Empowering Stories of Four Filipinas on Roads Less Travelled
Manila/ Vibe/ Pop Culture

Empowered Women: Stories of Modern Filipinas on Roads Less Travelled

What does Women’s Month mean to you?

For one, it’s a celebration but while champagne toasts, greetings, and retail discounts are great—Women’s Month is not just a celebration. It shouldn’t just be a mere afterthought, a number in the calendar that helps people decide to celebrate the women in their lives. Much like mothers and fathers shouldn’t just be celebrated during their “days,” or we remember to practice our religion during the holidays, March as Women’s Month is not — or should not be — just a festivity.

It’s proof of decades of advocacy, of a long line of women all around the world who dared to challenge traditional social expectations and fought for their rights. Because of their sacrifice and grit, women nowadays have options.

While women can choose to be homemakers (or as the TikTok trend calls it, ‘a tradwife’), they also have the agency to define what kind of women they want to be. For all forms a woman can take and ways they can be, there is no single answer to the question: “What does it mean to be a woman?”

This March, The Beat Asia features four extraordinary Filipinas who’ve taken their lives by the reins and forged their unique paths — a National Geographic Explorer slash archaeologist, an artist-entrepreneur, a modern women seafarer, and a multi-hyphenate content creator.

Their stories of resilience, independence, and creativity teach us about the fulfillment in choosing the road less travelled, the empowerment in refusing to be boxed by expectations, and the joy in finding passions that positively impact their communities.

Llenel de Castro: Archaeologist and Science Communicator

Llenel de Castro
Photo by Peg Keiner for Finding Nellie

"I don't like digging."

This is what Llenel "Ellie" de Castro says about her work as an archaeologist. It seems a strange pronouncement to make, especially as most would equate her specialty to the act of digging — we’ve all watched Indiana Jones, right? But de Castro confesses, it’s one of those things about the discipline that gives her “no joy.”

"[What] I actually really like doing is finding ways to bring whatever [information] we have in archaeology and use it to get kids more excited about their own places," she adds.

As a lover of stories, she appreciates the narratives that follow after an artifact or item is dug and finding meaning in the telling thereof.

"You get to connect it with everything else that happened. So, when you get to tell a story about something and somebody can connect to it, to the present, then that's when it's nice for me."

De Castro has always loved history and the social sciences ever since she was a child, but as a graduate of Philippine Science High School, she was mandated by law to major in the pure and applied sciences, engineering, or mathematics.

She was accepted into the accelerated Integrated Liberal Arts and Medicine (INTARMED) program of the University of the Philippines (UP) College of Medicine, which shortens the entire medical education by two years. Deep inside, however, she knew that being a medical doctor was not for her.

"I did INTARMED for four years and hated it every day. It was awful and then kasama pa dun 'yung na-guilty ka kasi (there was the guilt), 'Oh that slot could've been somebody else's slot.' I'm so sorry, it's really not me, so I quit after the fourth year,” de Castro reveals.

Upon leaving the INTARMED program, de Castro applied to the master's degree program in archaeology at UP Diliman – and she's been forging her own path since then. Her passions lie at the intersection of archaeology, heritage education, and community building, her journey marked by excavations and heritage projects in the Dewil Valley in El Nido, Palawan; Kiangan, Ifugao; and Olongapo, Zambales.

The Dewil Valley Community Museum and Ecotourism plan, her project as a National Geographic (Nat Geo) Young Explorer, was formed when she joined the Palawan Island Paleohistory Research Project in 2015 as a master's student. At the time, de Castro wanted to know what the locals thought of their work as archaeologists after watching them excavate in the community for more than 20 years.

De Castro says the museum, which is alongside the limestone Ille Cave where the archaeologists have been excavating, serves as a long-term project to ensure that the youth in the community will always have access to all the information they may need about the archaeological site.

"They already like Ille as a physical space, they cut classes to go there, it's already turning into a park, but we just wanted to make sure [that] the 'science-y' stuff ay nakikita rin nila (is also accessible to them)," she shares. "Wala ngang equipment 'yung school para mag-experiment eh (their school doesn't even have equipment for experiments), but here it is. You don't need to go far."

Another project, Handi, is a cultural heritage education program that brings Ifugao students in Kiangan on field trips to the Ifugao Museum, Peace Museum, and World War II shrine. The tour guides, who belong to the Ifugao community themselves, lead their kids throughout the tour, sharing stories about their own heritage and history.

Finding Nellie, her latest heritage project funded by Nat Geo, is one that's close to home. It was a mystery that began in her father's elementary school, the Nellie E. Brown Elementary School, in Olongapo. A single question –— "Who is Nellie E. Brown?" —– has since grown arms and legs and taken entire communities to solve. “Finding Nellie” has compelled not just de Castro and the locals of Olongapo but also students, librarians, archivists, and scholars from the United States (US) to investigate the identity of Nellie and their historical significance.

As a science communicator, de Castro recognizes the responsibility that comes in democratizing knowledge and sharing it with the public —– something she hopes they can achieve with “Finding Nellie.” It takes a village to learn about one’s own history, and the project is evidence of this.

“Hopefully [Finding Nellie] helps a bit [in] sort of giving access to people to information that is within, na nasa kanila din naman (that is already with them). Hindi mo lang alam na nasa iyo (you just didn't know you had it),” she shares.

When asked about a strong female figure she had growing up, de Castro did not have to look far. Being the daughter of professors, she practically grew up on the UP campus where she'd often stay in her dad's office. But it is her mother, whom she rarely mentions, that she shares she's most alike. Her mom never stopped working as a professor even while raising her, and it was a reality that de Castro thought was always normal: for a woman to be a mother and a wife, and have a thriving career, and other things going for her.

"'Yung persistence ko nanggagaling sa kaniya (my persistence comes from her). I think that trait actually comes from my mother, but she's never talked about," she admits. "She was naturally a strong figure, but then, [since] it was natural, I didn't notice it."

As de Castro continues to embark on this path she's created for herself, she is anchored by her positionality as an archaeologist and science communicator, but also as a community member, daughter, and friend. Her goal? To use archaeology as a tool to get more communities to be excited about their history and homes.

"You always think, archaeology, [it's in] Egypt. We always think nothing ever happens here but maybe if you look through a different lens [you'll] see, 'Ah okay, something is happening here,’” she said. “And maybe archaeology can contribute to that, as well as all the other sciences, right? You just need to find that lens for you to make a place worthwhile."

Christine Ariadne Reyes: Modern Woman Mariner

Christine Ariadne Reyes

The maritime industry is one of the male-dominated fields with a disproportionately low number of women in its workforce. This case has been running long to this day due to gender bias, stereotypes, and fear of physical harassment, violence, or verbal abuse.

Fortunately, as the world evolves, more women are encouraged to break these barriers and come aboard this competitive career path. Notably, there are over 70,000 women seafarers, or nearly 10% of approximately one million Filipino seafarers with Seafarer’s Identification and Record Book recorded by Marina in 2018.

Among these women who are courageously developing their careers in the maritime industry is Christine Ariadne Reyes from Taguig City, who has been navigating the vast seas for more than a year now.

Witnessing her father, a Navy skipper, commanding a vessel alongside his crew ignited her passion to become a seafarer. On top of this, Reyes also loves to travel the world, meet new people, and explore diverse cultures, all part and parcel of the seafaring ways.

When she reflected on her daily life as a mariner, Reyes highlighted its dynamic nature, as the ocean brings forth new challenges and responsibilities each day.

“As an overview, a seaman’s day can change immensely from port to port due to different situations faced throughout the voyage and the different requirements of that day. Therefore, an officer may struggle to have a set routine. At sea, a list of my duties includes maintaining ship areas, making sure that lifesaving equipment is available and functioning, performing necessary repairs, navigation or driving the ship, mooring and anchoring, and handling various port operations,” Reyes shares.

Navigating through turbulent waters and safely maneuvering a vessel into port is what she’s most thankful for every day, as these challenges strengthen her bond with fellow crew members. However, during extended voyages, she admits that a common challenge in their work is when they long for connections with loved ones left at home.

As the sole woman on their ship, Reyes admits that she feels the weight of expectations to prove her capabilities and expertise, as well as to gain acceptance and respect within a male-dominated crew.

“[But] the key is to focus on your own success and growth, rather than trying to validate yourself through the perceptions or opinions of others. By demonstrating your value and competence consistently, you can challenge stereotypes and biases, and earn the respect and recognition you deserve.”

Having spent considerable time working in the maritime industry, Reyes believes that it is essential to have a supportive professional culture for everyone, regardless of gender. She advocates for a workplace where discrimination and harassment have no place, and women are consistently valued and respected. She also aspires for shipping companies to ensure that all genders have equal opportunities for employment and advancement in the industry, fostering a more inclusive and diverse workforce.

For everyone who dreams of a successful seafaring career, Reyes highlighted the reality of life that the journey to success isn’t always rainbows and butterflies.

“Most of the time, it is made up of long, hard, boring, and repetitive days. Just keep going and without you even knowing it, you're already there.  You [must] strive for excellence because if you work hard, take responsibility, and never settle for the status quo, you can have just about everything."

Apart from her father, Reyes also looks up to Captain Maria Kristina B. Javellana, heralded as the Philippines’ first female master mariner. As her fellow alumna at the Maritime Academy of Asia and the Pacific, Reyes was amazed by Javellana’s trailblazing spirit and for inspiring many women with her achievements in the industry.

“I think we all hope for a society where women are truly seen and treated as equal, with the same opportunities, rights, and respect as men,” she said. “Hence, we must also do our part in promoting a culture of respect and equality.”

Marz Aglipay: Artist and Entrepreneur

Marz Aglipay

Flooded by a sea of stamps swimming in her room, artist-entrepreneur Marz Aglipay began pondering how to make space for other stuff.

Her fascination with stamps began around 2013 when she started attending art workshops to keep her skills sharp. Around this period, she was also about to start a job at an art publication. Being involved with all kinds of artists for her work as an art journalist then, she dared to imagine if she could also make being a full-time artist a reality for herself.

Despite learning different disciplines, such as paper cutting and bookbinding, she ultimately found joy in stamp making through a breakthrough discovery in the book “Print Workshop” by Christine Schmidt — that she can make stamps from erasers.

And so, the dilemma began: she had more stamps than she could handle. However, Aglipay turned this around by trying to sell her stamps, which eventually led her to establish Marz Today.

Aglipay has come a long way since then. From offering her stamps to peers, she started bringing her works to pop-up art markets. With an eye for the arts and ears keen on listening to the art community’s needs, Marz Today was able to gain attention and support that allowed her to later expand to other products, including washi tapes.

Her achievements, however, did not come without challenges. Selling analog products like stamps and tapes, she wondered if her creations were still relevant in a highly technological world. Thankfully, there’s something only handmade stamps can offer.

“When people see the difference [between] using a handmade stamp as opposed to something, say, for example, digitally printed stamps, mapapansin din nu’ng gumagamit na ibayung quality nung print (they notice that the quality of the print is different),” she stresses.

To further show the advantages of handmade stamps and build interest in them, she used social media to educate people on their value and uses. While business and entrepreneurship have always been a man’s world, as stated in an article published in a business journal from the Wharton School of the University of Pennsylvania, Marz Today has found the sweet spot for her brand.

Her market primarily comprises women and her niche industry of stamp making is also brimming with women, allowing her to leverage her feminine side to push her art and brand forward.

“If you already know what you want to sell to women, better than men, I think that’s something women can leverage on,” she explains.

But Marz Today goes beyond catering to women. According to Aglipay, she also makes sure to design stamp-making workshops for everyone, even young boys with a budding passion for the craft.

Just like how Aglipay began building her brand out of passion and joy, the artist-entrepreneur hopes that others would also give themselves a chance to follow their dreams.

“I think, the world is so much better with people doing happy work. If you feel like you’d rather be working on your business and it’s more rewarding than your current work, [then] I guess [that’s] the sign for you to start working on your dreams,” she shares.

“I’m aware I’m speaking from a place of privilege, but it doesn’t have to be now. I want people to take control of their dreams, make those tiny steps into realizing that dream.”

Ulya Nikita: Content Creator and Multi-Faceted Mama

Ulya Nikita

Parenting is a lifetime commitment, a never-ending process of learning, and a priceless experience. Beyond cute giggles and adorable cooing moments, raising a child is a massive responsibility, not to mention the stigma that single parents continue to face.

A study conducted by Single Parents Right, a UK-based organization dedicated to advocating for single parents’ welfare, revealed that 96% of single parents still face discrimination, seeing them as incomplete individuals just because they don’t have a partner.

Single parenthood often correlates with one's social standing — income, educational level, and job status. As inflation continues to drive up the cost of essentials and job security remains unequal, the Philippine government seeks a solution by extending help to more than 14 million single parents in the country with the Expanded Solo Parents Bill. Under Senate Bill No. 1411, solo parents and elderly grandparents with sole parental responsibility are entitled to financial assistance, cash subsidies, and other benefits.

Despite these challenges, being a single parent can be rewarding in many ways. Just like Ulya Nikita Hagedorn, a content creator and single mother from Palawan, she embodies the resilience of every single mom in raising her five-year-old son Mako.

“Being a mom or a single mom are just sub-categories of what makes me. I’m a daughter too. I’m a singer. I’m a creator. I’m an artist. I hold no titles,” she underscores.

Though Hagedorn admitted that parenting is not a walk in the park, she takes every single day as a chance to learn and experience life.

“Sometimes [my son] does not take me seriously, no matter how stern or upset I try to show him. [In] times like these, I recognize that if I had a partner to share the struggle with, I can sort of like tap out. It takes two [to do parenting]. It really does,” she adds.

Despite everyone telling her to savor the moment of having a newborn, Hagedorn highly anticipates the moment when she can converse with Mako like a grownup, and right now, she absolutely loves having normal conversations with her son.

“The most rewarding part is finding little bits of your favorite parts of yourself in him and experiencing [ordinary] things that are new to him. It is like seeing the world with a new set of eyes; I think it’s one of the most beautiful things in this world to see.”

Raising a child is about having a limitless amount of energy and patience as they explore the world with endless questions. This realization hit Hagedorn as she also discovers creative ways to help her little one understand everything around them. As a TikTok content creator with over 300,000 followers, she is widely known as “Mama ni Mako.” She also emphasized, however, that her utmost priority is her child’s safety above all, by letting him join her videos whenever he’s comfortable doing so.

In the interview, Hagedorn revealed that she finds it challenging to balance her role as a solo parent with her personal aspirations.

“I am glad he is at an age where we can finally converse together and ask each other questions, so even though I’m working on something and he’s on his device, it’s still a bonding moment for us. I am thankful I am in the line of business where I can be with my son all the time.”

Moreover, Hagedorn learned that it is crucial for mothers to keep a "piece of yourself, especially for single moms who are thinking of dating again, because it’s [always] up to you to pull yourself up.”

“If we’re going to be realistic and finding someone is a non-negotiable for you, spend time building yourself first until you are so great again that you may find someone equally as great as you,” she adds.

Her content serves as an eye-opener to people and for single mothers, a gentle hand on their shoulder that lets them know: they are not alone.

“Please know this journey isn’t something someone out there has figured out. We are all figuring this out day by day. But as long as I’m trying every day, and always practicing seeing myself from a different perspective, then I’m perfect [in my own way] because I’m growing. Never stop growing,” Hagedorn ends.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

This Week's Event In Manila View more

This Week's Event In Manila

Timeless: J. Moreno
Feb 27 - Jun 29, 2025

Timeless: J. Moreno

Manila/ The List/ Nightlife
K-Pop Boy Group Highlight Set to Ignite Manila with 'Ride or Die' Tour
Highlight Photo by Highlight/Facebook

Hold on to your seats, K-Pop lovers, because the four-member K-Pop boy group Highlight is gearing up to bring their electrifying performances to Asia this summer 2025. 

Announced on Monday, the group revealed that Manila will be one of the key stops on their upcoming "Ride or Die" tour on Aug. 23, 2025, making it an event fans won't want to miss.

After kicking off the tour Seoul from July 11 to July 13, the tour will take Highlight through an exciting roster of cities, including Taipei (Aug. 2 to Aug 3), Macau (Aug. 9), Tokyo (Aug. 30 to Aug. 31), Bangkok (Sept. 20), and Kuala Lumpur (Sept. 27). 

Loading...

Highlight, composed of members Yoon Doojoon, Yang Yoseob, Lee Gikwang, and Son Dong-woon, has a rich legacy in the K-Pop scene. 

Originally known as Beast, the group debuted in 2009 under Cube Entertainment and quickly rose to stardom with hits like "Shock" and their first studio album, "Fiction and Fact." In 2017, the group re-debuted as Highlight with the extended play (EP) “Can you Feel it?”  

Despite a few member changes over the years, Highlight has proven their resilience and dedication to their music and fans, most recently releasing the hit single "Chains" from their 6th mini album, "From Real to Surreal."

While information about tickets and venues has yet to be released, the excitement is already building. 

Stay tuned on their social media for updates on ticket sales, or via Manila stop's concert promoter, Three Angles Productions, on their website, Instagram, and Facebook

Stay connected to Highlight on their website, Instagram, and Facebook.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture
Beyond Popcorn: Discover Manila’s Luxury VIP Cinemas
Luxe Cinema Photo by Newport World Resorts/Website

In the age of Netflix and streaming, watching movies has become a stay-at-home activity enjoyed in the comforts of your couch or bed. But let’s be honest, nothing beats the feeling of watching a film in a cinema where you can fully immerse yourself in the story, enveloped in state-of-the-art surround sound systems and facing a massive screen that perfectly captures every movement and emotion on the actors’ faces. 

For movie lovers who crave more than just popcorn and a seat, Metro Manila’s VIP and luxury cinemas offer an elevated way to experience the big screen. We’re talking plush recliners, gourmet dining, private lounges, and top-tier service that rivals that of five-star hotels. 

Whether you’re planning a luxurious date night with your loved ones, celebrating a special occasion, or simply want the ultimate cinematic experience where you can enjoy a highly anticipated film release, these premiere theaters promise to turn your movie night into an unforgettable event. Here’s a round-up of where to get tickets to the most luxurious cinemas around Manila

Gateway Cineplex 18

Gateway Cineplex 18
Photo from Araneta City/Facebook

Located in Gateway Mall within Araneta City, this is the country’s first cineplex, consisting of over 18 cinemas equipped with cutting-edge digital sound, Boral acoustic walls for enhanced audio clarity, and full stadium seating for optimal viewing comfort.

One of its main highlights is the Platinum Cinema (Cineplex 10) which is the first La-Z-Boy theatre in the country, and Cinema 5, which is equipped with Dolby Atmos Cinema sound, delivering an immersive three-dimensional audio experience. 

Earlier this month, the famed Wolfgang Steakhouse launched the Wolfgang’s Premiere Lounge — the first and only cinema in the country offering world-class dining. Here you can enjoy a movie on plush reclining seats and have your fill from the fine selection of food and beverages from the Steakhouse’s premium menu

The lounge has two screening halls with over 120 premium seats, with each ticket priced at P990.

Location: Level 4, Gateway Mall 2, Araneta City, Quezon City

Perks: Wolfgang’s Premiere Lounge (and menu), La-Z-Boy seats, Dolby Atmos

Rates: P990. Book tickets here.

Loading...

SM Aura Director's Club

SM Aura Director's Club
Photo from SM Supermalls/Website

If you’re looking for an intimate screening experience, SM Malls’ Director’s Club theaters offer comfortable recliner seats, a specialized menu, and butler service for as low as P590. You can even book the entire theatre for celebrations or corporate bonding events. 

The SM Aura Premiere Director’s Club has a Wine Bar Lounge where moviegoers can enjoy a selection of fine wines, whiskey, and curated food combinations from classic charcuterie boards to DIY (Do-it-Yourself) taquitos and gourmet Melba toasts.

Location: Level 4, SM Aura Premier, 26th Street Corner McKinley Parkway, Bonifacio Global City, Taguig City

Perks: Wine selection, recliner seats, Dolby Atmos, and the option to rent the entire theatre.

Rates: A ticket with popcorn and drinks starts from P590, while the Wine and Cheese option is priced at P750. Advanced tickets can be booked via SM Cinema’s website. Entire theatres can be reserved starting from P5,200. Just fill up the form here at least one week prior to your preferred date.

Loading...

Opus Mall Premiere Cinema

Family Cinema
Photo from Robinsons Land/Website

Home to the largest VIP cinema in the country, Opus Mall is redefining people’s cinema experiences one good movie at a time. The VIP cinema features a 15-meter screen and utilizes Dolby Atmos digital sound system and laser projection technology that provides audiences with an unparalleled immersive experience. The theatres are also equipped with fully reclining leather seats with privacy cocoons, which is perfect for a romantic date night! The seats also have USB charging ports and a service table.  

Have you ever arrived early for showtime? Opus Mall’s Premiere Cinemas makes sure that guests are well-pampered even before they step into the theatre with their VIP Cinema Lounge, where you can unwind and dine in style before the screening begins. 

Another highlight is the Opus Premier Cinemas Family Cinema, which is the perfect venue for screenings with kids. The first of its kind in the country, this cinema has colorful and comfy seating ideal for young moviegoers. There are even two rows upfront with couch seating, so it feels like you’re watching a movie in your own room! This cinema also utilizes a child-friendly sound system, ambient lighting, and rumor has it — smells like bubblegum! How cool is that? 

Location: Level 5, Opus Mall, Bridgetowne, Quezon City

Perks: Recliner seats, lounge access, USB charging ports, Dolby Atmos, and a family-friendly cinema

Rates: P600. Book tickets here.

Loading...

Uptown Cinemas

Uptown Tempur Cinema
Photo from Megaworld Lifestyle Malls/Facebook

Uptown boasts two VIP Cinemas with reclining leather seats, including couple loveseats that come with leg rests, trays, and even a small lamp. The ticket price also comes with unlimited popcorn and drinks, and access to their friendly butler service, which you can call on with a push of a button!

Probably the most unique highlight here is the Uptown Tempur Cinema, which combines luxury with the comforts of your own bedroom. Yes, you heard that right. This is a 56-seater bed-cinema that allows guests to fully recline on Tempur mattresses! You won’t feel any more at home than in this unique theatre.

Location: Level 3, Uptown Mall, 36th Street corner 9th Avenue, Bonifacio Global City, Taguig City

Perks: Recliner seats, Tempur bed seats, butler service, and unlimited popcorn and drinks.

Rates: Prices range from P700 (Ultra Cinema) to P1,500 (Tempur Cinema). Book tickets here.

Loading...

The Screening Room

The Screening Room
Photo from phantasmdarkstar.com/Website

Estancia Mall’s East Wing is the home of its cinema complex, which houses two premier cinemas called “The Screening Room.” These theaters are equipped with extra-luxe reclining seats with adjustable footrests and backrests, elevating what it means to “sit back and relax.”

Location: Level 4, East Wing, Estancia Mall, Capitol Commons, Meralco Avenue, Pasig City

Perks: Premium recliner seats

Rates: Starts from P570. You can book tickets online.

Loading...

Cine Luxe

Cine Luxe
Photo from Greenhills Mall/Facebook

We’re including another Ortigas cinema on this list, this time located in Greenhills Shopping Centre, which boasts a Living Room Concept cinema complete with lavish couch seats and state-of-the-art technology equipped with Dolby Atmos sound for an unparalleled movie experience. The mall also has The Screening Room cinemas, which has premium, recliner seats, and enhanced by Dolby Atmos surround sound.

Location: Level 5, Greenhills Shopping Center, San Juan City

Perks: Recliner seats, Dolby Atmos, and ideal for intimate movie screenings.

Rates: Starts from P690. You can book tickets online or call +63 917 849 7542.

Loading...

Powerplant Mall VIP Cinema

Rockwell VIP Cinema
Photo from Power Plant Mall/Facebook

This upscale mall in Makati City is the perfect place for a screening as it has all the things you need to make your movie experience more comfortable and enjoyable. Their VIP cinema has recliner seats with adjustable footrests that provides ample leg room. It’s not over the top and the price is standard for most VIP cinemas in the metro. 

What makes Powerplant Mall’s luxe cinema stand out, though, is their very tasty butter popcorn — arguably the best in the metro.

Location: VIP Cinema 8, R3, Powerplant Mall, Rockwell Center, Makati City

Perks: Recliner seats.

Rates: P620. Book tickets here.

Newport Ultra Cinema

Newport Cinema
Photo from Newport World Resorts/Website

Located in Newport World Resorts, this ultra cinema offers fully reclining La-Z-Boy seats, unlimited popcorn and drinks, and even a butler service! Newport has late night viewings making it the ideal place for after-work screenings. And if you’re planning on a romantic date night with your partner, this cinema is equipped with private cubicles for couples, so you can definitely cuddle up while enjoying the film.

Location: Level 4 Newport Mall, Resorts World Manila, 100 Andrews Avenue, Newport City, Pasay City

Perks: La-Z-Boy seats, unlimited popcorn and drinks, butler service, late night screenings, and ideal for couples.

Rates: P700. Book tickets here.

Bonifacio High Street Cinema

BGC Cinemas
Photo from Newport World Resorts/Website

This cinema was the first to have 4DX technology, and is a haven for moviegoers looking for an all-encompassing cinematic experience. The theatre is equipped with state-of-the-art motion chairs and environmental effects on top of their comfortable premium seats. Here you can engage all the senses from your sight and hearing down to smell and touch. Talk about taking immersive to the next level!

Note: If you get dizzy easily, it might be best to book a seat in one of their standard cinemas instead, which is still equipped with premium seating and Dolby Atmos surround sound. 

Location: Central Square, 5th Ave cor 30th St., Bonifacio High Street Central, BGC, Taguig City

Perks: 4DX Technology, recliner seats, Dolby Atmos

Rates: P500. Book tickets via Sureseats.

Ayala Malls Manila Bay

cinema
Photo from Ayala Malls Manila Bay/Facebook

This mall boasts two premiere cinemas: A-Luxe and A-Giant, which has automatic reclining seats and provides guest with a thrilling movie experience like no other. The A-Luxe cinema has seats similar to that of SM Malls’ Director’s Club while the A-Giant features a massive screen. Both cinemas offer free popcorn and drinks with the ticket price.

Location: Level 3, Macapagal Blvd cor. Aseana Avenue, Paranaque City

Perks: Recliner seats, big screen, free popcorn and drinks.

Rates: P560. Book tickets via Sureseats.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Artists
Lola Amour on 'Dance with My Mistakes' and Songwriting Therapy Sessions
Lola Amour

It’s been a couple of years since “Raining in Manila” took over the airwaves and we’re still listening to it today if we’re being honest. But Lola Amour shows no signs of stopping despite their 12-year-long history and ICYDK they’re back with a brand-new song that's sure to be an earworm.

Produced by renowned producers Hyuk Shin (EXO, SHINee, Justin Bieber) and CUURLEY, “Dance with My Mistakes” blends their signature style with fresh influences from their global journey, proving that they’re ready to take their music beyond the Philippines. Fresh from their collaboration with Australian artist Oliver Cronin for “Maria,” the seven-piece Filipino Indie band is showing listeners that they’re sound is ever-evolving, which is what makes them one of the most unique and beloved bands among an impressive lineup of talented local artists.  

The Beat Asia hung out with Pio Dumayas (Lead Vocalist), David Yuhico (Keyboardist), and Raffy Perez (Drummer) to talk about their exciting musical journey, the evolving sound of Lola Amour, and the inspiration behind their new dancey single.

Hi Lola Amour! Can you describe your musical journey so far?

Pio: It’s been long. *laughs* It’s been nine years for the band in total. A lot of growth and a lot of things that we never thought would happen to us, but in a good way. Also, a lot of excitement.

David: And a lot of change! Every time there’s a new single that pops, the sound shifts. And then the next thing that pops up is also so different. There are a lot of changes, but a good kind of change. 

You mentioned before that you started the band as a hobby. Was there a moment when you realized Lola Amour meant more to not just yourselves but your listeners?

Pio: I think it was when we started making enough to quit our day jobs so we could finally dedicate everything — our entire workdays — to the band. Everything changed when that happened. One by one, we started resigning from our day jobs. Zoe (Guitarist) was the first to resign, and he was so happy. 

Also, during the [COVID-19] pandemic, we realized that being in the band isn’t just about playing music. When you make friends with your fans, they start to feel like your actual friends. During the pandemic, we helped some of them out — those having a hard time, like that one fan whose house caught fire. Over time, it’s become not just about the music. 

You’ve been together for many years, and we’ve seen members come and go. How do you deal with these major shifts and changes as a group?

Pio: David actually joined during the pandemic. It was easy because we have been missing a keyboardist for a while. 

David: It was easy because I was very good. *laughs* Kidding aside, every time it changes, our sound also shifts, because it’s not only what the new member brings but what the new member brings out of the other members, as well. The sound shifts, and so does the band’s personality, because we all adjust. It’s part of the fun and the challenge. It’s simply part of being in a band. 

Pio: Was it difficult? Always. There’s always a temporary void that everyone’s sizing up. There’s that transition of adapting to this new change. 

Raffy: When I first joined, I often thought about 'How do I make sure that we don’t lose that Lola Amour sound, but at the same time, it’s still me?' There’s a bit of a transitional period where I had to figure out what’s best for everyone. But I think eventually, once you understand the core of the band, it becomes easier

David: And there also has to be mutual respect for those who left. There are parts like in “Pwede Ba” that I don’t touch because that’s Martin’s (former keyboardist) part. I don’t want to change that because it’s an iconic part of the song. You must have that respect for the person who has been replaced. 

Pio: I just realized that I don’t know what you guys are talking about because it’s never happened for me. 

David: [Joking] So soon, when he leaves. *laughs*

Lola Amour
Courtesy of Mirrorball Asia

You mentioned how your sound is often shifting. Do you ever feel nervous about introducing a new sound to your fans? Or is it more exciting?

All: Exciting.

Pio: We don’t make new songs with sounds that we don’t want to explore or music that we’re not excited about. We do think sometimes that this might not be the sound people are used to. Then again, when you look back, they have nothing to get used to because all our songs are different. It’s always been the nature of our music to just try out whatever we’ve been listening to and make our own frantic style from all these.

Let’s talk about your new song, “Dance with My Mistakes.” What was the inspiration behind it?

Pio: 'Dance with my Mistakes' is a song about coming back to someone that you let down before because of circumstances, like not being ready, personal issues, timing — and then coming back to them at some point in time and saying, 'I’m ready. Let’s try it out again if you’re down' — knowing that you might not be granted that second chance.

David: It’s a personal story of mine. It’s about the right person, wrong time, and then after a while after the healing is it now the right person, right time? Like, do you know if that person is even willing to have you back in their life?

Pio: Yes, especially with all the history and baggage your last encounter has induced. 

Loading...

Can you walk us through the process of producing it?

David: We were all in the room, and Shin, our producer, loves to talk. Part of the process is getting everyone on board and hearing the idea of the song. He was like, 'Does anyone have a story to tell?' That was our first day of writing, and everyone was still shy, so nobody was willing to share.  So, I took it. I said, 'What if we talked about regrets?' Shin wanted more answers. It was like a group therapy session at that point, and everyone was looking at me. We had to be vulnerable. I hated it. *laughs* That’s how it started. 

After that, Pio started writing the lyrics in his corner while we did the music. And then suddenly, he comes back with only one line, really excited. He was like, 'Hey guys! I have a line: I’m gonna dance with my mistakes.' And then we used that as the seed to build the song. 

Speaking of your producers, how was working with Hyuk Shin and CUURLEY? How did the collaboration come about?

Pio: It was really fun working with them. It’s our first time working with producers on that scale of a project. It was a different experience, especially having us sit in a room at the beginning of the day to talk about our feelings. That was new. I didn’t know people did that. *laughs*

They really knew how to bring out the best in what we were trying to do. They can see you cooking something up, and even when you can’t say the words, they help you bring it out. We met them at a songwriting camp, and they enjoyed our company so much that they told us to come back for more songs. 

David: We kept that relationship. You know how, after you end a project with someone, they’re like 'Oh yeah, hit me up,' but it doesn’t mean anything? But for this one, it felt real. So, we came back and worked with them. 

Were there any musical influences that created the tune?

David: It started with a jam. We just started playing, tried a few chords. It wasn’t really gelling at first, so I tried the chords that I wrote, and then Shin was like: 'Okay, that one!' And there were a few edits. There weren’t really influences or references that we were looking at. It was just what we were feeling at that time

Raffy: And we wanted a jumpy beat, like something to dance to. 

David: Yes! Part of the prompt was that we wanted it to be dancy and up tempo even if the lyrics or theme is sad. I wanted to dance!

Has it always been intentional to go beyond the local music scene?

Pio: Not intentional. I think it’s just the next step we want to be taking. We toured the Philippines, and now we’re getting inquiries from other countries. It’s just that things are happening, so we’re doing them. 

David: If the opportunity presents itself to us, we’re more than happy to perform abroad and represent the Philippines. Whoever wants us, we’ll be there!

Raffy: I remember it wasn’t really a thought even when “Raining in Manila” was skyrocketing in the country. We were just touring around, it's really fun, and the song is so popular! Then the next thing we know, we have an inquiry to play in Singapore. So, like David said, it’s really just as long as the opportunity presents itself, let’s take it! I wouldn’t say it’s intentional. If the eyes see us and they want us to play there, then of course we’ll do it.

Loading...

Who is your current dream international artist collab?

David: Dua Lipa. So fire!

Raffy: I’d probably say Carly Rae Jepsen. My pop queen!

Pio: I guess Bon Iver. Idol!

Do you have a message for your fans about this new single?

Pio: Thank you so much for the support. We enjoyed making this song, and we were so excited to release it. We made it around six months ago, and it’s finally here! We hope you guys will check it out and appreciate David’s vulnerability.

David: But written by Pio. *laughs*

What’s next for Lola Amour? Anything we should look forward to this year?

Pio: We have a lot of songs coming up. We actually have one at the end of May and more to come soon after. We definitely have a lot in store for everyone. We’ll also be doing a small local tour and maybe some shows abroad. 

Raffy: We’ll just see you there!

Loading...

For updates on their latest music release and shows, stay tuned on Lola Amour’s official Facebook, X (Formerly Twitter), TikTok, and Instagram pages. 

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Venture/ Profiles
How to Succeed as an Author in the PH, According to an Expert
8 Letters Publishing Photo by 8Letters Publishing House

In the age of advanced technology and increased access to the internet, the publishing industry is constantly evolving, adjusting to new tech and adapting to shifting consumer demands. According to Publishing State, 2025 will push the industry towards uncharted territory as the key trends we see today, such as digital publishing, social media, and niche markets, continue to gain momentum, transforming the overall publishing landscape. 

In the Philippines, publishing is mainly run by traditional publishing houses, so if you’re a Filipino author hoping to get your works out there, you will have to find publishers that are accepting submissions, which usually involves a long waiting period. With the rise of digital publishing, many authors have dipped their toes into self-publishing — taking matters into their own hands when it comes to marketing their books. But this path requires a certain level of consistency and dedication to work, which some authors fail to maintain. Long story short, it’s a tough path to do everything alone without professional help, especially if you’re a first-time author without a built-in readership.

This is what Cindy Wong wanted to address when she founded 8Letters Publishing House, a hybrid publisher and boutique bookstore dedicated to supporting Filipino writers.

“I started 8Letters in my bedroom with a vision to market Filipino books, including my own title,” Cindy told The Beat Asia. “At the time, indie books were largely absent from mainstream bookstores, so I aimed to distribute a curated selection in local cafes. We successfully partnered with several cafes to showcase our books. As we gained traction, more authors approached us for assistance in marketing their work, which led to our evolution into a full-fledged publishing house.”

Cindy Wong
Cindy Wong | Courtesy of 8Letters Publishing House/Website

Established in 2016, 8Letters aims to promote independent writers in the Philippines who struggle to showcase their art in a very saturated market. The publishing house was named in such a way to describe how letters make up words and the infinite number of stories that can be made with them. This aspect is represented by the number “8” which, when turned sideways, is the infinite symbol. Currently, the publisher has over 400 titles on their shelves, which are sold on their webstore and by local and international book retailers. 

But what exactly is a hybrid publisher? And how does this model increase an author’s chances of success with their respective titles? 

A Collaborative Approach

It takes more than a good story to sell a book. In fact, the success mostly lies in how one markets their book and the exposure it gets. According to their website, 8Letters “strives to create a safe and nurturing space for writers” and to be able to support them in their creative journey. The keyword here is support, as 8Letters is not in the business of simply profiting from their authors, but also to assist them in all aspects of their publishing journey. 

Cindy, who is also the Creative Director of the publishing house, explained, “In a traditional publishing model, the publishing house covers all expenses related to producing a book, allowing the author to focus solely on writing with minimal involvement in marketing. In contrast, self-publishing requires the author to handle every aspect of the process independently, from production to promotion.”

A hybrid publishing model, however, represents a collaborative approach between the author and the publishing house. Both parties contribute to key areas such as the manuscript, cover design, layout, marketing, and distribution. This collaboration allows the author to invest less upfront while still benefiting from professional support, ultimately leading to a higher percentage of sales revenue. This model combines the best of both worlds, providing authors with guidance and resources while maintaining a degree of creative control.”

Being an author herself, Cindy understands the struggles of rookie authors who are trying to catch their big break. She discovered early on that it was easier to persuade establishments to carry her title when she had a broader selection to offer. This was how 8Letters shaped itself to become a community-based publishing house. 

“I was happy to assist other authors because I recognized a genuine gap in the market. I believe in a mindset where collaboration leads to mutual success, allowing more people to thrive together,” she said.

Philippine Book Fair
Courtesy of 8Letters Publishing House
Book event
Courtesy of 8Letters Publishing House

Many authors start without a built-in readership or fan base, and one of the toughest challenges they’d have to face in indie publishing is getting people to notice their books, considering the number of titles that are published every year, not just in the Philippines but the rest of the world.

Cindy stated, “Being part of a community of writers really helps. When you support each other by reading, reviewing, and promoting one another’s books, it makes a big difference. This way, you can help those who might not be familiar with your work start to take notice. It’s all about lifting each other up!

Looking at their social media handles, the publishing house has gained a lot of traction with over 24k followers on Facebook and another thousand or so on Instagram. The publisher regularly organizes and takes part in book events, which is one of the ways they provide their authors with the exposure they need. They also publish a quarterly literary magazine, “Circles Mag,” which features poems, short stories, and essays from contemporary Filipino writers. Subscriptions are priced at P580, with a premium quarterly subscription of P780 that includes a tote bag, journals, and other bookish goodies. 

Loading...

When it comes to the publishing aspect, 8Letters is prepared to guide you every step of the way. You can simply visit their website and peruse the range of self-publishing services they offer, ranging from manuscript editing and book formatting and design to book printing, distribution, and ISBN (International Standard Book Number) registration. 

If you’re a writer planning to put your work out there, it’s important to note that all types of publishing have their own pros and cons, so you should carefully think about which path would take you where you want to be in your writing career. One main advantage of publishing with a hybrid publisher like 8Letters is retaining your copyright and creative control. Their model combines self-publishing with some elements from the traditional path, such as providing authors with the resources they need. One of these resources is the 8Letters Publishing University, which is a series of workshops Cindy and her team started a few years back that offers courses on self-publishing, writing romance, poetry, horror, mystery, non-fiction, and author branding. The company is currently refining the courses and is hoping to relaunch soon. 

“The publishing landscape in the Philippines is constantly evolving. Currently, there’s a significant shift from traditional publishing to self-publishing, as many authors are recognizing the benefits of taking control of their work. However, not everyone will make the switch, as self-publishing requires considerable effort and dedication. This is where publishing houses like ours play a vital role, providing the support and resources authors need to navigate this transition successfully.”

8Letters Publishing has gathered an impressive roster of talents in the last nine years in both popular and emerging genres. Some of their bestselling titles include the works of Gerome Nicolas Dela Peña, such as “SUÓNG! Mga Aporismo ng Paglusong at Pagsulong,” which was a National Book Award finalist; the fantasy novel “Silence” by Che De Leon; and their Pinoy Science Fiction title, “Fate of a Distant Future” by Renato Tranquilino

When asked about the kinds of books that currently sell in the local market, Cindy replied, “Pinoy Sci-Fi is an emerging genre that has garnered significant attention in recent years. We showcased this selection at the Frankfurt Book Fair last year and even hosted a PinoySciFiCon at Fully Booked. Our publication features a substantial number of fantasy novels, making that one of our best-selling categories. Additionally, Filipinos have a strong appreciation for short reads, particularly in romance and self-love poetry, which also perform well in the market. We’ve recently ventured into the children’s book genre and are eager to learn more about this exciting market.”

book talk
Renato Tranquilino at Frankfurt Book Fair | Courtesy of 8Letters Publishing House

Cindy also mentioned that one other element affecting a book’s salability is cover design, proving that indeed, people do judge books by their covers. 

It’s evident that 8Letters Publishing is working towards helping indie authors be more seen, but at the end of the day, it’s still a business. When asked about the challenges she faces in running the company, she answered, “I'd say managing authors' expectations and educating or shifting their mindsets. I've mentioned that being a hybrid publishing house requires collaborative effort, and most of the time, authors would have certain expectations that the books will sell like pancakes. However, that's not always the case. It's a long game!”

Cindy also shared that 8Letters Publishing aims to be a highly efficient company and is working towards refining its internal systems and enhancing its distribution methods to ensure a smoother process for their authors and readers. The creative director also understands the weight of their responsibility to their authors, and promises to continuously adapt to shifting consumer demands as well as accommodate authors on their preferences in terms of the direction they want their writing careers to take. 

“I have a dedicated team supporting me in managing hundreds of authors in our database. We’re continuously learning and adapting, and one of the key elements to our success is strong teamwork and collaboration. As the creative director, my responsibility is to empower both our authors and my team, ensuring that together we provide the support our writers need to thrive in their careers.” 

You can check out 8Letters Publishing's fantastic lineup of works and authors on their website or follow them on Facebook, X (Formerly Twitter), and Instagram for updates on new releases and upcoming book events. 

Loading...

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ The List/ Nightlife
The Smashing Pumpkins is Headed to Manila in September
Untitled design 2025 05 14 T150343 940 Photo by The Smashing Pumpkins/Facebook

Get ready, Manila! The Smashing Pumpkins — one of the most iconic and Grammy-winning alternative rock bands — is returning to the Philippines as part of their monumental tour "Rock Invasion 2025!"

For one night only, on Sept. 29, 2025, at the Araneta Coliseum, the band will electrify Filipino audiences in full glory, returning with all three of the original members: Billy Corgan, James Iha, and Jimmy Chamberlin

And this time, they're celebrating more than just a concert, but also 30 years of their legendary album Mellon Collie and the Infinite Sadness. Released in 1995, the album turned the band into worldwide superstars and solidified their place in rock history. 

The Philippines will be among the first to witness the magic, with the band also playing in Japan (Sept. 15 to Sept. 25), Bangkok (Oct. 1), and Singapore (Oct. 5).

The Pumpkins’ first show in Manila was in 2012, but this time, fans can expect the full experience, including three original members, their timeless hits, and the raw energy only the Smashing Pumpkins can deliver.

From the haunting beauty of “Tonight, Tonight” to the explosive power of “Bullet with Butterfly Wings,” expect an unforgettable night that will take you back to the heart of '90s alt-rock.

Presale tickets will be available starting May 31, 2025 from 10 AM to 10 PM through TicketNet, and general sales open June 1 at 12 NN (PHT). 

Loading...

Ticket prices range from P1,800 for general admission to P8,800 for VIP A, which includes exclusive perks like a poster, lanyard, and priority entry. Tickets can be purchased here

For more information, visit Pulp Live on their website, Instagram and Facebook. Follow The Smashing Pumpkins on their website, Instagram and Facebook

Location:  Araneta Coliseum, 14 General Araneta Street, 1109 Quezon City, Metro Manila

Date & Time: Sept. 29, 2025. Doors open at 6 PM, and the show starts at 8 PM sharp.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture
Change Up the Way You Discover Music With Spotify’s Newest AI Playlist
20250514 Spotify AI Photo by Spotify Philippines

Are you one of those people who loves to curate playlists, but haven’t been getting the inspiration recently? Don’t fret, because Spotify’s newest feature will help you do just that!

Spotify’s AI Playlist in beta is now available to Premium users in the Philippines, giving them a new way to effortlessly turn their most creative and out-of-this-world ideas into personalized, niche playlists. 

Playlists have always been at the heart of the Spotify experience. Since launching AI Playlist last year, Premium users have created millions of playlists with the goal of finding music that fits any mood or moment in an instant. 

On Spotify, playlists are a powerful tool for discovery, helping create deeper connections between artists and fans. AI Playlist builds on this idea by giving users a new way to express themselves through the music they love. Starting with simple ideas like “high-energy electropop that takes me to another world” or “workout music to make my ex jealous,” Spotify users can curate playlists and discover new music from these ideas. 

A How-To Guide to Use Spotify AI Playlist in Beta
Courtesy of Spotify Philippines

Get started with AI Playlist here!

  • Where to find it: Head to the Search tab on Spotify and search for "AI Playlist." Select one of the suggestions or get creative and try one of your own.
  • How it works: Spotify will curate a personalized playlist made just for you based on the tracks, artists, genres, and more we think you’ll like. Have notes? It’s easy to revise and refine, just ask for what you want – like “more upbeat,” “more new releases,” or “happier songs.” 

Here’s a pro tip: The most successful playlists are generated with prompts that contain a mix of “genre,” “mood,” or “artists.” You can also get creative by referencing animals, activities, movie characters, colors, and even emojis! 

Learn more about this feature by checking out Spotify’s blog, For The Record, here. Follow Spotify PH on Facebook, X (Formerly Twitter), and Instagram!

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ The List/ Nightlife
Ballet Manila’s 'Swan Lake' to Feature Dancers from San Francisco Ballet
Swan Lake Ballet Manila Photo by Ballet Manila Archives/Website

Philippine dance company Ballet Manila is set to restage “Swan Lake” this May, which will feature guest dancers from the San Francisco Ballet.

As part of their “Pearl Year” celebrations, the company will perform five shows of the beloved ballet starting May 30 at the Aliw Theatre in Pasay City. This season of performances is a step forward in Ballet Manila’s mission to make ballet more accessible for Filipinos through milestone productions, world-class performances, and international guests. 

Loading...

Their version of “Swan Lake” will shine the spotlight on principal dancers Esteban Hernandez and Abigail Oliveiro, who will play the leading roles of Prince Seigfried and Odette/Odile. The upcoming production will also welcome two guest dancers from the San Francisco Ballet: soloist Katherine Barkman and company artist, Nathaniel Remez

Tickets can be purchased via TicketWorld and will only have two categories for both matinee and regular show times with prices ranging from P2,060 (center seats) to P721 (right and left section). You can buy your tickets here.

Show Schedules & Ticket Prices

May 30 (Friday)

  • 8 PM - P2,060 and P1,030

May 31 (Saturday)

  • 1 PM – P1,442 and P721
  • 5 PM – P2,060 and P1,030

June 1 (Sunday)

  • 1 PM – P1,442 (*right and left sections are sold out)
  • 5 PM - P2,060 and P1,030

Nathaniel Remez and Abigail Oliveiro will perform on the matinee shows, while the regular shows will showcase Esteban Hernandez & Katherine Barkman.  

Swan Lake Ballet Manila dancers
Photo from Ballet Manila/Facebook
Swan Lake Ballet Manila dancers
Photo from Ballet Manila/Facebook

This production marks the homecoming of Katherine Barkman, who was the principal dancer of Ballet Manila and a mentee of the company's Artistic Director Lisa Macuja Elizalde. Lisa also danced the role of Odette/Odile in the company’s “Swan Lake” productions in 2003, 2007, and 2011. In an article from Ballet Manila in 2017, the prima ballerina described the role as one of the most difficult to portray. 

“It not only calls for a chameleon-like change in character, but also for extraordinary technical requirements,” she explained. “For Odette, you need to be soft, pliant, and lyrical with an almost painful vulnerability. For Odile, you need legs and arms of steel, a fiery technique, speed, and the ability to transform into evil personified.”

Ballet Manila has staged the full-length version of “Swan Lake” more than any other Philippine-based classical ballet company. 

For updates, follow Ballet Manila on FacebookX (Formerly Twitter), and Instagram

Location: Aliw Theatre, Vicente Sotto Street, CCP Complex, Pasay City

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.