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We always hear about underground raves, or dream about experiencing Berlin's techno scene one day. But what if we told you that this is your once-in-a-lifetime chance to party over all three floors of an iconic historical building and landmark of Hong Kong?
01 Festival, presented by 0159 Group with FuFu Agency, the creative powerhouse behind Shi Fu Miz, will be holding a huge underground rave festival in the historic three-story building of Murray House in Stanley on Aug. 30, 2025, from 3-11pm.
The festival will have three different stages on each floor: the 01 Festival Stage focusing on 4/4 influenced sounds; FuFu Stage highlighting groovy vibes; and 0159 x FuFu Stage oriented to UK influenced sounds.
In partnership with 01 Festival, we are giving away two pairs (four tickets in total) of Festival Tickets, valued at HK$1,000 per pair. It's the perfect opportunity to enjoy the vibes and energy of the underground music world (and you don't have to stay up all night either)!
From Aug. 19-25, head over to The Beat Hong Kong's Instagram page and follow the instructions in the post caption. The giveaway will end on Monday, Aug. 25 and two winners will be chosen on Aug. 26, so make sure to follow us and check for updates. Don't miss it!
Instagram @0159group / @kianlo19
Active since 2014, FuFu is a Hong Kong-based music agency, specializing in artist bookings, festival and event promotion, a record label, solar sound system rentals, and many more.
Under the leadership of Yueming and Yutang, 0159 is a rising Hong Kong collective and artist promoter, seeking to transform the electronic music landscape in Hong Kong.
Together, they've joined forces to present the first edition of01 Festival, bringing Hong Kong's and other highly globally accredited artists for an exclusive one-day rave.
01 Festival 2025 Stanley Murray House Sat, August 30 3:00 PM
- 11:00 PM
Dance through history at 01 Festival 2025, Hong Kong’s bold new electronic experience, on Aug. 30 at Stanley Murray House. Get your tickets now!
Terms & Conditions
Giveaway period: Tuesday, Aug. 19 to Monday, Aug. 25, 2025.
No purchase necessary to enter or win.
Winners will be selected randomly to ensure fairness.
The giveaway is open to Hong Kong residents only and participants must be 18 years of age or older.
In case of any disputes, The Beat Asia reserves the right of final decision.
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Hong Kong-based charity More Good, known for providing high-quality, nutritious meals to those in need, is set to host its first-ever charity event at the prestigious Clearwater Bay Golf & Country Club.
The inaugural “More Golf More Good” Charity Golf Classic invites you to make every swing count on Oct. 9, 2025, where More Good will bring the same vibrant energy to the course, leveraging their network of chefs, creatives, educators, and food and beverage experts to create unique and engaging experiences for everyone.
Participants can expect a day packed with tournament games followed by a gala dinner that will highlight food and drinks from their F&B partners, as well as special moments from their sponsors and donors. The gala dinner will showcase dishes from culinary stars, including Michelin-awarded chefs from community partners such as Yardbird and Ando, drinks from Asia’s No. 1 bar, Bar Leone, as well as special moments from confirmed generous partners Marshall and Nomad Caviar.
“We are delighted to host the More Golf More Good Charity Golf Classic at Clearwater Bay Golf & Country Club. More Good is a valued charity partner, and this event reflects our shared commitment to supporting those in need,” said Dr. Jack WK Wong, Chairman of The Clearwater Bay Golf & Country Club.
This event’s immediate goal is to achieve its fundraising target and increase weekly meal output by 25% throughout the 2025/26 period.
“This isn’t just about golf,” said Timothy King, Co-Founder of More Good. “We hope to make the More Golf More Good Charity Golf Classic more than just an annual fundraiser, but represent our commitment to nourishing our most vulnerable communities here in Hong Kong. Every swing will help us expand our meal services and make a real difference in our community.”
Courtesy of More GoodCourtesy of More Good
Born in 2022 in Yardbird’s kitchen during the height of the pandemic, More Good has since grown from a small community effort into a full-blown organization supported by a dedicated group of volunteers, chefs, and supporters who all share the same belief: that everyone deserves access to nutritious, flavorful food. The charity has since prepared and distributed over 110,00 meals to the elderly, refugees, homeless, and low-income families, and this upcoming fundraiser aims to embody that same spirit of creativity and care as the previous More Good events — this time coming to the fairways of one of Asia’s most spectacular courses designed by five-time British Open champion Peter Thomson.
Don’t miss this amazing opportunity to play a good round of golf while helping those in need.
More Good is currently open to sponsorships, brand partnerships, prize donations, and volunteer applications. You can find more information here or contact them via email at golf@moregoodhk.com. Those who wish to get more hands-on can also sign up to volunteer with More Good beyond this event here.
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On Oct. 10, 2025, Hong Kong’s Southorn Stadium will transform into a melting pot of adrenaline, grit, and global talent as The Encounter 2 returns with a stacked card and a mission to put Hong Kong on the map as Asia’s rising combat sports capital.
Organized by Verano Promotions, the event's first edition was held last year at PMQ, marking the return of professional boxing to the city after a five-year hiatus.
The second iteration of the high-impact series promises a night of electrifying professional boxing. With doors opening at 5 PM and the first fight starting at 5:30 PM, fans can expect a full evening of title fights, international rivalries, breakout performances, and entertainment, including dancing showcases from Hong Kong Taurus, a local cheerleading team.
Courtesy of The Encounter
On the event’s expansion, Adam Brough of Verano Promotions shared, “It’s a 2,000-seater stadium, so the scale has grown, and we’re getting more international fighters in.” He also emphasized the elevated standards of the production, adding that they are “bringing professional standards: WBO-sanctioned rules and certified judges. This is professional fighting for champions.”
Headlining the event is Saagar Pradhan, Hong Kong’s 24-year-old boxing prodigy of Nepalese descent, defending his WBO Youth Asia Pacific Super Welterweight Title against India’s Gaurav Bisht. It’s Pradhan’s first home fight since his knockout win at PMQ. The stakes are high, with his unbeaten record and two knockouts in six matches since he turned professional in 2023.
“Being a professional boxer in Hong Kong is tough,” said Pradhan, who ranks 13th in the WBO Asia-Pacific, during a sparring session at Verano Boxing Club. “We sparred at least 96 rounds over the last month in Hong Kong and China with different sparring partners, including my teammates from the Philippines.”
Website/The EncounterPhoto by The Beat Asia
On defending his title in his hometown, the 24-year-old added, “I was born and raised in Hong Kong, so it’d be an honor for my family and friends to come down and support me in defending my belt, which is also a big achievement.”
The co-main event features Scotland’s Colin Cairney versus India’s Trijot Singh Bawa for the vacant WBO Youth International Welterweight Title, adding another layer of international tension to the night.
Beyond the title fights, the undercard showcases regional talent. Local fighters like Brondell Medina and Lee Ka Wing will be joined by athletes from Macau, Mainland China, the Philippines, Thailand, and Vietnam.
Photo by The Beat Asia
“We fought at PMQ last year, which was big, but Southorn Stadium is a proper venue,” said 20-year-old Brondell Medina, who will be competing in his first professional match. “I’m excited to fight in front of the hometown fans, and I expect the noise in the stadium to boost me and give me a lot of energy.”
The Encounter 2 has established itself as a statement of the boxing scene in the city. With WBO-sanctioned titles and a diverse lineup, it’s a celebration of athleticism, identity, and the raw thrill of competition.
Tickets range from HK$200 to HK$550. Get your tickets now via Ticketflap or Pyjama. Apply the promo code BEAT15 at checkout for an exclusive 15% discount.
The Encounter 2 Southorn Stadium Fri, October 10 6:30 PM
- 11:30 PM
The Encounter 2 returns on Oct. 10 at Southorn Stadium with a diverse lineup of fighters from across Asia, headlined by two thrilling WBO Youth Title bouts. Tickets from HK$200.
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If you’ve been waiting for a reason to dust off your lightstick and scream your lungs out, this is most probably it. K-Pop’s metaverse queens, aespa, are officially heading to Hong Kong as part of their 2025–2026 “SYNK: aeXIS LINE” world tour!
Instagram/ aespa
Set to take place on February 7 and 8, 2026, the concerts will light up AsiaWorld-Expo with aespa’s signature blend of futuristic visuals, razor-sharp choreography, andimmersive stage production. Fans, known as Mys, can expect a high-energy spectacle that blurs the line between digital and reality, true to aespa’s tech-forward identity.
The tour kicks off in Seoul in late August 2025 before sweeping through Bangkok on November 15 and 16, 2025, Japan, and Jakarta, eventually landing in Hong Kong for two nights of pure pop adrenaline. After their Hong Kong stop, the group will head to Macau’s Galaxy Arena on March 7 and 8, continuing their domination of Asia’s biggest stages.
Instagram/ aespa
aespa, made up of Karina, Winter, Giselle, and Ningning, debuted under SM Entertainment in 2020 and quickly carved out a niche with their AI-powered concept and genre-bending sound. Hits like “Next Level,” “Drama,” and “Spicy” have cemented their place as one of K-pop’s most innovative acts.
Musically, aespa blends hyperpop, EDM, and dance-pop with a futuristic edge that mirrors their digital alter egos and metaverse-inspired storytelling. Their tracks often feature layered synths, glitchy textures, and bold transitions, creating a soundscape that’s as unpredictably addictive. Whether it’s the bass-heavy swagger of “Savage” or the shimmering hooks of “Supernova,” aespa’s sonic identity is both experimental and unmistakably modern.
Courtesy of SM Entertainment
Check out the event listing below for more information, or purchase your tickets directly on Trip.com. If history is any guide, seats will vanish fast, especially after their last Hong Kong appearance in 2024 drew massive crowds from around the world.
Whether you’re a longtime MY or just curious about the future of K-pop, this is one show you won’t want to miss.
Follow aespa on Instagram here and check out SM Entertainment’s website here for updates.
aespa SYNK: aeXIS LINE World Tour in Hong Kong AsiaWorld-Arena Sat, February 7 7:00 PM
onwards
Catch aespa live at AsiaWorld-Arena, Hong Kong, on Feb. 7-8, 2026, with their futuristic SYNK: aeXIS LINE World Tour.
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You may have observed the recent revival of Cantopop and Disco Nights happening across the city or trending on your feed, often hosted by local DJ collective and creative agency Cantomania. From coffee raves to family-friendly daytime discos like their takeover of Murray House in Stanley in partnership with Carnaby Fair, you'll often find DJ Fabsabs behind the decks hyping up the crowd with a flawless set delivering a seamless lineup of nonstop nostalgia.
The Beat Asia sat down with the DJ as he enthusiastically regaled his recent (global!) gigs, educated us to the depth and cultural richness of Cantonese music, and shared his secret to bringing the vibes to every party. As much as we loved Fabsabs' stories, we were also receiving a music education as he illuminated us on the history and intricacies of our Cantonese favorites.
Courtesy of DJ Fabsabs
DJ Fabsabs, also known as Pete Sabine, may have grown up as an expat in our international city, but he and his two brothers found their own ways to feel a sense of belonging in Hong Kong. “Cantopop was an avenue for me to try and connect more with local culture and to have less of like an expat identity,” Pete shares.
Pete grew his love for music into a career starting out as a radio DJ in university, then booking gigs in underground clubs. Cantonese music, though, was not something he imagined spinning in front of an audience of thousands. And little did Fabsabs know, he’d become one of the most visible champions of Cantonese music in Hong Kong’s nightlife scene, leading a movement that’s turning nostalgia into innovation.
Through his work at Cantomania, the genre-fluid party series he now runs, he’s remixing the city’s sonic heritage and building a space where language, identity, and sound collide.
Courtesy of DJ Fabsabs
But this isn’t just a story about a DJ finding his groove. It’s about cultural reclamation, about what it means to grow up in a place and choose to belong more deeply. Fabsabs didn’t inherit Cantonese music- he pursued it, learned the language partly through lyrics, and built a platform that celebrates both the classics and the lesser-known gems of Hong Kong’s musical past.
Tracing his journey from an outsider to a cultural curator, let’s explore the rise of Cantomania, and unpack how a genre once confined to karaoke rooms is now pulsing through dance floors across the city and beyond.
Courtesy of DJ Fabsabs
Cantomania itself, started as a modest party series founded in 2016 by DJ Jayme. A medical doctor by profession and a devoted figure in Hong Kong’s underground music scene, Jayme envisioned a space where Cantopop could be celebrated outside its usual contexts: not in karaoke lounges or concert halls, but on the dance floor.
Drawing from his eclectic DJ background and growing fluency in Cantonese, he began curating nights that blended nostalgia with experimentation. The parties gradually grew in scale and ambition, eventually landing gigs in venues like 宀, Quality Goods Club, and Soho House.
The turning point behind the success of Cantomania may have come during the pandemic, when audiences, starved for connection and craving cultural familiarity, flocked to their events and sets at local festivals like Clockenflap, Pop Fest, and M+ at Night. Social media moments, like a reel that hit over a million views, helped propel the brand beyond Hong Kong, bringing Fabsabs to London, Manchester, Macau, and Singapore.
But even as the project grows, its core remains the same: to celebrate Cantonese music in all its forms.
Courtesy of DJ Fabsabs
For Fabsabs, remixing is sometimes about reframing memory. His approach to Cantonese music is rooted in storytelling, where each edit becomes a way to reintroduce a song or a sound to a new audience, often in a new emotional context.
“Lyrics are so important in Cantopop,” he said. “The people who write lyrics in Cantonese are geniuses. If you think about lyricists like Wyman Wong, their writing is so emotionally involved and they’re referencing a lot of history, literature, and culture.”
That philosophy is especially evident in how he selects tracks. While Cantopop is often associated with slow ballads and karaoke staples, Fabsabs digs deeper, surfacing faster, lesser-known cuts from local artists that rarely get club play. These songs, often overlooked in mainstream settings, have become the backbone of his sets. By pairing them with ambient samples, vintage TV ads, and even MTR chimes, he creates a sonic collage that’s both nostalgic and forward-thinking.
But it’s the Cantonese lyrics that anchor everything. Their emotional density, poetic phrasing, and cultural specificity make them uniquely powerful on the dance floor, especially when recontextualized through basslines and synths.
How long have you been DJing for?
Courtesy of DJ Fabsabs
I’ve been DJing for over 20 years. I started during university in Edinburgh, doing late-night radio slots from 2 AM to 4 AM, which taught me how to collect and mix music, though it was on a radio console, not a club setup.
After graduating and returning to Hong Kong, a friend invited me to DJ at a bar (now Penicillin). I had no idea how to use the equipment, but I winged it, figured things out on the spot, and didn’t get fired, so that’s how my club DJ journey began!
When did you start DJing with Cantopop?
I actually started integrating Cantopop into my DJ sets around 2008 or 2009, mostly in bars and clubs, artists like Sammy Cheng were big then. But the first Cantomania event I played was in 2018 at 宀 in Sheung Wan.
In the early days, it was a niche event with small, dedicated crowds. Things really picked up during the pandemic, and by 2023, after playing Clockenflap and West Kowloon Pop Fest, it blew up. Now there’s huge interest, but I want to keep Cantomania special. not something that happens every day.
What makes a Cantonese track “dancefloor-worthy” in your eyes?
A strong beat and bassline are essential, but it’s also about energy and relatability. While Cantopop is often seen as slow or ballad-heavy, many artists have upbeat tracks that just aren’t widely known. I’ve spent time digging through albums to find those hidden gems.
Ultimately, it comes down to testing, seeing how people respond on the dancefloor. Some slower tracks can work too, depending on how you build the set’s tempo. If it’s not too serious and people can connect with it, it has dancefloor potential.
Cantomania started as a niche party and has grown into a movement. What do you think it tapped into culturally?
Courtesy of DJ Fabsabs
I think it resonated because people, especially during the pandemic, started reflecting on what Hong Kong meant to them, and Cantonese music became a way to reconnect with that identity. Everyone who speaks Cantonese knows the songs, so there’s a built-in emotional link. Social media played a huge role too. One reel from a show unexpectedly went viral, hitting a million views and adding thousands of followers in minutes. That moment made me realize how much interest there was.
Since then, we’ve built a team and streamlined operations. I think Cantomania tapped into a cultural need, especially among Gen Z, to celebrate local language, music, and identity in a fresh, communal way.
How do you balance nostalgia with surprise in your sets, especially when the crowd probably already knows the lyrics by heart?
Courtesy of DJ Fabsabs
It’s a real challenge now that Canton Disco has matured, people know the hits, and repetition can get predictable. So I always keep the essentials but dig deeper into artist catalogs to find lesser-known tracks. I also incorporate non-musical elements like samples from Hong Kong TV ads, movies, and even ambient city sounds like the MTR, things that instantly evoke local culture.
Mashups help too, blending Cantopop with K-pop or Western tracks, but I’m careful not to dilute the Canto identity. The goal is to keep Hong Kong’s culture and language front and center while still surprising the crowd.
Instagram/ DJ Fabsabs
Fabsabs’ recent performance at Murray Summer also marked a symbolic moment. Held at one of Hong Kong’s most iconic colonial-era buildings, the event bridged past and present, turning a heritage site into a living venue for contemporary Cantonese culture. And these choices aren’t accidental. From venue selection to visual storytelling, Cantomania is designed to foster cultural pride and community.
It’s a place where older generations hear familiar melodies in new forms, and younger audiences discover the richness of a language they feel deeply. It’s also a space where diasporic Hongkongers, whether in London, Manchester, or Singapore, can reconnect with home through sound.
You recently participated in the “Murray Summer” takeover of Murray House in Stanley. Can you share a little more about the experience with us?
Courtesy of DJ Fabsabs
Murray House is such a recognizable landmark for anyone who grew up in Hong Kong, so doing an event there felt special.
For the night, I curated the DJs based on vibe, but I never tell them what to play. I want spontaneity, not rigid setlists. That freedom is what keeps the energy alive and the experience authentic. Visuals are central too, they help evoke the memories tied to the music.
Why are such initiatives essential for fostering culture and community in the city?
Events like Murray Summer show how underused spaces, like Murray House, can be transformed into vibrant community hubs. What made it special was that it was all-ages, which is rare in Hong Kong’s nightlife scene. Families could attend together, and that inspired me to think more about inclusive, family-friendly events. It’s important to create spaces where people of all backgrounds and ages can connect through music and culture.
For that event, my team at Neon Tiger handled everything, from the bar to the sound system, even though I’d just flown in from London that morning. It was exhausting but worth it. Collaborations like these, especially in historic venues, help bridge generations and keep Hong Kong’s cultural spirit alive.
Do you think Cantonese music carries emotional weight that’s different from English-language pop? If so, how?
Courtesy of DJ Fabsabs
Absolutely. Cantonese lyrics often carry a depth and poetic quality that’s missing from much of today’s English-language pop.
While older English ballads had strong lyrical storytelling, modern chart music tends to focus more on surface-level themes. In contrast, Cantopop lyricists like Wyman Wong, their writing is so emotionally involved and they’re referencing a lot of history, literature, and culture. That richness creates a deeper connection for listeners. I also see this emotional depth emerging in Hong Kong’s hip-hop scene, where artists are writing with real substance.
Are there songs or lyrics that have stuck with you — ones that feel personal or poetic?
Instagram/ Moon On Planet (MOP) Macau
RubberBand - 未來見 (See You in the Future)
I played this song as the last of an M+ set to 4,000 people. That day I had just come back to Hong Kong from my grandmother's funeral, and I thought it was the perfect ending to the set, as a farewell, see you in the future to my grandparents who are now both passed.
陳奕迅 (Eason Chan) - 任我行 (Let me Roam)
Eason songs can be fairly indecipherable for Western audiences and out of all the songs this one stood out on the Fear and Dreams concert that I went to see in London. I was very kindly provided a ticket by Ben from Congee Sounds who I had played with at a Canton Disco event in Manchester. Me and a friend were talking about the end of this song, bringing in this tension between being free and following others: as a DJ I think this is really real, and it's relevant for everyone.
N.Y.P.D. - 美之 (Mee & Gee)
I just love this song because it references lots of stuff I grew up with. It's a really good example of newer bands writing fun songs without having to be so serious about the song structure or lyrics. And it's all kind of clever and post-modern but really fun.
Gordon Flanders - 全世界停電 第二年 (The Blackout, Year 2)
This is kind of a serious and depressing song in some ways, but I think it's quite a clever Wyman lyric, and it's a bit mental that you can hear this in a McDonald's, that wouldn't happen in English-first speaking countries. You probably would get something more upbeat.
LMF - 大懶堂 (Lazy Clan)
I think this song is something that always gets a great reaction because a lot of people hate their job and working is really stressful. LMF are definitely the type of artist 100% of people love at our shows.
What’s something you haven’t done yet musically that you’re itching to try?
Instagram/ DJ Fabsabs
I’m really keen to explore more visual mediums, things like mini-drama formats or projects that weave in Hong Kong’s cultural elements. I’m also looking at expanding Cantomania into larger-scale festival-style events and more international touring. We’ve already played in London, Manchester, and France, and the response has been incredible.
Musically, I’m interested in remixing older Cantonese tracks using era-specific sounds, like Italo disco and analog textures, to preserve their original aesthetic. Remixing is tricky, you have to add something meaningful without losing the soul of the original. I’ve been reaching out to lesser-known artists from the ’80s and ’90s to collaborate on re-releases and edits that feel authentic to their time.
Beyond that, I want Cantomania to evolve into a full cultural movement, blending music with fashion, design, and visual storytelling. We’ve built a team that can handle everything from visuals to scripting, and we’re experimenting with new venues, including historic spaces like Murray House. I’m also passionate about supporting underground artists and producers, especially those who don’t fit into mainstream venues. A pop-up space could be a great way to give them a platform.
Ultimately, I want to keep pushing boundaries, supporting emerging talent, and creating experiences that go beyond just music.
This interview has been edited for length and clarity.
Catch DJ Fabsabs at his next shows and experience the magic of Cantomania at Maggie Choo’s on Sept 20, 2025, AIA Vitality Hub on Sept 26, and La Vache! on Sept 28. In case they're fully booked, follow the Instagram of DJ Fabsabs and Cantomania to make sure you don't miss their next ones!
Enjoyed this article? Check out our previous In Tune With profiles here.
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Cyclists, clear your calendar! Hong Kong is gearing up for a high-energy weekend that blends fitness, family fun, and waterfront views. On November 30, the Sun Hung Kai Properties Hong Kong Cyclothon returns with its biggest edition yet, welcoming over 6,000 cyclists from across the globe to ride through the city’s most iconic landmarks.
Organized by the Hong Kong Tourism Board (HKTB) and sponsored by Sun Hung Kai Properties (SHKP), the event features a mix of competitive and leisure rides, including the 50km and 32km routes that span the Tsing Ma Bridge, Stonecutters Bridge, and the Central-Wan Chai Bypass.
For the first time, the City Cycling Challenge will introduce a more demanding course in Hong Kong, designed for experienced riders seeking a thrill.
Courtesy of Hong Kong Cyclothon 2025
But the Cyclothon isn’t just for athletes. A Cyclothon Carnival will be held at West Kowloon Cultural District offering a full day of entertainment for all ages with live music, street performances, food stalls, and interactive zones featuring emerging sports.
Families can also join the Family Fun Ride, a new waterfront route with playful parent-child challenges, while the Celebrity Charity Ride adds star power and heart, with all proceeds benefiting The Community Chest of Hong Kong.
“The Hong Kong Cyclothon is a true highlight of our sporting calendar, offering locals and visitors an exceptional competitive cycling experience and showcasing the city’s ability to blend sport with tourism,” said Dr. Peter Lam, HKTB Chairman. “Looking ahead, the HKTB aims to expand the Hong Kong Cyclothon across the Greater Bay Area and work in partnership with neighbouring destinations to build a world-class tourism brand for the region.”
SHKP is also rolling out exclusive perks for participants, including hotel and dining packages through SHKP Club, The Point, and GO Royal. Meanwhile, the debut of the World University Trophy invites top student cyclists from around the world to compete, adding a global flair to the festivities.
Registration opened on September 13 at Discover Hong Kong’s website with entry fees ranging from HK$100 to HK$600 depending on category.
Follow the Hong Kong Tourism Board on Instagram and Facebook for more information!
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If the thunderous roar of Titans and the soaring notes of Jiyuu no Tsubasa still echo in your mind, you should know Hong Kong is now home to the Attack on Titan Exhibition FINAL Ver. Running from Sept. 9 to Oct. 26, 2025, this long-awaited showcase takes over The Twins in Kai Tak, delivering a visceral, immersive experience that plunges fans deep into Hajime Isayama’s dystopian world.
Courtesy of Attack on Titan Exhibition FINAL Ver.
With over 200 original artworks, including a jaw-dropping 2.4m x 9m “Giant Battle Theater,” rare behind-the-scenes content, eight themed zones, and exclusive merchandise, visitors can relive the emotional highs and devastating lows of humanity’s fight for survival.
Courtesy of Attack on Titan Exhibition FINAL Ver.
The eight meticulously curated zones bring the manga’s emotional depth and explosive action to life. The journey begins with the Opening Theater: “Choices in Life,” a cinematic prologue that sets the tone for the moral dilemmas and sacrifices ahead. From there, visitors enter Original Art World 1: “World of the Walls,” where they must choose between two paths, each offering distinct artwork and perspectives on humanity’s struggle.
The intensity ramps up in Original Art World 2: “Clash and Death Battles,”showcasing the brutal confrontations and ideological rifts that define the series. Then, Original Art World 3: “The Heroes” celebrates the beloved characters, Eren, Mikasa, Armin, Levi, and more, through detailed sketches and emotional moments. The 3D Theater: “Titan War” immerses guests in a sweeping battlefield experience on a massive screen, while the Artifact Zone: “Traces of Tragedy” displays symbolic items like Mikasa’s scarf and Levi’s teacup, each echoing the story’s heartbreak.
Courtesy of Attack on Titan Exhibition FINAL Ver.
Finally, the Creator’s Corner offers a rare glimpse into Hajime Isayama’s creative process, featuring original drafts and personal reflections, and the Exit Theater wraps up the experience with a poignant farewell. Each zone is designed to evoke nostalgia and reflection, making this exhibition a tribute to the legacy of Attack on Titan.
Tickets are priced at HK$120 for standard admission and HK$98 for concessions. Booking is available via Klook and Trip.com.
Whether you’re a die-hard fan or just Titan-curious, this exhibition is a rare chance to step inside one of anime’s most iconic worlds. Snap a photo with Levi, stare down a Colossal Titan, and walk away with memories (and merch) that’ll last a lifetime.
Ready to face the Titans? Learn more from the exhibition’s official website, and follow Attack on Titan’s official Instagram and Facebook
Attack on Titan Exhibition FINAL ver.
Location: The Twins, 10/F, TT SITE, 12 Concorde Road, Kai Tak
Exhibition Period: Sept. 9 to Oct. 26, 2025
Opening hours: 11 AM to 9 PM (Daily)
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This is for all the Hong Kong ONCEs who love skincare!
TWICE’s Mina is set to meet fans up close at her first solo fan meeting in Hong Kong, presented by Japanese cosmetics brand SK-II. The event is set to take place on Sept. 25, 2025, at Langham Place, where ONCEs can see and discover Mina’s summer skin secrets and crystal-clear complexion.
Photo from Facebook/SK-II Hong Kong
As part of the celebration, fans who purchase SK-II’s PITERA™ Trial Kits at their counters and stores will receive a limited-edition “Mina Summer SkinREADY” photocard, with exclusive Langham Beauty designs available in random designs while stocks last. ONCEs are also invited to join the SK-II WhatsApp group for more updates.
Mina has been SK-II’s global brand ambassador since March 2022, leading campaigns for the brand’s signature Facial Treatment Essence powered by PITERA™.
TWICE is currently on the Asian leg of their “This Is For” World Tour, with their next show set for Tokyo this Sept. 16 to 17, which will be followed by Macau on Sept. 27 to 28.
More details about Mina’s Hong Kong fan meeting will be announced very soon.
For more information, follow SK-II HK on Facebook and SK-II’s official Instagram.
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“Glass Heart” fans! Here’s your chance to see Takeru Satoh up close!
Fictional musical group TENBLANK from the Japanese drama series “Glass Heart” is set to go on their first Asian tour, “TENBLANK from 'Glass Heart' FAN MEETING – ASIA TOUR feat. Takeru Satoh,” which will bring the band across four cities in Asia this November. Naoki Fujitani, the band’s frontman, played by renowned Japanese actor Takeru Satoh, will be the only one performing on tour.
The band will kick off their tour in Taipei, which will be followed by Seoul, Hong Kong, before wrapping up with a show in Bangkok.
Official Poster for the TENBLANK Fan Meeting | Photo from Instagram/Live Nation Hong Kong
Taipei, Taiwan (Taipei International Convention Center (TICC)): November 1, 2025
Seoul, South Korea (KBS Arena): November 8, 2025
Hong Kong (Asia World Expo Hall 10): November 19, 2025
Bangkok, Thailand (UOB Live): November 29, 2025
“TENBLANK from Glass Heart” FAN MEETING in Hong Kong
Seating arrangement for TENBLANK's Fan Meeting | Photo from Instagram/Live Nation Hong Kong
The show in Hong Kong is scheduled for November 19, 2025, and will be organized by concert organizer Live Nation. Tickets will go live via Cityline on Sept. 9 (HSBC Mastercard Credit Presale), Sept. 10 (Live Nation Members Presale), and Sept. 11 (General On-sale).
Tickets are priced from HKD$699 and HKD$899, with all seated seats.
“Glass Heart”: Popular Netflix Japanese drama series
The Official Poster for "Glass Heart" | Photo from Website/IMDb
The hit Netflix Japanese drama is based on the novel series of the same name by Miko Wakagi, published from 1993 to 2011. The story follows the story of musical group TENBLANK and its members as they make a mark on their journey as musicians.
Akane Saijo (Yu Miyazaki), a college student and aspiring drummer, is unexpectedly removed from her former band just before their debut. She gets recruited by Naoki Fujitani (Takeru Satoh), a talented musician, for his band TENBLANK. Together with members Sho Takaoka (Keita Machida) and Kazushi Sakamoto (Jun Shison), they slowly become famous and known to the public eye.
For more information and updates, follow Live Nation Hong Kong on Facebook and Instagram. Visit their website here.
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The signature moves of wrestlers in World Wrestling Entertainment (WWE) have been captivating many of us growing up, but do you know wrestling is a thing in our city? And our local wrestlers are not short of styles!
Get ready for body slams with a skyline view on September 25, 2025, as the Hong Kong Wrestling Federation (HKWF) is transforming AIA Vitality Park into a high-octane battleground with its first-ever outdoor wrestling competition: "Ring of Harbour."
Courtesy of the Hong Kong Wrestling Federation
Set beneath the iconic Hong Kong Observation Wheel at the Vitality Park, this one-night-only event will feature an international lineup of over 20 professional wrestlers from Mexico, Ireland, India, and, or course, Hong Kong, turning the harborfront into a global wrestling carnival and making it a cultural collision of athleticism, adrenaline, and international flair.
Wrestling is sport deeply rooted in Mexican culture, where Lucha Libre has captivated audiences for nearly a century. Known for its high-flying maneuvers, colorful masks, and dramatic storytelling, as acultural tradition, it blends athleticism withfolklore and identity.
Wrestlers, or luchadores, often represent larger-than-life personas, and their masks carry symbolic weight while some even passed down through generations. This rich heritage has influenced wrestling styles worldwide and adds a vibrant layer to HKWF’s Ring of Harbour, especially with Mexican talent joining the lineup.
Courtesy of the Hong Kong Wrestling FederationCourtesy of the Hong Kong Wrestling Federation
And, in fact, Ring of Harbour will be the opening act of a larger cultural celebration hosted by the Mexican Chamber of Commerce in Hong Kong (MexCham HK)'s annual The Latin Kaleidoscope event – celebrating Latin America in Hong Kong. Running from September 26 to 28 at the same venue, this vibrant festival showcases Latin Americanarts, cuisine, fashion, business, and innovation, bringing together communities from across the region to share their heritage with Hong Kong.
Courtesy of the Mexican Chamber of Commerce in Hong KongCourtesy of the Mexican Chamber of Commerce in Hong Kong
Expect interactive installations, live performances, curated exhibits, and a feast of Latin flavors — from street food to gourmet tastings. It’s a kaleidoscope of culture designed to bridge gaps and spark new connections, with Ring of Harbour kicking off the festivities in true high-impact style.
Whether you're a wrestling fan, a culture lover, or just looking for an unforgettable activity by the harbor, this waterfront double-header promises something for everyone. Come for the curiosity, stay for the adrenaline rush — and celebrate the power of sport and culture in one of Asia’s most iconic settings.
Doors open at 6:30 PM for Ring of Harbour, with the show kicking off at 7:30 PM. Tickets are priced at HK$450, and it’s a free-standing event, meaning fans will be up close and personal with the action. With limited spots available, tickets are on sale via PopTicket.
Follow HKWF’s official Instagram and Facebook for details of the event and their other offerings. Also, for information about Mexican Chamber Hong Kong’s The Latin Kaleidoscope, check out their official website here and Instagram here.
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Global pop group Now United has officially found its newest member in Hong Kong!
Ariel Tsang, the newest member of Now United, made her debut performance with the group at a media unveiling held on August 28, 2025, at Tai Kwun. This marks the end of a months-long search to find the group’s missing piece, consisting of auditions, Hollywood-level training, and intensive bootcamps powered by the partnership of the Hong Kong Jockey Club (HKJC) and international brand XIX Entertainment.
Meet Ariel Tsang, Now United’s First Member from Hong Kong
Alex Tsang | Courtesy of Hong Kong Jockey Club
Born in Hong Kong, Ariel Tsang brings extensive stage experience as a homegrown singer, rapper, and dancer, and has gained attention for her musical talent and youthful energy.
She speaks Cantonese, English, and Putonghua, allowing her to collaborate well with the Now United group members and connect with audiences around the world. She provides a bridge that connects Hong Kong’s new generation of talent to the global stage.
Hong Kong Jockey Club and XIX Entertainment’s Partnership
Dennis Hau, Executive Director, Customer Strategy, Insights, and Innovation of The Hong Kong Jockey Club, said that the partnership between the two aligns with the HKJC’s vision to become a global sports entertainment brand. “This collaboration will deliver attractive world-class racing and entertainment experiences,” he shared. “The Club has long been committed to youth and talent development, and this once-in-a-lifetime opportunity provides young local talent with world-class training.”
Superstar Aaron Kwok also attended the media unveiling as HKJC’s “Rising Star Ambassador.” He is a well-known proponent of encouraging performers and artists to shine on the stage, keeping with the Club’s commitment to youth and talent development.
XIX Founder Simon Fuller also praised the Club’s innovative vision of combining world-class sports and entertainment, noting how Now United complements the dynamic energy of Hong Kong perfectly, and how Ariel reflects the city’s optimism and resilience to show on the world stage.
The members of Now United with Aaron Kwok | Courtesy of Hong Kong Jockey Club
This collaboration between HKJC and XIX also features Masterclass workshops from industry-leading professionals at XIX Entertainment’s Academy of Pop, featuring world-class dancer and choreographer Nicky Andersen and renowned vocal coach Berkley The Artist as some of their tutors.
The members of Now United are set to film a YouTube reality series and music videos, sharing positive stories about Hong Kong and Hong Kong racing with their fans worldwide across multiple platforms.
Now United is also set to embark on a world tour in November, featuring stops in Portugal and Brazil, before returning to Hong Kong in December for the Club’s racecourses and at the LONGINES Hong Kong International Races.
For updates on Now United’s activities in Hong Kong and to learn more about the Club’s initiatives, follow the Hong Kong Jockey Club on Instagram and Now United on Instagram and Facebook.
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