P-Pop Group GAT Talks Music and Becoming Genre Icons
Manila/ Vibe/ Artists

The Beat Manila’s Up-And-Coming: P-Pop Group GAT

GAT Up and Coming

The Beat Manila’s Up and Coming is a series where we feature rising talented artists from the Philippines, giving them a platform to share what they’re passionate about and to promote the music they (and us too!) would love for the world to hear. Do you want or know someone who wants to be featured? Email us at mnl.editorial@thebeat.asia or slide through our DMs on FacebookorInstagram!

It’s a known fact that Viva Artist Agency (VAA) is in the business of showcasing the brightest young talents of this generation. From musicians to actors, Viva is continuously searching for the next big thing, fostering talent that inspires, entertains, and promotes Filipino music and artistry.

This March, the company launched a new boy group set to conquer the P-Pop scene. Introducing GAT, our featured up-and-coming artists gearing up to shape the OPM (Original Pinoy Music) landscape one explosive performance at a time. Under the collaboration of Ivory Music and VAA, the quintet consists of Ethan David, Charles Law, Michael Keith, Derick Ong, and Hans Paronda. The name “GAT” is derived from the Tagalog honorific “Gat,” which means nobleman, symbolizing excellence and respect.

The boys made their first impression among P-Pop fans with the release of their pre-debut cover of James Reid’s “Huwag Ka Nang Humirit,” which showcased their talent and charisma. They gained momentum with another cover single entitled “Daleng Dale,” which recently ranked #3 in the Viral Songs PH Chart. The single was the official opening track of Viva One’s hit series “Ang Mutya ng Section E,” in which some of the members are currently participating as supporting actors.

In our latest exclusive, we got the whole gang together for a fun chat about their music, their most memorable training stories, and what we can expect from the group this year. Read on to get to know P-Pop’s newest eye candies and discover what makes them a fresh sound you should keep on your radar.

Hi GAT! Can you tell us a bit about yourselves and your roles in the group?

Ethan: We don’t have any positions right now because we value our craft, and we don’t want to confine ourselves to a particular role. We want to be able to explore other things. I’m a singer myself, but I also want to be able to rap and dance. Ayaw naming ma-stuck dun sa roles (we don’t want to be stuck in just one role). 

Michael: Same as what Ethan said, but I guess for my role, I’m more of the singer and producer for the group. But wherever I can help, I like to pitch in.

Hans: I’m more of dancing and singing.

Charles: I’m the youngest of the group and do more rapping.

Derick: I like singing the most, although dancing has been a favorite of mine ever since I joined the group. Seeing how good and talented my teammates are made me want to step up!

Is there a story behind the group name?

Michael: GAT stands for “Gawang Atin ‘To” and we look up to our kuya (big brother) groups like ALAMAT, and the idea is that it’s purely Filipino. Everything we make is made in the Philippines by Filipinos.

GAT
Photo from Viva Artist Agency

How was the group formed? Did you know each other beforehand?

Michael: Yeah, it started with me, Ethan, and Hans being called into a meeting. Boss Vic [Vic Del Rosario] told us how we were talented artists on our own and that they had this idea of forming a boy group with us in it and just combining our talents. He got us three first, and then Charles and Derick got added.

We all kind of knew each other from previous projects and from being with Viva. Derek is the one who's pretty fresh to us. But we all clicked right away and so it all worked out that way!

Ethan: Michael and I were friends, and I met Hans casually at the events from Viva. As for Charles, I met him when he was just a baby — he was just thirteen! He was quite shy and quiet then, but I think we’ve influenced him to be more makulit (playful). Derick is pretty new. He only started training with Viva for about eight months.

We all have different personalities, but when we’re together, we’re solid. We’re playful and clingy with each other. We’re definitely like brothers!

Cool! Given your individual training before GAT, how was the experience transitioning into becoming a P-Pop group? Did you always want to be part of a group?

Charles: Back then, I went into Viva thinking I would just do acting. But when I got to meet some P-Pop group members, I got inspired. Two years before my audition, I told myself that I wanted to be in a boy group because the idea of being part of one amazes me. I thought it would be really fun!

Can you tell us about the kind of training that you do as a group?

Ethan: Right now, we've been a little bit busy because we've been doing taping for the series 'Ang Mutya ng Section E,' but we try to train in between.

I’m sure after this project, we’ll be focusing more on training as a group. Before, we did training three to four times a week. An interesting thing about our vocal training is that we only did a couple of weeks of vocal sessions before heading into the studio for recordings! It’s so amazing to see our commitment and how our passion is for this craft. So, I felt like, 'Wow, this is going to work!'

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Do you have any memorable experiences while training?

Michael: There are so many! Actually, there’s one recently, but I’m not sure if I can talk about it. We were at 7-Eleven and decided to joke around. I won’t tell exactly what happened, but we got a good laugh out of it. *laughs*

I feel like with the way our group is because of our ages, we have so many moments when we kind of forget that we're working because everything's just so fun. We know when to lock in, but we know how to have fun as well.

Hans: Usually after training, we always eat out together. We always go on 'food trips.'

Charles: Learning choreography together was memorable. It’s super simple, but we learn it together. If I’m having trouble, they always try to help me. They’re all my kuyas (big brothers), and I look up to all of them. It just makes me very happy — that bond between us.

Speaking of training, did some of you have to learn a skill from the start? What was the experience like?

Ethan: I’ve been singing since I was three, and I grew up with a family of singers. But with dancing, I only learned to do it through training. I’ve been with boy groups before, and that’s where I mostly learned how to dance. I don’t think I’m a natural dancer though. *laughs*

Hans: For me, it’s the same with Ethan, I’ve been singing and dancing since I was a kid. But dancing was where my true interest was. Meanwhile, my older brother was good at singing. But then somewhere along the way, we kind of exchanged talents, and he became the dancer while I became a singer in a group. When I started with P-Pop, I could do both, so it was an easier transition for me.

Ethan: *jokes* Sobrang Latina na (“Sobrang Latina” is a viral phrase used when one is feeling themselves).

Hans: Yes, sobrang Latina! *laughs*

Michael: As for me, I’ve been singing since I was four. I was inspired by my older sister who used to do a lot of stuff for Disney, and so I got involved with that. And then, it got to the point where I was just doing it on my own, and my parents noticed and asked if I wanted to do lessons. From a young age, I’ve been doing classical training just to get a good base and tried to figure it out on my own and find the singing style that’s comfortable for me. Singing is my strongest point, while dancing is where I struggled. Even now, I have really bad hand-eye coordination.

Charles: I’m not really a born singer or dancer, but I’ve been rapping since I was a kid. It was during our training that I learned these skills, and I’m thankful to my teammates for helping me out along the way.

Any important takeaways from your journey so far?

Michael: I think it's safe to say that despite all of our experiences, we learn all these things on our own. And right now, one thing that our coach, Kevin Antiquera, reminds us of the most is that when we join the boy group, we start from ground zero again — we're starting at the bottom, and so we're all collectively learning everything together and learning something new together so that we can be on the same level and be aligned with everything.

Derick: We recently performed onstage, and it feels so different compared to our training. Our coach has been teaching us a lot about how to perform; for example, when you train, even if it's already 100%, on stage, it has to be 200%. The other members have experience with performing, and they’ve helped and uplifted me through it all. We help each other.

Michael: He's [coach] literally like our dad, and so we thank him so much for everything he's done for us and for just keeping our group together and helping us strengthen our bond.

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What makes GAT unique from other P-Pop groups?

Michael: I think we bring such a unique sound and flavor to the P-Pop world. When you listen to our music and the music that we have planned on releasing, it's nothing that you've heard before from other P-Pop groups. And I love that because we all have such influences as individual artists. We're able to come together and collaborate and create such a unique sound and take inspiration from this or that to create something new.

And because we are a proudly Filipino group and we include Filipino history in our work, we are going to be able to make music that will help enhance the meaning of P-Pop.

We’ve yet to hear GAT’s first original song. How would you describe your forthcoming debut single?

Ethan: We already have songs lined up and are preparing for it. We just want to choose the best song to release, so we can’t say anything yet.

Michael: But the song that we will put out will express all of the members' individuality and also our collective efforts.

What’s your dream for Gat? What do you want to achieve for the group?

Ethan: I would like to release songs that will stick to people’s hearts. We want to release music that would not change OPM, but be part of the OPM and the P-Pop [industry] that we know right now. We also want to keep inspiring people.

Michael: I think it’s safe to say that we’re heavily inspired by other groups right now, and I think for me, I want us to be the group that another group of boys or girls will look at and they're going to be like, oh, I want to be just like them. I want to be able to make music that impacts people whenever they hear it. If you think of P-Pop, you think of us.

What can we look forward to from GAT this year?

Ethan: We could promise them we will release some music this year. We've actually had a pre-debut performance already in Zambales recently, and that was really fun! We would like to promise the fans that we will have more events lined up.

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This interview has been edited for length and clarity. Don’t miss GAT’s upcoming music and performances by following them on Instagram, X (Formerly Twitter), and TikTok pages. 

Enjoyed this article? Check out our previous Up-and-Coming articles here.

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This Week's Event In Manila View more

This Week's Event In Manila

Manila/ The List/ What's On

Spotlight on December: Must-See Theater Shows in Manila

Theater Shows Dec 2025

December 2025 brings a festive and exciting lineup to Manila’s theaters, featuring everything from holiday musicals to powerful new plays.

Whether you’re looking for family-friendly performances or thought-provoking productions, the city’s stages promise unforgettable stories, stunning performances, and a celebration of artistry to close the year.

Sala Sa Pito

sala sa pito event poster
Photo from Website/Ticket2Me

Sala Sa Pito continues its much-anticipated rerun this Dec. 4 to 5, 2025 at the FEU Center for the Arts Studio, with performances at 3 PM and 7 PM. Presented by Boxstage Manila in partnership with Far Eastern University organizations, this all-FTG alumni production brings a refreshed vision to George de Jesus III’s Palanca Award-winning play.

Loosely inspired by Arthur Schnitzler’s La Ronde, the play explores modern relationships, intimacy, and vulnerability through interconnected 1990s settings and soulful music. Don’t miss this immersive theatrical experience that blends thought-provoking storytelling with a fresh perspective on a Filipino theater classic!

Sala Sa Pito
Sala Sa Pito FEU Center For The Arts Studio Fri, November 14 onwards Experience "Sala Sa Pito" at FEU Center For The Arts Studio from Nov. 14-29, 2025, with shows at 3PM and 7PM.

Ateng

ateng event poster
Photo from Website/Ticket2Me

Celebrate courage, identity, and resilience this December with Ateng, a deeply moving stage play written by Vincent de Jesus, directed by Rem Zamora, and produced by RS Francisco and Boy Abunda. Catch the show at Rampa Drag Club, Quezon City, from Dec. 5 to 7, 2025, at 7 PM, where a humble beauty parlor becomes the stage for empowerment and defiance.

Set in 2005, the story follows Juicy, a struggling impersonator, and her sister Kiwi as they confront deceit, reclaim dignity, and discover that their salon tools are more than instruments of beauty — they are symbols of self-worth and identity. With humor, heart, and unforgettable performances, Ateng is a powerful tribute to being true to oneself.

Buy tickets here.

Ateng
A Stage Play: ATENG Rampa Drag Club Fri, December 5 7:00 PM onwards Experience Ateng, a powerful play on love, identity, and pride at Rampa Drag Club, Quezon City from Dec. 5–7.

A Christmas Carol: The Musical

A Christmas Carol: The Musical event poster
Photo from Website/TicketWorld

Ring in the holiday spirit this December with A Christmas Carol, The Musical, showing every Friday, Saturday, and Sunday from Dec. 5 to 21, 2025, at The Proscenium Theater. Presented by Rockwell, this spectacular stage production brings Charles Dickens’ timeless story of redemption and compassion to life through dazzling performances and moving music.

Featuring music by Alan Menken (Beauty and the Beast, Aladdin) and lyrics by Lynn Ahrens (Ragtime, Anastasia), the Broadway adaptation follows miserly Ebenezer Scrooge as he is visited by the Ghosts of Christmas Past, Present, and Yet to Come. With stunning choreography, rich storytelling, and heartwarming melodies, this festive musical is perfect for families and theater lovers — don’t miss the magic of Christmas at Rockwell!

A Christmas Carol The Musical
A Christmas Carol: The Musical The Proscenium Theater Sat, November 29 3:00 PM onwards Celebrate the holidays with A Christmas Carol The Musical, a heartwarming Broadway-style retelling of Charles Dickens’ beloved Christmas classic.

Gregoria Lakambini: A Pinay Pop Musical

Gregoria Lakambini: A Pinay Pop Musical event poster
Photo from Website/TicketWorld

Experience a powerful retelling of a national heroine’s story this December as Gregoria Lakambini: A Pinay Pop Musical continues its run from Dec. 5 to 14, 2025, at the Tanghalang Ignacio Gimenez, Cultural Center of the Philippines, with shows at 3 PM and 8 PM. This bold, contemporary production reimagines the life of Gregoria de Jesus, the steadfast Lakambini of the Katipunan, through the vibrant energy and rhythm of a P-Pop girl group.

Presented in cooperation with Flip Music Productions Inc., the musical brings Oryang’s courage, love, and voice to center stage. Led by Marynor Madamesila, with Sarah Monay, Heart Puyong, Anya Evangelista, Ynna Rafa, Sofia Sacaguing, and Murline Uddin, the show blends modern music and choreography with themes of identity, freedom, and empowerment. Don’t miss this inspiring celebration of Filipina resilience — tickets are priced at P2,000 (VIP) and P1,800 (Regular).

Patintero sa Ayala Avenue

Patintero sa Ayala Avenue event poster
Photo from Facebook/CAST PH

Step into a world of lights and holiday nostalgia as Patintero sa Ayala Avenue returns for a limited rerun from Dec. 6 to 14, 2025 at The Mirror Theatre Studios, Makati. This heartwarming production uncovers what happens to Ayala Avenue’s iconic lights after Christmas, blending memory, community, and the Filipino spirit of resilience.

With touching performances and vivid visuals, the play captures the charm and chaos of Manila’s festive season. Tickets are P800; it's the perfect holiday theatre experience to welcome the season’s glow.

Ad Infinitum: Two Plays in Memoriam

Ad Infinitum: Two Plays in Memoriam event poster
Photo by Instagram/infinitecantina

Step into an intimate world of memory, identity, and human connection as Infinite Cantina presents AD INFINITUM: Two Plays in Memoriam at Dark Roast Coffeehouse, Maginhawa, Quezon City, this December.

Audiences can experience Lost Tongue: A Dream in One Act by Bea Racoma on Dec. 5 & 6 at 7:30 PM and Dec. 6 at 3 PM, followed by The Black Bordello by Jay Crisostomo IV on Dec. 12 & 13 at 7:30 PM and Dec. 13 at 3 PM, each offering a thought-provoking exploration of language, dreams, and societal truths.

Set in an intimate venue, both plays combine evocative storytelling, artistry, and reflection to create a truly immersive theatrical experience.

Ad Infinitum Two Plays in Memoriam
Ad Infinitum: Two Plays in Memoriam Dark Roast Coffeehouse Fri, December 5 7:30 PM onwards Experience AD INFINITUM: Two Plays in Memoriam at Dark Roast Coffeehouse this December, featuring works by Bea Racoma and Jay Crisostomo IV.

Ballet Philippines 'Alice in Wonderland'

Ballet Philippines 'Alice in Wonderland' event poster
Photo from Solaire Resort

Step into a world of whimsy and wonder this holiday season with Ballet Philippines’ Alice in Wonderland, running Dec. 5 to 7, 2025 at The Theatre at Solaire. Choreographed by Mikhail Martynyuk, this full-length ballet brings Lewis Carroll’s timeless tale to life with classical ballet, inventive pantomime, and vibrant storytelling, including a gala performance on Dec. 5 at 8 PM and additional matinee and evening shows on Dec. 6 and 7.

Follow Alice through magical gardens, chaotic tea parties, and the Queen of Hearts’ dramatic courtroom in a production designed to enchant audiences of all ages. Tickets offer a unique holiday experience, celebrating Filipino talent and world-class artistry in a visually stunning and imaginative performance.

Alice wonderland mobile banner 1
Ballet Philippines 'Alice in Wonderland' The Theatre - Solaire Resort & Casino Fri, December 5 8:00 PM onwards Ballet Philippines presents "Alice in Wonderland," a playful full-length ballet by Mikhail Martynyuk, running Dec. 5-7, 2025 at The Theatre at Solaire.

Don’t let your event or deal go unnoticed! Seize the opportunity to be featured in our The List, Top Deals, and Delish Insider newsletters, the go-to source for the city's most captivating events and can’t-miss deals. Click here to get started!

Manila/ Fashionista/ Style

GUESS Debuts New SM MOA Flagship Look and Its First Filipina Ambassador

Andrea 2Photo by GUESS Philippines

Global lifestyle brand GUESS has marked a defining moment in its international retail evolution with the grand reopening of its flagship store at SM Mall of Asia, unveiling the brand’s first-ever world-debut concept and introducing Andrea Brillantes as GUESS Philippines’ first-ever local ambassador. These two landmark milestones signal the brand’s renewed commitment to the Filipino market and its vision for a more elevated, experience-led retail.

Interiors of the new flagship of GUESS
Courtesy of GUESS Philippines
Interiors of the new flagship of GUESS
Courtesy of GUESS Philippines

Since entering the country in 1992, the new SM Mall of Asia flagship store brings GUESS’ most advanced store design to date. The new store fuses modern aesthetics, curated merchandising, and interactive elements that guide visitors through seasonal collections, local collaborations, and the brand’s newest stories. Digital touchpoints and dedicated zones create a fluid, fashion-forward environment designed to inspire customers who enter the store.

This store represents the future of GUESS,” said Maureen Stamati, Executive Director of GUESS Philippines. “Debuting our first global concept here in Manila shows our confidence in the Filipino market. We’re raising the bar for what customers can expect, from the in-store experience and design to our overall brand energy.”

Andrea Brillantes with executives from SM and GUESS Philippines
Andrea Brillantes with executives from SM and GUESS Philippines | Photo by The Beat Asia

She later added that every GUESS flagship store around the world has specific concepts unique for their country, and the Philippines’ can be described as “elevated, modern chic,” perfectly fitting for today’s shoppers. “T-shirts and jeans do work for us, but we also see customers who are more elevated casual. This store has that elevated, casual and relaxed vibe, fit for those who want to go beyond denim.”

The celebration also served as the official introduction of Andrea Brillantes, one of the Philippines’ brightest and most influential young talents, as the brand’s first local ambassador. Confident, contemporary, and culturally in sync, Andrea reflects the next-generation spirit of the brand.

Andrea Brillantes with a red bag from GUESS
Andrea Brillantes for GUESS | Courtesy of GUESS Philippines

GUESS has always inspired me to embrace my confidence and femininity,” Andrea said. “Being named their first local ambassador is an honor, and I’m excited to represent a brand that celebrates boldness and individuality.

During the event, Andrea shared how she had grown up seeing GUESS at malls, and how being named as their first-ever local ambassador was unexpected. “I always used to see it in malls, and I used to ask my mom about the brand,” she said. “I didn’t think that I would become GUESS’ brand ambassador, and I think I manifested it.”

Maureen Stamati also described Andrea as the embodiment of who a GUESS model is— sexy, young, adventurous, and timeless.

With its reimagined flagship and its newest ambassador, GUESS sets a new standard for immersive, design-driven, and culturally connected retail tuned to the energy of the modern Filipino shopper.

Shop GUESS Philippines here. Follow GUESS Philippines on Facebook and Instagram and GUESS International on Instagram.

Get the latest curated content with The Beat Asia's newsletters. Sign up now for a weekly dose of the best stories, events, and deals delivered straight to your inbox. Don't miss out! Click here to subscribe.

Manila/ Vibe/ Pop Culture

Standing Ovation: ‘Shrek the Musical’ Delivers Joy and Delightful Chaos

Shrek The MusicalPhoto by NWR Musicals/Facebook

Step into the world of live theatre with "Standing Ovation," your trusted companion for navigating Asia's vibrant performing arts scene. From the neon-lit streets of Hong Kong to the historic stages of Manila, we're scouring the region to bring you honest, engaging reviews of the most talked-about shows. Whether you're drawn to the flawless elegance of ballet, embarking on a musical journey through moving tunes, or the raw emotion of dramatic plays, let us guide you to the performances that will resonate with you. So grab your playbill and join The Beat Asia as we immerse ourselves in the region's dazzling arts & culture scene. The curtain's rising – let the review begin!

The Kingdom of Far Far Away arrives in all its fairytale dazzle and signature humor as “Shrek the Musical” lights up the Newport Performing Arts theater stage at Newport World Resorts (NWR) Manila.

Based on the 1990 picture book by William Steig and the blockbuster film franchise from DreamWorks Animation, “Shrek the Musical” brings the beloved ogre back to the stage with all the charm, chaos, and heart fans adore. With music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire, the 2008 Broadway-original production has made its way to Manila through Musical Theatre International (MTI), delivering a larger-than-life theatrical experience for audiences of all ages. Under the direction of Dexter M. Santos, this local staging captures the spirit of the original while carving out its own delightful identity.

From its vibrant ensemble to its extravagant set pieces, this production of “Shrek the Musical” proves that familiar stories can still feel fresh when told with imagination, humor, and heart. The Beat Manila got to see this whimsical retelling, and here’s what we thought.

A Musical To Tickle Your Funny Bone

Shrek once said the ogres are like onions because they have layers. This musical is exactly that, layered with heartfelt storytelling, humorous lyricism, and stunning costumes and set designs, all tied together to form bombastic song and dance numbers performed by an incredible cast.

The show opened with a Once Upon a Time storybook and, unlike the film that launches straight into the heart of the action, we’re given a touching origin story. We meet a young Shrek being sent off by his parents on his seventh birthday, a rite of passage for ogres. It’s a small but meaningful shift that immediately adds emotional depth, showing us how he grew into the guarded, solitary ogre we know.

We also glimpse a seven-year-old Fiona, who’s similarly sent away to her tower where she waits for over than twenty years for true love’s rescue. Seeing both characters as children creates a parallel that the movie only hints at — two kids pushed into isolation long before their lives intertwine. Shrek’s “Big Bright Beautiful World” and Fiona’s “I Know It’s Today” serve as early emotional anchors, offering a fuller picture of their inner worlds before destiny pushes them together. Their romance feels less like a coincidence and more like fate quietly setting the stage. And when they finally meet, this shared history becomes another layer of connection.

Beyond their matching quirks and sense of humor, the musical highlights how both carry the ache of childhood loneliness. Their duet, “I Think I Got You Beat,” doesn’t just deliver laughs. It underscores a shared wound that makes their understanding of each other feel even more profound.

Fiona and Shrek
Krystal Kane as Fiona and Jamie Wilson as Shrek | Photo from Facebook/Broadway World

Krystal Kane’s performance was every bit magical with her clear princess tone and charming portrayal of the princess, while Jamie Wilson gave Shrek a rock n’ roll-like tone, which matched most of the songs, but there were moments when we felt like he was holding back on those high notes.

Of course, Shrek wouldn’t be Shrek without its unforgettable supporting cast, who, in this production, often felt like headliners themselves. One standout was Topper Fabregas as Donkey, who brilliantly brought Eddie Murphy’s iconic character to life. His vocal resemblance was uncanny; the intonations, comedic timing, and playful energy were all so spot-on that it felt like watching the animated Donkey leap straight onto the stage.

Alfredo Reyes’ Lord Farquaad was another show-stealer. It’s easily one of the most physically demanding roles in musical theatre, requiring the actor to sing, dance, and stay fully in character while performing on his knees to match Farquaad’s famously tiny stature. Yet the actor made it look effortless. His Farquaad was outrageous, charismatic, and undeniably hilarious. Despite being the story’s villain, Lord Farquaad quickly became a crowd favorite. The audience erupted during the uproarious “What’s Up, Duloc?” number, capped with a gleefully unexpected moment where he mimics Elphaba’s iconic “Wicked” battle cry. It was a cheeky twist that had the whole theater cheering.

Donkey and Shrek
Topper Fabregas as Donkey and Jamie Wilson as Shrek | Photo from Facebook/Broadway World
Lord Farquaad
Alfredo Reyes as Lord Farquaad | Photo from Facebook/Broadway World

The Dragon played by Julia Serad was also iconic — not only for the massive Dragon puppet that took up more than half the stage, but because of the voice behind it, which gave us chills with those jaw-dropping high notes. Of course, the Dragon would be a diva!

Lastly, the ensemble — a powerhouse group of 30+ singers and dancers — deserves its own standing ovation. They played everything from fairytale creatures to backup dancers, shifting roles with such energy that the stage never once felt empty. “Shrek the Musical” definitely boasts a larger cast than most productions, but believe us when we say: every single performer contributed something vital to the show’s charm and momentum. Together, they created the world that makes Shrek what it is: playful, vibrant, and delightfully chaotic.

Beyond the stellar musical numbers, impressive vocals, and crisp choreography, the stage and costume design fully transported us into this fairytale kingdom. Scene transitions were so seamless that we’d sometimes blink and suddenly find ourselves in an entirely new setting. Each backdrop felt intentional and visually distinct, keeping the experience fresh and immersive.

One highlight was Fiona’s tower, complete with a moving bridge over molten lava. Watching the bridge shift and connect as Shrek, Fiona, and Donkey escaped the Dragon felt cinematic — beautifully staged and surprisingly suspenseful. Even the forest scenes felt alive, with trees subtly repositioning and swaying as the actors moved across the stage.

We also loved the nods to the animated film, from the bird exploding as Fiona hit that famously high note to the sharp, funny exchanges between Shrek and Donkey about Lord Farquaad — little Easter eggs that delighted long-time fans.

The costumes paid homage to the original designs but added a theatrical polish that made them feel fresh. The ensemble especially shone in numbers like Fiona’s “Morning Person,” and the Three Blind Mice sparkled (literally) in their sequined silver dresses during “Make a Move.”

Shrek’s full look was another triumph — his green suit blended so naturally that it never read as a mask or costume but as part of the actor himself. This production clearly went all-out on the visual elements — perhaps to make up for the familiarity of the story — but whatever the reason, it worked. It was a feast for the eyes, and we were genuinely impressed by just how much artistry and effort went into every detail.

Dragon lady
Julia Serad as the Dragon | Photo from Facebook/Broadway World
Princess Fiona
Krystal Kane as Fiona | Photo from Facebook/Broadway World

Final Verdict

Vibrant, fun, and extravagantly staged, “Shrek the Musical” is one holiday show you simply shouldn’t miss. Fans of the beloved film franchise will feel right at home with its chaotic song-and-dance numbers, sharp humor, and heartfelt storytelling. But this production also offers something deeper. Beyond the love story, it celebrates the beauty of embracing what makes you different.

The ensemble’s performance of “Freak Flag” is a standout moment. It's a triumphant anthem of individuality and self-acceptance that added an emotional layer to the story, one that was not directly explored in the film. It’s a reminder that the quirks, oddities, and “freaky” parts of ourselves are worth celebrating.

So, to all you “All Stars,” gather your friends and family and head to the Newport Performing Arts Theater. Spend a few hours laughing, smiling, and joining Shrek, Fiona, Donkey, and the rest of Far Far Away for a feel-good musical adventure that’s perfect for the season.

Shows are running till December 2025. You can buy your tickets here.

Curtain Call
Photo from Facebook/NWR Musicals

For updates on upcoming productions, follow NWR Musicals on FacebookTikTok, and Instagram.

Enjoyed this article? Check out our previous Standing Ovation reviews here

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Manila/ Vibe/ Artists

P-Pop Powerhouses Win at the Awit Awards 2025, Powered by Vibe

20251117 Awit AwardsPhoto by Awit Awards/Facebook

The Meralco Theater in Pasig City was filled with stars as the 38th Awit Awards honored some of the industry’s most beloved artists. One of the biggest winners of the night was “the nation’s girl group” BINI, taking home three big awards People’s Voice Favorite Group Artist, People’s Voice Favorite Album of the Year for “Talaarawan,” and Best Dance/Electronic Recording for their viral track “Salamin, Salamin.”

BINI at one of their performances
Photo from Instagram/BINI
SB19 at their "Fast Zone" concert
Photo from Instagram/SB19

SB19, on the other hand, took home four awards: Best Global Collaboration Recording, Best Rap/Hip-Hop Recording, Best Cover Art, and Best Music Video.

OPM bands Cup of Joe, Ben&Ben, and Lola Amour were also the frontrunners of the night, winning the award night’s biggest awards: Cup of Joe won Song of The Year for their track “Misteryoso,” Ben&Ben bagged Album of the Year for “The Traveller Across Dimensions,” and Lola Amour’s “Namimiss Ko Na” secured Record of the Year.

Photo of all members of Ben&Ben
Photo from Instagram/Ben&Ben
Two OPM Bands
Photo from Instagram/Lola Amour and Cup of Joe

Here is the full list of winners at the 38th Awit Awards:

Grand Awards

  • Album of the Year: “The Traveller Across Dimensions by Ben&Ben
  • Record of the Year: “Namimiss Ko Na by Lola Amour
  • Song of the Year: “Misteryoso by Cup of Joe

People’s Voice Awards

  • People’s Voice Awards Favorite Solo Artist: Felip
  • People’s Voice Awards Favorite New Solo Artist Winner: Stell
  • People’s Voice Awards Favorite Group Artist: BINI
  • People’s Voice Awards Favorite New Group Artist: NIOR
  • People’s Voice Awards Breakthrough Artist: Stell
  • People’s Voice Awards Favorite Collaboration: “Kalakal by SB-19 and Gloc-9
  • People’s Voice Awards Favorite Music Video of the Year: “Surreal by Justin
  • People’s Voice Awards Favorite Song of the Year: “Akala by Radkidz (PABLO & Josue)
  • People’s Voice Awards Record of the Year: “Kaibigan by Justin
  • People’s Voice Awards Favorite Album of the Year: Talaarawan by BINI
  • Dangal ng Musikang Pilipino Awardee: Ely Buendia
  • Lifetime Achievement Award: Vic del Rosario Jr.
  • Vibe Stan Awards: Blooms (BINI)

Performance Awards

  • Solo Artist: Dionela
  • Best Performance by a Group: “Triumph by Ben&Ben
  • Best performance by a Solo Artist: “Di Maipagkaila by iLa
  • Best Performance by a New Group: “Walang Humpay by 12th Street
  • Best Collaboration: “Sining by Dionela and Jay-R
  • Best Dance/Electronic Recording: “Salamin, Salamin by BINI
  • Best Global Collaboration Recording: “Moonlight" by SB19 and Terry Zhong
  • Best Ballad Recording: “Medyo Ako by Moira and Juan Karlos
  • Best Rock Recording: “The Risk by Fast Pitch
  • Best Alternative Recording: “Namimiss Ko Na by Lola Amour
  • Best Traditional/Contemporary Folk Recording: “ATM by Ice Seguerra
  • Best Rap/Hip-Hop Recording: “Kalakal by SB19 and Gloc-9
  • Best Jazz Recording: Devonaire District and Alvin Cornista
  • Best Instrumental Recording: “Remedios Circle by Alvin Cornista
  • Best World Music Recording: “Sarung Banggi by Over Heat and CamSur Made
  • Best Recording by a Child or for Children: “Nasa Palad Mo by Ateneo Boys Choir

Special Recording Awards

  • Regional Recording: “Kasing Kasing by Juan Karlos, Kyle Echarri and “Umaycan by Noel Cabangon
  • Best Christmas Recording: “Paskong Mag-Isa by Debonair District
  • Best Original Soundtrack: “Ulit Ulit” (“Pamilya Sagrado”) by Regine Velasquez
  • Best Inspirational Recording: “Face of God by December Avenue
  • Best Novelty Recording: “Atras Abante by Introvert Fiesta and Aji
  • Best Pop Recording: “Dilaw by Maki
  • Best R&B Recording: “Sining by Jay-R and Dionela

Technical Achievement Awards

  • Best Engineered Recording: “Segundo, Siguro by Arthur Nery, Axel Fernandez
  • Best Musical Arrangement: “Umaycan by Khalil Refuerzo
  • Best Vocal Arrangement: Luke Isnani, Felip Suson
  • Best Remix Recording: “WHITE ROOM (Reimagined ver.)” by Ena Mori anddifferent…(kenyama remix)” by Kenyema
  • Best Cover Art: “Kalakal by SB19 and Gloc-9
  • Best Music Video: “Kalakal SB19 and Gloc-9

The Awit Awards is organized by the Philippine Association of the Record Industry (PARI) and MQuest Ventures and supported by Vibe and the Philippine Charity Sweepstakes Office (PCSO), honoring the best of the local music scene with releases from the past year.

Follow the Awit Awards on Facebook and Instagram for more updates.

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Manila/ Vibe/ Pop Culture

Disney Store by SM Releases PH-Exclusive Merchandise For 1st Anniversary

Disney Store PHPhoto by Disney Store by SM/Facebook

Oh, boy! Something amazing just dropped at the Disney Store by SM, and it’s Mickey Mouse and Minnie Mouse dressed in traditional Filipino attire!

Just a month after opening its second branch at SM North Edsa, Disney Store Philippines is sprinkling a little more magic with the launch of its Philippines-exclusive merchandise collection! Perfect for collectors and Disney fans alike, these exclusive pieces make for the cutest souvenirs from Southeast Asia’s very first Disney Store. The release also comes right in time for a special milestone: the brand’s first anniversary since opening its flagship at SM Mall of Asia last October.

Leading the collection is the Mickey Mouse plush (P1,799) dressed in a Barong Tagalog, together with the Minnie Mouse plush (P1,799) in a pink and blue Baro’t Saya.

Plush
Photo from Facebook/Disney Store by SM
Shirts
Photo from Facebook/Disney Store by SM

Also part of the collection are the “I <3 PH mugs (P1,199) and magnets (P799) in the signature red, white, and black colors; a red-sleeved white shirt available in adults' (P1,499) and kids’ (P1,199) sizes; and the tote bag (P1,399). All items are now available at both SM North Edsa and SM MOA branches.

Mugs
Photo from Facebook/Disney Store by SM
Tote bag
Photo from Facebook/Disney Store by SM

Disney Store by SM is also getting festive with a fresh lineup of must-have merchandise this season. Just in time for the holidays, you’ll find Christmas-themed toys, apparel, and ornaments perfect for gifting — or treating yourself. Fans can also look forward to adorable new plushies, keychains, and bags inspired by “Zootopia 2,” which hits theaters this Nov. 26, 2025.

For updates on the latest merch, follow Disney Store by SM on FacebookTikTokYouTube, and Instagram.

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Manila/ Vibe/ Pop Culture

Oh My God! The McDonald’s x FRIENDS Happy Meal is Finally in the PH!

20251112 friends mcdoPhoto by McDonald's Philippines/Facebook

Could they be any cuter?

After waiting almost a year, the McDonald’s x FRIENDS Happy Meal is finally in the Philippines! The adult-geared toy collection features the six FRIENDS characters: Monica, Joey, Chandler, Ross, Rachel, and Phoebe, along with symbols of their personality on the show!

Packaged in a cutely designed box that has the iconic fountain at the front, you could peep little Marcel on Ross’ head, Joey holding Duck, Chandler cradling Chick, Rachel with her coffee cup, and Phoebe with her guitar!

You can cop one (or all six!) toy when you order the FRIENDS Meal at your nearest McDonald’s via counter, drive-thru, or delivery! The FRIENDS Meal includes the Cheeseburger with Small Fries and Drink, and the One-piece Chicken McDo with Small Drink. It doesn't go for a blind box concept, so you can choose the character that you want!

The official poster for the FRIENDS Meal
Photo from Instagram/McDonald's Philippines

And, if you haven’t had the chance to go to The FRIENDS Experience at Solaire Entertainment City, then this might be your chance.

From Nov. 12 to 17, 2025, McDonald’s is holding a raffle draw, with a total of 16 winners who will be awarded tickets to The FRIENDS Experience exhibit! 10 winners will receive two ‘Adult’ Tickets, and six winners will get one ‘Barkada’ Ticket.

Official raffle poster
Photo from Instagram/McDonald's Philippines

Participating McDonald’s App Meals to redeem a raffle entry are the One-piece Chicken McDo with Small Drink and 1 FRIENDS Collectible (Non-Blind Box) or Cheeseburger with Small Fries, Small Drink and 1 FRIENDS Collectible (Non-Blind Box).

Customers need to have the McDonald’s App to enter and submit their raffle entries, with a maximum of one entry per email and device. The following info must be provided with every entry: Full Name, Email Address, Home Address, and Mobile Number.

Deadline for entries is Nov. 17, 2025, 11:59 PM, with the draw happening virtually on Nov. 18, 2025.

For more information and delicious updates, follow McDonald’s Philippines on Facebook and Instagram.

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Manila/ Vibe/ Pop Culture

‘Lip Sync Assassin’ Director Jon Galvez Reveals What Makes a Story Stick

Jon GalvezPhoto by The Beat Asia

Fresh from his win as Best Director at CinePride Film Festival for the short film “Lip Sync Assassin,” Jon Galvez has become one of the most exciting voices in contemporary independent cinema. And he’s just getting started.

Known for his vivid storytelling and ability to blend humor, drama, and unapologetic queer joy, Jon’s work captures both the spectacle and soul of self-expression. “Lip Sync Assassin,” a vibrant story of sacrifice, survival, and self-expression, captivated audiences with its bold visuals and emotional core, cementing his reputation as a filmmaker unafraid to celebrate authenticity in all its glitter and grit.

The Beat Asia sat down with the director to reflect on his creative journey in bringing the short film to life, the stories that draw him in, and the emotional truths that make a film linger long after the credits roll. He also shared his thoughts on what makes a movie truly memorable and how he continues to push boundaries as a storyteller committed to representing voices that deserve the spotlight.

A Journey Shaped by People and Purpose

The title “Lip Sync Assassin” may sound familiar. It’s a term popularized by “RuPaul’s Drag Race” to describe a queen who dominates every lip-sync battle. But in Jon Galvez’s film, the phrase takes on a darkly clever twist. “Lip Sync Assassin” reimagines the term literally, following a drag artist who leads a double life as a contract killer, taking lives offstage to support his family.

“‘Lip Sync Assassin’ was inspired by my own story as a breadwinner,” Jon shared with The Beat Asia. “Because I am our family's breadwinner, and I’m also an OFW (Overseas Filipino Worker) who worked in Singapore for 14 years, and also in Jakarta. So, I wanted to tell a story that is very relatable to my own experiences as a breadwinner.”

The film highlights Filipino drag culture, which Jon expressed was also an inspiration for him, as watching the show has become his source of comfort during the pandemic. Through the movie, he wanted to showcase Filipino drag excellence, which was already achieved just by casting Precious Paula Nicole as Sampaguita, who was the Philippines’ first Drag Superstar.

Precious Paula Nicole
Precious Paula Nicole as Sampaguita | Courtesy of Jon Galvez

“I'm a big fan of drag artistry. During the pandemic, I was stuck in Jakarta, so I was away from my family. I was very isolated and a bit depressed. Watching ‘RuPaul’s Drag Race’ really helped me cope with the sadness, the loneliness, and the depression during that time. I was also inspired by the concept of entertainers and comedians who make us all happy for a living, but we don’t know the struggles in their lives.”

Additionally, the director also shared that the movie is a mirror to the systemic corruption in the country, which Sampaguita is a victim of, needing to work extra as a hired killer to support his sick mother and talented child.

When asked about the key collaborators who helped refine his vision, the director was quick to credit fellow Filipino filmmakers and producers he met during his producing class at the Asia Pacific Film Institute (APFI). He cited his mentor, Omar Sartijas, a prolific and respected producer in the country; director Siege Ledesma, who won the Grand Prix at the Osaka Asian Film Festival in 2014 for her debut feature “Shift”; and director Adolf Alix Jr., who served as his creative consultant and helped him shape the film’s script alongside his producer Carlos Ortiz.

“I really believe in collaboration,” the director said when asked how he was able to showcase the vibrant drag scene amid an emotional and deeper narrative. “Because I'm not a drag artist, I collaborated with Precious Paula Nicole to make sure that we are portraying drag artistry in the Philippines very well.”

“I wanted there to be a balance through the writing. Yes, we’re doing all of the glitz and glamour of drag, but at the same time, telling the struggles of a drag artist who is also a father. I made sure that one thing is not overpowering the other. I was able to do this by consulting with my mentors, Precious, and combining my personal truths and experiences as a breadwinner and family man.”

This collaboration resulted in a moving and vibrant short film that captured audiences not only in the Philippines but also beyond borders. The film premiered at the 2025 CinePride Film Festival in Los Angeles and bagged two major awards, including Best Director.

When asked how he felt about this recognition, Jon replied, “I'm still processing it! I'm very grateful for the recognition. I’m a new filmmaker, and I wasn’t expecting any kind of awards or recognition at all. The fact that we were selected and allowed to showcase our film on a global stage alone is such a blessing already. I just really wanted to make films and start my filmmaking journey. It means a lot, because that means they truly appreciated the story of Sampaguita — a Filipino queer story about a breadwinner and a family man.”

Jon Galvez
Jon Galvez | Courtesy of Jon Galvez

The director also expressed that the recognition felt extra special considering Precious Paula Nicole also won Best Lead Performance, which highlighted their solid collaboration.

“We really didn’t expect it! In fact, we were ready to party and just have fun with everyone, and meet the other filmmakers during the closing award ceremony. But then they were very gracious to give us that recognition. I’m happy and grateful that we got to represent Filipino cinema on a global stage. Hopefully it continues, and more Filipino filmmakers get that kind of opportunity.”

Jon’s filmmaking journey didn’t take off right away, which makes this milestone even more meaningful. He shared that he waited 14 years for the right moment, having once put his dream of becoming a filmmaker on hold. In the meantime, he built a career in corporate and advertising before finally finding his way back to film. He mentioned looking up to director Peque Gallaga and his ability to make impactful films across different genres, as well as Spanish director Pedro Almodóvar, whom he hopes to work with someday.

Looking back, it seems like fate knew exactly what it was doing, because that time away helped him stay grounded and clear about what he truly wanted as a storyteller.

“I try to clear my mind of those thoughts,” he said. “And there are ways, like, I always go back to my friends and say, 'Let's just make projects that are personal to us. Things that make us happy, without worrying about festivals or recognition.' It’s about creating something special for yourself, not for the awards, but because you’re doing it for the right reasons. As a new filmmaker, I see it as a reminder to continue to push through. It's just the beginning, and I should just continue to learn, to hone my craft, my voice as a storyteller, and to collaborate with the right people.”

As for what he believes his film’s biggest strength is, the director explained that it all comes down to the story.

It’s always the story that will connect with audiences,” he emphasized. “That's why when people ask me what ‘Lip Sync Assassin’ is about, I simply tell them it's a story of a breadwinner. That would connect with everyone because everyone's a son or a daughter. It’s all about the story and the characters.”

Filming
Courtesy of Jon Galvez

As Philippine cinema continues to grow and evolve, welcoming fresh voices and stories that shine a light on underrepresented communities, Jon hopes to be the kind of storyteller who gives space to the queer community and to OFWs. Even when he isn’t the one directly telling these stories, he shared that he wants to champion and support the filmmakers who do, as a producer.

The director had produced “Agapito,” a film by Arvin Belarmino and Kyla Danelle Romero, which was recognized at the Cannes Film Festival 2025. Jon shared what drew him to the project and how his involvement came about.

“It’s the story and the people. I've always met the director and writer, Arvin Bellarmino. We always bump into each other at film festivals. I’m very open to collaborating with different people, and Arvin is one of the people I always invite to collaborate. After a few meetings, the right timing came along, and he finally had a concept we could work on together.”

“Arvin and Kyla shared the story they had in mind, and everything fell into place. I connected to the story, which is very important whenever I look for projects that I'm going to work on or want to get involved in. Aside from being very amazing filmmakers and writers, the directors are also very good people that I trust and would love to continue to collaborate with,” he added.

After “Lip Sync Assassin,” Jon revealed that they plan to expand it into a full-length feature sometime next year. He’s also gearing up for the release of Kip Oebanda’s much-anticipated “Bar Boys” sequel, “Bar Boys: After School,” where he serves as a producer for 901 Studios PH. The film was recently revealed to be part of the official lineup of the 51st Metro Manila Film Festival, happening on Dec. 25, 2025.

“This is our first full-length as a producer at 901 studios, so I'm very excited! It’s something that I'm looking forward to because I was able to do it with my friends, who are dear to me. It's such a special film, and being part of it is already such a blessing. We put our whole hearts into it!”

Bar Boys: After School
Photo from Facebook/901 Studios PH

Having been involved in both indie and mainstream features, we asked the director if he preferred working on one over the other, to which he replied that he enjoys both.

“Even if there are differences, we make sure to treat it as a special project. It's about giving our all, no matter if it's a small project or a big full-length film. Same effort, same passion, same respect towards the people that you work with,” he explained. “ How I connected with ‘Agapito’ is also the same way I connected with ‘Bar Boys’ when they were sharing the story. It’s the unexplainable connection to the story that you really want. When the intentions are pure, it will come out and translate to either awards or more accessible platforms, but the goal is always to connect with more people.”

As he continues to explain his horizons in the film industry, with a few movies already in production for next year, Jon Galvez is sure to be someone to look out for in the years to come. The director also shared his desire to produce student-led films, in the hopes of supporting youth voices and stories that represent Philippine cinema.

“The measure of success for me is if you’ve built a good relationship with everyone as you're doing a project. The fact that you're able to make a film is already a big blessing for me. The awards are just a bonus. Also, when people connect with the film, when they really appreciate it, it is already a big achievement.

Film crew
Courtesy of Jon Galvez

To learn more about his films, stay tuned to 901 Studios PH on Facebook, TikTok, and Instagram.

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Manila/ Vibe/ Artists

Artist Spotlight: The Itchyworms Talk Songwriting, SG, and More

The Itchyworms

After nearly three decades of making us laugh, sing, and sometimes cry over “Beer,” The Itchyworms are still very much in their groove. Known for turning everyday musings into anthems like “Akin Ka Na Lang” and “Di Na Muli,” the Filipino Pop-Rock act has struck that rare balance between humor and heart, a feat that has kept their music both timeless and distinctly Filipino.

Before the year ends, the band is giving their fans in Singapore a treat as they bring their one-night “Akin Ka Na Lang concert to the Lion City on Nov. 8, 2025. The Beat Asia caught up with Jugs Jugueta (Vocals, Guitar, Keyboards), Jazz Nicolas (Vocals, Drums, Keyboards), Kelvin Yu (Bass, Vocals), Weckl Mercado (Lead Guitar, Vocals), and Michael Vargas (Keyboards, Acoustic Guitar, Percussion, Vocals) to talk about what it really takes to stick it out as a group after more than twenty years, how their creative process has changed since their college-band days, and what they think of the new generation of OPM artists taking over playlists today.

They also gave us a glimpse into their upcoming Singapore show and what fans can look forward to. Because if there’s one thing The Itchyworms have mastered by now, it’s staying true to who they are while still knowing how to have a good laugh along the way.

Itchyworms on Still Having Fun

Formed in 1996, The Itchyworms started out performing a mix of original songs and Beatles covers at various school events and competitions. The band originally consisted of Jazz Nicolas, Jugs Jugueta, Kelvin Yu, and Hadrian “Haji” Cruz — who later left the group. In 1997, Chino Singson joined, completing the lineup that fans know today.

Known early on for their witty songwriting and energetic performances, The Itchyworms quickly stood out in the local music scene. They released their first independent CD, “Revenge of the Unsigned,” in 1998, followed by their major label debut, “Little Monsters,” in 2001. But it was their 2005 album, “Noontime Show,” under Universal Records that brought them nationwide fame. The concept album, a clever satire of Filipino showbiz culture, spawned several of their biggest hits, including “Akin Ka Na Lang,” “Beer,” and “LoveTeam.”

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When asked how they had evolved since their early years, the band mentioned improving greatly on the technical side of things and how they often feel on top of their musical game when playing live shows. As for their creative process, Jugs mentioned how circumstances have helped make a positive change in their songwriting style.

“Because of the pandemic, and our experience with our Awit Award-winning pandemic album, ‘Waiting For The End To Start,’ we were able to invest in good home recording gear, which we could use any time if we couldn’t make it to the studio,” he said. “This also helped our songwriting style, because we could just send demos or snippets of songs to each other, even if we are apart.”

The band also gave us a glimpse into their songwriting process and how it’s either members Jazz or Jugs who comes up with the idea in the form of a verse, a chorus, or a riff, then the rest of the song is completed by the rest of the members. Other times, they come up with full songs which they arrange as a band.

When asked about how they keep their music fresh while staying true to their signature vibe, and how humor became such an iconic element in their songwriting, the band replied, “Like everyone, we are influenced by everything around us: new songs, new movies, new stories, and new experiences. All these new things affect how we make music. Our identity as a band is what keeps the vibe, but the new experiences are what keep the music fresh.”

“Like most Filipinos, we use humor to shield our true emotions. When writing ‘Noon Time Show,’ we made a satirical take on the stereotypes of show business. Is it a conscious part of our creative identity? No. Perhaps a subconscious one.”

The Itchyworms
Courtesy of The Itchyworms

Many fans have grown up listening to the band, having released five full albums and one EP (Extended Play). These compilations contained songs that have become soundtracks of people’s lives and have become a huge part of Filipino pop culture. The band expressed how, after many years of performing and creating music together, they learned that the Philippines should be pushing OPM to the world and showcasing new talents in the industry.

“We are so happy for the current generation of Filipino artists,” they said. “They are so talented! We think this is the utopia that the legacy bands were envisioning during their time: original Filipino songs being as popular as foreign songs; Filipino bands touring the world; Filipino bands collaborating with different artists from all over the world. It’s just so beautiful.”

“I see ourselves as the older brother of these bands. Hindi kami mga Tito [we are not uncles]!” Jugs added.I always give them advice not just in music, but also in artist management and branding.”

The band once collaborated with the legendary Ely Buendia of Eraserheads in 2016 for the song “Pariwara,” which was a notable hit that had fans thrilled, as The Itchyworms had been considered one of Eraserheads’ successors when it comes to songwriting. When asked if any rising artists have caught their attention, the group mentioned One Click Straight and Ena Mori, stating that they love their energy and would love to collaborate with them one day.

Now, The Itchyworms are showing the enduring power of their music with a concert in Singapore. This marks the band’s fourth visit to the city-state, and is described as more than just a concert but a celebration of their memories and connection with Singaporean fans. When asked what we can expect, the band was quick to express their excitement.

“We LOVE playing in Singapore!” they told The Beat Asia. “The SG crowd is always itching for an excuse to have fun! You’ll have so much fun in ‘Akin Ka Na Lang SG’! Our new member, Michael Vargas, is a multi-instrumentalist. His first primary instrument is the violin, and he’ll be playing it in Singapore! Also, D&D will be giving away one D&D Kidlat signature guitar to a lucky superfan!”

Akin Ka Na Lang SG
Courtesy of The Itchyworms

When asked about how it feels to have their music endure through the years and even cross borders, Jugs answered, “It is so overwhelming. I see kids who are younger than our songs watching us at the gigs! And they know the words, the discography, and even the deep cuts! Of course, we are very thankful for this opportunity to keep music fans happy. We hope to continue doing so for more decades to come!"

“We have no aspirations of being known internationally. But it really is heartwarming when someone who’s not Filipino comes up to me and says they like our music. That means so much to us,” the rest of the members added.

After almost three decades of making music together, the band also shared what keeps them motivated through the years and the key to longevity as a group.

It’s a great excuse to hang out with my friends,” they simply stated. “And communication is the key.”

As for what the future holds, the legendary OPM act doesn’t seem to be stopping any time soon, revealing their desire to travel more and to put out more music. The band is also set to go on tour next year, with Dubai and Abu Dhabi scheduled for January, Taiwan in April, Europe in May, and Australia and New Zealand in September.

Their upcoming Singapore show will take place at the Timbre+ One North on Nov. 8 at 5 PM. You can choose from two ticket options: General Public (S$58) and Superfans (S$98), which include an exclusive meet and greet, early entry to the venue, access to soundcheck, freebies, a complimentary bottle of beer, and a chance to win a new guitar signed by the band. You can buy your tickets here.

You can follow Itchyworms on Facebook and Instagram. You can also listen to their music on SpotifyApple Music, and on their official YouTube channel.

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Manila/ Vibe/ Pop Culture

The First Pokémon Play Hub in the Philippines Opens at Robinsons Galleria

Pokemon Play HubPhoto by The Beat Asia

Heads up, Trainers! You’re all in for a treat as the first-ever Pokémon Play Hub in the Philippines finally opens its doors!

Tucked away on the third level of Robinsons Galleria in Ortigas, the Pokémon Play Hub is every fan’s dream come to life. More than just a gaming space, it’s an immersive playground where enthusiasts can shop, play, and connect with fellow Trainers. The vibrant hub features exciting zones, official Pokémon merchandise, and interactive experiences to keep fans of all ages entertained. After making waves in Malaysia and Thailand, the beloved destination has finally arrived in the Philippines, giving local fans the perfect spot to catch all the fun!

The Beat Manila was there for the exciting grand opening, which kicked off with a ribbon-cutting ceremony attended by VIP guests including Joel Lumanlan, Vice President of Marketing and Operations of Robinsons Malls, Carmina Quizon, Group General Manager of ToysRUs Philippines, Ray Kagami, Director of Asia Business Development Department of The Pokémon Company, Christina Sanchez, Deputy General Manager of ToysRUs Philippines, and Celina Chua, Group General Manager of ToysRUs Philippines.

Ribbon Cutting ceremony
Photo by The Beat Asia

Catching All the Fun at Pokémon Play Hub

Upon entering, you’ll be greeted by a bright, cheerful yellow space featuring the franchise’s beloved mascot, Pikachu, along with fan-favorite starters Sprigatito, Fuecoco, and Quaxly. Their adorable figures are displayed on pastel-toned podiums, perfect for snapping a photo and commemorating your visit.

Further in, you’ll spot the retail zone, which is packed with shelves of official Pokémon merchandise from colorful plushies, rare Funko Pops, blind boxes, and other collectible figurines. The character stuffed toys are available in various sizes, and are priced from P1,399 to P1,499 (small size),  P1,299 to P1,599 (medium size), and P1,899 (large size), depending on the design.

Plushies
Photo by The Beat Asia
Toys
Photo by The Beat Asia

Apart from the collectibles, Japanese pen brand Artline also has a series of Pokémon markers and sign pens that can light up any page. The collection includes sign pens with character designs (P65 each), laundry markers (P90 each), and two highlighter sets (P270): Pastel Pikachu and Vivid Eevee. You can also get a free engraving if you buy a minimum of two sign pens and a Stamp Card for every P500 worth of purchase.

Artline
Artline | Photo by The Beat Asia
Collectibles
Photo by The Beat Asia

For Switch players, we caught sight of the Nintendo Switch OLED Pokémon Scarlet & Violet Edition, as well as other accessories like cases and controllers that will surely make your gaming sessions more fun and stylish. Physical Nintendo Pokémon games are also for sale at the store, including the Nintendo Switch 2 Edition of Pokémon Legends Z-A,” which you can try and play at the gaming zone.

Nintendo Switch
Photo by The Beat Asia
Gamers
Photo by The Beat Asia

Stepping further into the hub, you’ll find the Pokémon Trading Card Game (TCG) Play Area, a dedicated space for fans to play and connect. Not yet a pro? No problem! Beginners can take advantage of free tutorial sessions every weekend. There are also a couple of TV screens where visitors can do trial runs for the switch games or go head-to-head in a competitive round. Aside from the rows of tables for the TCG, there’s also a comfy corner with bean bag seats where players can hang out.

Gaming Zone
TCG Play Area | Photo by The Beat Asia
Trainers
Photo by The Beat Asia

Although there might not be a lot going on at the moment, with only two active zones, the Pokémon Play Hub team shared that more features will be added in the next few months, such as an arcade and various events like competitions that will surely encourage Pokémon enthusiasts to come and join in on the fun!

Pikachu
Photo by The Beat Asia

For updates and event schedules, follow Robinsons Galleria on Facebook, X (Formerly Twitter), and Instagram.

Location: Level 3, Robinsons Galleria, EDSA cor. Ortigas Avenue, Quezon City

Opening Hours: Daily, from 10 AM to 10 PM

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Manila/ Vibe/ Artists

Artist Spotlight: Over October and the Magic of Moving ‘Dahan-Dahan’

Over October

If there’s one thing Over October has mastered, it’s the art of growing slow and steady. Formed in 2014, the Filipino indie/alternative rock band has spent the past decade quietly building their sound, their story, and their community of listeners — endearingly called “Octobears.” Then came “Ikot” in 2024, the heartfelt track that launched them into the mainstream music scene, proving that patience really does pay off.

Now, with more eyes (and ears) on them than ever, Over October is showing no signs of slowing down. Their music, described as equal parts nostalgic, sincere, and full of soul, feels like the soundtrack to late-night drives and long, quiet moments. Their latest single, “Dahan” showcased a more romantic side of the band as they told the story of a slow-burning romance wherein one realizes their feelings for someone they’ve known all their life.

In an exclusive sit-down with The Beat Manila, Josh Buizon (vocals), Josh Lua (lead guitar), Joric Canlas (bass), Janessa Geronimo (drums), and Anton Rodriguez (guitars) talked about where it all began, how their creative process has evolved over the years, and what’s next as they continue to define who Over October really is.

From the early days of jamming in small venues to navigating the wave of newfound attention, the band opened up about the challenges, the laughter, and everything in between that keep their music alive.

On Music Being the Glue

It might surprise some to learn that Over October just celebrated their 11th anniversary — a milestone marked with a free concert at the SM Mall of Asia Amphitheater last Oct. 12, 2025. With “Ikot” only recently making waves on mainstream playlists, it’s hard to believe the band has been around this long, quietly building their sound and fanbase before finally getting the spotlight they deserve.

“The process allowed the music and our relationship with each other to really marinate,” said Josh on how their slow rise made the band what it is today. “So it’s like now we’re just at the stage where more people are listening to the songs. It’s still authentic.”

The band started making music while still in college, having been part of a music organization in Ateneo de Manila University. The band’s guitarist, Lua, told us all about the night of their year-end recital, and how he had asked that one question that sparked the beginnings of what will eventually be known as Over October.

“I was at the back of a pick-up truck with Josh, and riding on that high of the recital, I thought, ‘I want to do more music.’ Personally, the reason why I joined that [organization] is to really form a band. So I asked them: 'Josh, mag-kapangalan naman tayo. Gusto mong mag-banda (Josh, we have the same name. Do you want to form a band)?'” Lua revealed with a laugh.

From there, the band eventually took shape with Janessa, who was also the drummer of their group at the recital; Anton, the organization’s president, and Joric, Josh’s childhood friend, joining the team. The band’s original bassist had been Andrew de Pano, who’s currently a member of Ben&Ben.

Over October
Photo by The Beat Asia

The five members began writing and recording their own music early on, even setting up fundraisers to help cover the costs of producing their EPs. Lua recalled how they used to serenade people on Valentine’s Day just to raise money to record and print their CDs.

It’s clear this band never took any shortcuts. They built everything from the ground up — crafting their sound, growing their discography, and slowly earning a loyal following along the way. While both Josh and Lua shared that music had always been something they actively pursued, the other members admitted it was a pleasant surprise to see how far their shared passion for music has taken them.

“I really didn’t think of pursuing it. Part of it was that I was really discouraged by my parents,” Janessa said. “But it’s the thing that keeps coming back for me. These guys found me. It became one of those things where I know I’m good at this, and I know I love doing this, and so I stuck with it.”

“I came from an engineering family, so I took up engineering, but the band changed everything,” Joric added. “Music was an outlet for me in college until it became the real thing.”

The band’s rhythm guitarist, Anton, also shared how music was the one constant thing in his life. “I never thought I would be doing it as the main thing. I always thought it was going to be there. I had a lot of bands in college, and slowly everyone grew up and started getting their own jobs. I even stopped music for a while. It wasn’t really in the plan. It was more like something that I reunited with every so often.”

On Creating Music that Moves

A lot of the band’s songs have been described as heartfelt and soulful. Their musical stylings have even been compared to the likes of Coldplay, John Mayer, and even Hillsong for their emotional rhythm that almost seems cathartic when you listen to them.

When asked what inspires their music, Josh replied, “A lot of our songs are written from personal experience. When we started collaborating, it also became more like universal experiences that we’ve experienced in the past. And that’s really where we get it from. We also try to base it on experiences that other people share, so they can resonate with the music that we put out.”

Personal and universal may be words that come from opposite ends of the spectrum, but the band had an interesting take on how they balanced these two when making music.

“What we noticed is that although we write a song for a specific theme or with a specific message, it’s always interpreted differently by different people. I think that’s the beauty of music. Sometimes, it doesn’t matter what message you’re trying to put across. We have this song, and I meant it to be such a loving love song, but some people who listened to it said that it was painful. It really reacts to people in different ways, so finding a balance is like magic!”

“What we usually do is we come up with a story, and it becomes like a musical score. We write a song based on that scene. Subconsciously, as we craft that story, we draw inspiration from pop culture, literature we’ve seen, read, or watched. So I guess that’s why it becomes universal since it’s also based on the media that we consume. At the same time, we balance it with real-life experiences. From there, we kind of romanticize them,” Lua explained.

The band also shared that everyone pitches in when it comes to the arrangement. However, when it comes to songwriting, Josh usually takes the lead with Lua often pitching in.

Apart from “Ikot,” we asked the band if there was a song they’ve produced that they found memorable.

“We have this song called ‘Gising Bangon,’ which came from our ‘Maybe Today, Maybe Tomorrow’ EP. We wrote that all together, and we were in a locked-in recording. We’re in the middle of the pandemic, and I remember that so vividly. We were just in one room writing songs together.”

“It was just about the uncertainty of the future,” added Lua.

“Yeah, and Anton had to leave for a bit because he was focused on studying,” Josh continued. “I remember we called him while we were writing that song. And we told him to come back already. *laughs*

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Being an independent band comes with its fair share of perks and challenges. When asked about the struggles they’ve faced over the past decade, Jannesa pointed to the ever-evolving music industry. Having been around long enough to witness the shift from CDs to online streaming, the drummer shared that the band has had to constantly adapt and find ways to keep up with the fast-changing landscape, and with the many new artists emerging along the way.

“We’re independent, so we also don’t have a big machinery behind us,” Janessa explained. “With our small production team and our manager, Kat, we’re just trying to keep up with all the other mainstream artists with better backing. It’s difficult, but we’re still here, so we’re still able to achieve what we want.”

When asked if they feel any pressure to release more music, she replied, “I don’t think 'pressured' is the right word for it. We kind of just understood that that’s how the music industry is now, and it’s up to us to adapt to it. We know that’s how it is, so we conform to that.”

“It’s also not just the timeline of releases but also the resources that come from it,” Anton added. “As an independent band with no backer and no institutional mechanism keeping us here, we rely solely on our own savings. We understand that because of the way listeners are consuming music, we have to release a certain number of songs, but that also comes with its own promotional campaign and shows. That’s a big struggle. Although the band’s situation now is that the songs are already recorded for the foreseeable future, the ideas that we have to come up with and the resources that we need to make those releases meaningful are still up in the air.”

Speaking of new releases, we also talked about their latest single “Dahan,” a love song about slowly falling for a friend. It’s a slow-burn romance wrapped in an alternative-rock arrangement that mirrors that very feeling. The chorus starts off gentle and restrained before building up toward the end, when those emotions can no longer be contained and everything suddenly changes.

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Over October has always had a gift for translating emotions that are often hard to put into words into pure, heartfelt music and that might just be their greatest strength. After 11 years of playing and creating together, it’s clear the band has not only refined their craft but also deepened their connection as musicians, resulting in songs that feel both deeply personal and universally relatable.

When asked if their slow rise had changed their perspective on what success looked like, Josh replied, “I think every band or every artist has a different journey. Some are overnight successes or have been famous since their first or second year. Ours just took a little longer. I think it’s a much more fulfilling feeling because it took so long to get there. We’re more grateful to be here because of the years that it took to get here, and we’re also hungrier for more because we want to achieve so much more than what we’re doing right now.”

Indie Band
Photo from Facebook/Over October

As for if there was a moment in their 11-year run that felt like a turning point for the band, Lua shared, “Definitely “Ikot.” When it was released, we went up to Baguio to record, and we were constantly monitoring the numbers. It kept rising and rising. We were like, ‘Is this really happening?’ After that, it was a blur. We started getting invited to more shows and awarding ceremonies. We also started seeing that this can actually sustain us. I ended up resigning from my job this year and now I’m doing music full-time!”

From intimate gigs to arena shows such as their recent performance as Coke Studio performers, Over October shows no signs of slowing down. Having honed their sound for years now, it’s only natural that they’ve built a stronghold that can last for many years to come.

We want to reach more people, not just here in the Philippines but also abroad. Maybe to tour abroad in countries where we have fans who message us asking us to come and perform. That’s a dream for me to be able to do that,” Josh said.

“For long term goals, we wanted to be able to keep doing this for as long as we can,” added Lua. “To do larger-scale shows and release more music.”

Coke Studio
Photo by The Beat Asia

Before wrapping up, Josh also gave a short and sweet message for the Octobears: “Thank you so much for supporting our music and making it the soundtrack of your lives. We just want to give back to you. We love you! Stream 'Dahan!'”

For updates on music releases and upcoming shows, follow Over October on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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