November 07, 2025

‘Lip Sync Assassin’ Director Jon Galvez Reveals What Makes a Story Stick

by: The Beat Asia

Photo by The Beat Asia

November 07, 2025

by: The Beat Asia

Fresh from his win as Best Director at CinePride Film Festival for the short film “Lip Sync Assassin,” Jon Galvez has become one of the most exciting voices in contemporary independent cinema. And he’s just getting started.

Known for his vivid storytelling and ability to blend humor, drama, and unapologetic queer joy, Jon’s work captures both the spectacle and soul of self-expression. “Lip Sync Assassin,” a vibrant story of sacrifice, survival, and self-expression, captivated audiences with its bold visuals and emotional core, cementing his reputation as a filmmaker unafraid to celebrate authenticity in all its glitter and grit.

The Beat Asia sat down with the director to reflect on his creative journey in bringing the short film to life, the stories that draw him in, and the emotional truths that make a film linger long after the credits roll. He also shared his thoughts on what makes a movie truly memorable and how he continues to push boundaries as a storyteller committed to representing voices that deserve the spotlight.

A Journey Shaped by People and Purpose

The title “Lip Sync Assassin” may sound familiar. It’s a term popularized by “RuPaul’s Drag Race” to describe a queen who dominates every lip-sync battle. But in Jon Galvez’s film, the phrase takes on a darkly clever twist. “Lip Sync Assassin” reimagines the term literally, following a drag artist who leads a double life as a contract killer, taking lives offstage to support his family.

“‘Lip Sync Assassin’ was inspired by my own story as a breadwinner,” Jon shared with The Beat Asia. “Because I am our family's breadwinner, and I’m also an OFW (Overseas Filipino Worker) who worked in Singapore for 14 years, and also in Jakarta. So, I wanted to tell a story that is very relatable to my own experiences as a breadwinner.”

The film highlights Filipino drag culture, which Jon expressed was also an inspiration for him, as watching the show has become his source of comfort during the pandemic. Through the movie, he wanted to showcase Filipino drag excellence, which was already achieved just by casting Precious Paula Nicole as Sampaguita, who was the Philippines’ first Drag Superstar.

Precious Paula Nicole as Sampaguita | Courtesy of Jon Galvez

“I'm a big fan of drag artistry. During the pandemic, I was stuck in Jakarta, so I was away from my family. I was very isolated and a bit depressed. Watching ‘RuPaul’s Drag Race’ really helped me cope with the sadness, the loneliness, and the depression during that time. I was also inspired by the concept of entertainers and comedians who make us all happy for a living, but we don’t know the struggles in their lives.”

Additionally, the director also shared that the movie is a mirror to the systemic corruption in the country, which Sampaguita is a victim of, needing to work extra as a hired killer to support his sick mother and talented child.

When asked about the key collaborators who helped refine his vision, the director was quick to credit fellow Filipino filmmakers and producers he met during his producing class at the Asia Pacific Film Institute (APFI). He cited his mentor, Omar Sartijas, a prolific and respected producer in the country; director Siege Ledesma, who won the Grand Prix at the Osaka Asian Film Festival in 2014 for her debut feature “Shift”; and director Adolf Alix Jr., who served as his creative consultant and helped him shape the film’s script alongside his producer Carlos Ortiz.

“I really believe in collaboration,” the director said when asked how he was able to showcase the vibrant drag scene amid an emotional and deeper narrative. “Because I'm not a drag artist, I collaborated with Precious Paula Nicole to make sure that we are portraying drag artistry in the Philippines very well.”

“I wanted there to be a balance through the writing. Yes, we’re doing all of the glitz and glamour of drag, but at the same time, telling the struggles of a drag artist who is also a father. I made sure that one thing is not overpowering the other. I was able to do this by consulting with my mentors, Precious, and combining my personal truths and experiences as a breadwinner and family man.”

This collaboration resulted in a moving and vibrant short film that captured audiences not only in the Philippines but also beyond borders. The film premiered at the 2025 CinePride Film Festival in Los Angeles and bagged two major awards, including Best Director.

When asked how he felt about this recognition, Jon replied, “I'm still processing it! I'm very grateful for the recognition. I’m a new filmmaker, and I wasn’t expecting any kind of awards or recognition at all. The fact that we were selected and allowed to showcase our film on a global stage alone is such a blessing already. I just really wanted to make films and start my filmmaking journey. It means a lot, because that means they truly appreciated the story of Sampaguita — a Filipino queer story about a breadwinner and a family man.”

The director also expressed that the recognition felt extra special considering Precious Paula Nicole also won Best Lead Performance, which highlighted their solid collaboration.

“We really didn’t expect it! In fact, we were ready to party and just have fun with everyone, and meet the other filmmakers during the closing award ceremony. But then they were very gracious to give us that recognition. I’m happy and grateful that we got to represent Filipino cinema on a global stage. Hopefully it continues, and more Filipino filmmakers get that kind of opportunity.”

Jon’s filmmaking journey didn’t take off right away, which makes this milestone even more meaningful. He shared that he waited 14 years for the right moment, having once put his dream of becoming a filmmaker on hold. In the meantime, he built a career in corporate and advertising before finally finding his way back to film. He mentioned looking up to director Peque Gallaga and his ability to make impactful films across different genres, as well as Spanish director Pedro Almodóvar, whom he hopes to work with someday.

Looking back, it seems like fate knew exactly what it was doing, because that time away helped him stay grounded and clear about what he truly wanted as a storyteller.

“I try to clear my mind of those thoughts,” he said. “And there are ways, like, I always go back to my friends and say, 'Let's just make projects that are personal to us. Things that make us happy, without worrying about festivals or recognition.' It’s about creating something special for yourself, not for the awards, but because you’re doing it for the right reasons. As a new filmmaker, I see it as a reminder to continue to push through. It's just the beginning, and I should just continue to learn, to hone my craft, my voice as a storyteller, and to collaborate with the right people.”

As for what he believes his film’s biggest strength is, the director explained that it all comes down to the story.

“It’s always the story that will connect with audiences,” he emphasized. “That's why when people ask me what ‘Lip Sync Assassin’ is about, I simply tell them it's a story of a breadwinner. That would connect with everyone because everyone's a son or a daughter. It’s all about the story and the characters.”

As Philippine cinema continues to grow and evolve, welcoming fresh voices and stories that shine a light on underrepresented communities, Jon hopes to be the kind of storyteller who gives space to the queer community and to OFWs. Even when he isn’t the one directly telling these stories, he shared that he wants to champion and support the filmmakers who do, as a producer.

The director had produced “Agapito,” a film by Arvin Belarmino and Kyla Danelle Romero, which was recognized at the Cannes Film Festival 2025. Jon shared what drew him to the project and how his involvement came about.

“It’s the story and the people. I've always met the director and writer, Arvin Bellarmino. We always bump into each other at film festivals. I’m very open to collaborating with different people, and Arvin is one of the people I always invite to collaborate. After a few meetings, the right timing came along, and he finally had a concept we could work on together.”

“Arvin and Kyla shared the story they had in mind, and everything fell into place. I connected to the story, which is very important whenever I look for projects that I'm going to work on or want to get involved in. Aside from being very amazing filmmakers and writers, the directors are also very good people that I trust and would love to continue to collaborate with,” he added.

After “Lip Sync Assassin,” Jon revealed that they plan to expand it into a full-length feature sometime next year. He’s also gearing up for the release of Kip Oebanda’s much-anticipated “Bar Boys” sequel, “Bar Boys: After School,” where he serves as a producer for 901 Studios PH. The film was recently revealed to be part of the official lineup of the 51st Metro Manila Film Festival, happening on Dec. 25, 2025.

“This is our first full-length as a producer at 901 studios, so I'm very excited! It’s something that I'm looking forward to because I was able to do it with my friends, who are dear to me. It's such a special film, and being part of it is already such a blessing. We put our whole hearts into it!”

Bar Boys: After School — Photo from Facebook/901 Studios PH

Having been involved in both indie and mainstream features, we asked the director if he preferred working on one over the other, to which he replied that he enjoys both.

“Even if there are differences, we make sure to treat it as a special project. It's about giving our all, no matter if it's a small project or a big full-length film. Same effort, same passion, same respect towards the people that you work with,” he explained. “ How I connected with ‘Agapito’ is also the same way I connected with ‘Bar Boys’ when they were sharing the story. It’s the unexplainable connection to the story that you really want. When the intentions are pure, it will come out and translate to either awards or more accessible platforms, but the goal is always to connect with more people.”

As he continues to explain his horizons in the film industry, with a few movies already in production for next year, Jon Galvez is sure to be someone to look out for in the years to come. The director also shared his desire to produce student-led films, in the hopes of supporting youth voices and stories that represent Philippine cinema.

“The measure of success for me is if you’ve built a good relationship with everyone as you're doing a project. The fact that you're able to make a film is already a big blessing for me. The awards are just a bonus. Also, when people connect with the film, when they really appreciate it, it is already a big achievement.

To learn more about his films, stay tuned to 901 Studios PH on Facebook, TikTok, and Instagram.

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Manila/ Vibe/ Artists

November 06, 2025

Artist Spotlight: The Itchyworms Talk Songwriting, SG, and More

by: The Beat Asia

November 06, 2025

by: The Beat Asia

After nearly three decades of making us laugh, sing, and sometimes cry over “Beer,” The Itchyworms are still very much in their groove. Known for turning everyday musings into anthems like “Akin Ka Na Lang” and “Di Na Muli,” the Filipino Pop-Rock act has struck that rare balance between humor and heart, a feat that has kept their music both timeless and distinctly Filipino.

Before the year ends, the band is giving their fans in Singapore a treat as they bring their one-night “Akin Ka Na Lang” concert to the Lion City on Nov. 8, 2025. The Beat Asia caught up with Jugs Jugueta (Vocals, Guitar, Keyboards), Jazz Nicolas (Vocals, Drums, Keyboards), Kelvin Yu (Bass, Vocals), Weckl Mercado (Lead Guitar, Vocals), and Michael Vargas (Keyboards, Acoustic Guitar, Percussion, Vocals) to talk about what it really takes to stick it out as a group after more than twenty years, how their creative process has changed since their college-band days, and what they think of the new generation of OPM artists taking over playlists today.

They also gave us a glimpse into their upcoming Singapore show and what fans can look forward to. Because if there’s one thing The Itchyworms have mastered by now, it’s staying true to who they are while still knowing how to have a good laugh along the way.

Itchyworms on Still Having Fun

Formed in 1996, The Itchyworms started out performing a mix of original songs and Beatles covers at various school events and competitions. The band originally consisted of Jazz Nicolas, Jugs Jugueta, Kelvin Yu, and Hadrian “Haji” Cruz — who later left the group. In 1997, Chino Singson joined, completing the lineup that fans know today.

Known early on for their witty songwriting and energetic performances, The Itchyworms quickly stood out in the local music scene. They released their first independent CD, “Revenge of the Unsigned,” in 1998, followed by their major label debut, “Little Monsters,” in 2001. But it was their 2005 album, “Noontime Show,” under Universal Records that brought them nationwide fame. The concept album, a clever satire of Filipino showbiz culture, spawned several of their biggest hits, including “Akin Ka Na Lang,” “Beer,” and “LoveTeam.”

When asked how they had evolved since their early years, the band mentioned improving greatly on the technical side of things and how they often feel on top of their musical game when playing live shows. As for their creative process, Jugs mentioned how circumstances have helped make a positive change in their songwriting style.

“Because of the pandemic, and our experience with our Awit Award-winning pandemic album, ‘Waiting For The End To Start,’ we were able to invest in good home recording gear, which we could use any time if we couldn’t make it to the studio,” he said. “This also helped our songwriting style, because we could just send demos or snippets of songs to each other, even if we are apart.”

The band also gave us a glimpse into their songwriting process and how it’s either members Jazz or Jugs who comes up with the idea in the form of a verse, a chorus, or a riff, then the rest of the song is completed by the rest of the members. Other times, they come up with full songs which they arrange as a band.

When asked about how they keep their music fresh while staying true to their signature vibe, and how humor became such an iconic element in their songwriting, the band replied, “Like everyone, we are influenced by everything around us: new songs, new movies, new stories, and new experiences. All these new things affect how we make music. Our identity as a band is what keeps the vibe, but the new experiences are what keep the music fresh.”

“Like most Filipinos, we use humor to shield our true emotions. When writing ‘Noon Time Show,’ we made a satirical take on the stereotypes of show business. Is it a conscious part of our creative identity? No. Perhaps a subconscious one.”

Many fans have grown up listening to the band, having released five full albums and one EP (Extended Play). These compilations contained songs that have become soundtracks of people’s lives and have become a huge part of Filipino pop culture. The band expressed how, after many years of performing and creating music together, they learned that the Philippines should be pushing OPM to the world and showcasing new talents in the industry.

“We are so happy for the current generation of Filipino artists,” they said. “They are so talented! We think this is the utopia that the legacy bands were envisioning during their time: original Filipino songs being as popular as foreign songs; Filipino bands touring the world; Filipino bands collaborating with different artists from all over the world. It’s just so beautiful.”

“I see ourselves as the older brother of these bands. Hindi kami mga Tito [we are not uncles]!” Jugs added. “I always give them advice not just in music, but also in artist management and branding.”

The band once collaborated with the legendary Ely Buendia of Eraserheads in 2016 for the song “Pariwara,” which was a notable hit that had fans thrilled, as The Itchyworms had been considered one of Eraserheads’ successors when it comes to songwriting. When asked if any rising artists have caught their attention, the group mentioned One Click Straight and Ena Mori, stating that they love their energy and would love to collaborate with them one day.

Now, The Itchyworms are showing the enduring power of their music with a concert in Singapore. This marks the band’s fourth visit to the city-state, and is described as more than just a concert but a celebration of their memories and connection with Singaporean fans. When asked what we can expect, the band was quick to express their excitement.

“We LOVE playing in Singapore!” they told The Beat Asia. “The SG crowd is always itching for an excuse to have fun! You’ll have so much fun in ‘Akin Ka Na Lang SG’! Our new member, Michael Vargas, is a multi-instrumentalist. His first primary instrument is the violin, and he’ll be playing it in Singapore! Also, D&D will be giving away one D&D Kidlat signature guitar to a lucky superfan!”

Akin Ka Na Lang SG — Courtesy of The Itchyworms

When asked about how it feels to have their music endure through the years and even cross borders, Jugs answered, “It is so overwhelming. I see kids who are younger than our songs watching us at the gigs! And they know the words, the discography, and even the deep cuts! Of course, we are very thankful for this opportunity to keep music fans happy. We hope to continue doing so for more decades to come!"

“We have no aspirations of being known internationally. But it really is heartwarming when someone who’s not Filipino comes up to me and says they like our music. That means so much to us,” the rest of the members added.

After almost three decades of making music together, the band also shared what keeps them motivated through the years and the key to longevity as a group.

“It’s a great excuse to hang out with my friends,” they simply stated. “And communication is the key.”

As for what the future holds, the legendary OPM act doesn’t seem to be stopping any time soon, revealing their desire to travel more and to put out more music. The band is also set to go on tour next year, with Dubai and Abu Dhabi scheduled for January, Taiwan in April, Europe in May, and Australia and New Zealand in September.

Their upcoming Singapore show will take place at the Timbre+ One North on Nov. 8 at 5 PM. You can choose from two ticket options: General Public (S$58) and Superfans (S$98), which include an exclusive meet and greet, early entry to the venue, access to soundcheck, freebies, a complimentary bottle of beer, and a chance to win a new guitar signed by the band. You can buy your tickets here.

You can follow Itchyworms on Facebook and Instagram. You can also listen to their music on Spotify, Apple Music, and on their official YouTube channel.

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Manila/ Vibe/ Pop Culture

November 05, 2025

The First Pokémon Play Hub in the Philippines Opens at Robinsons Galleria

by: The Beat Asia

Photo by The Beat Asia

November 05, 2025

by: The Beat Asia

Heads up, Trainers! You’re all in for a treat as the first-ever Pokémon Play Hub in the Philippines finally opens its doors!

Tucked away on the third level of Robinsons Galleria in Ortigas, the Pokémon Play Hub is every fan’s dream come to life. More than just a gaming space, it’s an immersive playground where enthusiasts can shop, play, and connect with fellow Trainers. The vibrant hub features exciting zones, official Pokémon merchandise, and interactive experiences to keep fans of all ages entertained. After making waves in Malaysia and Thailand, the beloved destination has finally arrived in the Philippines, giving local fans the perfect spot to catch all the fun!

The Beat Manila was there for the exciting grand opening, which kicked off with a ribbon-cutting ceremony attended by VIP guests including Joel Lumanlan, Vice President of Marketing and Operations of Robinsons Malls, Carmina Quizon, Group General Manager of ToysRUs Philippines, Ray Kagami, Director of Asia Business Development Department of The Pokémon Company, Christina Sanchez, Deputy General Manager of ToysRUs Philippines, and Celina Chua, Group General Manager of ToysRUs Philippines.

Catching All the Fun at Pokémon Play Hub

Upon entering, you’ll be greeted by a bright, cheerful yellow space featuring the franchise’s beloved mascot, Pikachu, along with fan-favorite starters Sprigatito, Fuecoco, and Quaxly. Their adorable figures are displayed on pastel-toned podiums, perfect for snapping a photo and commemorating your visit.

Further in, you’ll spot the retail zone, which is packed with shelves of official Pokémon merchandise from colorful plushies, rare Funko Pops, blind boxes, and other collectible figurines. The character stuffed toys are available in various sizes, and are priced from P1,399 to P1,499 (small size), P1,299 to P1,599 (medium size), and P1,899 (large size), depending on the design.

Apart from the collectibles, Japanese pen brand Artline also has a series of Pokémon markers and sign pens that can light up any page. The collection includes sign pens with character designs (P65 each), laundry markers (P90 each), and two highlighter sets (P270): Pastel Pikachu and Vivid Eevee. You can also get a free engraving if you buy a minimum of two sign pens and a Stamp Card for every P500 worth of purchase.

For Switch players, we caught sight of the Nintendo Switch OLED Pokémon Scarlet & Violet Edition, as well as other accessories like cases and controllers that will surely make your gaming sessions more fun and stylish. Physical Nintendo Pokémon games are also for sale at the store, including the Nintendo Switch 2 Edition of “Pokémon Legends Z-A,” which you can try and play at the gaming zone.

Stepping further into the hub, you’ll find the Pokémon Trading Card Game (TCG) Play Area, a dedicated space for fans to play and connect. Not yet a pro? No problem! Beginners can take advantage of free tutorial sessions every weekend. There are also a couple of TV screens where visitors can do trial runs for the switch games or go head-to-head in a competitive round. Aside from the rows of tables for the TCG, there’s also a comfy corner with bean bag seats where players can hang out.

Gaming Zone — TCG Play Area | Photo by The Beat Asia

Although there might not be a lot going on at the moment, with only two active zones, the Pokémon Play Hub team shared that more features will be added in the next few months, such as an arcade and various events like competitions that will surely encourage Pokémon enthusiasts to come and join in on the fun!

For updates and event schedules, follow Robinsons Galleria on Facebook, X (Formerly Twitter), and Instagram.

Location: Level 3, Robinsons Galleria, EDSA cor. Ortigas Avenue, Quezon City

Opening Hours: Daily, from 10 AM to 10 PM

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Manila/ Vibe/ Artists

October 27, 2025

Artist Spotlight: Over October and the Magic of Moving ‘Dahan-Dahan’

by: The Beat Asia

October 27, 2025

by: The Beat Asia

If there’s one thing Over October has mastered, it’s the art of growing slow and steady. Formed in 2014, the Filipino indie/alternative rock band has spent the past decade quietly building their sound, their story, and their community of listeners — endearingly called “Octobears.” Then came “Ikot” in 2024, the heartfelt track that launched them into the mainstream music scene, proving that patience really does pay off.

Now, with more eyes (and ears) on them than ever, Over October is showing no signs of slowing down. Their music, described as equal parts nostalgic, sincere, and full of soul, feels like the soundtrack to late-night drives and long, quiet moments. Their latest single, “Dahan” showcased a more romantic side of the band as they told the story of a slow-burning romance wherein one realizes their feelings for someone they’ve known all their life.

In an exclusive sit-down with The Beat Manila, Josh Buizon (vocals), Josh Lua (lead guitar), Joric Canlas (bass), Janessa Geronimo (drums), and Anton Rodriguez (guitars) talked about where it all began, how their creative process has evolved over the years, and what’s next as they continue to define who Over October really is.

From the early days of jamming in small venues to navigating the wave of newfound attention, the band opened up about the challenges, the laughter, and everything in between that keep their music alive.

On Music Being the Glue

It might surprise some to learn that Over October just celebrated their 11th anniversary — a milestone marked with a free concert at the SM Mall of Asia Amphitheater last Oct. 12, 2025. With “Ikot” only recently making waves on mainstream playlists, it’s hard to believe the band has been around this long, quietly building their sound and fanbase before finally getting the spotlight they deserve.

“The process allowed the music and our relationship with each other to really marinate,” said Josh on how their slow rise made the band what it is today. “So it’s like now we’re just at the stage where more people are listening to the songs. It’s still authentic.”

The band started making music while still in college, having been part of a music organization in Ateneo de Manila University. The band’s guitarist, Lua, told us all about the night of their year-end recital, and how he had asked that one question that sparked the beginnings of what will eventually be known as Over October.

“I was at the back of a pick-up truck with Josh, and riding on that high of the recital, I thought, ‘I want to do more music.’ Personally, the reason why I joined that [organization] is to really form a band. So I asked them: 'Josh, mag-kapangalan naman tayo. Gusto mong mag-banda (Josh, we have the same name. Do you want to form a band)?'” Lua revealed with a laugh.

From there, the band eventually took shape with Janessa, who was also the drummer of their group at the recital; Anton, the organization’s president, and Joric, Josh’s childhood friend, joining the team. The band’s original bassist had been Andrew de Pano, who’s currently a member of Ben&Ben.

The five members began writing and recording their own music early on, even setting up fundraisers to help cover the costs of producing their EPs. Lua recalled how they used to serenade people on Valentine’s Day just to raise money to record and print their CDs.

It’s clear this band never took any shortcuts. They built everything from the ground up — crafting their sound, growing their discography, and slowly earning a loyal following along the way. While both Josh and Lua shared that music had always been something they actively pursued, the other members admitted it was a pleasant surprise to see how far their shared passion for music has taken them.

“I really didn’t think of pursuing it. Part of it was that I was really discouraged by my parents,” Janessa said. “But it’s the thing that keeps coming back for me. These guys found me. It became one of those things where I know I’m good at this, and I know I love doing this, and so I stuck with it.”

“I came from an engineering family, so I took up engineering, but the band changed everything,” Joric added. “Music was an outlet for me in college until it became the real thing.”

The band’s rhythm guitarist, Anton, also shared how music was the one constant thing in his life. “I never thought I would be doing it as the main thing. I always thought it was going to be there. I had a lot of bands in college, and slowly everyone grew up and started getting their own jobs. I even stopped music for a while. It wasn’t really in the plan. It was more like something that I reunited with every so often.”

On Creating Music that Moves

A lot of the band’s songs have been described as heartfelt and soulful. Their musical stylings have even been compared to the likes of Coldplay, John Mayer, and even Hillsong for their emotional rhythm that almost seems cathartic when you listen to them.

When asked what inspires their music, Josh replied, “A lot of our songs are written from personal experience. When we started collaborating, it also became more like universal experiences that we’ve experienced in the past. And that’s really where we get it from. We also try to base it on experiences that other people share, so they can resonate with the music that we put out.”

Personal and universal may be words that come from opposite ends of the spectrum, but the band had an interesting take on how they balanced these two when making music.

“What we noticed is that although we write a song for a specific theme or with a specific message, it’s always interpreted differently by different people. I think that’s the beauty of music. Sometimes, it doesn’t matter what message you’re trying to put across. We have this song, and I meant it to be such a loving love song, but some people who listened to it said that it was painful. It really reacts to people in different ways, so finding a balance is like magic!”

“What we usually do is we come up with a story, and it becomes like a musical score. We write a song based on that scene. Subconsciously, as we craft that story, we draw inspiration from pop culture, literature we’ve seen, read, or watched. So I guess that’s why it becomes universal since it’s also based on the media that we consume. At the same time, we balance it with real-life experiences. From there, we kind of romanticize them,” Lua explained.

The band also shared that everyone pitches in when it comes to the arrangement. However, when it comes to songwriting, Josh usually takes the lead with Lua often pitching in.

Apart from “Ikot,” we asked the band if there was a song they’ve produced that they found memorable.

“We have this song called ‘Gising Bangon,’ which came from our ‘Maybe Today, Maybe Tomorrow’ EP. We wrote that all together, and we were in a locked-in recording. We’re in the middle of the pandemic, and I remember that so vividly. We were just in one room writing songs together.”

“It was just about the uncertainty of the future,” added Lua.

“Yeah, and Anton had to leave for a bit because he was focused on studying,” Josh continued. “I remember we called him while we were writing that song. And we told him to come back already. *laughs*”

Being an independent band comes with its fair share of perks and challenges. When asked about the struggles they’ve faced over the past decade, Jannesa pointed to the ever-evolving music industry. Having been around long enough to witness the shift from CDs to online streaming, the drummer shared that the band has had to constantly adapt and find ways to keep up with the fast-changing landscape, and with the many new artists emerging along the way.

“We’re independent, so we also don’t have a big machinery behind us,” Janessa explained. “With our small production team and our manager, Kat, we’re just trying to keep up with all the other mainstream artists with better backing. It’s difficult, but we’re still here, so we’re still able to achieve what we want.”

When asked if they feel any pressure to release more music, she replied, “I don’t think 'pressured' is the right word for it. We kind of just understood that that’s how the music industry is now, and it’s up to us to adapt to it. We know that’s how it is, so we conform to that.”

“It’s also not just the timeline of releases but also the resources that come from it,” Anton added. “As an independent band with no backer and no institutional mechanism keeping us here, we rely solely on our own savings. We understand that because of the way listeners are consuming music, we have to release a certain number of songs, but that also comes with its own promotional campaign and shows. That’s a big struggle. Although the band’s situation now is that the songs are already recorded for the foreseeable future, the ideas that we have to come up with and the resources that we need to make those releases meaningful are still up in the air.”

Speaking of new releases, we also talked about their latest single “Dahan,” a love song about slowly falling for a friend. It’s a slow-burn romance wrapped in an alternative-rock arrangement that mirrors that very feeling. The chorus starts off gentle and restrained before building up toward the end, when those emotions can no longer be contained and everything suddenly changes.

Over October has always had a gift for translating emotions that are often hard to put into words into pure, heartfelt music and that might just be their greatest strength. After 11 years of playing and creating together, it’s clear the band has not only refined their craft but also deepened their connection as musicians, resulting in songs that feel both deeply personal and universally relatable.

When asked if their slow rise had changed their perspective on what success looked like, Josh replied, “I think every band or every artist has a different journey. Some are overnight successes or have been famous since their first or second year. Ours just took a little longer. I think it’s a much more fulfilling feeling because it took so long to get there. We’re more grateful to be here because of the years that it took to get here, and we’re also hungrier for more because we want to achieve so much more than what we’re doing right now.”

Indie Band — Photo from Facebook/Over October

As for if there was a moment in their 11-year run that felt like a turning point for the band, Lua shared, “Definitely “Ikot.” When it was released, we went up to Baguio to record, and we were constantly monitoring the numbers. It kept rising and rising. We were like, ‘Is this really happening?’ After that, it was a blur. We started getting invited to more shows and awarding ceremonies. We also started seeing that this can actually sustain us. I ended up resigning from my job this year and now I’m doing music full-time!”

From intimate gigs to arena shows such as their recent performance as Coke Studio performers, Over October shows no signs of slowing down. Having honed their sound for years now, it’s only natural that they’ve built a stronghold that can last for many years to come.

“We want to reach more people, not just here in the Philippines but also abroad. Maybe to tour abroad in countries where we have fans who message us asking us to come and perform. That’s a dream for me to be able to do that,” Josh said.

“For long term goals, we wanted to be able to keep doing this for as long as we can,” added Lua. “To do larger-scale shows and release more music.”

Before wrapping up, Josh also gave a short and sweet message for the Octobears: “Thank you so much for supporting our music and making it the soundtrack of your lives. We just want to give back to you. We love you! Stream 'Dahan!'”

For updates on music releases and upcoming shows, follow Over October on Facebook, X (Formerly Twitter), TikTok, and Instagram.

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Manila/ Vibe/ Pop Culture

October 24, 2025

Sony Music Philippines Artists Dominate the First Filipino Music Awards

by: The Beat Asia

Photo by Sony Music Philippines

October 24, 2025

by: The Beat Asia

Mabuhay ang musikang Pilipino!

Sony Music Philippines emerged as the biggest winner at the first-ever Filipino Music Awards (FMA), with its artists taking home nine major awards.

Global pop phenomenon SB19 led the group, sweeping a total of six awards, including Tour of the Year, Concert of the Year, and the much-coveted Artist of the Year. The boy band also bagged three People’s Choice Awards — for Artist and Song — and another one for Pop Song of the Year, driven by the wide-ranging appeal of their chart-topping single “DUNGKA!” from their latest EP, Simula At Wakas.

SB19 at the Filipino Music Awards — SB19 | Photo from Instagram/Filipino Music Awards

Also representing the label, IV of Spades marked their celebrated return to the spotlight, winning Rock Song of the Year for their hit single “Aura.” The track debuted at No. 4 on the Spotify Philippines Top 50 a few months ago, with their upcoming headlining concert at the SM Mall of Asia Arena also sold out two months in advance.

Rising Bicol-born singer-songwriter dwta earned Folk Song of the Year for her track “Sampung Mga Daliri,” made in collaboration with SB19’s Justin. This recognition adds to her growing list of milestones, including contributions to the “Flower Girl” soundtrack and songwriting credits on BINI’s newest viral single, “First Luv.”

IV of Spades at the Filipino Music AWards — IV of Spades | Photo from Instagram/Filipino Music Awards

dwta at the Filipino Music Awards — dwta | Photo from Instagram/Filipino Music Awards

Sony Music Philippines also bagged the prestigious Music Company of the Year, reaffirming its position as the country’s leading powerhouse in music.

“These wins are a testament to the extraordinary talent, creativity, and hard work of our artists and to the collective passion of the Sony Music Entertainment team,” says Kevin Foo, Managing Director-Southeast Asia, Sony Music Entertainment. “Through this recognition, we remain committed in empowering Filipino musicians and showcasing the diversity and global potential of OPM as a music movement.”

Beyond the recognition, the night featured standout performances from IV of Spades, Ely Buendia, and Gloc-9, with a monumental finale brought SB19 and Ben&Ben together for their first live performance of “Kapangyarihan.”

The Filipino Music Awards (FMA) is a landmark celebration of Original Pilipino Music (OPM), which took place on Oct. 21, 2025, at the SM Mall of Asia Arena. The event gathered more than 500 artists, industry leaders, and executives, alongside music fans in a historic evening that celebrates the creativity, diversity, and global potential of Filipino music.

Catch the official telecast of the Filipino Music Awards this weekend on TV5 and via livestream on Facebook.

Part 1: Oct. 25, 2025, 9:45 PM

Part 2: Oct. 26, 2025, 9:30 PM

Follow Sony Music Philippines on Facebook, X (Formerly Twitter), and Instagram.

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Manila/ The List/ Nightlife

October 23, 2025

&FRIENDS Halloween Rave Brings Knock2, Dabin, BEAUZ & More to Okada Manila

by: The Beat Asia

Photo by &FRIENDS Festival/Instagram

October 23, 2025

by: The Beat Asia

Forget haunted houses and pumpkin spice — Manila’s Halloween scene is about to get a full-blown rave resurrection. On Oct. 31, 2025, the city’s most decadent venue, Okada Manila, will be crawling with costumed creatures, bass drops, and neon chaos as &FRIENDS throws a Halloween rave. This isn’t &FRIEND's usual rave but a spooky party with a celebration of identity, creativity, and community.

Billed as the largest Halloween rave in the Philippines, &FRIENDS is a curated experience at Okada Manila with a stacked lineup of genre-fluid artists and back-to-back sets designed to keep the energy surging until sunrise.

Lineup of the night — Photo from Instagram/&FRIENDS Festival

Leading the charge is Knock2, making his long-awaited Philippine debut. Known for his explosive bass sets and viral tracks like “Dash,” Knock2 is one of the most in-demand names in the global trap and bass circuit. Joining him are melodic heavyweights Dabin, BEAUZ, and SABAI, each bringing their signature blend of emotional drops and festive energy.

Also on deck are a back-to-back set from FrostTop b2b RemK, two rising stars in the bass and future trap scene, plus a performance from Y3llo, whose genre-fluid style adds a fresh layer to the night’s sonic palette.

Expect sonic chemistry from Ggpete b2b Eko, Zana, Smyliek b2b Nghtshift, Jemina ft Queen, Molly b2b Thryloz, Markdc b2b Paracelcius, Yuichi, Exodus Era, and Dreamdriver, each bringing their own flavor of electronic heat to the crowd to move, connect, and lose themselves in the music.

&FRIENDS Festival 2025 — Photo from Instagram/&FRIENDS Festival

The venue, Okada Manila, is no stranger to opulence. But for one night only, it’s transforming into a sonic playground where fashion, music, and identity collide.

Tickets are available now via TicketMelon with Last Chance General Admission starting at PHP3,750 and VIP packages offering exclusive lounge access, fast-track entry, and premium bar service.

As &FRIENDS is carving out space for community-driven nightlife in Southeast Asia, where creativity and connection take the spotlight. Check out the event’s website, and follow them on Instagram and Facebook for updates.

Location: Okada Manila, New Seaside Drive, Entertainment City, Parañaque, Metro Manila

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Manila/ Vibe/ Celebs & Influencers

October 23, 2025

Spotify PH Launches First-Ever RADAR Creators for Filipino Podcasters

by: The Beat Asia

Photo by Spotify

October 23, 2025

by: The Beat Asia

Staying true to its mission of amplifying Filipino voices, Spotify debuts RADAR Creators Philippines, a new initiative spotlighting fresh local voices who are reshaping the local podcast landscape.

RADAR Creators is Spotify’s global program supporting emerging audio and video talent, expanding on the success of RADAR for Artists. With the Philippines among Spotify’s top five markets in Asia-Pacific and local video podcasting growing by nearly 65% annually, the program strengthens the platform’s support for the country’s vibrant podcast community. Through editorial promotion, marketing support, and mentorship, RADAR Creators helps Filipino creators reach wider audiences and foster deeper connections with listeners.

“Filipino creators are pushing the boundaries of podcasting, using audio and video to tell stories that are real, relatable, and uniquely theirs,” said Carl Zuzarte, Head of Studios at Spotify Southeast Asia. “Through RADAR Creators, we’re amplifying the voices of emerging Filipino audio talent, giving them the platform and support to shape Filipino storytelling.”

The inaugural RADAR Creators Philippines Class of 2025 features a diverse lineup of voices from established names exploring new storytelling frontiers to digital-native creators redefining expression and community.

This year’s class included Kuya Kim Atienza’s Ano Ba Talaga? With Kuya Kim, singer-actress Karylle Tatlonghari-Yuzon’s K’s Drama, Chariz Solomon and Buboy Villar’s Your Honor, Sophie Prime’s DAGOK TIME!, and Yani Villarosa’s yani’s room. Together, they showcase the many sides of Filipino storytelling and reflect how podcasting in the country continues to evolve — authentic, creative, and distinctly local.

“I’ve always loved expressing myself — whether through television, digital, or podcasting — and this program is another way to keep doing that,” said Kuya Kim Atienza. “I’m proud to represent Filipino storytellers who are making an impact both locally and globally.”

“As part of Spotify’s RADAR Creators program, I’m proud to represent Pinoy creativity and the way our generation blends humor, authenticity, and digital storytelling,” added Sophie Prime. “I’m excited to bring that bold and uniquely Filipino Gen Z energy to the global stage.”

Chariz Solomon and Buboy Villar — Courtesy of Spotify

Learn more about the voices shaping Filipino conversations on the RADAR Creators Philippines playlist on Spotify.

Follow Spotify Philippines on Facebook, X (Formerly Twitter), and Instagram.

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Manila/ The List/ What's On

October 23, 2025

ENHYPEN’s Global VR Concert Tour Lands in Manila This Nov with ‘IMMERSION’

by: The Beat Asia

Photo by ENHYPEN/ Instagram

October 23, 2025

by: The Beat Asia

This November, Manila becomes the gateway to a new frontier in K-pop fandom. From November 20 to December 6, 2025, ENHYPEN, one of the genre’s fastest-rising global acts, will debut their first-ever VR concert experience, IMMERSION, exclusively at Gateway Cineplex, Quezon City.

Presented by Wilbros Live, this event marks a milestone not only for ENGENEs (ENHYPEN’s devoted fanbase) but for the evolution of music entertainment itself.

Official poster of IMMERSION — Courtesy of AMAZE VR

Unlike traditional concert films or live streams, IMMERSION is a fully interactive, multi-sensory journey. The experience begins with a cryptic invitation from the members themselves, leading fans down a surreal corridor where whispers blur the line between reality and fantasy. From there, viewers are transported into a series of cinematic dreamscapes, a sprawling office, an eerie factory, and a rooftop under twin moons, each revealing a new facet of ENHYPEN’s artistry.

Produced by AMAZE, the concert uses cutting-edge technology including 12K ultra-high-definition live-action filming, Unreal Engine-powered VFX and AI super-resolution combine to deliver a hyper-realistic, emotionally charged performance.

But it’s not just about visuals. Fans can interact with the concert in real time. By making a hand-heart gesture, you can watch a heart effect appear on screen, or choose one of the seven members, Jungwon, Heeseung, Jay, Jake, Sunghoon, Sunoo, or Ni-Ki, to view the show from their perspective.

ENHYPEN's 7 members — Instagram/ ENHYPEN

IMMERSION is also notable for its global scale. It’s the first VR concert to be simultaneously announced and confirmed across 40 major cities, including Seoul, Tokyo, Los Angeles, Paris, and now Manila. This underscores ENHYPEN’s growing influence as a global artist and highlights AMAZE’s expanding distribution network in immersive entertainment.

For ENGENEs in the Philippines, this is a portal into ENHYPEN’s world, crafted with precision, emotion, and cutting-edge technology. For more details, check out the VR concert’s official website, and follow ENHYPEN’s Instagram and Facebook for their updates.

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Manila/ Vibe/ Artists

October 20, 2025

Cup of Joe Concludes Sold-Out ‘Stardust’ Concert and Makes History

by: The Beat Asia

Photo by Viva Artists Agency

October 20, 2025

by: The Beat Asia

From intimate gigs at the New Frontier Theater to sold-out shows at the Araneta Coliseum, there’s no doubt that Cup of Joe (COJ) has soared to incredible heights, leaving behind a trail of stardust that glows brighter with every song they release.

The Filipino alternative pop sensation recently wrapped up their three-day concert series, “Stardust,” at the Araneta Coliseum last Oct. 12, 2025, marking an incredible milestone for both the band and the Araneta Group. They were recognized as the first Filipino band to achieve a total of five sold-out concert dates in a single year, following their two-day solo concert “SILAKBO” last February and their latest “Stardust” shows. In line with this, the group was also inducted into the Araneta Wall of Fame.

Additionally, COJ was awarded by Believe Music for reaching a total of 4 billion streams across all music platforms, making them the most-streamed artist in the Philippines. Their mega hit “Multo” also holds the record for the longest-running #1 song and highest single-day streams in Spotify Philippines’ history, and the longest-charting top song on the Billboard PH chart, having spent 27 consecutive weeks at #1 on the Billboard Top 100.

Awards — Courtesy of Viva Artists Agency

“Stardust” is more than just a concert, but a culmination of their incredible journey in the past few months. Unlike their second solo concert, which highlighted their first studio album, this show is rooted in the theme of “creating a new world,” positioning the band as storytellers as they reinvent their music with powerful new arrangements, surprise elements, and breathtaking production designs.

The Beat Manila was there to witness the magic last Oct. 12, 2025, which was an immersive musical experience that transformed the Araneta Coliseum into COJ’s very own galaxy. With a center-stage setup that gave fans a 360-degree view of the band’s electrifying performances, every beat felt closer, every note more alive. Overhead, colorful planet fixtures shimmered like distant worlds, pulling the crowd deeper into the band’s orbit.

The concert was packed to the brim with fans, and also had some star-studded guests in the crowd. Some of the celebrities spotted on Day 3 included Maki, Will Ashley, Alexa Ilacad, Barbie Forteza, and James Blake.

For three nights, Joehwas weren’t only treated to incredible performances of the band’s beloved hits but also from surprise guests, with a setlist mapped across five distinct emotional worlds.

Indie pop singer Keanna Mag raised the energy high for the pre-show, giving fans a delightful performance of “To the Bone,” “Takipsilim,” and her latest single “Babalik.” Right after, the lights dimmed and the concert officially began with “Silakbo,” welcoming audiences into the grand and euphoric Planet Crimson. Like this bold hue, this segment featured some of their most powerful anthems like “Sinderela,” “Tatata,” and “Wag Na Lang.”

Concert stage — Courtesy of Viva Artists Agency

Fans were then transported to Planet Ivory, a world that embodied warmth and brightness through heartfelt tracks like “Mananatili,” “Ikaw Pa Rin Ang Pipiliin Ko,” and “Misteryoso.” Singer-songwriter Janine Teñoso joined them on stage to sing their major hit, “Tingin,” as well as a cover of “Hulaan.”

The band has made a tradition of including one surprise song per show, and for the last day, they sang their rendition of Backstreet Boys’ “I Want It That Way,” sending a wave of nostalgic fun from the stage up to the highest section in the arena.

In Planet Pink, we got to hear “Estranghero,” as well as a mash-up of some of their well-known tracks, “Sagada,” “Nag-iisang Muli,” and “Hayaan.”

The band also welcomed Yeng Constantino to the stage on Day 3, delighting fans as she sang her hit “Jeepney Love Story” and a cover of COJ’s “Wag Na Lang.”

Janine Teñoso | Courtesy of Viva Artists Agency

We traversed deeper into the galaxy and arrived in Planet Emerald, where we heard most of the band’s most soul-stirring tunes like “Hinga,” “Kanelang Mata,” “Bubog,” “Lagat ng Bukas,” and “Pahina.”

Lastly, COJ braved the chill and darkness of Planet Azure, armed with songs “Bagyo,” their latest single, “Sandali,” and of course, the massive hit, “Multo.”

The interstellar journey concluded with an encore performance of their song, “Patutunguhan.” We thought it was a fitting end to this musical adventure as the song talks about one’s beloved serving as their final destination, who provides clarity amid the chaos.

With “Stardust,” Cup of Joe proved that their rise is no fleeting moment, but a movement. The concert was a journey through sound and sentiment, each song weaving stories that resonated far beyond the stage. It was a success not only in scale but in soul, touching hearts across the Philippines and shining bright enough to reach the world.

Riding the wave of this stellar success, Cup of Joe is now setting their sights beyond home. The "Stardust” World Tour kicks off in Los Angeles on Oct. 31, followed by stops across the US, Canada, and Dubai. Here’s where you can catch them next this 2025:

Oct. 31- Los Angeles (Saban Theater)
Nov. 1 and 2 – San Francisco (Graton Resort and Casino in Santa Rosa)
Nov. 7 – Calgary (Chinese Cultural Center)
Nov. 8 – Edmonton (Edmonton Expo Center)
Nov. 14 - Winnipeg (Transcona Country Club)
Nov. 15 - Vancouver (Chandos Pattison Auditorium)
Nov. 16 – Toronto (The Arena Pickering Casino Resort)
Nov. 29 – Dubai (Coca-Cola Arena)

Araneta Coliseum — Courtesy of Viva Artists Agency

The band also recently announced the release of the “SILAKBO” vinyl album, which you can pre-order here.

For updates on additional tour dates and new releases, follow Cup of Joe on Facebook and Instagram.

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Manila/ Vibe/ Sports

October 16, 2025

Thrilla in Manila 2 Brings Boxing Legacy Back to Philippines After 50 Years

by: The Beat Asia

Photo by Nico Ali Walsh/ Instagram

October 16, 2025

by: The Beat Asia

Fifty years ago, the Philippines hosted a fight so brutal, so poetic, and so globally resonant that it was etched into boxing history as The Thrilla in Manila.

Now, half a century later, the echoes of Muhammad Ali and Joe Frazier’s legendary war return, not as a reenactment, but as a revival of spirit, sweat, and legacy. Thrilla in Manila 2 is set to ignite the Smart Araneta Coliseum on October 29, bringing a new generation of fighters into the ring where legends once bled.

The event is spearheaded by Manny Pacquiao’s MP Promotions, in partnership with IBA Pro. Headlining the card is Melvin Jerusalem, the reigning WBC Minimumweight World Champion, who will defend his title against South Africa’s Siyakholwa Kuse. But the emotional spotlight is the appearance of Nico Ali Walsh, grandson of Muhammad Ali, stepping into the same arena where his grandfather fought the fight of his life.

The original 1975 bout between Ali and Frazier was the third and final clash in their storied rivalry. Held in the sweltering heat of Manila, it was a 14-round war of attrition that ended with Frazier’s corner throwing in the towel. Ali later described it as “the closest thing to dying.” That fight didn’t just crown a champion, it defined an era.

Thrilla in Manila 2 aims to channel that same intensity, but with a modern twist. The undercard features a mix of rising Filipino talent and international contenders, showcasing the Philippines’ enduring role as a global boxing hub. Pacquiao himself has called the event “a passing of the torch,” hoping to inspire a new generation of fighters and fans alike.

Tickets are priced to welcome everyone: P100 for Lower Box, P75 for Upper Box, and just P50 for General Admission. It’s a rare chance to witness history, again.

Secure your ticket now via Ticketnet and be there when history swings back. For more information, follow IBA.Pro on Instagram.

Location: Smart Araneta Coliseum, Quezon City, Metro Manila

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Meet Filipino Japanese Idol Cover Group Ivy! Musume

Hi Ivy! Musume! Can you introduce yourselves and your roles in the group?

Can you tell us about how the group formed?

Is there a story behind the group name?

Cool! Did all the girls undergo training?

For the members, did you always enjoy listening to Japanese music? Anything you’re currently listening to?

Do you have a favorite or memorable performance?

Can you tell us about some of the challenges of being in a girl group?

How would you describe your journey so far?

Considering Ivy! Musume’s long-standing history, what else does the group hope to achieve?

Please tell us what we can look forward to from Ivy! Musume this year.

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