The Beat Manila’s Up-and-Coming: Actress Pat Tingjuy
Manila/ Vibe/ Pop Culture

The Beat Manila’s Up-and-Coming: ‘Rookie’ Actress Pat Tingjuy

Pat TingjuyPhoto by The Beat Asia

The Beat Manila’s Up and Coming is a series where we feature rising talented artists from the Philippines, giving them a platform to share what they’re passionate about and to promote the music they (and us too!) would love for the world to hear. Do you want or know someone who wants to be featured? Email us at mnl.editorial@thebeat.asia or slide through our DMs onFacebookorInstagram!

“Third time’s the charm” is how the saying goes, but that doesn’t seem to be the case for rookie actress, Pat Tingjuy, who clinched the prestigious Cinemalaya Best Actress” award on her first try.

As unexpected as her rise in the film scene may seem, Pat’s venture into acting started with her passion for volleyball, which led to a gig in a bank TV commercial in 2022. Less than a year later, she snagged her debut film role in “Rookie” — an LGBTQIA+ coming-of-age sports film about an awkward teenager who joins a volleyball team and falls for the team’s captain. The film starred Aya Fernandez and Agot Isidro and delves into themes of gender inequality and the objectification of women. This film is what gave Pat her big break, as well as her first major industry award.

Pat Tingjuy is also a volleyball coach and licensed architect, having earned her degree from the University of Santo Tomas in 2018. Previously, she worked in corporate environments until 2022, which was when she began dipping her toes into modeling and acting gigs.

The Beat Manila got to chat with the newbie actress slash senior architect about her foray into film, the role practicality plays in her overall career, and the beauty of balancing multiple passions at a time.

Right Place, Right Time

Contrary to popular belief, Pat’s venture into acting didn’t come out of the blue. She started auditioning for roles in 2019 but reasoned that location had always been an issue. She would also often get cold feet whenever she would see her fellow actors at auditions.

“There’s always so many people, so I would always think I might not get it. I’m not going to get it because I see how they look and how they act; they're so confident, so pretty,” she shared. “But around September 2022, I saw my friend post a story of himself in a commercial. I actually always see some acquaintances’ posts about them getting into commercials, but I'm too shy to ask. But at that time, it was a close friend of mine, so I was like, 'I have to ask him.'”

Pat’s friend introduced her to his agent and from there she began sending out audition materials, which led her to be cast in some commercials. Pat also mentioned joining several Facebook groups where she could be on the lookout for casting calls from agents.

Pat Tingjuy
Photo from NYMA Talent Management

The role for “Rookie” didn’t come from these groups, however, as the actress mentioned the casting call for the role was first sent to her via a Volleyball chat group she was a member of.

“I have a Volleyball weekly play and someone from our group chat sent a photo of the call for auditions. That time, I was actively looking for gigs and saw the picture and thought, 'Oh, that's nice. They're looking for a volleyball player, someone who's tall, and someone with an acting background.' That's the one I don't have. *laughs* But I thought 'Okay, I'll prepare for it soon.'”

Pat didn’t have that much confidence in pursuing the role, having felt she didn’t have enough acting background for it until she was sent the same post by another friend who also happens to be a producer.

“She sent me the exact photo, but she sent me the post from Project 8 projects saying Go mo ‘to (Go for it).' As simple as that. I felt the urgency to audition for it compared to the first time I saw the photo.”

In the end, she made the right decision to go for it. In January 2023, Pat got the news that she landed her first film role.

Acting as an Art and a Sport

Pat played Ace Asuncion, a teen who loved to play basketball. In the film, she transferred to an all-girls school which sadly didn’t have a basketball team. They did, however, have a volleyball team. The school’s varsity coach (Agot Isidro) recruited Ace into the team, which forced her to learn a new sport, all the while trying to keep her feelings in check for their star player and team captain, Jana Ramos (Aya Fernandez).

Being passionate about the sport and having been a former volleyball coach herself, Pat found the volleyball scenes easy. When asked if she had to undergo any training or workshops for the film, she replied, “Since I have a volleyball background, I don't know how to play basketball, so they enrolled me to train in basketball. Thankfully it was my friend who trained me, so it was more comfortable, and I learned fast. I'm athletic, so I got to convince people that I can actually play. *laughs* There were some roles that I played before in TV commercials where I had to play basketball, and I got to use that training for this one.”

As for how she prepared to act, Pat admitted that she didn’t have much experience in the field, nor did she join any theatre clubs back in her school days. She underwent acting workshops for the role, doing one-on-ones with acting coaches and practicing with her co-star Aya Fernandez. The process went on for about two to three weeks.

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Pat revealed where her interest in acting came from: “I guess I would say it was kind of a secret dream. It started when I was younger; I'd see these children on TV looking like they're having fun, and I wanted to be like them.”

“I wanted to be them!” She emphasized. “I wanted to dance with the Stik-O guy or Jollibee or whatever. The thing was, I just didn't know where to go and who to go to. So, I just put that dream aside and thought that I should pursue a 'professional' career, which was architecture.”

Her dream of becoming an actress became a reality in “Rookie” but it added a bonus with the award she won. When we asked her about what went through her head when her name was called, the actress humbly expressed her joy and disbelief.

“It felt like…'What? Totoo ba ‘to (Is this real)?' Like I did not expect it at all! It was a surprise. I was thinking while they were talking about the spiel, okay. We knew it was from ‘Rookie’ and I was like, oh, it's going to be Aya. I never thought it was going to be me.”

Pat also told us a funny story of how she had forgotten there was even a Best Actress award in the first place, having been so focused on another award.

“Because while we were shooting and while we were doing all the promotions for the film, I would always hang out with Natts Jadaone, our writer, and then she would say, ‘Oh, nice sana manalo tayo ng (I hope we win the) Audience Choice Award.' So, I forgot about it! When I won it, I was in shock. I could not believe it. I think that was the first time I got to hug Direk Sam. It was overwhelming, and a nice surprise.”

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Being an actress means having the confidence to step into the spotlight and perform in front of a camera. Pat described herself as a shy and awkward person, which was what she thought made her perfect for the role of Ace. She admitted that the biggest challenge for her throughout the entire experience wasn’t the acting workshops or the hours spent performing on set, but something more internal.

“I would feel anxious. I was feeling shy, and I think I was overthinking too much. Since this was my first film, I felt like I should not be a burden to everyone on set, especially our director and our producers.”

These were all valid feelings for someone who just got into entertainment, an industry known to put immense pressure on even the most veteran actors. Despite this, Pat pulled through, which she said was also thanks to the supportive team that surrounded her.

A Balancing Act

Her foray into acting doesn’t mean that she’s left behind her architecture job or volleyball altogether. The rookie actress pointed out that her other passions aided her in preparing for the role.

Being an architect meant she had great attention to detail which helped her reach the “almost perfect” results she was striving for. “I got to be very critical with how I want to do things. I really made an effort to study. I broke the script down to understand it better. How she [Ace] is, who she was, even before all the scenes were there on the script.”

Being a volleyball coach also reinforced her will to succeed. Pat told us about how coaches would always push their players to the best of their ability, which was how she managed to also push herself to do her best for the role.

It’s notable how Pat is juggling multiple interests and passions being an architect, a volleyball player, and now an actress, which makes us wonder how she manages to make time for them all.

“It’s very hard, *laughs* but we all know that work-life balance is a trial and error [process]. Everyone is good at a lot of things, and they also want to pursue their passions outside their work, but I guess I remind myself what I should prioritize. Know what sparks joy.”

Alongside being an architect for a company and pursuing acting gigs, Pat still volunteers as a coach for the junior volleyball team at a school, emphasizing that playing sports is something she loves and does for leisure and to de-stress. She also mentioned that she considers arts and crafts a much-needed hobby she can do on the side, which she explained was important to prevent burnout and is a way to express her creativity.

Having mastered skills in the arts and sports, Pat has truly come out as a “Jack of all Trades,” showing us the benefits of having multiple interests. Pat also emphasized the importance of adding variety to our lives by picking up new hobbies and interests.

“I think it's great that people embrace multiple passions and for people to also develop mastery in a certain skill. But for me, I'd always go down to practicality.” She also said that being a Jack of all trades may lead to connections with people of the same interests who could become business partners in the future, “As people we get burnt out so it's also nice to have another passion that you can pursue to take a break from that [your other] passion. So, you don't hate it at the end of the day.”

Get to know more about Pat and watch out for her upcoming projects by following her on Instagram and TikTok.

Enjoyed this article? Check out our previous Up-and-Coming articles here.

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Manila/ Vibe/ Pop Culture

Standing Ovation: ‘Shrek the Musical’ Delivers Joy and Delightful Chaos

Shrek The MusicalPhoto by NWR Musicals/Facebook

Step into the world of live theatre with "Standing Ovation," your trusted companion for navigating Asia's vibrant performing arts scene. From the neon-lit streets of Hong Kong to the historic stages of Manila, we're scouring the region to bring you honest, engaging reviews of the most talked-about shows. Whether you're drawn to the flawless elegance of ballet, embarking on a musical journey through moving tunes, or the raw emotion of dramatic plays, let us guide you to the performances that will resonate with you. So grab your playbill and join The Beat Asia as we immerse ourselves in the region's dazzling arts & culture scene. The curtain's rising – let the review begin!

The Kingdom of Far Far Away arrives in all its fairytale dazzle and signature humor as “Shrek the Musical” lights up the Newport Performing Arts theater stage at Newport World Resorts (NWR) Manila.

Based on the 1990 picture book by William Steig and the blockbuster film franchise from DreamWorks Animation, “Shrek the Musical” brings the beloved ogre back to the stage with all the charm, chaos, and heart fans adore. With music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire, the 2008 Broadway-original production has made its way to Manila through Musical Theatre International (MTI), delivering a larger-than-life theatrical experience for audiences of all ages. Under the direction of Dexter M. Santos, this local staging captures the spirit of the original while carving out its own delightful identity.

From its vibrant ensemble to its extravagant set pieces, this production of “Shrek the Musical” proves that familiar stories can still feel fresh when told with imagination, humor, and heart. The Beat Manila got to see this whimsical retelling, and here’s what we thought.

A Musical To Tickle Your Funny Bone

Shrek once said the ogres are like onions because they have layers. This musical is exactly that, layered with heartfelt storytelling, humorous lyricism, and stunning costumes and set designs, all tied together to form bombastic song and dance numbers performed by an incredible cast.

The show opened with a Once Upon a Time storybook and, unlike the film that launches straight into the heart of the action, we’re given a touching origin story. We meet a young Shrek being sent off by his parents on his seventh birthday, a rite of passage for ogres. It’s a small but meaningful shift that immediately adds emotional depth, showing us how he grew into the guarded, solitary ogre we know.

We also glimpse a seven-year-old Fiona, who’s similarly sent away to her tower where she waits for over than twenty years for true love’s rescue. Seeing both characters as children creates a parallel that the movie only hints at — two kids pushed into isolation long before their lives intertwine. Shrek’s “Big Bright Beautiful World” and Fiona’s “I Know It’s Today” serve as early emotional anchors, offering a fuller picture of their inner worlds before destiny pushes them together. Their romance feels less like a coincidence and more like fate quietly setting the stage. And when they finally meet, this shared history becomes another layer of connection.

Beyond their matching quirks and sense of humor, the musical highlights how both carry the ache of childhood loneliness. Their duet, “I Think I Got You Beat,” doesn’t just deliver laughs. It underscores a shared wound that makes their understanding of each other feel even more profound.

Fiona and Shrek
Krystal Kane as Fiona and Jamie Wilson as Shrek | Photo from Facebook/Broadway World

Krystal Kane’s performance was every bit magical with her clear princess tone and charming portrayal of the princess, while Jamie Wilson gave Shrek a rock n’ roll-like tone, which matched most of the songs, but there were moments when we felt like he was holding back on those high notes.

Of course, Shrek wouldn’t be Shrek without its unforgettable supporting cast, who, in this production, often felt like headliners themselves. One standout was Topper Fabregas as Donkey, who brilliantly brought Eddie Murphy’s iconic character to life. His vocal resemblance was uncanny; the intonations, comedic timing, and playful energy were all so spot-on that it felt like watching the animated Donkey leap straight onto the stage.

Alfredo Reyes’ Lord Farquaad was another show-stealer. It’s easily one of the most physically demanding roles in musical theatre, requiring the actor to sing, dance, and stay fully in character while performing on his knees to match Farquaad’s famously tiny stature. Yet the actor made it look effortless. His Farquaad was outrageous, charismatic, and undeniably hilarious. Despite being the story’s villain, Lord Farquaad quickly became a crowd favorite. The audience erupted during the uproarious “What’s Up, Duloc?” number, capped with a gleefully unexpected moment where he mimics Elphaba’s iconic “Wicked” battle cry. It was a cheeky twist that had the whole theater cheering.

Donkey and Shrek
Topper Fabregas as Donkey and Jamie Wilson as Shrek | Photo from Facebook/Broadway World
Lord Farquaad
Alfredo Reyes as Lord Farquaad | Photo from Facebook/Broadway World

The Dragon played by Julia Serad was also iconic — not only for the massive Dragon puppet that took up more than half the stage, but because of the voice behind it, which gave us chills with those jaw-dropping high notes. Of course, the Dragon would be a diva!

Lastly, the ensemble — a powerhouse group of 30+ singers and dancers — deserves its own standing ovation. They played everything from fairytale creatures to backup dancers, shifting roles with such energy that the stage never once felt empty. “Shrek the Musical” definitely boasts a larger cast than most productions, but believe us when we say: every single performer contributed something vital to the show’s charm and momentum. Together, they created the world that makes Shrek what it is: playful, vibrant, and delightfully chaotic.

Beyond the stellar musical numbers, impressive vocals, and crisp choreography, the stage and costume design fully transported us into this fairytale kingdom. Scene transitions were so seamless that we’d sometimes blink and suddenly find ourselves in an entirely new setting. Each backdrop felt intentional and visually distinct, keeping the experience fresh and immersive.

One highlight was Fiona’s tower, complete with a moving bridge over molten lava. Watching the bridge shift and connect as Shrek, Fiona, and Donkey escaped the Dragon felt cinematic — beautifully staged and surprisingly suspenseful. Even the forest scenes felt alive, with trees subtly repositioning and swaying as the actors moved across the stage.

We also loved the nods to the animated film, from the bird exploding as Fiona hit that famously high note to the sharp, funny exchanges between Shrek and Donkey about Lord Farquaad — little Easter eggs that delighted long-time fans.

The costumes paid homage to the original designs but added a theatrical polish that made them feel fresh. The ensemble especially shone in numbers like Fiona’s “Morning Person,” and the Three Blind Mice sparkled (literally) in their sequined silver dresses during “Make a Move.”

Shrek’s full look was another triumph — his green suit blended so naturally that it never read as a mask or costume but as part of the actor himself. This production clearly went all-out on the visual elements — perhaps to make up for the familiarity of the story — but whatever the reason, it worked. It was a feast for the eyes, and we were genuinely impressed by just how much artistry and effort went into every detail.

Dragon lady
Julia Serad as the Dragon | Photo from Facebook/Broadway World
Princess Fiona
Krystal Kane as Fiona | Photo from Facebook/Broadway World

Final Verdict

Vibrant, fun, and extravagantly staged, “Shrek the Musical” is one holiday show you simply shouldn’t miss. Fans of the beloved film franchise will feel right at home with its chaotic song-and-dance numbers, sharp humor, and heartfelt storytelling. But this production also offers something deeper. Beyond the love story, it celebrates the beauty of embracing what makes you different.

The ensemble’s performance of “Freak Flag” is a standout moment. It's a triumphant anthem of individuality and self-acceptance that added an emotional layer to the story, one that was not directly explored in the film. It’s a reminder that the quirks, oddities, and “freaky” parts of ourselves are worth celebrating.

So, to all you “All Stars,” gather your friends and family and head to the Newport Performing Arts Theater. Spend a few hours laughing, smiling, and joining Shrek, Fiona, Donkey, and the rest of Far Far Away for a feel-good musical adventure that’s perfect for the season.

Shows are running till December 2025. You can buy your tickets here.

Curtain Call
Photo from Facebook/NWR Musicals

For updates on upcoming productions, follow NWR Musicals on FacebookTikTok, and Instagram.

Enjoyed this article? Check out our previous Standing Ovation reviews here

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Artists

P-Pop Powerhouses and Household Faves Win at the Awit Awards 2025

20251117 Awit AwardsPhoto by Awit Awards/Facebook

The Meralco Theater in Pasig City was filled with stars as the 38th Awit Awards honored some of the industry’s most beloved artists. One of the biggest winners of the night was “the nation’s girl group” BINI, taking home three big awards People’s Voice Favorite Group Artist, People’s Voice Favorite Album of the Year for “Talaarawan,” and Best Dance/Electronic Recording for their viral track “Salamin, Salamin.”

BINI at one of their performances
Photo from Instagram/BINI
SB19 at their "Fast Zone" concert
Photo from Instagram/SB19

SB19, on the other hand, took home four awards: Best Global Collaboration Recording, Best Rap/Hip-Hop Recording, Best Cover Art, and Best Music Video.

OPM bands Cup of Joe, Ben&Ben, and Lola Amour were also the frontrunners of the night, winning the award night’s biggest awards: Cup of Joe won Song of The Year for their track “Misteryoso,” Ben&Ben bagged Album of the Year for “The Traveller Across Dimensions,” and Lola Amour’s “Namimiss Ko Na” secured Record of the Year.

Photo of all members of Ben&Ben
Photo from Instagram/Ben&Ben
Two OPM Bands
Photo from Instagram/Lola Amour and Cup of Joe

Here is the full list of winners at the 38th Awit Awards:

Grand Awards

  • Album of the Year: “The Traveller Across Dimensions by Ben&Ben
  • Record of the Year: “Namimiss Ko Na by Lola Amour
  • Song of the Year: “Misteryoso by Cup of Joe

People’s Voice Awards

  • People’s Voice Awards Favorite Solo Artist: Felip
  • People’s Voice Awards Favorite New Solo Artist Winner: Stell
  • People’s Voice Awards Favorite Group Artist: BINI
  • People’s Voice Awards Favorite New Group Artist: NIOR
  • People’s Voice Awards Breakthrough Artist: Stell
  • People’s Voice Awards Favorite Collaboration: “Kalakal by SB-19 and Gloc-9
  • People’s Voice Awards Favorite Music Video of the Year: “Surreal by Justin
  • People’s Voice Awards Favorite Song of the Year: “Akala by Radkidz (PABLO & Josue)
  • People’s Voice Awards Record of the Year: “Kaibigan by Justin
  • People’s Voice Awards Favorite Album of the Year: Talaarawan by BINI
  • Dangal ng Musikang Pilipino Awardee: Ely Buendia
  • Lifetime Achievement Award: Vic del Rosario Jr.
  • Vibe Stan Awards: Blooms (BINI)

Performance Awards

  • Solo Artist: Dionela
  • Best Performance by a Group: “Triumph by Ben&Ben
  • Best performance by a Solo Artist: “Di Maipagkaila by iLa
  • Best Performance by a New Group: “Walang Humpay by 12th Street
  • Best Collaboration: “Sining by Dionela and Jay-R
  • Best Dance/Electronic Recording: “Salamin, Salamin by BINI
  • Best Global Collaboration Recording: “Moonlightb by SB19 and Terry Zhong
  • Best Ballad Recording: “Medyo Ako by Moira and Juan Karlos
  • Best Rock Recording: “The Risk by Fast Pitch
  • Best Alternative Recording: “Namimiss Ko Na by Lola Amour
  • Best Traditional/Contemporary Folk Recording: “ATM by Ice Seguerra
  • Best Rap/Hip-Hop Recording: “Kalakal by SB19 and Gloc-9
  • Best Jazz Recording: Devonaire District and Alvin Cornista
  • Best Instrumental Recording: “Remedios Circle by Alvin Cornista
  • Best World Music Recording: “Sarung Banggi by Over Heat and CamSur Made
  • Best Recording by a Child or for Children: “Nasa Palad Mo by Ateneo Boys Choir

Special Recording Awards

  • Regional Recording: “Kasing Kasing by Juan Karlos, Kyle Echarri and “Umaycan by Noel Cabangon
  • Best Christmas Recording: “Paskong Mag-Isa by Debonair District
  • Best Original Soundtrack: “Ulit Ulit” (“Pamilya Sagrado”) by Regine Velasquez
  • Best Inspirational Recording: “Face of God by December Avenue
  • Best Novelty Recording: “Atras Abante by Introvert Fiesta and Aji
  • Best Pop Recording: “Dilaw by Maki
  • Best R&B Recording: “Sining by Jay-R and Dionela

Technical Achievement Awards

  • Best Engineered Recording: “Segundo, Siguro by Arthur Nery, Axel Fernandez
  • Best Musical Arrangement: “Umaycan by Khalil Refuerzo
  • Best Vocal Arrangement: Luke Isnani, Felip Suson
  • Best Remix Recording: “WHITE ROOM (Reimagined ver.)” by Ena Mori anddifferent…(kenyama remix)” by Kenyema
  • Best Cover Art: “Kalakal by SB19 and Gloc-9
  • Best Music Video: “Kalakal SB19 and Gloc-9

The Awit Awards is organized by the Philippine Association of the Record Industry (PARI) and MQuest Ventures, honoring the best of the local music scene with releases from the past year.

Follow the Awit Awards on Facebook and Instagram for more updates.

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Manila/ Vibe/ Pop Culture

Disney Store by SM Releases PH-Exclusive Merchandise For 1st Anniversary

Disney Store PHPhoto by Disney Store by SM/Facebook

Oh, boy! Something amazing just dropped at the Disney Store by SM, and it’s Mickey Mouse and Minnie Mouse dressed in traditional Filipino attire!

Just a month after opening its second branch at SM North Edsa, Disney Store Philippines is sprinkling a little more magic with the launch of its Philippines-exclusive merchandise collection! Perfect for collectors and Disney fans alike, these exclusive pieces make for the cutest souvenirs from Southeast Asia’s very first Disney Store. The release also comes right in time for a special milestone: the brand’s first anniversary since opening its flagship at SM Mall of Asia last October.

Leading the collection is the Mickey Mouse plush (P1,799) dressed in a Barong Tagalog, together with the Minnie Mouse plush (P1,799) in a pink and blue Baro’t Saya.

Plush
Photo from Facebook/Disney Store by SM
Shirts
Photo from Facebook/Disney Store by SM

Also part of the collection are the “I <3 PH mugs (P1,199) and magnets (P799) in the signature red, white, and black colors; a red-sleeved white shirt available in adults' (P1,499) and kids’ (P1,199) sizes; and the tote bag (P1,399). All items are now available at both SM North Edsa and SM MOA branches.

Mugs
Photo from Facebook/Disney Store by SM
Tote bag
Photo from Facebook/Disney Store by SM

Disney Store by SM is also getting festive with a fresh lineup of must-have merchandise this season. Just in time for the holidays, you’ll find Christmas-themed toys, apparel, and ornaments perfect for gifting — or treating yourself. Fans can also look forward to adorable new plushies, keychains, and bags inspired by “Zootopia 2,” which hits theaters this Nov. 26, 2025.

For updates on the latest merch, follow Disney Store by SM on FacebookTikTokYouTube, and Instagram.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture

Oh My God! The McDonald’s x FRIENDS Happy Meal is Finally in the PH!

20251112 friends mcdoPhoto by McDonald's Philippines/Facebook

Could they be any cuter?

After waiting almost a year, the McDonald’s x FRIENDS Happy Meal is finally in the Philippines! The adult-geared toy collection features the six FRIENDS characters: Monica, Joey, Chandler, Ross, Rachel, and Phoebe, along with symbols of their personality on the show!

Packaged in a cutely designed box that has the iconic fountain at the front, you could peep little Marcel on Ross’ head, Joey holding Duck, Chandler cradling Chick, Rachel with her coffee cup, and Phoebe with her guitar!

You can cop one (or all six!) toy when you order the FRIENDS Meal at your nearest McDonald’s via counter, drive-thru, or delivery! The FRIENDS Meal includes the Cheeseburger with Small Fries and Drink, and the One-piece Chicken McDo with Small Drink. It doesn't go for a blind box concept, so you can choose the character that you want!

The official poster for the FRIENDS Meal
Photo from Instagram/McDonald's Philippines

And, if you haven’t had the chance to go to The FRIENDS Experience at Solaire Entertainment City, then this might be your chance.

From Nov. 12 to 17, 2025, McDonald’s is holding a raffle draw, with a total of 16 winners who will be awarded tickets to The FRIENDS Experience exhibit! 10 winners will receive two ‘Adult’ Tickets, and six winners will get one ‘Barkada’ Ticket.

Official raffle poster
Photo from Instagram/McDonald's Philippines

Participating McDonald’s App Meals to redeem a raffle entry are the One-piece Chicken McDo with Small Drink and 1 FRIENDS Collectible (Non-Blind Box) or Cheeseburger with Small Fries, Small Drink and 1 FRIENDS Collectible (Non-Blind Box).

Customers need to have the McDonald’s App to enter and submit their raffle entries, with a maximum of one entry per email and device. The following info must be provided with every entry: Full Name, Email Address, Home Address, and Mobile Number.

Deadline for entries is Nov. 17, 2025, 11:59 PM, with the draw happening virtually on Nov. 18, 2025.

For more information and delicious updates, follow McDonald’s Philippines on Facebook and Instagram.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture

‘Lip Sync Assassin’ Director Jon Galvez Reveals What Makes a Story Stick

Jon GalvezPhoto by The Beat Asia

Fresh from his win as Best Director at CinePride Film Festival for the short film “Lip Sync Assassin,” Jon Galvez has become one of the most exciting voices in contemporary independent cinema. And he’s just getting started.

Known for his vivid storytelling and ability to blend humor, drama, and unapologetic queer joy, Jon’s work captures both the spectacle and soul of self-expression. “Lip Sync Assassin,” a vibrant story of sacrifice, survival, and self-expression, captivated audiences with its bold visuals and emotional core, cementing his reputation as a filmmaker unafraid to celebrate authenticity in all its glitter and grit.

The Beat Asia sat down with the director to reflect on his creative journey in bringing the short film to life, the stories that draw him in, and the emotional truths that make a film linger long after the credits roll. He also shared his thoughts on what makes a movie truly memorable and how he continues to push boundaries as a storyteller committed to representing voices that deserve the spotlight.

A Journey Shaped by People and Purpose

The title “Lip Sync Assassin” may sound familiar. It’s a term popularized by “RuPaul’s Drag Race” to describe a queen who dominates every lip-sync battle. But in Jon Galvez’s film, the phrase takes on a darkly clever twist. “Lip Sync Assassin” reimagines the term literally, following a drag artist who leads a double life as a contract killer, taking lives offstage to support his family.

“‘Lip Sync Assassin’ was inspired by my own story as a breadwinner,” Jon shared with The Beat Asia. “Because I am our family's breadwinner, and I’m also an OFW (Overseas Filipino Worker) who worked in Singapore for 14 years, and also in Jakarta. So, I wanted to tell a story that is very relatable to my own experiences as a breadwinner.”

The film highlights Filipino drag culture, which Jon expressed was also an inspiration for him, as watching the show has become his source of comfort during the pandemic. Through the movie, he wanted to showcase Filipino drag excellence, which was already achieved just by casting Precious Paula Nicole as Sampaguita, who was the Philippines’ first Drag Superstar.

Precious Paula Nicole
Precious Paula Nicole as Sampaguita | Courtesy of Jon Galvez

“I'm a big fan of drag artistry. During the pandemic, I was stuck in Jakarta, so I was away from my family. I was very isolated and a bit depressed. Watching ‘RuPaul’s Drag Race’ really helped me cope with the sadness, the loneliness, and the depression during that time. I was also inspired by the concept of entertainers and comedians who make us all happy for a living, but we don’t know the struggles in their lives.”

Additionally, the director also shared that the movie is a mirror to the systemic corruption in the country, which Sampaguita is a victim of, needing to work extra as a hired killer to support his sick mother and talented child.

When asked about the key collaborators who helped refine his vision, the director was quick to credit fellow Filipino filmmakers and producers he met during his producing class at the Asia Pacific Film Institute (APFI). He cited his mentor, Omar Sartijas, a prolific and respected producer in the country; director Siege Ledesma, who won the Grand Prix at the Osaka Asian Film Festival in 2014 for her debut feature “Shift”; and director Adolf Alix Jr., who served as his creative consultant and helped him shape the film’s script alongside his producer Carlos Ortiz.

“I really believe in collaboration,” the director said when asked how he was able to showcase the vibrant drag scene amid an emotional and deeper narrative. “Because I'm not a drag artist, I collaborated with Precious Paula Nicole to make sure that we are portraying drag artistry in the Philippines very well.”

“I wanted there to be a balance through the writing. Yes, we’re doing all of the glitz and glamour of drag, but at the same time, telling the struggles of a drag artist who is also a father. I made sure that one thing is not overpowering the other. I was able to do this by consulting with my mentors, Precious, and combining my personal truths and experiences as a breadwinner and family man.”

This collaboration resulted in a moving and vibrant short film that captured audiences not only in the Philippines but also beyond borders. The film premiered at the 2025 CinePride Film Festival in Los Angeles and bagged two major awards, including Best Director.

When asked how he felt about this recognition, Jon replied, “I'm still processing it! I'm very grateful for the recognition. I’m a new filmmaker, and I wasn’t expecting any kind of awards or recognition at all. The fact that we were selected and allowed to showcase our film on a global stage alone is such a blessing already. I just really wanted to make films and start my filmmaking journey. It means a lot, because that means they truly appreciated the story of Sampaguita — a Filipino queer story about a breadwinner and a family man.”

Jon Galvez
Jon Galvez | Courtesy of Jon Galvez

The director also expressed that the recognition felt extra special considering Precious Paula Nicole also won Best Lead Performance, which highlighted their solid collaboration.

“We really didn’t expect it! In fact, we were ready to party and just have fun with everyone, and meet the other filmmakers during the closing award ceremony. But then they were very gracious to give us that recognition. I’m happy and grateful that we got to represent Filipino cinema on a global stage. Hopefully it continues, and more Filipino filmmakers get that kind of opportunity.”

Jon’s filmmaking journey didn’t take off right away, which makes this milestone even more meaningful. He shared that he waited 14 years for the right moment, having once put his dream of becoming a filmmaker on hold. In the meantime, he built a career in corporate and advertising before finally finding his way back to film. He mentioned looking up to director Peque Gallaga and his ability to make impactful films across different genres, as well as Spanish director Pedro Almodóvar, whom he hopes to work with someday.

Looking back, it seems like fate knew exactly what it was doing, because that time away helped him stay grounded and clear about what he truly wanted as a storyteller.

“I try to clear my mind of those thoughts,” he said. “And there are ways, like, I always go back to my friends and say, 'Let's just make projects that are personal to us. Things that make us happy, without worrying about festivals or recognition.' It’s about creating something special for yourself, not for the awards, but because you’re doing it for the right reasons. As a new filmmaker, I see it as a reminder to continue to push through. It's just the beginning, and I should just continue to learn, to hone my craft, my voice as a storyteller, and to collaborate with the right people.”

As for what he believes his film’s biggest strength is, the director explained that it all comes down to the story.

It’s always the story that will connect with audiences,” he emphasized. “That's why when people ask me what ‘Lip Sync Assassin’ is about, I simply tell them it's a story of a breadwinner. That would connect with everyone because everyone's a son or a daughter. It’s all about the story and the characters.”

Filming
Courtesy of Jon Galvez

As Philippine cinema continues to grow and evolve, welcoming fresh voices and stories that shine a light on underrepresented communities, Jon hopes to be the kind of storyteller who gives space to the queer community and to OFWs. Even when he isn’t the one directly telling these stories, he shared that he wants to champion and support the filmmakers who do, as a producer.

The director had produced “Agapito,” a film by Arvin Belarmino and Kyla Danelle Romero, which was recognized at the Cannes Film Festival 2025. Jon shared what drew him to the project and how his involvement came about.

“It’s the story and the people. I've always met the director and writer, Arvin Bellarmino. We always bump into each other at film festivals. I’m very open to collaborating with different people, and Arvin is one of the people I always invite to collaborate. After a few meetings, the right timing came along, and he finally had a concept we could work on together.”

“Arvin and Kyla shared the story they had in mind, and everything fell into place. I connected to the story, which is very important whenever I look for projects that I'm going to work on or want to get involved in. Aside from being very amazing filmmakers and writers, the directors are also very good people that I trust and would love to continue to collaborate with,” he added.

After “Lip Sync Assassin,” Jon revealed that they plan to expand it into a full-length feature sometime next year. He’s also gearing up for the release of Kip Oebanda’s much-anticipated “Bar Boys” sequel, “Bar Boys: After School,” where he serves as a producer for 901 Studios PH. The film was recently revealed to be part of the official lineup of the 51st Metro Manila Film Festival, happening on Dec. 25, 2025.

“This is our first full-length as a producer at 901 studios, so I'm very excited! It’s something that I'm looking forward to because I was able to do it with my friends, who are dear to me. It's such a special film, and being part of it is already such a blessing. We put our whole hearts into it!”

Bar Boys: After School
Photo from Facebook/901 Studios PH

Having been involved in both indie and mainstream features, we asked the director if he preferred working on one over the other, to which he replied that he enjoys both.

“Even if there are differences, we make sure to treat it as a special project. It's about giving our all, no matter if it's a small project or a big full-length film. Same effort, same passion, same respect towards the people that you work with,” he explained. “ How I connected with ‘Agapito’ is also the same way I connected with ‘Bar Boys’ when they were sharing the story. It’s the unexplainable connection to the story that you really want. When the intentions are pure, it will come out and translate to either awards or more accessible platforms, but the goal is always to connect with more people.”

As he continues to explain his horizons in the film industry, with a few movies already in production for next year, Jon Galvez is sure to be someone to look out for in the years to come. The director also shared his desire to produce student-led films, in the hopes of supporting youth voices and stories that represent Philippine cinema.

“The measure of success for me is if you’ve built a good relationship with everyone as you're doing a project. The fact that you're able to make a film is already a big blessing for me. The awards are just a bonus. Also, when people connect with the film, when they really appreciate it, it is already a big achievement.

Film crew
Courtesy of Jon Galvez

To learn more about his films, stay tuned to 901 Studios PH on Facebook, TikTok, and Instagram.

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Manila/ Vibe/ Artists

Artist Spotlight: The Itchyworms Talk Songwriting, SG, and More

The Itchyworms

After nearly three decades of making us laugh, sing, and sometimes cry over “Beer,” The Itchyworms are still very much in their groove. Known for turning everyday musings into anthems like “Akin Ka Na Lang” and “Di Na Muli,” the Filipino Pop-Rock act has struck that rare balance between humor and heart, a feat that has kept their music both timeless and distinctly Filipino.

Before the year ends, the band is giving their fans in Singapore a treat as they bring their one-night “Akin Ka Na Lang concert to the Lion City on Nov. 8, 2025. The Beat Asia caught up with Jugs Jugueta (Vocals, Guitar, Keyboards), Jazz Nicolas (Vocals, Drums, Keyboards), Kelvin Yu (Bass, Vocals), Weckl Mercado (Lead Guitar, Vocals), and Michael Vargas (Keyboards, Acoustic Guitar, Percussion, Vocals) to talk about what it really takes to stick it out as a group after more than twenty years, how their creative process has changed since their college-band days, and what they think of the new generation of OPM artists taking over playlists today.

They also gave us a glimpse into their upcoming Singapore show and what fans can look forward to. Because if there’s one thing The Itchyworms have mastered by now, it’s staying true to who they are while still knowing how to have a good laugh along the way.

Itchyworms on Still Having Fun

Formed in 1996, The Itchyworms started out performing a mix of original songs and Beatles covers at various school events and competitions. The band originally consisted of Jazz Nicolas, Jugs Jugueta, Kelvin Yu, and Hadrian “Haji” Cruz — who later left the group. In 1997, Chino Singson joined, completing the lineup that fans know today.

Known early on for their witty songwriting and energetic performances, The Itchyworms quickly stood out in the local music scene. They released their first independent CD, “Revenge of the Unsigned,” in 1998, followed by their major label debut, “Little Monsters,” in 2001. But it was their 2005 album, “Noontime Show,” under Universal Records that brought them nationwide fame. The concept album, a clever satire of Filipino showbiz culture, spawned several of their biggest hits, including “Akin Ka Na Lang,” “Beer,” and “LoveTeam.”

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When asked how they had evolved since their early years, the band mentioned improving greatly on the technical side of things and how they often feel on top of their musical game when playing live shows. As for their creative process, Jugs mentioned how circumstances have helped make a positive change in their songwriting style.

“Because of the pandemic, and our experience with our Awit Award-winning pandemic album, ‘Waiting For The End To Start,’ we were able to invest in good home recording gear, which we could use any time if we couldn’t make it to the studio,” he said. “This also helped our songwriting style, because we could just send demos or snippets of songs to each other, even if we are apart.”

The band also gave us a glimpse into their songwriting process and how it’s either members Jazz or Jugs who comes up with the idea in the form of a verse, a chorus, or a riff, then the rest of the song is completed by the rest of the members. Other times, they come up with full songs which they arrange as a band.

When asked about how they keep their music fresh while staying true to their signature vibe, and how humor became such an iconic element in their songwriting, the band replied, “Like everyone, we are influenced by everything around us: new songs, new movies, new stories, and new experiences. All these new things affect how we make music. Our identity as a band is what keeps the vibe, but the new experiences are what keep the music fresh.”

“Like most Filipinos, we use humor to shield our true emotions. When writing ‘Noon Time Show,’ we made a satirical take on the stereotypes of show business. Is it a conscious part of our creative identity? No. Perhaps a subconscious one.”

The Itchyworms
Courtesy of The Itchyworms

Many fans have grown up listening to the band, having released five full albums and one EP (Extended Play). These compilations contained songs that have become soundtracks of people’s lives and have become a huge part of Filipino pop culture. The band expressed how, after many years of performing and creating music together, they learned that the Philippines should be pushing OPM to the world and showcasing new talents in the industry.

“We are so happy for the current generation of Filipino artists,” they said. “They are so talented! We think this is the utopia that the legacy bands were envisioning during their time: original Filipino songs being as popular as foreign songs; Filipino bands touring the world; Filipino bands collaborating with different artists from all over the world. It’s just so beautiful.”

“I see ourselves as the older brother of these bands. Hindi kami mga Tito [we are not uncles]!” Jugs added.I always give them advice not just in music, but also in artist management and branding.”

The band once collaborated with the legendary Ely Buendia of Eraserheads in 2016 for the song “Pariwara,” which was a notable hit that had fans thrilled, as The Itchyworms had been considered one of Eraserheads’ successors when it comes to songwriting. When asked if any rising artists have caught their attention, the group mentioned One Click Straight and Ena Mori, stating that they love their energy and would love to collaborate with them one day.

Now, The Itchyworms are showing the enduring power of their music with a concert in Singapore. This marks the band’s fourth visit to the city-state, and is described as more than just a concert but a celebration of their memories and connection with Singaporean fans. When asked what we can expect, the band was quick to express their excitement.

“We LOVE playing in Singapore!” they told The Beat Asia. “The SG crowd is always itching for an excuse to have fun! You’ll have so much fun in ‘Akin Ka Na Lang SG’! Our new member, Michael Vargas, is a multi-instrumentalist. His first primary instrument is the violin, and he’ll be playing it in Singapore! Also, D&D will be giving away one D&D Kidlat signature guitar to a lucky superfan!”

Akin Ka Na Lang SG
Courtesy of The Itchyworms

When asked about how it feels to have their music endure through the years and even cross borders, Jugs answered, “It is so overwhelming. I see kids who are younger than our songs watching us at the gigs! And they know the words, the discography, and even the deep cuts! Of course, we are very thankful for this opportunity to keep music fans happy. We hope to continue doing so for more decades to come!"

“We have no aspirations of being known internationally. But it really is heartwarming when someone who’s not Filipino comes up to me and says they like our music. That means so much to us,” the rest of the members added.

After almost three decades of making music together, the band also shared what keeps them motivated through the years and the key to longevity as a group.

It’s a great excuse to hang out with my friends,” they simply stated. “And communication is the key.”

As for what the future holds, the legendary OPM act doesn’t seem to be stopping any time soon, revealing their desire to travel more and to put out more music. The band is also set to go on tour next year, with Dubai and Abu Dhabi scheduled for January, Taiwan in April, Europe in May, and Australia and New Zealand in September.

Their upcoming Singapore show will take place at the Timbre+ One North on Nov. 8 at 5 PM. You can choose from two ticket options: General Public (S$58) and Superfans (S$98), which include an exclusive meet and greet, early entry to the venue, access to soundcheck, freebies, a complimentary bottle of beer, and a chance to win a new guitar signed by the band. You can buy your tickets here.

You can follow Itchyworms on Facebook and Instagram. You can also listen to their music on SpotifyApple Music, and on their official YouTube channel.

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Manila/ Vibe/ Pop Culture

The First Pokémon Play Hub in the Philippines Opens at Robinsons Galleria

Pokemon Play HubPhoto by The Beat Asia

Heads up, Trainers! You’re all in for a treat as the first-ever Pokémon Play Hub in the Philippines finally opens its doors!

Tucked away on the third level of Robinsons Galleria in Ortigas, the Pokémon Play Hub is every fan’s dream come to life. More than just a gaming space, it’s an immersive playground where enthusiasts can shop, play, and connect with fellow Trainers. The vibrant hub features exciting zones, official Pokémon merchandise, and interactive experiences to keep fans of all ages entertained. After making waves in Malaysia and Thailand, the beloved destination has finally arrived in the Philippines, giving local fans the perfect spot to catch all the fun!

The Beat Manila was there for the exciting grand opening, which kicked off with a ribbon-cutting ceremony attended by VIP guests including Joel Lumanlan, Vice President of Marketing and Operations of Robinsons Malls, Carmina Quizon, Group General Manager of ToysRUs Philippines, Ray Kagami, Director of Asia Business Development Department of The Pokémon Company, Christina Sanchez, Deputy General Manager of ToysRUs Philippines, and Celina Chua, Group General Manager of ToysRUs Philippines.

Ribbon Cutting ceremony
Photo by The Beat Asia

Catching All the Fun at Pokémon Play Hub

Upon entering, you’ll be greeted by a bright, cheerful yellow space featuring the franchise’s beloved mascot, Pikachu, along with fan-favorite starters Sprigatito, Fuecoco, and Quaxly. Their adorable figures are displayed on pastel-toned podiums, perfect for snapping a photo and commemorating your visit.

Further in, you’ll spot the retail zone, which is packed with shelves of official Pokémon merchandise from colorful plushies, rare Funko Pops, blind boxes, and other collectible figurines. The character stuffed toys are available in various sizes, and are priced from P1,399 to P1,499 (small size),  P1,299 to P1,599 (medium size), and P1,899 (large size), depending on the design.

Plushies
Photo by The Beat Asia
Toys
Photo by The Beat Asia

Apart from the collectibles, Japanese pen brand Artline also has a series of Pokémon markers and sign pens that can light up any page. The collection includes sign pens with character designs (P65 each), laundry markers (P90 each), and two highlighter sets (P270): Pastel Pikachu and Vivid Eevee. You can also get a free engraving if you buy a minimum of two sign pens and a Stamp Card for every P500 worth of purchase.

Artline
Artline | Photo by The Beat Asia
Collectibles
Photo by The Beat Asia

For Switch players, we caught sight of the Nintendo Switch OLED Pokémon Scarlet & Violet Edition, as well as other accessories like cases and controllers that will surely make your gaming sessions more fun and stylish. Physical Nintendo Pokémon games are also for sale at the store, including the Nintendo Switch 2 Edition of Pokémon Legends Z-A,” which you can try and play at the gaming zone.

Nintendo Switch
Photo by The Beat Asia
Gamers
Photo by The Beat Asia

Stepping further into the hub, you’ll find the Pokémon Trading Card Game (TCG) Play Area, a dedicated space for fans to play and connect. Not yet a pro? No problem! Beginners can take advantage of free tutorial sessions every weekend. There are also a couple of TV screens where visitors can do trial runs for the switch games or go head-to-head in a competitive round. Aside from the rows of tables for the TCG, there’s also a comfy corner with bean bag seats where players can hang out.

Gaming Zone
TCG Play Area | Photo by The Beat Asia
Trainers
Photo by The Beat Asia

Although there might not be a lot going on at the moment, with only two active zones, the Pokémon Play Hub team shared that more features will be added in the next few months, such as an arcade and various events like competitions that will surely encourage Pokémon enthusiasts to come and join in on the fun!

Pikachu
Photo by The Beat Asia

For updates and event schedules, follow Robinsons Galleria on Facebook, X (Formerly Twitter), and Instagram.

Location: Level 3, Robinsons Galleria, EDSA cor. Ortigas Avenue, Quezon City

Opening Hours: Daily, from 10 AM to 10 PM

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Manila/ Vibe/ Artists

Artist Spotlight: Over October and the Magic of Moving ‘Dahan-Dahan’

Over October

If there’s one thing Over October has mastered, it’s the art of growing slow and steady. Formed in 2014, the Filipino indie/alternative rock band has spent the past decade quietly building their sound, their story, and their community of listeners — endearingly called “Octobears.” Then came “Ikot” in 2024, the heartfelt track that launched them into the mainstream music scene, proving that patience really does pay off.

Now, with more eyes (and ears) on them than ever, Over October is showing no signs of slowing down. Their music, described as equal parts nostalgic, sincere, and full of soul, feels like the soundtrack to late-night drives and long, quiet moments. Their latest single, “Dahan” showcased a more romantic side of the band as they told the story of a slow-burning romance wherein one realizes their feelings for someone they’ve known all their life.

In an exclusive sit-down with The Beat Manila, Josh Buizon (vocals), Josh Lua (lead guitar), Joric Canlas (bass), Janessa Geronimo (drums), and Anton Rodriguez (guitars) talked about where it all began, how their creative process has evolved over the years, and what’s next as they continue to define who Over October really is.

From the early days of jamming in small venues to navigating the wave of newfound attention, the band opened up about the challenges, the laughter, and everything in between that keep their music alive.

On Music Being the Glue

It might surprise some to learn that Over October just celebrated their 11th anniversary — a milestone marked with a free concert at the SM Mall of Asia Amphitheater last Oct. 12, 2025. With “Ikot” only recently making waves on mainstream playlists, it’s hard to believe the band has been around this long, quietly building their sound and fanbase before finally getting the spotlight they deserve.

“The process allowed the music and our relationship with each other to really marinate,” said Josh on how their slow rise made the band what it is today. “So it’s like now we’re just at the stage where more people are listening to the songs. It’s still authentic.”

The band started making music while still in college, having been part of a music organization in Ateneo de Manila University. The band’s guitarist, Lua, told us all about the night of their year-end recital, and how he had asked that one question that sparked the beginnings of what will eventually be known as Over October.

“I was at the back of a pick-up truck with Josh, and riding on that high of the recital, I thought, ‘I want to do more music.’ Personally, the reason why I joined that [organization] is to really form a band. So I asked them: 'Josh, mag-kapangalan naman tayo. Gusto mong mag-banda (Josh, we have the same name. Do you want to form a band)?'” Lua revealed with a laugh.

From there, the band eventually took shape with Janessa, who was also the drummer of their group at the recital; Anton, the organization’s president, and Joric, Josh’s childhood friend, joining the team. The band’s original bassist had been Andrew de Pano, who’s currently a member of Ben&Ben.

Over October
Photo by The Beat Asia

The five members began writing and recording their own music early on, even setting up fundraisers to help cover the costs of producing their EPs. Lua recalled how they used to serenade people on Valentine’s Day just to raise money to record and print their CDs.

It’s clear this band never took any shortcuts. They built everything from the ground up — crafting their sound, growing their discography, and slowly earning a loyal following along the way. While both Josh and Lua shared that music had always been something they actively pursued, the other members admitted it was a pleasant surprise to see how far their shared passion for music has taken them.

“I really didn’t think of pursuing it. Part of it was that I was really discouraged by my parents,” Janessa said. “But it’s the thing that keeps coming back for me. These guys found me. It became one of those things where I know I’m good at this, and I know I love doing this, and so I stuck with it.”

“I came from an engineering family, so I took up engineering, but the band changed everything,” Joric added. “Music was an outlet for me in college until it became the real thing.”

The band’s rhythm guitarist, Anton, also shared how music was the one constant thing in his life. “I never thought I would be doing it as the main thing. I always thought it was going to be there. I had a lot of bands in college, and slowly everyone grew up and started getting their own jobs. I even stopped music for a while. It wasn’t really in the plan. It was more like something that I reunited with every so often.”

On Creating Music that Moves

A lot of the band’s songs have been described as heartfelt and soulful. Their musical stylings have even been compared to the likes of Coldplay, John Mayer, and even Hillsong for their emotional rhythm that almost seems cathartic when you listen to them.

When asked what inspires their music, Josh replied, “A lot of our songs are written from personal experience. When we started collaborating, it also became more like universal experiences that we’ve experienced in the past. And that’s really where we get it from. We also try to base it on experiences that other people share, so they can resonate with the music that we put out.”

Personal and universal may be words that come from opposite ends of the spectrum, but the band had an interesting take on how they balanced these two when making music.

“What we noticed is that although we write a song for a specific theme or with a specific message, it’s always interpreted differently by different people. I think that’s the beauty of music. Sometimes, it doesn’t matter what message you’re trying to put across. We have this song, and I meant it to be such a loving love song, but some people who listened to it said that it was painful. It really reacts to people in different ways, so finding a balance is like magic!”

“What we usually do is we come up with a story, and it becomes like a musical score. We write a song based on that scene. Subconsciously, as we craft that story, we draw inspiration from pop culture, literature we’ve seen, read, or watched. So I guess that’s why it becomes universal since it’s also based on the media that we consume. At the same time, we balance it with real-life experiences. From there, we kind of romanticize them,” Lua explained.

The band also shared that everyone pitches in when it comes to the arrangement. However, when it comes to songwriting, Josh usually takes the lead with Lua often pitching in.

Apart from “Ikot,” we asked the band if there was a song they’ve produced that they found memorable.

“We have this song called ‘Gising Bangon,’ which came from our ‘Maybe Today, Maybe Tomorrow’ EP. We wrote that all together, and we were in a locked-in recording. We’re in the middle of the pandemic, and I remember that so vividly. We were just in one room writing songs together.”

“It was just about the uncertainty of the future,” added Lua.

“Yeah, and Anton had to leave for a bit because he was focused on studying,” Josh continued. “I remember we called him while we were writing that song. And we told him to come back already. *laughs*

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Being an independent band comes with its fair share of perks and challenges. When asked about the struggles they’ve faced over the past decade, Jannesa pointed to the ever-evolving music industry. Having been around long enough to witness the shift from CDs to online streaming, the drummer shared that the band has had to constantly adapt and find ways to keep up with the fast-changing landscape, and with the many new artists emerging along the way.

“We’re independent, so we also don’t have a big machinery behind us,” Janessa explained. “With our small production team and our manager, Kat, we’re just trying to keep up with all the other mainstream artists with better backing. It’s difficult, but we’re still here, so we’re still able to achieve what we want.”

When asked if they feel any pressure to release more music, she replied, “I don’t think 'pressured' is the right word for it. We kind of just understood that that’s how the music industry is now, and it’s up to us to adapt to it. We know that’s how it is, so we conform to that.”

“It’s also not just the timeline of releases but also the resources that come from it,” Anton added. “As an independent band with no backer and no institutional mechanism keeping us here, we rely solely on our own savings. We understand that because of the way listeners are consuming music, we have to release a certain number of songs, but that also comes with its own promotional campaign and shows. That’s a big struggle. Although the band’s situation now is that the songs are already recorded for the foreseeable future, the ideas that we have to come up with and the resources that we need to make those releases meaningful are still up in the air.”

Speaking of new releases, we also talked about their latest single “Dahan,” a love song about slowly falling for a friend. It’s a slow-burn romance wrapped in an alternative-rock arrangement that mirrors that very feeling. The chorus starts off gentle and restrained before building up toward the end, when those emotions can no longer be contained and everything suddenly changes.

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Over October has always had a gift for translating emotions that are often hard to put into words into pure, heartfelt music and that might just be their greatest strength. After 11 years of playing and creating together, it’s clear the band has not only refined their craft but also deepened their connection as musicians, resulting in songs that feel both deeply personal and universally relatable.

When asked if their slow rise had changed their perspective on what success looked like, Josh replied, “I think every band or every artist has a different journey. Some are overnight successes or have been famous since their first or second year. Ours just took a little longer. I think it’s a much more fulfilling feeling because it took so long to get there. We’re more grateful to be here because of the years that it took to get here, and we’re also hungrier for more because we want to achieve so much more than what we’re doing right now.”

Indie Band
Photo from Facebook/Over October

As for if there was a moment in their 11-year run that felt like a turning point for the band, Lua shared, “Definitely “Ikot.” When it was released, we went up to Baguio to record, and we were constantly monitoring the numbers. It kept rising and rising. We were like, ‘Is this really happening?’ After that, it was a blur. We started getting invited to more shows and awarding ceremonies. We also started seeing that this can actually sustain us. I ended up resigning from my job this year and now I’m doing music full-time!”

From intimate gigs to arena shows such as their recent performance as Coke Studio performers, Over October shows no signs of slowing down. Having honed their sound for years now, it’s only natural that they’ve built a stronghold that can last for many years to come.

We want to reach more people, not just here in the Philippines but also abroad. Maybe to tour abroad in countries where we have fans who message us asking us to come and perform. That’s a dream for me to be able to do that,” Josh said.

“For long term goals, we wanted to be able to keep doing this for as long as we can,” added Lua. “To do larger-scale shows and release more music.”

Coke Studio
Photo by The Beat Asia

Before wrapping up, Josh also gave a short and sweet message for the Octobears: “Thank you so much for supporting our music and making it the soundtrack of your lives. We just want to give back to you. We love you! Stream 'Dahan!'”

For updates on music releases and upcoming shows, follow Over October on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Manila/ Vibe/ Pop Culture

Sony Music Philippines Artists Dominate the First Filipino Music Awards

20251024 fmasPhoto by Sony Music Philippines

Mabuhay ang musikang Pilipino!

Sony Music Philippines emerged as the biggest winner at the first-ever Filipino Music Awards (FMA), with its artists taking home nine major awards.

Global pop phenomenon SB19 led the group, sweeping a total of six awards, including Tour of the Year, Concert of the Year, and the much-coveted Artist of the Year. The boy band also bagged three People’s Choice Awards — for Artist and Song — and another one for Pop Song of the Year, driven by the wide-ranging appeal of their chart-topping single “DUNGKA!” from their latest EP, Simula At Wakas.

SB19 at the Filipino Music Awards
SB19 | Photo from Instagram/Filipino Music Awards

Also representing the label, IV of Spades marked their celebrated return to the spotlight, winning Rock Song of the Year for their hit single “Aura.” The track debuted at No. 4 on the Spotify Philippines Top 50 a few months ago, with their upcoming headlining concert at the SM Mall of Asia Arena also sold out two months in advance.

Rising Bicol-born singer-songwriter dwta earned Folk Song of the Year for her track “Sampung Mga Daliri,” made in collaboration with SB19’s Justin. This recognition adds to her growing list of milestones, including contributions to the “Flower Girl” soundtrack and songwriting credits on BINI’s newest viral single, “First Luv.”

IV of Spades at the Filipino Music AWards
IV of Spades | Photo from Instagram/Filipino Music Awards
dwta at the Filipino Music Awards
dwta | Photo from Instagram/Filipino Music Awards

Sony Music Philippines also bagged the prestigious Music Company of the Year, reaffirming its position as the country’s leading powerhouse in music.

“These wins are a testament to the extraordinary talent, creativity, and hard work of our artists and to the collective passion of the Sony Music Entertainment team,” says Kevin Foo, Managing Director-Southeast Asia, Sony Music Entertainment. “Through this recognition, we remain committed in empowering Filipino musicians and showcasing the diversity and global potential of OPM as a music movement.”

Beyond the recognition, the night featured standout performances from IV of Spades, Ely Buendia, and Gloc-9, with a monumental finale brought SB19 and Ben&Ben together for their first live performance of “Kapangyarihan.”

The Filipino Music Awards (FMA) is a landmark celebration of Original Pilipino Music (OPM), which took place on Oct. 21, 2025, at the SM Mall of Asia Arena. The event gathered more than 500 artists, industry leaders, and executives, alongside music fans in a historic evening that celebrates the creativity, diversity, and global potential of Filipino music.

Catch the official telecast of the Filipino Music Awards this weekend on TV5 and via livestream on Facebook.

Part 1: Oct. 25, 2025, 9:45 PM

Part 2: Oct. 26, 2025, 9:30 PM

Follow Sony Music Philippines on Facebook, X (Formerly Twitter), and Instagram.

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Manila/ The List/ Nightlife

&FRIENDS Halloween Rave Brings Knock2, Dabin, BEAUZ & More to Okada Manila

FRIENDS Festival 20251Photo by &FRIENDS Festival/Instagram

Forget haunted houses and pumpkin spice — Manila’s Halloween scene is about to get a full-blown rave resurrection. On Oct. 31, 2025, the city’s most decadent venue, Okada Manila, will be crawling with costumed creatures, bass drops, and neon chaos as &FRIENDS throws a Halloween rave. This isn’t &FRIEND's usual rave but a spooky party with a celebration of identity, creativity, and community.

Billed as the largest Halloween rave in the Philippines, &FRIENDS is a curated experience at Okada Manila with a stacked lineup of genre-fluid artists and back-to-back sets designed to keep the energy surging until sunrise.

Lineup of the night
Photo from Instagram/&FRIENDS Festival

Leading the charge is Knock2, making his long-awaited Philippine debut. Known for his explosive bass sets and viral tracks like “Dash,” Knock2 is one of the most in-demand names in the global trap and bass circuit. Joining him are melodic heavyweights Dabin, BEAUZ, and SABAI, each bringing their signature blend of emotional drops and festive energy.

Also on deck are a back-to-back set from FrostTop b2b RemK, two rising stars in the bass and future trap scene, plus a performance from Y3llo, whose genre-fluid style adds a fresh layer to the night’s sonic palette.

Expect sonic chemistry from Ggpete b2b Eko, Zana, Smyliek b2b Nghtshift, Jemina ft Queen, Molly b2b Thryloz, Markdc b2b Paracelcius, Yuichi, Exodus Era, and Dreamdriver, each bringing their own flavor of electronic heat to the crowd to move, connect, and lose themselves in the music.

&FRIENDS Festival 2025
Photo from Instagram/&FRIENDS Festival

The venue, Okada Manila, is no stranger to opulence. But for one night only, it’s transforming into a sonic playground where fashion, music, and identity collide.

Tickets are available now via TicketMelon with Last Chance General Admission starting at PHP3,750 and VIP packages offering exclusive lounge access, fast-track entry, and premium bar service.

As &FRIENDS is carving out space for community-driven nightlife in Southeast Asia, where creativity and connection take the spotlight. Check out the event’s website, and follow them on Instagram and Facebook for updates.

Location: Okada Manila, New Seaside Drive, Entertainment City, Parañaque, Metro Manila

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