P-Pop Group GAT Talks Music and Becoming Genre Icons
Manila/ Vibe/ Artists

The Beat Manila’s Up-And-Coming: P-Pop Group GAT

GAT Up and Coming

The Beat Manila’s Up and Coming is a series where we feature rising talented artists from the Philippines, giving them a platform to share what they’re passionate about and to promote the music they (and us too!) would love for the world to hear. Do you want or know someone who wants to be featured? Email us at [email protected] or slide through our DMs on FacebookorInstagram!

It’s a known fact that Viva Artist Agency (VAA) is in the business of showcasing the brightest young talents of this generation. From musicians to actors, Viva is continuously searching for the next big thing, fostering talent that inspires, entertains, and promotes Filipino music and artistry. 

This March, the company launched a new boy group set to conquer the P-Pop scene. Introducing GAT, our featured up-and-coming artists gearing up to shape the OPM (Original Pinoy Music) landscape one explosive performance at a time. Under the collaboration of Ivory Music and VAA, the quintet consists of Ethan David, Charles Law, Michael Keith, Derick Ong, and Hans Paronda. The name “GAT” is derived from the Tagalog honorific “Gat,” which means nobleman, symbolizing excellence and respect.  

The boys made their first impression among P-Pop fans with the release of their pre-debut cover of James Reid’s “Huwag Ka Nang Humirit,” which showcased their talent and charisma. They gained momentum with another cover single entitled “Daleng Dale,” which recently ranked #3 in the Viral Songs PH Chart. The single was the official opening track of Viva One’s hit series “Ang Mutya ng Section E,” in which some of the members are currently participating as supporting actors. 

In our latest exclusive, we got the whole gang together for a fun chat about their music, their most memorable training stories, and what we can expect from the group this year. Read on to get to know P-Pop’s newest eye candies and discover what makes them a fresh sound you should keep on your radar. 

Hi GAT! Can you tell us a bit about yourselves and your roles in the group?

Ethan: We don’t have any positions right now because we value our craft, and we don’t want to confine ourselves to a particular role. We want to be able to explore other things. I’m a singer myself, but I also want to be able to rap and dance. Ayaw naming ma-stuck dun sa roles (we don’t want to be stuck in just one role). 

Michael: Same as what Ethan said, but I guess for my role, I’m more of the singer and producer for the group. But wherever I can help, I like to pitch in.

Hans: I’m more of dancing and singing.

Charles: I’m the youngest of the group and do more rapping

Derick: I like singing the most, although dancing has been a favorite of mine ever since I joined the group. Seeing how good and talented my teammates are made me want to step up!

Is there a story behind the group name?

Michael: GAT stands for “Gawang Atin ‘To” and we look up to our kuya (big brother) groups like ALAMAT, and the idea is that it’s purely Filipino. Everything we make is made in the Philippines by Filipinos. 

GAT
Photo from Viva Artist Agency

How was the group formed? Did you know each other beforehand?

Michael: Yeah, it started with me, Ethan, and Hans being called into a meeting. Boss Vic [Vic Del Rosario] told us how we were talented artists on our own and that they had this idea of forming a boy group with us in it and just combining our talents. He got us three first, and then Charles and Derick got added. 

We all kind of knew each other from previous projects and from being with Viva. Derek is the one who's pretty fresh to us. But we all clicked right away and so it all worked out that way!

Ethan: Michael and I were friends, and I met Hans casually at the events from Viva. As for Charles, I met him when he was just a baby — he was just thirteen! He was quite shy and quiet then, but I think we’ve influenced him to be more makulit (playful). Derick is pretty new. He only started training with Viva for about eight months.

We all have different personalities, but when we’re together, we’re solid. We’re playful and clingy with each other. We’re definitely like brothers! 

Cool! Given your individual training before GAT, how was the experience transitioning into becoming a P-Pop group? Did you always want to be part of a group?

Charles: Back then, I went into Viva thinking I would just do acting. But when I got to meet some P-Pop group members, I got inspired. Two years before my audition, I told myself that I wanted to be in a boy group because the idea of being part of one amazes me. I thought it would be really fun!

Can you tell us about the kind of training that you do as a group?

Ethan: Right now, we've been a little bit busy because we've been doing taping for the series 'Ang Mutya ng Section E,' but we try to train in between. 

I’m sure after this project, we’ll be focusing more on training as a group. Before, we did training three to four times a week. An interesting thing about our vocal training is that we only did a couple of weeks of vocal sessions before heading into the studio for recordings! It’s so amazing to see our commitment and how our passion is for this craft. So, I felt like, 'Wow, this is going to work!'

Do you have any memorable experiences while training?

Michael: There are so many! Actually, there’s one recently, but I’m not sure if I can talk about it. We were at 7-Eleven and decided to joke around. I won’t tell exactly what happened, but we got a good laugh out of it. *laughs*

I feel like with the way our group is because of our ages, we have so many moments when we kind of forget that we're working because everything's just so fun. We know when to lock in, but we know how to have fun as well.

Hans: Usually after training, we always eat out together. We always go on 'food trips.' 

Charles: Learning choreography together was memorable. It’s super simple, but we learn it together. If I’m having trouble, they always try to help me. They’re all my kuyas (big brothers), and I look up to all of them. It just makes me very happy — that bond between us.

Speaking of training, did some of you have to learn a skill from the start? What was the experience like?

Ethan: I’ve been singing since I was three, and I grew up with a family of singers. But with dancing, I only learned to do it through training. I’ve been with boy groups before, and that’s where I mostly learned how to dance. I don’t think I’m a natural dancer though. *laughs*

Hans: For me, it’s the same with Ethan, I’ve been singing and dancing since I was a kid. But dancing was where my true interest was. Meanwhile, my older brother was good at singing. But then somewhere along the way, we kind of exchanged talents, and he became the dancer while I became a singer in a group. When I started with P-Pop, I could do both, so it was an easier transition for me.

Ethan: *jokes* Sobrang Latina na (“Sobrang Latina” is a viral phrase used when one is feeling themselves).

Hans: Yes, sobrang Latina! *laughs*

Michael: As for me, I’ve been singing since I was four. I was inspired by my older sister who used to do a lot of stuff for Disney, and so I got involved with that. And then, it got to the point where I was just doing it on my own, and my parents noticed and asked if I wanted to do lessons. From a young age, I’ve been doing classical training just to get a good base and tried to figure it out on my own and find the singing style that’s comfortable for me. Singing is my strongest point, while dancing is where I struggled. Even now, I have really bad hand-eye coordination.

Charles: I’m not really a born singer or dancer, but I’ve been rapping since I was a kid. It was during our training that I learned these skills, and I’m thankful to my teammates for helping me out along the way. 

Any important takeaways from your journey so far?

Michael: I think it's safe to say that despite all of our experiences, we learn all these things on our own. And right now, one thing that our coach, Kevin Antiquera, reminds us of the most is that when we join the boy group, we start from ground zero again — we're starting at the bottom, and so we're all collectively learning everything together and learning something new together so that we can be on the same level and be aligned with everything.

Derick: We recently performed onstage, and it feels so different compared to our training. Our coach has been teaching us a lot about how to perform; for example, when you train, even if it's already 100%, on stage, it has to be 200%. The other members have experience with performing, and they’ve helped and uplifted me through it all. We help each other.

Michael: He's [coach] literally like our dad, and so we thank him so much for everything he's done for us and for just keeping our group together and helping us strengthen our bond.

What makes GAT unique from other P-Pop groups?

Michael: I think we bring such a unique sound and flavor to the P-Pop world. When you listen to our music and the music that we have planned on releasing, it's nothing that you've heard before from other P-Pop groups. And I love that because we all have such influences as individual artists. We're able to come together and collaborate and create such a unique sound and take inspiration from this or that to create something new. 

And because we are a proudly Filipino group and we include Filipino history in our work, we are going to be able to make music that will help enhance the meaning of P-Pop.

We’ve yet to hear GAT’s first original song. How would you describe your forthcoming debut single?

Ethan: We already have songs lined up and are preparing for it. We just want to choose the best song to release, so we can’t say anything yet. 

Michael: But the song that we will put out will express all of the members' individuality and also our collective efforts.

What’s your dream for Gat? What do you want to achieve for the group?

Ethan: I would like to release songs that will stick to people’s hearts. We want to release music that would not change OPM, but be part of the OPM and the P-Pop [industry] that we know right now. We also want to keep inspiring people. 

Michael: I think it’s safe to say that we’re heavily inspired by other groups right now, and I think for me, I want us to be the group that another group of boys or girls will look at and they're going to be like, oh, I want to be just like them. I want to be able to make music that impacts people whenever they hear it. If you think of P-Pop, you think of us. 

What can we look forward to from GAT this year?

Ethan: We could promise them we will release some music this year. We've actually had a pre-debut performance already in Zambales recently, and that was really fun! We would like to promise the fans that we will have more events lined up.

This interview has been edited for length and clarity. Don’t miss GAT’s upcoming music and performances by following them on Instagram, X (Formerly Twitter), and TikTok pages. 

Enjoyed this article? Check out our previous Up-and-Coming articles here.

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This Week's Event In Manila

Timeless: J. Moreno
Feb 27 - Jun 30, 2025

Timeless: J. Moreno

Manila/ Vibe/ Pop Culture
Author Anthony Shieh on Coming Home to the Horror Genre
Anthony Shieh

Looking for a new book to read? There’s a new novel hot off the press, and if you’re a fan of horror or speculative fiction, you’re going to want to sit down for this. 

Head by the Ceiling” is a horror novel by Anthony Shieh that follows the story of a group of employees at a network company who are hounded by a series of murders. As fear takes hold, they begin to suspect that these horrors are far from coincidental. Each chilling event brings them closer to a horrifying truth — one far more sinister than they could have ever imagined. 

The Beat Asia got in touch with the Filipino-Taiwanese-Dutch author to pick his brain on his inspiration and influences for this bone-chilling tale. This marks the author’s debut in the genre, which he described as a “homecoming” after publishing a string of successful diverse books including “Death of a Loved One in the Time of Pandemic,” one of Philippine Inquirer’s Noteworthy Books of 2024; the #1 Amazon Bestselling BL (BoysLove) romanceWhite Mocha Americano,” and “VERGE” — a poetry collection about life at its breaking point. 

A true genre chameleon, Anthony enjoys experimenting with his writing and finding new ways to tell a story. But his latest book is a fulfillment of a childhood dream, having written his first horror story at only fourteen years old! The author expressed that while his previous novels explored different genres and improved his craft, they were also stepping stones that led him back to where he truly belonged: in the dark and mysterious world of the horror genre. 

In our latest exclusive, we’re diving into Anthony’s current magnum opus, his processes and influences, as well as how the genre has shaped his career as a storyteller. 

On Returning to Horror

Despite being his debut, “Head by the Ceiling” wasn’t Anthony’s first brush with the genre. The author had been a fan of all things horror at a young age, fostered by a love for horror films such as “The Exorcist” and “Friday the 13th: The Final Chapter.” His mother often brought him to their local video stores to rent Filipino horror movies like “Aswang” and “Shake Rattle and Roll,” which exposed him to the local tales. It was from there that his interest in the genre took root and led him to write his very first horror story, “Tormented,” when he was only fourteen years old. However, the author revealed an intriguing fact about where his fascination with the supernatural also comes from. 

“Beyond film, it also comes from personal experience. I have a 'third eye,' which opened when I was four years old. The first elemental I ever saw was a Kapre perched atop a coconut tree on Makiling St. At first, I mistook it for the PLDT Radio Light, but then I noticed two fiery red dots…eyes, glaring back at me. As I focused, its full silhouette emerged. This experience later became a key influence in my debut horror novel.”

Anthony also revealed that he’s gifted in palm reading, a skill passed down from his Oma in Taiwan to his mom — who also reads tarot — and then to him. It’s clear to see that the writer’s relationship with the genre is deeply rooted in his culture and family history, and how these ties to the unseen have shaped his perspective and his writing. 

Anthony Shieh
Photo from Anthony Shieh

When asked about his definition of horror, Anthony replied, “Horror has always been part of our lives. It’s stitched into our history, our fears, and even our Filipino DNA. From oppression and war to crime and the everyday dangers we face, it lingers in the background. It’s not just a genre, it’s something we all experience in different ways. More than just scares, horror reflects the world around us. It brings to light our anxieties, struggles, and hard truths. People don’t always give it the credit it deserves, but horror is one of the strongest forms of storytelling. It makes us feel, question, and see the world in a way no other genre can.”

With the release of his latest novel, Anthony likens it to a homecoming as he finally wrote a story that fully embraces horror — a genre he had always felt destined to write. It features LGBTQ+ characters, explores themes of friendship, love, and family, and even draws inspiration from Japanese folklore, yokai, and films like “Final Destination,” “Evil Dead,” “Pulse,” and “It Follows.” 

“‘Head by the Ceiling’ is the realization of that dream,” he told The Beat Asia. “It's an emotional rollercoaster with immersive world-building and intense, terrifying moments. One reviewer called it ‘a gory & nightmarish horror with great pacing, non-linear storytelling, and vivid, eloquent writing that adds to its cinematic feel.’ That’s exactly what I strive for: stories that play out like a film in your mind, pulling you in frame by frame.”

On Reinventing Storytelling

Debuting his first horror novel is a true milestone, indeed, but Anthony has been known for his craft for years, having released both prose and poetry books that showcased his versatility, wit, and talent as a writer. 

“Horror is my tribe, but I’ve always been the kind of writer who likes to explore. I’ve dabbled in memoir, dramedy fiction, and poetry. Always experimenting, always testing my limits. Each writing has pushed me to try something new, but no matter how much I explore, I always circle back to horror. Every story I’ve written has been part of that journey, pushing me further, sharpening my voice, and ultimately reinforcing that this is where I’m meant to be.” 

“I love writing both [prose and poetry], but at the core, I’m a novelist,” he added. “Poetry lets me capture emotions in snapshots; raw, introspective, and sometimes cathartic. But novels? That’s where I thrive. I love building worlds, shaping characters, and letting stories unfold in their own time. There’s something about the long form that allows me to dive deeper, to really explore the layers of a character or theme. A novel feels like a journey, and I love bringing readers along for the ride.”

Anthony also gave us a glimpse into his brainstorming and planning process, which is almost as intriguing as his palm reading talent! The author admitted to having taken inspiration from dreams and how he would sometimes wake in the middle of the night to jot down the details, which has shaped many of his stories, including “Head by the Ceiling.”

My writing process is structured yet flexible. Some days, I focus on one novel, and the next, I might feel drawn to another. It all depends on my mood,” he shared. “While many say you should write daily, I disagree. I believe you should write when you feel like writing. Otherwise, you’ll just end up hitting the backspace button.”

The author also listed some impressive influences that have shaped his craft through the years. He admitted to gravitating towards novelizations and screenplays more, finding inspiration in works like “Alien” by Alan Dean Foster, Fede Álvarez's reimagination of “Evil Dead,” and Stephen King’s  “Carrie.”

He also listed some local favorites, explaining how horror in the Philippines is deeply rooted in culture and folklore. He expressed how he has so much respect for authors such as Dean Francis Alfar, Kenneth Yu, and Yvette Tan, whose passion and dedication to Philippine folklore and realism have contributed immensely to the reason why it’s still alive and thriving today. 

With a new book just released and a whole lot more in store — including his participation in an upcoming anthology and two more novels in the works (you heard it here first!), Anthony is shaping the Philippine horror fiction landscape one chilling story at a time, and we simply can’t wait to devour more of them! 

You can get “Head by the Ceiling” at National Book Store (NBS) branches nationwide and online at Anvil Publishing and NBS website, Shopee, and Lazada shops. You can also learn more about Anthony Shieh by visiting his official website and following him on Facebook and Instagram for updates on upcoming events and releases. 

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Manila/ The List/ What's On
EXO’s D.O. Is Returning to Manila for His Second Asia Tour, “DO It!”
20250414 DO EXO Photo by Company SooSoo/Instagram

Calling all Philippine EXO-Ls and Dandanies! 

Missed out on EXO member D.O.’s first solo fan concert, “Bloom” in Manila last year? No worries, because he’s set to return to Manila this August 16, 2025, for his second Asia concert tour, “DO It!” 

D.O. will be performing in nine cities across Asia for his second Asia concert tour from July to October, beginning in Seoul, to be followed by Taipei, Jakarta, Manila, Singapore, Malaysia, Macau, Bangkok, and will be concluding in Tokyo. More cities and dates will be announced in the future. 

D.O.’s Manila stop will be handled by concert organizer Wilbros Live, who also handled his first concert in Manila a year ago. Ticketing details and more have not been revealed yet, so stay tuned for more announcements! 

D.O.: EXO member, Solo Artist, and Critically Acclaimed Actor

Doh Kyungsoo, most famously known as D.O., first debuted as a vocalist of K-Pop boy group EXO in 2012. He, as part of the group, went on to release chart-topping hits such as “Growl,” “Call Me Baby,” “Ko Ko Bop,” “Tempo,” and “Love Shot.” He debuted as a solo artist in 2021 with his first extended play, “Empathy.”

Apart from his singing career, D.O. is also a renowned actor, with his leading roles in K-dramas such as “100 Days My Prince” (2018), and “Bad Prosecutor” (2022), and roles in movies like “Along with the Gods: The Two Worlds” (2017), “Along with the Gods: The Last 49 Days” (2018), “Swing Kids” (2018), “The Moon” (2023), and “Secret: Untold Melody” (2025). 

D.O., along with fellow EXO members Xiumin and Kai, are set to hold solo fan concerts in Manila this year, with Xiumin performing at the New Frontier Theater in May and Kai at the Araneta Coliseum in July. 

For more information and updates, follow Wilbros Live on their Facebook, X (formerly Twitter), and Instagram pages. Follow D.O. on his official Instagram account here.

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Manila/ Vibe/ Artists
Artist Spotlight: Finding Inspiration in the Cliché with Jezzel Wee
Jezzel Wee

In a world where art often bridges the tangible and the transcendent, Jezzel Wee’s works are experiences rather than mere objects. Drawing inspiration from shifting landscapes, the organic beauty of nature, and the rich artistic legacies of both Japanese and Filipino cultures, her work is a seamless fusion of intricate patterns and natural textures that transform clay into immersive, interactive installations that invite touch, movement, and exploration

Rooted in tradition while also deeply contemporary, Jezzel Wee’s ceramics are a story of noticing the small details and finding inspiration in the cliché. 

In our latest artist spotlight, Jezzel Wee talks about her journey into ceramics, learning from masters, and leaving a message of hope through her work. 

What led you to pursue ceramics as a medium?

I like the tactile quality of clay, and I was also drawn to the process of ceramics. It is very tedious, and it has risks, but at the same time, it has high rewards. 

I learned that you learned your craft from a Japanese ceramic artist. Can you share your journey in learning the craft?

I learned from Ryoji Matsumiya, owner and potter of Tsugaru Kanayamayaki in Aomori, Japan. In Tsugaru Kanayamayaki, they process their own clay, fire climbing (noborigama) and anagama wood kilns, and have studios that focus on the slab technique, wheel throwing technique, slip cast technique, jigger and jolly technique, and pressure mold technique. 

I was fortunate to have done and learned most of the techniques of production in Tsuguru Kanayamayaki. They also trusted me to make designs for them, I had to learn what designs were appealing to the Japanese market. 

The biggest challenge for me was when they assigned me to be their chief designer. One of the last projects I made for them was the lamp design production for Hoshino Resorts in Aomoriya, Misawa, and Aomori, Japan. 

Strict discipline and respect for the art and craft are needed.  

Who or what are your biggest influences in your work?

I cannot name a specific person who influences my work because all my mentors, potter friends, and artist friends inspire me to do well in my work. It may sound cliché, but nature and my surroundings have the biggest influence on my work. 

How would you describe your style of aesthetic in ceramics?

I think my style/aesthetic in ceramics is a blend of Japanese and Filipino patterns and influences. 

You find inspiration in the complexities of organic forms and relate them to changing landscapes. Can you share specific examples of natural elements that have significantly influenced your recent works?

For the “Liberating the Chawan” show last 2022 in Pinto Art Museum, most of my works were inspired from growing moss and marine life. Another example is my work for “Weighing Seeds, Pulling Through” at Gravity Art Space, the installation was inspired from Kapok pods and seeds that I often see when I walk around UP Campus. 

I like the idea on how nature can present itself in a broad perspective and as we spend time immersing ourselves, we notice the small details that completes the whole. I guess those characteristics significantly influence my work. 

How did your involvement in the Art Fair PH 2025 come about?

It started when Eya Beldia and I were having a conversation about an exhibition that I wanted to do. Ms. Dawn Atienza of Tin-aw Art Projects and Eya Beldia told me last September that they proposed the idea to Art Fair PH 2025 and got chosen for their special projects. 

What does it mean to you to have been a part of this event?

It meant that I could show another perspective or way to appreciate ceramics as an art form

Can you describe your work, “Pagbulong”?

Pagbulong” is a site-specific ceramic art installation where the viewer is encouraged to hold and engage with the pieces. 

Each ceramic doll is a bell that they can gently shake after they whisper their wishes. As they hold and shake the ceramic doll, a ringing sound will be heard, and other dolls will resonate the same sound. 

What motivated you to create interactive art, and how do you think it enhances the connection between the artwork and the viewer?

For the past few years, my works have always been interactive and immersive; I wanted to create a space where viewers are invited to engage with the work. I think I want to share my experiences with the viewers on how I view the world. 

The tactile or the sense of touch grounds us to be at the present, the sound being produced prompts us to pay attention to the work or what’s in front of us. I think that the time spent with the work creates this intimate connection between the work and the viewer.

What did you hope to convey to the viewers through your exhibition, “Pagbulong”?

I hoped that they had the time to slow down and take the opportunity to say wishes for themselves, for others, or even our country. To realize that each and every one of us carry that wish or hope for things to be better. 

How do you see your work evolving after Art Fair Philippines?

My work will always be grounded in creating experiences for the viewers, to connect with themselves and be more self-aware. I think I will explore more on how to create site-specific works that will engage viewers.

Do you have any upcoming collaborations or exhibitions your audience can look forward to?

As of now, the bulk of the preparation was for Art Fair Philippines. Maybe a few group exhibitions in the 3rd or 4th quarter of the year. 

Learn more about Jezzel Wee and her works by following her on Instagram

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Manila/ Vibe/ Pop Culture
Uy Philippines! Oxford Dictionary Adds 11 Filipino Words, Including 'Gigil'
Pexels pixabay 45170

The West yearns for more Filipino words in their dictionaries. 

The Oxford English Dictionary has recently added 11 new Filipino words to their Philippine English category. This addition includes the untranslatable word to express a feeling of intense cuteness aggression, “gigil.” 

The Oxford English Dictionary describes “gigil” as both a noun and an adjective; as a noun, the dictionary says it’s “an intense feeling caused by anger, eagerness, or the pleasure of seeing someone or something cute or adorable, typically manifested by the tight clenching of hands, gritting of the teeth, trembling of the body, or the pinching or squeezing of the person or thing causing this emotion.” 

As for the adjective, Oxford Dictionary describes it as an emotion felt by a person “overwhelmed by an intense feeling caused by anger, eagerness, or the pleasure of seeing someone or something cute or adorable.” 

Aside from “gigil,” the Oxford English Dictionary (OED) added 10 other Filipino words to the Philippine English category—totaling to eight (8) new words and three (3) added definitions to existing entries. Here are the other words that have been added: 

CR  

 (noun) a toilet; a lavatory; comfort room. 

Kababayan 

(noun) A fellow Filipino; one’s fellow Filipino. A person from the same Philippine region or town as another. 

(noun) A small, sweet cake, similar to a muffin, typically yellow in color, in the shape of a salakot.

Lumpia  

(noun) In East and Southeast Asian cookery: any of various types of spring roll, typically consisting of a very thin pancake filled with minced meat, seafood, or vegetables, rolled into a cylinder (and sometimes deep-fried) and served with a dipping sauce. 

Pinoy (This was added in 2006 and modified in March 2025.)

(noun) A (usually male) native or inhabitant of the Philippines; a person of Filipino descent. 

(adjective) Of, belonging to, or relating to the Philippines or Filipinos.

Salakot

(noun) A type of lightweight Filipino hat traditionally worn by farmers as protection against the weather, typically domed or conical in shape, with a wide brim and often having a spiked or ornamental finial at the tip of the crown. 

Sando

(noun) A sleeveless garment worn under or instead of a shirt; a vest. 

Thomasite

(noun) An American teacher in the Philippines during the period of American occupation (1899=1946); esp. one belonging to the first group of teachers who arrived on the U.S. Army Transport Thomas in 1901, tasked with establishing a new public school system, teaching basic education, training Filipino teachers, using English as the primary language of instruction. 

Videoke

(noun) A form of entertainment popular in bars, at parties, etc., in which a person sings the vocal line of a popular song to the accompaniment of a pre-recorded backing tape while following the lyrics which appear on a screen in time with the music. Also, the equipment used for this. 

Load

(noun) Credit purchased for a pay-as-you-go mobile phone. 

Terror

(adjective) A teacher that’s strict, harsh, or demanding.

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Manila/ Vibe/ Celebs & Influencers
The Beat Manila’s Up-And-Coming: Singer-Songwriter Earl Agustin
Earl Agustin

The Beat Manila’s Up and Coming is a series where we feature rising talented artists from the Philippines, giving them a platform to share what they’re passionate about and to promote the music they (and us too!) would love for the world to hear. Do you want or know someone who wants to be featured? Email us at [email protected] or slide through our DMs on FacebookorInstagram!

It’s always thrilling to see new names appear on the Top OPM (Original Pinoy Music) Artists chart, and we’re here to tell you about one rising singer-songwriter that should be on your radar. 

Currently holding the title of #1 Top OPM Artist on Spotify Philippines, Earl Agustin has become the most-streamed OPM artist in the country for the first time, and the first Filipino artist in history to reach the Top 50 on the Global Spotify chart. This remarkable accomplishment is a testament to his talent and steady rise in the industry.

The singer-songwriter from Mindanao is known for his retro-pop jams such as “Tibok,” an original love song that once topped several music charts in the country, including Spotify, Apple Music, and YouTube Music; as well as “Dalangin” and “Dito Sa’kin," which are currently at #9 and #37 on the Spotify Top 50 PH chart, respectively (as of Mar. 31, 2025). The rising artist also holds an impressive social media following with a combined follower count of 369.4K on TikTok and Instagram as of writing. 

The Beat Asia sat down with the musician to get to know more about his musical roots, his writing process, and what he intends to achieve in his burgeoning musical career. We also got the scoop on his current #1 hit and how the song was actually inspired by a real-life experience! Earl talks more about his clever artistic choices for the track in our latest exclusive.

Hi Earl! How did you get started with doing music?

I actually started writing music during the pandemic. But before that, my dad used to train Drum and Lyre corps in schools, and I happened to join one in grade school. I guess that was my first exposure to music. 

In high school, I enrolled in a Special Performing Arts (SPA) program and studied visual arts for four years. My friends at the time were all musicians, and it was around that time that I started picking up instruments, learning to sing and play guitar. I was 16 or 17 when I realized I could really sing and do music. 

During the pandemic, I got involved in the [music] community. I met an artist on Facebook sometime around 2020 to 2021, and I really liked their stuff. From there, I learned about virtual gigs and would often join in. That's when I also started to post covers on TikTok, Facebook, and sometimes on YouTube. 

Cool! Did you learn to play instruments on your own?

Most of it was self-taught. I enrolled in guitar summer classes, but it was a beginner's course, so most of the stuff I was taught there I was already aware of. But I suppose that was my most formal training. 

Before the pandemic, did you ever consider pursuing music as a career?

No, actually. I was studying AB Communications in college, so my expected trajectory was to be in the news or media. But during my internship around 2022, I was discovered by Viva’s (Viva Artist Agency) A&R through one of my TikTok covers. So, after I graduated, I quickly pursued it. 

I don’t think a lot of people get the opportunity to get scouted by a big company like Viva, so I gave it a chance.

And you came all the way from Mindanao! How was the experience of transitioning to a new place and pursuing this unexpected path?

It’s big. It was definitely a huge transition for me because I used to live in a city where original music didn’t really thrive. The music scene there is mostly cover bands, so to transition into living in a place where original compositions are valued, it’s a big thing!  Plus, there’s me being Bisaya and having to learn the language. I mean, I could speak Tagalog well, but there are still some cultural differences. 

Let’s talk more about your music. Have you already established your signature sound? How would you describe it?

I think it’s safe to say that I’ve found it. Two years ago, I was struggling to really establish a sound for myself because I’ve always liked R&B, and it has always resonated with me. But it was with my first single with Vicor Music that I started my journey to finding the sound I wanted to produce and sustain as a brand, which is the Retro Pop-Soul — or makalumang tunog na R&B (vintage sounding R&B). 

My music is also very influenced by artists like Silk Sonic, VST & Company, and Apo Hiking’s Society. It’s a mix of the Western Motown sound with OPM

What inspires you to write songs?

The songs that I write are mostly love songs. I love love. I love writing about it, and it became a goal for me as a songwriter to write about that shared human experience of love.

Speaking of love songs, congratulations on your #1 hit “Tibok.” How does it feel that it has gotten so much attention despite being released in 2023? Did you ever expect it to blow up?

Absolutely not! Among the songs I’ve written, it’s actually the one I thought wouldn’t be popular with the masses. It’s super wordy compared to the other songs I wrote. Parang mas commercial yung iba, pang-masa (My other songs are more commercial, more mass appealing), so I didn’t expect it would resonate with a lot of people. But masaya 'yung feeling (I feel great about it). 

It’s a testimony that when you’re just really honest about what you write, people resonate with it more. I think this is the most honest song I've written and the realest I’ve been. I believe that’s what contributed to its success. 

Can you tell us a bit about what the song is about and what inspired you to write it?

It’s not a happy love song. It’s a song about mixed feelings and emotions. I had this experience where I had a crush on somebody, and then we were just talking until we faded into nothing. That’s exactly what I was trying to say in the song. 

If you listen to it, it starts [out with a happy vibe]. Kikiligin ka (you’ll feel the butterflies), but towards the middle and end of the song, the trajectory goes down. The uncertainty kicks in, which is when you start asking yourself if they have feelings for you or if they like you back. 

For the last part of the song, I chose to do a fade-out. It’s an artistic choice because it represents what happened in real life — how we just faded into nothing. The song captures the raw emotions of what was really happening at that time, asking: 'Where is this going?'

When composing, what comes first: music or lyrics?

It depends. Most of the time, when I’m doing the most random things in the house, that’s when the melodies come to my head. There are also times when I thought of a phrase that’s nice, or I read something, and I feel the urge to write about it. But mostly, it’s music first, based on my experience. 

Now with a few hits under your belt, how does it feel to be deemed as one of the top acts in OPM right now?

Grabe, it’s surreal! I can’t believe it. In all honesty, I never dreamed about being on top among these amazing artists. Just releasing songs was my victory. That was my definition of success

But now, being on this list filled with amazing artists and musicians, sobrang surreal ang pakiramdam (It feels unbelievable), but I don’t want to get used to the feeling of being on top. Life is like a wheel, after all. Sometimes you’re up, and sometimes you’re down. I feel really, really blessed. This doesn’t happen often to people like me. 

Can you tell us about your most memorable performance and why?

I have a lot! *laughs* But one of my favorite gigs was the one we did in Nasugbu, Batangas, with Amiel Sol

At that time, I didn’t expect the crowd to sing along to my songs. But the moment I stepped on stage, I was shocked! Everyone was so warm and welcoming, and they were singing my songs. It’s a big thing for me. 

What do you love most about being a musician or performer?

I think what I love the most about it is the effect of music on people. I really love performing for people, and there’s this unexplainable joy when you hear music — that feeling music can provoke in a person. 

When you play for people, you get to connect with them. It doesn’t even matter if the song is in English, Tagalog, or Bisaya. Whatever language it is, it connects people in a way that is special

Do you have any dream collaborations?

For sure, Anderson Paak and maybe Jacob Collier. For local artists, Dionela, Arthur Nery, and Zack Tabudlo. 

musicians
From left: Earl Agustin, Arthur Nery, and Amiel Sol | Photo from Facebook/Earl Agustin

After peaking at number one, do you still have goals you want to achieve as an artist?

I guess the goal right now is to release more songs and cement my name in OPM, to leave my legacy as a songwriter. I want to be known as somebody who wrote real and honest songs about love or anything else. 

Is there anything we should look forward to from you this year?

I have a lot of things prepared this year compared to the last two years, starting with a new single. There’s other stuff I can’t say yet, but they’ll come out this year. Also, hopefully, I’ll be able to do more gigs and music festivals.

This interview has been edited for length and clarity. You can follow Earl Agustin’s musical journey by keeping up with his TikTokInstagram, and Facebook pages. 

Enjoyed this article? Check out our previous Up-and-Coming articles here.

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Manila/ The List/ What's On
Get Ready for Dear Evan Hansen Live in Manila in September
Untitled design 2025 04 02 T110333 509 Photo by GMG Productions/Website

Get ready theatre fans, because Dear Evan Hansen is finally coming to Manila — And yes, You Will Be Found in the audience. 

After years of waiting (and countless “Waving Through a Window” covers), GMG Productions has announced the Tony and Grammy-winning musical will make its Philippine debut in September 2025 at The Theatre at Solaire, bringing its heart-wrenching story and soaring anthems to the stage.

Fans of Benj Pasek and Justin Paul’s heart-wrenching score (“Disappear,” “You Will Be Found”) can now experience the Manila run of the UK touring production live and in full theatrical glory.  

“Filipino audiences have been asking for Dear Evan Hansen for years, and we’re beyond excited to finally bring it to Manila,” said Carlos Candal, CEO of GMG Productions. “The story, music, and message resonate deeply, and we can’t wait for Filipino fans to experience it live.”  

The show follows Evan Hansen, a socially anxious high schooler who stumbles into a lie that spirals beyond his control. First staged in Washington, D.C., in 2015 before its Broadway debut in 2016, "Dear Evan Hansen" went on to win Best Musical at the 2017 Tony Awards, along with a Best Actor win for Ben Platt.

Tickets officially go on sale Apr. 15, 2025 via TicketWorld. If you want early access, UnionBank cardholders and GMG waitlist members can grab pre-sale tickets from Apr. 8 to 14, 2025 here.

For more information, visit GMG Productions on their website, Instagram, Facebook, or X (Formerly Twitter).

Location: The Theatre at Solaire, 1 Asean Avenue Entertainment City Tambo, Paranaque City 1701 Metro Manila

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Manila/ The List/ What's On
7-Eleven PH's City Café Unveils New Bestie, Darren Espanto!
HEADER Photo by The Beat Asia

Known as the largest convenience store chain in the world, 7-Eleven has become a staple in the lives of many Filipinos. You can find their stores every few blocks across the country, cementing their role as the people’s trusted kapitbahays (neighbors) who serve and support their everyday needs. 

7-Eleven’s in-house coffee brand, City Café (CC), is a testament to that commitment, providing every Filipino with their favorite coffee fix to get them through their hectic daily schedules. Last Mar. 26, the brand launched an exciting new era as they welcomed a new member to their family, who will help them in ushering in new and exciting things to your coffee experience. 

“More than just an establishment, what we really want to be is a companion wherever, whenever. If 7-Eleven is your trusted neighbor, then City Café is your bestie, your reliable go-to that’s always there to keep you fueled day and night,” said Valerie Uy, Marketing Communications Division Head of 7-Eleven Philippines. “Over the years, we’ve seen coffee culture evolve in amazing ways, especially here in the Philippines. We’ve seen more young people embrace coffee, experiment with flavors, and make it a central part of their lifestyle. We’re so excited to introduce something new today, and we are sure that you’re going to love what we have in store for you this year.”

City Café plays a key part in how 7-Eleven builds brand love, and this year, they’re giving you more reasons to enjoy coffee at the most affordable price and premium quality alongside their newest ambassador, Darren Espanto. The singer and actor stepped up on stage and officially revealed himself as CC’s newest bestie in a launch event at 7-Eleven’s 4,000th store located in Newport Circle, Pasay City. The event was filled with DARRENatics, 7-Eleven executives, and friends from the media as they welcomed the charismatic singer to the CC family. 

Darren Espanto
Photo by The Beat Asia

In line with the celebration, City Café also announced a special promo. Coffee lovers can enjoy any small City Café drink (hot or iced) for only P30 until Apr. 1!

“I feel like I drink coffee so much that I’ve manifested a project like this,” Darren said when asked how he felt after being chosen as the new brand ambassador. “Everything happens so fast, and I just feel so grateful!” 

The actor also shared how he always started his day with coffee and was an avid drinker, relying on the beverage to keep him energized through his busy schedules. 

“At the start of my day, coffee po agad (I have coffee first thing)! I usually enjoy it iced. When the days are long because of work, I try to pace my coffee drinking if I need to get energized again. Usually before showtime, or if I have stuff to do afterward.”

As part of the celebrations, Darren also got to play Barista for the day and made coffee for some of his supportive fans. 

Darren and fan
Photo by The Beat Asia

For those who live an active lifestyle like Darren, City Café provides a variety of blends that can keep you fueled throughout the day or night. These include Americano, French Vanilla Cappuccino, Mochaccino, and Spanish Latte, which you can enjoy iced or hot. For the hot beverages, you can also get a shot of espresso, a Classic Brewed Coffee, or their Signature Hot Chocolate. Iced beverages have standard regular sizes and are priced at P49 (P47 for Americano), while hot drinks can be as low as P30 (small), P45 (medium), and P55 (large) per cup. You can get your coffee from their shiny self-service coffee machines. Just grab a cup, tap your coffee of choice on the screen, and let it brew! Afterward, just pay at the counter, and you’re good to go. It’s that simple!

coffee machine
Photo by The Beat Asia
Darren espanto City Cafe
Photo by The Beat Asia

When asked how the coffee selection was curated, CC executives replied that it was all based on consumer preferences. 

“At 7-Eleven, delighting the customers is at the heart of what we do, and for the CC team, it means actively listening to what the consumers want and keeping up with the trends, ensuring that we deliver high-quality products,” said Sette Bañez, Marketing Communications Section Manager of 7-Eleven Philippines

“This has been the brand’s approach over the years. The strongest testament to that commitment was the launch of City Café’s Iced Coffee, which was driven by the insight that more and more consumers, especially Gen Zs, prefer their coffee iced. So whatever we do, rest assured it will be guided by and shaped by the consumer’s preferences — from new product launches to exciting promotions.”

Darren also encouraged everyone to try out City Café, because not only is it affordable, it's also premium coffee made from 100% Arabica beans. He shared that although a simple black Americano is his go-to coffee drink, he holds an exception for CC’s Spanish Latte and French Vanilla Cappuccino, which he said are his preferred pick-me-up drinks. 

“Aside from the taste, it’s a different flavor. Nakaka-happy siya (It makes me happy),” he said.

Darren and CC
Photo by The Beat Asia
City Cafe
Photo by The Beat Asia

From classic brews to trendy new twists, coffee has become more than just a drink but an experience that many people enjoy and look forward to, and CC has much to offer in the next few months with this collaboration. 

Charlene Harn, Section manager for Cup Drinks at 7-Eleven Philippines, passionately told us about the projects their coffee brand has launched and how they intend to push the boundaries of Filipinos’ coffee experience further in the coming weeks.

“Starting today until Apr. 1, we are offering as much as a P7 discount on any small City Café drink. On the sustainability side of things, our campaign ‘Good Coffee, Good Habits’ allows you to avail a P5 discount when you bring your tumbler or reusable cup for your coffee,” she said. “But what is next for City Café? We are not here for nothing, we can only go bigger, bolder, stronger, and better! The sky is the limit for City Café. We don’t want to spoil the surprises, but one thing is for sure: with Darren, your kapitbahays, and coffee besties in tow, leveling up your bean-to-cup experience with City Café will always be our priority. Whenever, wherever.”

7-Eleven City Cafe Team
Photo by The Beat Asia

To get the latest updates and all the exciting brews to come, follow 7-Eleven Philippines on Facebook,  Instagram, and TikTok.  

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