel like it’s coming into the music. It feels like an exhale. I feel like I’ve always had to explain myself in my music before, and that was fine because that was the only way I knew how to connect with other people and express myself. But now, I feel like I don’t have to try so hard. I can just be and feel things out, and I feel like that shows in the music now, which is really refreshing for me as an artist.”
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Final Verdict
“Earthly Delights” is a beautifully curated record that takes listeners on a journey of love, lust, and acceptance. We believe the artist perfectly captured the essence of modern love with honesty, reminding us that desire and pleasure are natural, not something to be vilified. More importantly, it sends the message that these emotions are integral parts of what it means to love and be loved.
His voice seemed to have also changed, giving us a deeper and more polished tone that is slightly different from his earlier releases. We believe it added to the record’s maturity, like he’s showing a stronger, more refined version of himself through his voice.
Sonically, the album gave us enough flavor to keep us interested, marrying David’s signature ballad timbre with pop sounds that bring out a more fun side of the artist, proving his versatility. Although the music mimics other dance pop songs we’ve heard before, his heartfelt and honest lyrics make up for originality. The album was also arranged well, narrative-wise, providing a chronological storyline — from not being able to let someone in to finding love in the end — that makes it feel as if we’re not just listening to the songs but also experiencing it.
David confirmed that the narrative was intentional, how he starts at a broken place with “Give You the World” and traverses the shaky waters of dating before finally finding that special someone in “Home,” which the singer described as the “real ballad of the EP.”
“It was the moment when I realized, 'Oh, this is how love can feel like.' I’ve heard about love. There are so many love songs and movies, and I always thought that was just a story. I didn’t know that it could be a lived experience for myself. ‘Home’ is the realization of this is what it feels like. It feels safe and beautiful.”
For “Dulce Amor,” the artist also shared an exciting tidbit, as he revealed that he wanted to make it sound like the EP isn’t finished and that there’s more to come — hinting at the two new songs, “Fade to Black” and “Inside Out” to be featured in the EP’s deluxe version, releasing on Sept. 12, 2025.
“Before, I thought this would be the worst place to ever come to,” he said as we talked about the closing track. “Like a sinner, you brought me down, but it’s so sweet, and there’s a pulse to the song. I want it to feel like it’s continuing — that there’s life going on.”
A strong comeback from one of pop music’s most beloved artists. Listen to “Earthly Delights” today!
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Netflix has just unveiled their newest lineup of reality shows at Korea’s Unscripted Festival, spotlighting the genre’s rapid evolution and growing impact to audiences around the world. Starting September 2025 and through 2026, Netflix will be rolling out an ambitious “non-stop variety show slate,” with at least one major unscripted title each month.
A still from "Crime Scene Zero" | Courtesy of NetflixFirst look of "Physical: Asia" | Courtesy of Netflix
Here’s a rundown on the shows coming out real soon and when they’re coming out:
"Crime Scene Zero" (Sept. 23, 2025): a legendary role-playing mystery game show, with special guests like Park Sung-woong and Joo Hyun-young.
"Physical: Asia" (October 2025): the powerhouse competition series bringing together contestants from eight countries — South Korea, Japan, Thailand, Mongolia, Türkiye, Indonesia, Australia, and the Philippines. Three new versions of the show are also set to debut in the U.S. and Italy.
"Three Idiots in Kenya" (November 2025): a comedic and unpredictable journey across Kenya starring Lee Su-geun, Eun Ji-won, and Kyuhyun, with Nah Yung-suk’s PD team.
"Culinary Class Wars Season 2" (December 2025): the second season of the renowned cooking competition, which sparked fresh conversations within the food industry.
"Single’s Inferno Season 5" (January 2026): a fan-favorite around the world that brings 12 singles together to find their love.
"Agents of Mystery Season 2" (February 2026): a hybrid adventure and mystery show that brings together popular Korean celebrities to solve mysteries and complete occult-themed missions.
Lee Su-geun, Eun Ji-won, and Kyuhyun | Courtesy of NetflixA first look to "Culinary Class Wars Season 2" | Courtesy of NetflixA first look to "Single's Inferno Season 5" | Courtesy of NetflixA still from "Agents of Mystery Season 2" | Courtesy of Netflix
Apart from these shows, announcements were also made about the production of new shows in the works: "The Devil’s Plan Season 3," "Kian’s Bizarre B&B Season 2," "Jae-seok’s B&B Rules!," and "Better Late Than Single Season 2."
"The Devil's Plan Season 3" | Courtesy of NetflixKian84 in "Kian's Bizarre B&B Season 2" | Courtesy of NetflixYoo Jae-sook | Courtesy of NetflixA still from "Better Late Than Single" | Courtesy of Netflix
From mystery and survival to travel, romance, and comedy, Netflix’s upcoming unscripted lineup celebrates the innovation and diversity at the heart of K-Entertainment.
For more information and updates on anything Netflix-related, follow their Facebook, X (Formerly Twitter), and Instagram pages! Visit their newsroom for more updates on your favorite shows.
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It’s no secret that girl groups have always shaped pop culture, whether it’s the Spice Girls bringing attitude in the ‘90s, Little Mix serving powerhouse vocals in the 2010s, or K-Pop icons like BLACKPINK and TWICE redefining global pop stardom. Nothing screams girl power more than a killer pop song performed by a group of women who look like they can take on the world.
In 2024, a new name joined the ranks: KATSEYE, the six-member global girl group formed through the collaboration of American label Geffen Records and K-Pop powerhouse HYBE (the agency behind BTS). With members Sophia, Lara, Daniela, Manon, Megan, and Yoonchae, this world-class act is delivering songs that are fierce, sweet, and yes, totally gnarly! Armed with powerhouse vocals, undeniable charisma, and dance choreography that regularly goes viral, this girl group is taking over airwaves one pop hit at a time.
If you’re just stepping into their world, don’t worry — we’ve got you. From high-energy dance tracks to nostalgic Y2K-inspired bops, here are seven essential KATSEYE songs that define their sound and prove why they’re pop’s next big thing.
KATSEYE didn’t just debut, they exploded. “Debut” is an electrifying introduction to their world and sound, giving off that signature energy and stylish edge that made them stand out in the mainstream music scene.
We love the lyrics “We can run it, run it, run it, no, this ain't a debut,” which is a nod to their formation days, having rigorously trained and competed in a global survival show, showing that this debut isn’t a start, but merely a culmination of their hard work. And that now, they’re ready to take on the world. We don’t think they could’ve chosen a better debut track.
Fans and casual listeners alike would agree that KATSEYE’s sophomore single is the group’s “title track” or the song that catapulted them to stardom. Released as part of their first EP, “SIS (Soft Is Strong),” this breakout hit climbed the charts in various countries and was pivotal in establishing the group’s signature sound.
The song was accompanied by a dance performance music video, showcasing the girl’s impressive dancing and the unique choreography of the winking hand gestures in the chorus, which became a viral dance trend on TikTok.
More than its sweet and sassy bop, it also underscores an important relationship lesson: that communication is key.
KATSEYE delivers a variety of pop anthems in their first EP, and this includes the pop-alternative ballad “My Way,” which separates itself from the more upbeat tracks on the record. The song is composed of a soothing piano melody and soft-rock drums, tied together by the girls’ beautiful harmonies.
Despite being one of their slower tracks, “My Way” solidifies what KATSEYE stands for as a group, the lyrics echoing messages of fierce independence and determination to follow one’s path — to live loud and proud despite the hurdles and mistakes they’ll encounter and make along the way. It’s an inspiring song about ambition and being your authentic self, a beautiful message for young girls and boys everywhere.
2025 proved to be KATSEYE’s year with the release of what we like to call the triple “G” singles. This pre-release track from their second EP, “BEAUTIFUL CHAOS,” became their first entry on the Billboard Hot 100, debuting at #92.
At first glance, this hyper-pop song may seem chaotic, which we think is on brand considering the EP’s name, but the energetic sound and repetitive lyrics are the kind that grow on you until you’re unable to get it out of your head.
Electrifying and surreal, “Gnarly” is definitely a shift from their boppy pop image, showcasing their fiercer and edgier side. This versatility raised their popularity even more, as people became more intrigued and impressed by their music and dance skills. And yes, the choreography is totally gnarly too!
KATSEYE continues to showcase their versatility in pop music by serving us with a sultry Latin-inspired R&B/Pop fusion track. The second “G” from their sophomore EP is reminiscent of previous Latin hits such as Luis Fonsi’s “Despacito” and Camilla Cabello’s “Señorita,” which most likely contributed to its popularity, because let’s face it, who doesn’t love a good Latin-infused pop track? KATSEYE also cemented themselves as a global force in the genre as they added a bridge sung entirely in Spanish by Daniela, who is Cuban-Venezuelan.
“Gabriela” was accompanied by a music video where the girls are seen with retro hairstyles and sexy outfits in a telenovela-inspired setting. It’s chaotic and funny at best, with the girls engaging in catfights (pun intended) and sabotaging a wedding like in a soap opera. Actress Jessica Alba also made a cameo, which added to the video’s popularity.
But what made this track stand out was the choreography, which was famed for its “Helicopter Hands” gesture that easily set off a viral dance trend on social media.
KATSEYE rides the wave of nostalgia in the last “G” single from their sophomore EP, "Gameboy," delivering Y2K energy that truly spoke to their Gen Z audience. This catchy breakup reboot has some Afrobeats-like percussion and the nostalgic video game FX that make it both catchy and unique.
Lyrically, the song made a break-up look like a power play move, with lines like, “Tell your friends that I love the drama. Play pretend, but you know it’s karma” and “You keep on pushing my buttons, you do. With me, you levelled up, yeah, it’s true,” proving that you can simply flip the script and own the mess instead of wallowing in heartbreak.
If we were to describe this track, it has a similar innocent vibe to “Touch,” but with the boldness of “Gnarly” and with the added layer of drama from “Gabriela.”
Thumping beats, dance beats, and a dash of bold attitude, this track is all about breaking free from all the negativity and just embracing your freedom. This is KATSEYE’s reminder to everyone that you can simply walk away without a word, and that you don’t owe those who wronged you an explanation.
This freedom anthem has all the right beats coupled with strong and playful vocals that make it impossible not to dance to. Definitely a clubbing kind of track for a Friday night.
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If you’ve been vibing to Tyla’s infectious beats and vocals, get ready to experience the magic live — because the Grammy-winning South African star is officially heading to Asia with her “We Wanna Party” Tour. This run kicks off this November and will light up five major cities across the region, promising unforgettable nights of rhythm, fashion, and fierce performance.
The tour begins in Tokyo on Nov. 11, 2025, followed by stops in Bangkok (Nov. 14), Hong Kong (Nov. 23), Manila (Dec. 3), and wraps up in Singapore on Dec. 4. Fans can expect a high-energy setlist featuring hits from her debut album “TYLA” and her latest mixtape “We Wanna Party,” including crowd favorites like “Water,” “Truth or Dare,” and “Push 2 Start.”
Instagram/ Tyla
Tickets are either generating anticipation or selling fast. For the Bangkok show at IMPACT Challenger Hall 3, artist presale ran earlier in August 2025, with public sales opening Sept. 17 via megatix. For Hong Kong, no further ticketing details about the show at AsisWorld-Expo Hall 10 have been announced since the pre-sale but fans can sign up for information on the tour’s official website.
Singapore’s Arena @ EXPO show released tickets via ticketmaster and tickets to Tokyo’s edition at Ariake Arena can be purchased via creativeman. Manila fans can secure their seats at the SM Mall of Asia Arena via SM TICKETS.
Tyla’s rise has been nothing short of meteoric. After winning the first-ever Grammy for Best African Music Performance with “Water,” she’s become a global fashion darling and a Gen Z icon. Her previous tour sold out across continents, and this second leg promises to be even more immersive, blending dance, fashion, and raw vocal power.
Instagram/ Tyla
Whether you're a longtime fan or just discovering her sound, this tour is your chance to catch one of music’s most exciting new voices in her prime. So mark your calendars based on your location and get ready to party in Tyla style.
Don’t forget to follow Tyla on Instagram, Facebook, and X for everything about her, and be sure to listen to her music on Spotify whenever you get to.
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If your playlist has been sounding a little stale, August is here to shake things up. If July was a feast, then August is the afterparty; louder, brighter, and serving up the perfect sonic refreshments.
The month has been buzzing with fresh tracks that feel like ice-cold drinks on a sweltering day, from Filipino indie gems like We Are Imaginary and Vietnamese singer-songwriter MINH, to global heavy-hitters Ed Sheeran and Doja Cat. There are also exciting collabs currently making waves, like Filipino R&B mainstay Jay R teaming up with LA-based rising pop artist Shanice and rising Filipino artist Jolianne working together with Korean producer Ziv.
Whether you’re on the hunt for your next obsession or simply looking for some fresh bangers, here are some of the newest releases hot off the press for you to listen to.
“Never Ever” by Jay R and Shanice
Courtesy of Hitmakers Entertainment
Produced and co-written by Grammy-nominated producer Mark Feist, “Never Ever” is an R&B track that combines the soulful voice of Filipino R&B artist Jay R with the powerhouse vocals of LA-based pop artist Shanice.
This track is composed of lush strings and slow-burning grooves, capturing the soothing warmth of coming home to a loved one. A love song at heart, this track stands as a promise to stay even through life’s coldest seasons.
“‘Never Ever’ is about love and wanting it forever,” said Mark in an official statement. “It’s a tale as old as time, and something all people can relate to, whether it manifests in the form of love, loss, or longing.”
Filipino indie rock band We Are Imaginary explores toxic relationships in their latest single, describing it as “a gripping meditation on toxic attachment disguised as love.”
The track also marked a pivotal moment for the band’s frontman and guitarist Ahmad Tanji, who channeled his personal emotions and experiences into the song — creating their most sonically and lyrically captivating release to date.
“Stockholm” was accompanied by a Dracula-themed music video where the iconic vampire has been reimagined into a brooding, hopeless romantic, lost in a world that has outgrown him. The video was directed by their long-time collaborator, Darrell Guinn of Hungry Cat Pictures, and was shot entirely in the vibrant city of Bangkok.
“Dracula can almost interact with the world, yet there’s this passive obstacle that prevents him from completely connecting,” Darrel explained. “It felt right for the lyrical mood: like he’s there but not quite seen.”
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The band will also be representing the country at this year’s NO HEADLINER 4, which is happening on Oct. 18 to 19, 2025 at West Lake Water Park in Hanoi, Vietnam, and is expected to release an album in November.
The Singapore-based producers just dropped a smooth lo-fi house track with a jazzy twist, the kind of song that makes your morning coffee taste better and keeps you going on those long workdays. The single also brings in saxophonist Roxy Modesto, a familiar name in the rock and jazz scenes of the Philippines and Indonesia, adding that extra layer of soul to the mix.
“I wanted to make a track that bridges my previous work with the current sound I’m dropping at my DJ sets across Southeast Asia," explained the artist. “The improvised nature of Roxy’s sax adds this organic human element on top of the music I produced in a DAW. It's like finding clarity in the noise we all experience more and more of.”
Moreover, this track also represents the artist’s continued commitment to featuring diverse artists from the region, showcasing local talent, and building bridges between Southeast Asia’s music scenes.
Vietnamese singer MINH is channeling the sting of betrayal in this razor-sharp pop confessional. “Gossip” was inspired by a real-life friendship break-up that blindsided him, turning it into a catchy and clever pop tune that’s both edgy and bold.
“This song was me not caring anymore, taking back my power. Yeah, I like gossip. So what? People love to shame others for being messy, emotional, or loud. But everyone gossips. If you say you don’t, you’re lying,” MINH shared in a statement.
The track moves like a one-on-one confession, tense and dangerously intimate as it peels back layers of drama after each verse. It’s raw with just a touch of revenge.
Often deemed as a guilty pleasure in Vietnamese culture, gossip is as entertaining as it is hurtful, depending on which side you’re on. MINH leans into that paradox with this new single, as he unapologetically dances on the fine line between pain and play, truth and theatrics.
This self-written track by Filipino-Ghanaian artist and producer Jewel Owusu reflects on the “what ifs” and the fleeting thoughts and emotions one sometimes feels despite having settled in a relationship. It’s about fantasizing over a connection you know would never work, and how our craving for aliveness can sometimes be mistaken for the thrill of someone new.
This riveting track is wrapped in an electronic pop dance sound that feels like a good time, but in hindsight holds a deeper meaning, which is all about reconnecting with oneself and finding that confidence — your “spark” inside of you.
English hitmaker Ed Sheeran is gearing up for the release of his forthcoming album, “Play,” which is slated for release on Sept. 12, 2025. Following up instant hits “Azizam,” “Old Phone,” and “Sapphire” is “A Little More,” a playful track with witty and sharp lyricism, underpinned by a blues sound. Although the lyrics carry words of hate and resentment towards a previous relationship that unraveled, they also carry a message of self-preservation and moral courage.
Ed wrote the song alongside DAVE, who previously worked with him on “Nothing On You” and “F64,” Blake Slatkin (Charli XCX, Kid Laroi), Cirkut (The Weeknd, Lil Nas X), and his long-time collaborator Johnny McDaid.
The single was also accompanied by a music video starring the musician and “Harry Potter” star Rupert Grint, who reprised his role as Ed’s stalker in the 2011 “Lego House” music video.
Acclaimed Filipino-Japanese singer-songwriterEna Mori returns with a thrilling new EP, “rOe,” which steps away from the explosive energy of her previous full-length album to present a more introspective and sophisticated body of work.
This coming-of-age project is composed of six tracks that navigate the emotional whiplash of entering your twentieswhile still having one foot planted in childhood. In short, it’s about the paradox of moving forward while feeling stuck.
One of our favorites is “Portion Control,” a powerful pop single that’s both dreamlike and disoriented.It’s deeply emotive and nostalgic, reminiscent of an 80s-inspired sweep. The artist’s voice in this carries a raw vulnerability that perfectly balances the lush synth layers of the track.
We believe this song embodies the production aesthetic of the entire compilation, which leans more into unconventional textures, mixing string quartets with lo-fi guitar sketches, nylon-string plucks with harps, and layered vocal whispers with glitchy electronics. The artist collaborated and co-produced the EP with Tim Marquez to bring this unique sonic landscape to life, one they described as “microbe-like.”
“Tim and I talked a lot about the visual imagery of the album while we were working on the record. We gathered tons of photos and shapes for inspiration, but one of the main things we were trying to capture was this idea of “microbe-like” sounds — something that feels alive from within,” the multi-awarded pop artist explained.
If you’re at that early stage of crushes and butterflies in your stomach, Jolianne’s new single “Kuryente” is the perfect accompaniment to the soundtrack of your life, as this pop soul track captures the feeling of infatuation in its earliest stages.
The rising Filipino artist teamed up with acclaimed Korean producer Ziv to bring to life this new track co-written by Miguel Benjamin of the award-winning band Ben&Ben, as a love letter to his wife. The song took inspiration from the couple’s intimate anecdotes, letting those tender details shape the music and lyrics.
“That inspired me to make and produce this playful song about how infatuation and early romance feel,” shared Ziv in an official statement. “I really wanted to hit the right balance of expressing who I was through my musical background. Being Korean yet being born here in the Philippines, I wanted to find the right balance of putting both of those influences into the production, which I feel makes it unique.”
“Vocally, this was one of the more challenging songs I’ve put out because it pushed me to access my voice in a different way,” the “Plain Girl” singer added. “From a technical standpoint, I experimented a lot with dynamics and registers. And of course, singing in Tagalog also shaped the way I sounded here, adding another layer of character to the performance.”
Blending funky pop groove with heart-stopping charisma, “Kuryente” merges Jolianne’s silky and infectious vocals with Ziv’s soulful R&B production. Definitely worth a listen!
The “Say So” and “Attention” heavy-hitter returns with a new single, “Jealous Type,” which is part of her fifth studio album, “Vie,” coming out this Sept. 26, 2025. The singer penned the track with producers Jack Antonoff (Taylor Swift, Lorde) and Y2K (Ariana Grande, Tate McRae).
Even though the summer is over, “Jealous Type” brings back the heat and fun vibes every time you play it. It’s catchy, groovy, and pure pop perfection — as expected from a Grammy-award-winning artist! We especially love the 80s synth elements and how Doja Cat’s singing voice shines through in this, balancing well with the colorful sounds.
In line with the release of her new album, the artist also announced her first-ever tour across Asia, New Zealand, and Australia. The “Ma Vie World Tour” will kick off on Nov. 18 in Auckland, while the Asian leg will start on Dec. 7 in Manila. This will be followed by Singapore (Dec. 10), Seoul (Dec. 13), Tokyo (Dec. 15), Bangkok (Dec. 18),and Kaohsiung (Dec. 21).
Singer-songwriter Audrey Hobert just released her much-anticipated debut album, “Who’s the Clown,”led by the single “Sue Me.”
A singer, musical theatre devotee, and dancer, Audrey got her first taste of songwriting when she teamed up with her childhood best friend and then-roommate Gracie Abrams to make her album, “The Secret of Us.” Together, they penned some of Gracie’s standout hits, including “I Love You, I’m Sorry,” and “Risk,” for which Audrey also directed the music videos.
Audrey released her debut single, “Sue Me,” in May, and it was an instant hit! The artist shared more about the song in a statement, saying how it was inspired by feelings of wanting to be desired again.
“It was the fifth song I ever wrote alone and one of the first I made with my producer, Ricky Gourmet. I was with Ricky the week after I had slept with my ex, who I knew still had feelings for me,” she said. “I felt pretty bad about it — although it was a nice evening with him — because deep in my heart I knew I didn’t feel the same way. But we were at the same party and we were — put simply — vibing/reconnecting. It had been a while for me. I thought, 'Jeez, why not?' Hence, ‘being a saint is exhausting.’ I wanna do it, okay? Let me do it. This was one of the only instances in making all of my music where I said out loud to Ricky in his kitchen, ‘Sue me, I wanna be wanted.’ Then I sang it to the melody. Then we made the beat. Then I took that beat home and it was just me and the pen, moonlight, and the truth.”
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Back in 1989, Danny DeVito brought Warren Adler’s best-selling novel “The War of the Roses” to life on the big screen. Over three decades later, Jay Roach got his hands on the original to reimagine the classic tale, this time with new faces at the forefront of the story and a new, simplified title: “The Roses.”
Roach is, after all, no stranger to comedies. He is the filmmaker behind some of the beloved comedy flicks, including the Austin Powers film series and Meet the Parents. His version of “The War of the Roses” only further solidified his knack for the genre, giving it a contemporary flair while staying fairly true to the original’s satirical core. Similar to the 1989 box-office hit, “The Roses” centers on a lifelong married couple called, well, the Roses. On the surface, they seem to be a picture-perfect couple. Imperfect, but also loving toward one another. But behind their façade lies a longstanding hidden resentment.
The Beat Asia got a chance to attend an advance screening of the black comedy last Aug. 20. Here’s what we really thought of the modern remake — or should we say, a classic in the making.
Warning: Spoilers ahead!
Photo from Website/20th Century Studios
‘The Roses’ Is a Star-Studded Fare
What better way to market a movie than by casting prominent figures in the industry? That is the case with “The Roses,” a film that boasts an ensemble cast led by Benedict Cumberbatch (“Doctor Strange”) and Olivia Colman (“The Favourite”) as Theo and Ivy Rose, respectively.
The movie also features an impressive supporting cast, including the likes of Andy Samberg (“Brooklyn Nine-Nine”), Ncuti Gatwa (“Barbie”), Kate McKinnon (“The Spy Who Dumped Me”), Zoë Chao (“The Afterparty”), Sunita Mani (“GLOW”), and Allison Janney (“I, Tonya”), who — however brief her appearance was — stole a particular scene as Ivy’s ferocious divorce lawyer, Eleanor.
Despite its stacked cast, “The Roses” is more than just a showcase of star power. At the heart of the movie is its storytelling: it’s tense and hilarious, bordering on drama, yet remains light enough to keep you engaged. Even more impressive, it doesn't try too hard to be funny, which is why all the lines land smoothly. That is, of course, thanks in no small part to its talented cast, backed by an incredible screenplay from “Poor Things” and “Cruella” scribe Tony McNamara.
Photo from Website/20th Century Studios
The movie opens with Theo and Ivy in couples therapy as they try to mend their relationship. You know, you never try to fix what’s not broken. So it’s clear from the get-go: they’ve already fallen apart. They are then asked to list all the things they love or like about each other. The problem is that both of them seem to struggle to come up with one, except for things that aren’t really compliments. For example, one of them says they like the fact that their better half has… an arm.
It was truly, to say the least, a struggle for the two that couples counsellor Janice (Belinda Bromilow) raised the ultimate concern: Theo and Ivy’s relationship was beyond fixing. It was irreparable. They were no longer good for each other, and their marriage was already doomed — it might as well end. Neither of them had the capacity to fix their problems, according to Janice herself. In their therapist’s defense, though, even a person who isn’t a professional could say the same thing.
Can Love and Hatred Really Co-Exist?
Perhaps. That is especially true for Theo and Ivy, whose competitive and prideful natures got the best of them, ultimately driving them away from what really mattered. Before their love turned sour, they had what many — or at least some — desire: a perfect marriage. Theo, an architect, and Ivy, a chef, hit it off almost immediately. They first met inside a restaurant kitchen, where Ivy worked. What began as a chance encounter blossomed into a fruitful marriage years later.
Both Colman and Cumberbatch portrayed their roles exceptionally well, playing a couple who, to quote Tinashe, "matched each other’s freak." They understand each other and are both so good at being their funny, sarcastic selves. A power couple, if one must say. A decade into the story, we’re introduced to their two great kids, Hattie and Roy Rose, who share the same wit and deadpan humor as their parents. It was just the ideal married life anyone could’ve asked for.
Photo from Website/20th Century StudiosPhoto from Website/20th Century Studios
Theo and Ivy’s married life is anything but frigid. They’d certainly have audiences rooting for them. At first, at least. Plus, the couple lives on the California coast. It can't get better than that. They were also supportive of each other, with Theo having helped Ivy build her own restaurant, which she later named We’ve Got Crabs. Theo also had a flourishing career as an architect — until things went south when a storm literally ruined everything. As Ivy’s career began to take off, Theo watched his crumble before his eyes. A storm crashed the establishment he had taken pride in creating, tarnishing his reputation and credibility forever. The same pivotal night Ivy saw her career’s trajectory change for the better was also the same night Theo’s career collapsed.
Movies have always been a cinematic (sometimes romanticized) reflection of reality. “The Roses,” no matter how over-the-top, is weirdly relatable. It showcases the many facets of love, particularly one that is strong and affectionate but suddenly goes wrong — no warning, no hints.
‘The Roses’ Is a Masterclass in Walking on Eggshells
Theo did try to be happy for Ivy. On the other hand, Ivy couldn’t afford to celebrate her recent win in life just yet, while her husband was going through a rough patch, from losing his job to being an internet meme and turning into a laughing stock overnight. Theo’s life, at that moment, was an endless spiral of despair and agony. It also didn’t help that people around him kept reminding him of his failure, albeit in a comedic manner. So Ivy kept it all to herself, as — although sad for Theo — she was nonetheless elated at how her career was turning out. She was also careful with her words and had been mincing them to be sensitive enough to Theo’s current situation. No celebratory words. And she would tend to veer away from things that would remind Theo of that night, sometimes to no avail.
Ivy walked on eggshells every time, while Theo tried his very best (emphasis on tried) not to be jealous of Ivy’s victories. Ivy's career was really taking off to greater heights, which meant more time tending to her growing business and less time with her family. Theo, who was technically jobless, had more time to spend with their kids, whom he had been training to be athletic, disciplined, and responsible. That would later make Ivy feel she was slowly losing connection with her children.
Photo from Website/20th Century StudiosPhoto from Website/20th Century Studios
Hattie and Roy (played by Hala Finley and Wells Rappaport as the teenage counterparts of the siblings) grew even closer to their father, while their mother had not always been present, mainly because she was practically the breadwinner of the family. Ivy began to feel jealous of Theo’s relationship with their children, while Theo continued to feel jealous of Ivy’s career. And then came the simmering resentment.
“The Roses” truly delved into some pretty dark and depressing themes, though Roach was still able to incorporate the funny. It’s his strong suit. Both Colman and Cumberbatch carried the movie on their backs as the main leads, but the supporting cast members refused to be mere fillers. Gatwa, who recently took on the mantle as the next Doctor Who, contributed plenty to the film’s humor, starring as Ivy’s waiter, Jeffrey.
The script is strong in and of itself, but Gatwa’s delivery was spot-on — almost as if he brought some Eric Effiong (a character he played in “Sex Education”) to this role, but one that is stronger and fully realized. Then there’s McKinnon’s Amy and Samberg's Barry, who would go on to become Theo's divorce lawyer. The “SNL” alums played husband and wife and were dear friends to the Roses. Amy, however, seemed to be capitalizing on Theo and Ivy’s dying marriage, making some not-so-subtle efforts to seduce the former. The result was a funny and uncomfortable dynamic that added both tension and humor to the story.
An Explosive Conclusion
Neither one of them wanted to give their relationship up — and neither did their professional ambitions. Theo wanted to go back on track and reignite his passion, but that meant Ivy would have to shun her growing empire for a much simpler life. Technically, back to the early years of their marriage. But Ivy didn’t want that. They, however, eventually reached common ground: Theo served as an architect for their luxurious dream house, and Ivy paid for everything. A win-win situation for both, or so we thought.
Photo from Website/20th Century Studios
At that point, it was clear that they were beyond repair. During a dinner celebration for their new home, they just couldn’t get along anymore, making their guests uncomfortable. Real trouble emerged when Theo helped save a whale (yes, a whale), which he claimed he had a connection with. In that very moment, he realized one thing: he was no longer happy. And he no longer wanted to live an unhappy life; thus, he wanted a divorce.
Perhaps the most heartbreaking part wasn’t the divorce, but the fact that none of them actually fell out of love. Not even Theo, who constantly dismissed Amy’s sexual advances. Although heartbroken and furious, Ivy agreed to settle the divorce on one condition: she wanted sole ownership of the house. After multiple fights and a chaotic hearing, an epic battle ensued one night. All Theo wanted was for Ivy to sign the paper agreeing to let him have the house for himself, while Ivy was still reeling from the end of it all.
To say they fought would be an understatement. It was a battle — a dangerous one, at that. Ivy fired a few bullets toward Theo. To justify her actions, Theo tried to kill her, somewhat, by using her allergies against her, just so she’d sign the papers while he held off the EpiPen. Ironically, the EpiPen Theo once used to prevent Ivy from succumbing to her allergies was the same medical device he'd use to his advantage. It should also be mentioned that the movie didn't leave any loose ends or unresolved plot points just to add fillers to the story; most of them were integral to the whole narrative and would later become important moments for the film.
Ivy’s final straw was recognizing such hatred brewed inside Theo that he was willing to do everything, even at the expense of her life, leading to her ultimately losing it. After that one chaotic battle, they both realized they couldn’t live a life without each other. Shocker, I know, but who are we to judge these two damaged souls? Even their kids agreed it was best for them to part ways. But their love was just so, so strong — or was it codependency?
Photo from Website/20th Century Studios
In the end, both seemed to have it figured out. But the Julia Child stove that Theo destroyed that very night was on the verge of exploding. The film leaves its conclusion deliberately ambiguous. Did they die in the explosion? Did the house burn to ashes? Was it the start of a new dilemma? Or is it symbolic of their relationship’s destruction?
Is ‘The Roses’ Worth Watching?
Our final verdict? Yes. “The Roses” could easily have failed. The black comedy genre has been hit or miss over the past decades, with several features seemingly struggling to balance satire and comedy. Furthermore, it’s a remake of a classic, critical darling of a movie. And the thing about remakes is, they’re either unnecessary or so iconic they don’t tarnish the original’s charm. In fact, some of them are deemed better than the original. “The Roses” is definitely the latter.
If you’re someone who loves dark humor in your comedy (yet one that’s also smart and bold), “The Roses” will be a perfect cinematic ride. There are no dull moments, and it’s entertaining — sometimes shocking — from start to finish. It also explores how pride and hatred can consume people, getting the best of them. On the acting front, we can expect nothing less from Cumberbatch and Colman. Both are forces to be reckoned with in the industry.
“The Roses” is now showing in Philippine cinemas. Follow 20th Century Studios Philippines on Facebook, X (Formerly Twitter), and Instagram for updates on more exciting movie releases coming your way.
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