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Cheap. Affordable. Sustainable. These are just some of the reasons why fashion enthusiasts prefer thrifting from small outlets over shopping in upscale malls. A thrift shop, also known as “ukay-ukay” in the Philippines, is a boutique spot that sells pre-loved garments from shirts, pants, footwear, and vintage accessories. For as low as P5, you can score a good item that can last you a year or two. If you’re patient enough to go through racks of clothes, then you’re most likely to find a hidden luxury gem for a budget-friendly price.
Tagaytay, one of the most popular summer destinations in the country, is slowly becoming a shopping mecca of the south. Among the stores making a name in the shopping department is Ukay-Ukay Hub, a thrift haven that is home to various boutique stores that offer secondhand clothes. Whether you're looking to upgrade your wardrobe or just want to indulge yourself in retail therapy, this thrift shop in Tagaytay is worth a drive!
Photo by Facebook/Ukay-Ukay Hub
What’s On Sale
Unlike other apparel stores, Ukay-Ukay Hub doesn’t have a fixed size and price for the items they sell. It varies depending on the day and time of your visit. The good thing is that they have a lot of fashionable pieces to choose from. Youtuber Mimiyuuh, who recently visited the shop with photographer Shaira Luna, IV of Spades member Blaster Silonga, and artist Crystal Jobli, copped an affordable ‘90s-inspired maong and stylish multi-colored shirt from the store. Vlogger Thrift With Me, who religiously documents her ukay-ukay adventures on YouTube, bagged a striped pullover shirt for only P50. For male fashion mavens, you can score quality everyday pants for P150 each just like content creator Ian Rustia.
Location and Operating Hours
Ukay-Ukay Hub is conveniently situated along Aguinaldo hi-way in Tagaytay. It’s easy to locate as it’s just in front of Fora Mall, one of the famous shopping centers in the city. It’s also just beside BDO Tagaytay Rotonda and Olivarez Hospital. If you happen to stay at either Sans Hotel at Berrie Suites Tagaytay, The Sycamore House, or Hotel Carlito Tagaytay, then you can reach Ukay-Ukay Hub in five to 10 minutes. The shop is open every day from 9 AM to 5:30 PM. For queries, you can message them directly on their official Facebook page.
From Manila or Makati: Ride a bus to Tagaytay and tell the driver to drop you off at BDO Tagaytay Rotonda. You can walk straight to Ukay-Ukay Hub from there.
From Quezon City: Ride the MRT to Taft Station. From there, ride a bus to Tagaytay and tell the driver to drop you off at BDO Tagaytay Rotonda. You can walk straight to Ukay-Ukay Hub from there.
If you reside within Tagaytay, just ride a tricycle or jeep and tell the driver to drop you off at Ukay-Ukay Hub.
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“The future of humanity will be dictated by our ability to adapt.” With everything that’s happening in the world, from climate change to political upheavals, this quote from the 2017 Sci-Fi film “Blade Runner 2049” rings like an alarm in the abyss, making us wonder if what awaits us is a future that is dark, bleak, and terrible.
However, if there’s one thing Filipinos are known for, it's their resilience. This inspired Ino Caluza, the designer behind the well-known denim brand Viktor, to explore how a dystopic future can shape the way we dress and to prove that fashion can also adapt to its environment.
Last Oct. 16, the designer unveiled this bold concept at the Manila Fashion Week, showcasing several looks that combined precise tailoring with street-inspired grit. The “Dystopian Blues” collection was just as atmospheric and cinematic as the film it was inspired by, playing with various fabrics such as denim, leather, and wool to create structured jackets, blazers, skirts, and trousers. What transpired on the catwalk was a striking vision where rebellion, structure, and sophistication collide.
After the show, we got to speak with Ino to dig deeper into how this new collection portrays the evolution of his brand, and its ties to his own personal pursuits as a creative.
“I’m more of a visual person. The film cinematography and production design inspired me to do this collection as a sort of homage,” he told The Beat Manila, revealing the main inspiration for the collection was the film “Blade Runner 2049.” “With the current state of the world, such as the environmental impact of climate change, what types of clothes should we wear in the distant future? That was my thought when I created the collection.”
Photo from Manila Fashion WeekPhoto from Manila Fashion Week
The designer further explained the fabrics used in the collection, revealing that dystopia can be translated as a feeling, so his choice of fabrics, such as leather, denim, and wool, represented the feeling of alienation, coldness, and protection against the elements.
“It’s a form of survival,” he emphasized. “The future might be bleak, but humans will evolve and manage to survive fashionably.”
As each model walked down the runway, his vision of creating a stylish apocalypse became a reality. From the set design down to the outfits, it transported the audience into an imagined, futuristic world where fashion became more than just outerwear, but an art that is both wearable and fascinating to examine.
When asked if there were any risks he took that felt exciting or terrifying, Ino answered, “Creating the mood, I guess. The mood or vibe of ‘Dystopian Blues’ reflects all the elements of the show, from the lighting, the stage design, the art installation, the models, the make-up, and even the Radiohead music soundtrack. Somehow, they complemented the bleak and cold atmosphere that we wanted to convey. At that time, I wasn’t sure if that would resonate with the guests when we first conceptualized the show, but it did!”
The looks were shadowed in hues of black, gray, blue, and indigo, but it was the styles and structures that made them eye-catching. The structured jackets seemed to be the highlight of the collection, showcasing a variety of designs in various patterns and cuts. Some were oversized leather pieces that swallowed the wearer but somehow still carried with finesse, while others had interesting design elements like billowing sleeves or clinched waists. The brand also soft-launched its underwear collection, which added another layer to the survival theme of the show.
When asked if he had a favorite look or one he considered encapsulated the theme best, the designer replied, “I can’t pick my favorites, but I must say the two opening looks of the show, the red leather jackets, the oversized jacket worn by Philippe, and the layered and textured look of Tyler are the standouts of the collection.”
Photo from Manila Fashion WeekPhoto from Manila Fashion Week
Viktor has always been known for its denim pieces, which were a central element in Ino’s work as a designer and the brand. We asked about what draws him to the material, to which he revealed it was a personal preference and that it easily captures the essence of the brand he wanted to build — something that is practical but chic, rugged but structured.
“I’ve always loved denim as a material. Its versatility and practicality represent our brand. The more you use it, the better it gets. Plus, denim will never be out of fashion. It’s rugged and utilitarian, but can be casual and formal at the same time,” he shared. “Since I was a kid, I’ve always loved wearing jeans, and since fashion is the best form of self-expression, I was able to express my artistic side through it. Later on, with my career in graphic design, I decided to switch to making custom-made jeans because I realized that this is my real passion, and the rest is history!”
His passion bled through each design, displaying different cuts and styles of denim that make it look fresh and familiar at the same time. The designer shared that they applied a lot of new techniques for this show, such as pleating and faux chenille.
According to Ino, the red jacket was made of five fabrics sewn on top of each other, then sheared to expose all the different garments below, giving it that layered multi-color effect. On the other hand, the showstopper finale gown was made of strips of pleated fabrics sewn and pleated together for a textured look.
Photo from Manila Fashion WeekPhoto from Manila Fashion Week
They also created custom-made denim flowers, a concept idea by his assistant designer, Will Mueco. Made from discarded denim fabrics, the flowers went through various manipulations and treatments and were transformed into beautiful and strange brooches. Not only was it a clever way to reduce fabric waste, but it was also on-theme, like how the designers thought to create their own flowers amid the rubble.
Photo from Manila Fashion WeekPhoto from Manila Fashion Week
More than an entertaining feast for the eyes, Ino’s new collection showcased the brand itself, its evolution, and how it intends to maintain its reputation while also keeping things fresh and interesting in the years to come.
“Viktor’s been quietly evolving for the past few years. After the pandemic, the brand is not just doing custom-made jeans but has also increased its product lines to include custom-made suits, leather jackets, skirts, and shirts,” he explained. “For this show, we were simply showcasing what we do best: making tailored high-quality Japanese denims, leather jackets, and premium wool suiting.”
Denim is universally seen as a staple of wearable design — familiar, functional, and timeless. But transforming it into something that transcends the everyday can be a challenge. When asked how he walks the fine line between fashion, art, and wearability, he answered, “There is a thin line that separates those ideas. Viktor is always about practicality. Wearability is a big factor in designing our collection, from our custom-made shoes to the accessories. You know you’ve achieved a good balance when all your models are excited to wear the collections, which in itself is already a good sign that you’ve created something special.”
The designer also shared how traveling to Europe served as a good eye-opener, helping him envision and shape the future of the Viktor brand. His annual trips to Japan also gave him a better understanding of the materials and fabrications they should pursue and experiment with in order to create new designs and other unique elements and details that fit the brand’s DNA.
Photo from Manila Fashion Week
Although “Dystopian Blues” gave us shadowed looks in hues of black and indigo, the future of Viktor looks exceptionally bright, having mastered the art of balancing fashion with wearability. When asked what’s next for the brand, Ino replied, “I don’t know yet, but after this show, we are far more excited to develop and evolve the brand into the next decade.”
You can learn more about their custom-made looks by following Viktor Manila on Facebook and Instagram.
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Homegrown label Pinas Sadya celebrated Filipinocraftsmanship, bold style, and unapologetic confidence with its historic debut on the New York Fashion Week 2025 runway.
Walking to the beat of Maymay Entrata’s “Amakabogera,” Pinas Sadya’s Spring-Summer 2026 collection embodied the brand’s essence of a modern Kabogera — radiant, confident, and playful. Models walked the runway in pieces made with iconic Philippine weaves, delicate hand embroidery, and contemporary silhouettes, reflecting a perfect balance of heritage and tradition.
Courtesy of Pinas Sadya
“Kabogera is your birthright,” said Skeeter Labastilla-Tugrut, Founder of Pinas Sadya. “You are born to shine, to stand out, and to achieve your best. This collection is meant to accompany you at different parts of your journey, as you discover, fulfill, and share your purpose.”
Through its “Kabogera With a Purpose” campaign, Pinas Sadya champions women who embrace their potential and individuality. The brand’s debut on the NYFW runway was made possible with Filipinxt, offering an opportunity to showcase Filipino design to an international audience.
“There’s a growing global appetite for Philippine-made, thoughtfully designed products,” noted Valerie Fisher, Co-Founder and General Manager of Pinas Sadya. “The response we received confirmed that Filipino creativity resonates internationally while staying true to its roots.”
Photo from Instagram/Pinas Sadya
Adding flair to the runway, Filipino artist and designer Farah Abu created accessories that added depth, cohesion, and personality to Skeeter’s designs. Fellow designers such as Bitangcol, Style Ana, Bessie Besana, Ram Silva, and Project Runway Season 21 winner Veejay Floresca, also contributed to the showcase that celebrated Pinas Sadya’s DNA: joy, pride, and confidence.
Following its historic debut at the NYFW Spring/Summer 2026 runway, Pinas Sadya will return to New York for YAMAN 2025 — a cultural movement celebrating heritage, empowering artisans, and helping Filipino communities abroad thrive.
Celebrate Filipino artistry and fashion with Pinas Sadya. Visit their pop-up store at the Main Entrance, Ground Floor, SM Mall of Asia, or their Showroom at Room 254 of The Peninsula Manila.
Learn more about Pinas Sadya and its New York Fashion Show Spring-Summer Collection here. Follow Pinas Sadya on Facebook and Instagram.
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You’ve seen her name, her bags, and signature styles all over the internet — now, you’re about to see them in-store.
In case you haven’t heard, Malaysian brand Christy Ng is finally opening its first store here in the Philippines today, Oct. 28, 2025, at SM Megamall, Mandaluyong City. Ahead of the grand opening, the brand has been giving Filipino shoppers a little sneak peek of what’s to come through its pop-up store at 3/F SM Megamall Fashion Hall.
Photo from Instagram/Christy Ng Philippines
Known for her stylish, customizable, and accessible designs that blend affordable elegance with thoughtful craftsmanship, Christy Ng has built a brand that celebrates individuality and purpose — creating shoes and bags that move with you, not against you.
During the pre-launch movie screening party held on Oct. 2, 2025, The Beat Manila caught up with Christy Ng herself to talk about her inspiring decade-long journey, her design philosophy, and what opening her first store in the Philippines truly means to her.
From Malaysia, Indonesia, and now the Philippines
Christy Ng has long been a favorite among Filipino shoppers — many have ordered online for years, while others would even fly to Malaysia to visit her stores. With nearly a decade of love and support from Filipino fans, Christy shared that it only felt right to finally bring the brand to their shores.
“It makes sense to open a store here,” she shared. “Over the past few years, the volume has shot up tremendously, so I think it’s time to have a physical store so our Filipino customers can try, experience, and feel the brand before they decide to buy it.”
Christy Ng during the pre-launch event last Oct. 2, 2025 | Courtesy of Christy Ng
She also added that finally opening in the Philippines feels like both a blessing and a homecoming, expressing gratitude to her loyal Filipino fans who’ve gone the extra mile to get their hands on her designs. “I feel like I’ve started all over again. But this time, we have much more support than when I started over a decade ago,” she said.
“The response has been crazy; people have been queuing since 8 AM, and we didn’t expect it to be this overwhelming,” she added, referring to the long line of customers who eagerly waited for the pop-up to open.
Fitting the Filipino Fashion Taste
Despite the warm climate in the country, Filipinos have mastered the art of adapting their style — making every look personal, expressive, and uniquely their own. This aligns perfectly with one of Christy Ng’s core brand philosophies: celebrating individuality and versatility.
“Filipino customers are definitely more adventurous with their styles,” Christy shared. “This is just a general observation, but between Malaysian and Filipino customers, Filipinos are more daring and love colorful styles.”
That naturally led to the next question: would there ever be Philippine-exclusive designs? Christy’s answer: a resounding yes, though plans are still in the works.
Christy Ng with the Julio Backpack in Burgundy | Courtesy of Christy Ng
With over a decade of experience, Christy has designed her collections to properly fit the Southeast Asian climate, making shoes and bags that are stylish and comfortable for everyday use. She shared that one of the reasons she started her brand all those years ago was because she couldn’t find any shoes that would fit the region’s hot and humid climate.
“Our shoes are designed with wider shoe masks, so the curve is much bigger, and it’s much more comfortable to wear,” she explained. “We also use Malaysian rubber for our outsoles, so it’s all non-slip and very safe to wear.”
Christy also gave a glimpse into their quality testing, explaining how each material is carefully checked before production. “We personally test each and every bag before we launch it, and we test the material,” she said. “The materials we use are synthetic microfibers — they’re durable and able to withstand both heavy weight and the test of time. We really want to give our customers high-quality products.”
Reflecting on International Growth and More
Now celebrating its 15th year, the Christy Ng brand continues to grow and evolve — proof that passion and purpose can truly stand the test of time. As a designer and entrepreneur, Christy shows no signs of slowing down anytime soon.
“I always remember how I started,” she shared, reflecting on her inspirations and motivations to keep growing. “I only started with P130,000 as capital — and I had nothing. Being able to stand here today is really beyond my wildest dreams, so I’m incredibly grateful for this opportunity every single day of my life.”
Photo from Instagram/Christy NgPhoto from Instagram/Christy Ng
Christy has always been open about her experiences before fashion. In fact, she once worked in the pharmaceutical industry as a biotechnologist — a far cry from the creative and fashion industry she’s in now. Yet, with that bold career shift, she started something extraordinary: a regional label on a mission to make fashion personal, versatile, and empowering.
Her roots in research continue to shape how she runs her brand. She pays close attention to customer feedback, using real data and insights to develop new designs her community would love — staying true to both current trends and the signature Christy Ng brand that started it all.
Now that she’s set to open her first store in the Philippines, this begs the question: What’s next for Christy Ng?
“We hope to do well in the Philippines and make sure that all Filipino customers are satisfied and happy,” Christy said with a smile. The brand is still in talks to formally open other stores around the metro and the country, hoping to reach out to more customers in the future.
For more information and updates, follow Christy Ng Philippines on Instagram and TikTok. Shop online here.
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The Philippine beauty and wellness scene is definitely having its moment — and it’s about time. From homegrown brands to inclusive campaigns that celebrate every Filipina skin tone and story, the industry is finally embracing the full spectrum of our beauty. And it’s not just the big names leading the charge.
Local startup brands are also claiming their space in the scene, each with their own take on skincare, self-care, and wellness. At the heart of this growing movement is BeauCon Manila, the Philippines’ first and original beauty trade expo, founded by Liz Tan, John Louis Kiocho, and Jhomel Tiu in 2023, a platform that’s changing how we discover, support, and empower homegrown beauty and entrepreneurs.
The Beat Manila sat down with one of the founders, Liz Tan, on the first day of BeauCon Manila last Oct. 11, 2025, to learn more about the story behind the event — and what it truly stands for.
From Casual Conversations to Brave Steps
Liz Tan and Jhomel Tiu, two of the founders of BeauCon Manila | Courtesy of BeauCon Manila
BeauCon Manila began over casual conversations and steaming bowls of lugaw shared by Liz, John Louis (JLo), and Jhomel. What started as a passing thought: "Why aren’t there any events that talk about beauty brands?" soon turned into a bold idea that would later reshape the local beauty landscape.
Back then, conventions and expos were mostly limited to the manufacturers and suppliers — an industry Liz herself was once part of before the pandemic. That gap then sparked a vision: to create a platform and event that puts local beauty and wellness brands at the forefront, empowering business owners, entrepreneurs, and enthusiasts to take pride in and celebrate the growing Philippine beauty industry.
Liz shares that BeauCon Manila isn’t just about showcasing brands and earning sales — it’s about creating genuine interactions and connections between them and the people who support them.
“We know that in ads, the more money you spend, the more reach you get. Here at BeauCon Manila, by just being there, you’re already reaching the people,” she said.
Photo from Instagram/BeauCon Manila
With three founders at the helm, the creation and organization of BeauCon Manila might seem like a seamless process. But behind the scenes, Liz explains, it’s their unique roles and balanced dynamic that make everything work. Each founder brings a different trait to the table — complementing one another in ways that have fueled BeauCon’s growth over the past three years.
“I’m the PR and the ‘Yes Man.’ Jhomel is the strict one, while JLo is the ‘referee’ and our formal side,” said Liz. “With that, even if we’re different, we’re balanced and at the end of the day, we get to an idea that we all agree on.”
Rejections, Redirections, and the Beauty of BeauCon
The CEOs of brands participating at BeauCon Manila with Liz Tan | Courtesy of BeauCon Manila
Creating and organizing an event like BeauCon Manila came with its fair share of challenges — and Liz was candid about everything they’ve faced over the past three years. For a movement built on passion and community, there were moments of rejection, setbacks, and obstacles that tested their purpose. Yet through it all, the team kept moving forward, trusting that every rejection is simply a redirection that bloomed into what BeauCon Manila is today.
“It’s depressing,” she said, talking about all the rejections they’ve faced from brands in the past. “[But] we have to move forward, maybe it wasn’t their time [with] us, or they might not be for us just yet. Maybe in the future, they’ll see what BeauCon is all about.”
In their first year, Liz shared, many of the brands they tapped were clueless about what to expect. Some asked if it was going to be a bazaar or whether they’d earn from joining. But for Liz, sales were only a secondary goal. “It’s an event for awareness and for brand activations. We’re here to introduce brands, and for the brands to hold activations to get them known by people.”
BeauCon Manila was built on genuine passion and authenticity — and the people who have joined this movement carry that same spirit. Liz shared that seeing everything and everyone come together at Megatrade Hall 2 felt surreal.
“Every year, the energy is different,” she said. “I can’t compare the BeauCon Manila from the past to the one we have now, but what I can say is that every year is happy, busy, and tiring. By the end of the two-day event, you’ll miss that tired feeling — and some even find themselves wondering how it’s already over.”
The event also highlighted the grit and enthusiasm of the brands that joined BeauCon Manila. CEOs themselves were seen actively participating — manning their booths, chatting with visitors, and even taking short interviews amid their packed schedules. It was a lively display of how motivated these founders are to make their brands seen and known.
BeauCon Manila Then and Now, and What’s Next for the Philippine Beauty Industry
Courtesy of BeauCon Manila
BeauCon Manila may be thriving now, but as Liz recalls, things looked very different in the beginning. Back then, many brands were unsure of what the event truly meant for them — or how it could shape their place in the local beauty scene.
“The people and the brands now understand what BeauCon means,” she shared. “It’s not about sales; it’s about brand activations and building the community through real-life interactions with the brands and the people behind them.”
When asked about a specific moment that made her realize that BeauCon Manila was finally happening, Liz admitted that it didn’t hit her right away. The feeling only sinks in when people she doesn’t often talk to reach out to congratulate her.
“When people I don’t know — or don’t talk to often — suddenly message me after the event, that’s when I realize, 'Huh, we’re actually successful,'” she shared. “I don’t think about how we should be more competitive with the other beauty conventions that started popping up after we did — I just want to have fun with what we do.”
Courtesy of BeauCon Manila
At BeauCon, every year is different — each one bringing different stories and faces together to shape what the Philippine beauty community is, and what it’s becoming. Liz describes this growth as a heartwarming sign that the movement is not just thriving locally, but also slowly beginning to reach a global stage.
“I’ve been to Jakarta, Malaysia, and Thailand, and their beauty brands are well-known now,” she said. “The brands that we have here can just be like theirs — we just have to make an effort to get them known. That’s the vision we have at BeauCon: to go global for the brands and to uplift Filipino beauty.”
BeauCon Manila has made its mark as the Philippines’ first and original beauty trade expo. For three years now, the team has continued to bring the community together — and the question naturally follows: What’s next?
Liz shares that they’re now ready to grow even bigger than they are now. “We hope that in the years to come, we’ll be the most anticipated beauty event of the year,” she said.
She also revealed their next step: the BeauCon Manila Campus Tour Edition, where they will be bringing brands, deals, and more to universities around Metro Manila — and possibly even to Cebu and Davao.
At its heart, BeauCon Manila is more than just an event — it’s a reflection of how far the local beauty scene has come and how much further it can go. What began as a small idea between friends over hot bowls of lugaw, has now grown into a movement that champions authenticity, community, and the brilliance of homegrown brands.
As BeauCon continues to evolve, it carries a promise with it: that Filipino beauty and wellness — diverse, dynamic, and deeply human — whether from a big brand or small brand, deserves to be seen by every Filipino and by the world.
Follow BeauCon Manila on Facebook and Instagram to learn more about them and to stay updated with what they have coming next.
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Fashion never goes out of style… It simply reinvents itself. It’s both an armor and an art form, a way to express identity, confidence, and creativity. That spirit was on full display at the inaugural Manila Fashion Week, which took place from Oct. 16 to 19 at SM Aura Premier, where eight designers took over the runway across four days of dynamic showcases. Each collection celebrated Filipino ingenuity through innovative design, meticulous craftsmanship, and a deep sense of cultural pride.
From sleek modern tailoring to avant-garde experimentation, Manila Fashion Week marked a new chapter in the country’s fashion landscape. The Beat Manila got to witness this extraordinary showcase and let us break down some of the standout ensembles and moments that defined its debut season.
Andrea Tetangco Redefines Filipina Grace and Beauty
Andrea Tetangco opened the week with an elegant and romantic collection that redefined feminine strength through structure, texture, and timeless silhouettes.
Designed for “the woman who moves with purpose and presence,” Andrea’s Cruise Collection was a celebration of fluidity, strength, and sophistication. Each piece was thoughtfully crafted to move with the wearer, effortlessly commanding attention with eye-catching designs that turn heads at every step.
As models walked down the Fashion Tent runway in hues of cream, blue, maroon, and blush, we were captivated by how seamlessly the designer blended craftsmanship with emotion. The result was a collection that evoked quiet confidence and timeless elegance, all while staying rooted in classic Filipina grace.
“Women have always been at the heart of my creative process,” the designer said in an official statement. “Every piece I design is a love letter to them. A way of inspiring confidence, grace, and strength through clothing.”
Andrea Tetangco | Courtesy of Manila Fashion Week
The Cruise Collection also played with a range of textures and prints, from flowing, shimmering fabrics to pleated and ruffled skirts that added movement and dimension. Polka dots, a trending print this year, made their appearance throughout the show, lending a playful yet refined charm. From cascading gowns to asymmetrical dresses, Andrea’s latest creations embodied a kind of bold grace that was impossible to look away from.
The designer also quoted that she hopes the audience feels inspired after seeing the collection and is reminded of the power of softness and how femininity can be both delicate and strong. This poetic juxtaposition gave way to a dreamlike collection which accentuates the woman figure and transforms them into walking art.
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
“For this collection, I wanted to explore the idea of purity and femininity reimagined. Something dreamy and futuristic, yet timeless and grounded in reality. It felt right to debut this collection for the inaugural season of MNL Fashion Week. A moment that celebrates both new beginnings and the evolution of Filipino fashion.”
Viktor Crafts a Stylish Apocalypse
The excitement of Day 1 continued well into the night as the well-known denim brand Viktor took center stage for a masterclass on turning dystopian narratives into wearable art.
At Samsung Hall, Ino Calusa, the designer behind the brand, presented a bold and atmospheric presentation that combined tailoring with street-inspired grit. The stage had a moody and cinematic setting, which was influenced by the collection’s main inspiration.
“‘Dystopian Blues’ is about this imaginary world wherein it’s apocalyptic already, and people are coming out of the bunker,” Ino Calusa told The Beat Manila. “People are going out, but they will still look fashionable. We got the idea for the collection upon watching the movie ‘Blade Runner 2049.'”
Ino Calusa and Will Mueco | Courtesy of Manila Fashion Week
The result? A striking vision where rebellion, structure, and sophistication collide. “Dystopian Blues” played on denim, leather, vegan leather, and wool with its pieces — fabrics that were transformed into structured jackets, blazers, and trousers. Throughout the show, it was clear that Viktor was showing the range of his brand and what he can offer to the growing fashion market.
Some of the standout pieces included the red leather jacket, which the designer mentioned was his favorite piece from the collection; the black leather jacket paired with a black corset and dark blue, billowing, textured skirt; and the deconstructed Kimono-inspired ensemble that fuses raw edge detailing with oversized, utilitarian elegance. We also noted the lovely flowers that were spotted across the lineup, which added a touch of charm to each piece.
“The concept was born out of the idea of Will Mueco,” explained Viktor. “Because we were imagining that there would be no flowers in the future, so we will be building from the scraps of our clothes into flowers.”
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
“Dystopian Blues” wasn’t just a collection, but a social commentary, one that interprets uncertainty and rawness into something bold and refined.
“Whatever happens, people will still want to dress up and feel good about themselves. Even if it’s bleak already. That’s why it’s called ‘Dystopian Blues.’ It’s my musing about the future that people would still want to look good and feel good about themselves. It’s a social commentary on what’s happening now.”
OXGN Fuses Functional Utility with Street-Luxe Cool
Opening Day 2 of MNL Fashion Week 2025, streetwear brand OXGN made a statement that was both a reintroduction and a reminder of who they are — a name that continues to embody the heart of Filipino youth and individuality.
Focusing on the now of streetwear, OXGN went against the grain by redefining what that culture means today — on their own terms. Amid the rise of new streetwear labels, OXGN remains firm, with its newest collection declaring, “We’re still here.” Full of heart, and most certainly, full of soul.
Rather than competing, MNL Fashion Week became OXGN’s amplifier — a stage to celebrate the communities that give streetwear its pulse. It was an homage to those who live and breathe the movement every day.
“We want people to feel that no matter how different we are, no matter how our experiences differ, we all share something basic and that is our need to breathe, our need for oxygen,“ the brand shared. “And we hope that people realize that at the end of the day, we all share something together, and we should value that.”
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
Set against a dystopian, grunge-inspired space at the Samsung Hall, OXGN’s newest collection explored the essence of its name, “oxygen.” The result was a runway charged with functional utility and elevated streetwear — effortless layering, structured silhouettes, and bold textures that embodied the power of self-expression.
Standout looks included a pinstriped denim jacket with matching straight jeans; a sleeveless brown gingham zip-up top layered over a red bra and sparkly dark denim; a cropped red leather bomber with distressed baggy jeans; and a dark brown leather jacket stacked over a worker coat and maroon leather separates, finished with acid-wash cargos and maroon boots. The show closed with a structured and striking A-line ballgown crafted from sports jerseys and floral embellishments — a statement piece that stitched OXGN’s nostalgia, modern identity, and rebellion together.
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
Throughout the show, one thing was clear: OXGN never left. They were simply finding their way back to their core.
Chris Nick Births Structured Sensuality for the Modern Femme
The evening continued at the Fashion Tent with a study on the structure and sensuality by designer Chris Nick, who revisited his signature design code through impeccable tailoring, statement fabrics, and sleek monochromes.
For his Spring/Summer 2026 collection, the designer drew fragments of his life — travels, the nights that lingered, and the energy of memory and seduction. Each look unfolded as a reflection of who Chris Nick is in Manila’s fashion landscape: polished, self-assured, and undeniably sensual.
Known for his mastery of black and white, Chris Nick expanded his palette with creamy neutrals, earthy browns, and shades of ivory — a nod to skin, intimacy, and sex.
“This collection specifically is sex club-centric,” he shared in an official statement. “If you think about it, the different shades of brown represent different skin tones, and the ivory shades represent — you know.”
Still, beneath the allure lies a level of precision that is unmistakably Chris Nick.
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
“The tuxedo will always be a part of my work,” he explained. “This season, we have different variations of it mixed into contrasting aspects. I think it’s the perfect way to introduce myself during the inaugural season as it's polished, put together, elegant yet raunchy and sensual in the most Chris Nick way."
Closing the night, his ”angels” — Rhian Ramos, Kyline Alcantara, Chie Filomeno, LA Aguinaldo, Max Collins, and Celeste Cortesi — embodied his vision through standout looks: a cream chest-baring bodycon dress with flowing sleeves; a black structured and flowing two-piece set with fluid tailoring; an all-black long coat detailed with shirring on one side; a sheer, sparkly black sleeveless dress; and an ivory-cream bodycon dress with a train that caught every light with movement.
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
After the show, Chris Nick hoped that the audience shared his sentiments — that sex sells. “It has never left the fashion world, in my opinion,” he shared. “[I] know great sex, and you should too.”
Iñigo Channels Performance Into Fashion
Opening Day 3 at the Fashion Tent is designer Iñigo, who presented a collection that merged sculptural forms with fluidity, described as a meditation on self-expression, identity, and artistry.
For his debut solo show, the designer took inspiration from within and let his own personal experiences bleed into the paper to behold designs that mirrored his life as a performer.
“The inspiration behind this collection is rooted in the limelight, commanding attention, movement, and versatility,” explained Iñigo in an official statement. “Having grown up on stage as a dancer, these elements were second nature to me as a performer. With this collection, I wanted to translate those same qualities into garments, bringing performance to fashion through fluidity, presence, and emotion.”
Iñigo with Michelle Dee | Courtesy of Manila Fashion Week
The 41 pieces embodied fluid silhouettes and playful prints, as well as intricate fringe work and garments with delicate embroidery and beading. Some of the standout pieces include the maroon fringe maxi dress that moved beautifully; the metallic-textured sleeveless top paired with fluid black trousers that balanced structure and sensuality; and the showstopping gown that paired a crystal-studded halter bodice with a voluminous metallic blue skirt, radiating modern glamour and can make anyone red carpet ready.
“I envisioned what my muses would look like if they were stepping into the spotlight — from elevated looks to wearable statement pieces that embody confidence and artistry. I chose this collection to debut at MNL Fashion Week because it feels deeply personal. It represents a full-circle moment, taking the world I once knew as a performer and expressing it in a different medium. It symbolizes metamorphosis and the beautiful way art forms can evolve and intersect, creating something entirely new, yet still connected to their roots,” said Iñigo.
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
Beauty queen Michelle Dee also walked down the runway in a stunning, shimmering cow print gown, which was both playful and sexy — providing the perfect end to the show.
DBTK Debuts at Manila Fashion Week
Closing the Day 3 at Samsung Hall is popular Filipino streetwear brand DBTK (Don’t Blame The Kids), which gave us a collection brimming with color, fun prints, and inspired concepts that made casual look high fashion.
DBTK’s “Folding Dreams Into Flight” collection celebrates Filipino streetwear in its purest form and showcases what the brand has been known for since being established in 2012 by brothers Emil and Vince Javier. Colorful, eccentric, and conceptually layered, this bold collection consists of colorful tops such as sweatshirts, hoodies, and graphic tees, bottoms like cargo pants and utility trousers, and various outerwear pieces and accessories, including varsity jackets, windbreakers, and caps.
Although these may sound like your usual everyday wear, DBTK manages to elevate these pieces with bold graphics and slogans that highlight Filipino pride and creativity. Some are also designed with striking prints and embroidered logos, and are designed with loose silhouettes that evoke youth energy.
Courtesy of Manila Fashion Week
“Our theme for this debut show is inspired by DBTK’s 13-year journey, from our roots in streetwear to where we are today,” DBTK said in an official statement. “When we received the invitation to join Manila Fashion Week, it felt special because brands like ours rarely get the chance to be part of these kinds of events. That moment made me realize that this was the perfect opportunity to tell our story — why we started, how far we’ve come, and what keeps us moving. ‘Folding Dreams Into Flight’ is a reflection of that journey, a story of growth, curiosity, and purpose.”
Some of the standout pieces from the showcase included the graphic jacket with cars, the bright blue fur bomber jacket paired with cargo pants, and the adorable paper airplane headpiece, which we thought really captured the collection’s theme.
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
“We want people to feel inspired and to see that streetwear can go beyond what most expect. It’s not just about clothes; it’s about storytelling, raw ideas, and authenticity. Through this show, I hope the audience feels the heart behind what we do — that creativity has no boundaries, and that dreams can take flight no matter where you start.”
Viña Romero Exudes Ethereal Sophistication and Romance
The final day of Manila’s most sartorial week opened with Viña Romero — a show that marked her 10th year in the industry and celebrated the journey that shaped her craft.
Known for her refined craftsmanship and romantic sensibilities, her collection “Mga Bakas: Noon, Ngayon at Bukas” brought together 35 pieces that traced her evolution over the years — each look a testament to the textures, processes, and signature details that have become synonymous with her design language.
“It’s also an ode to the people who have been part of our story,” Viña Romero shared. “The pieces embody the essence of who we are and the life we’ve been slowly building — familiar yet evolving, same-same but different, just like us.”
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
At the Samsung Hall, the runway moved with effortless grace, washed in earthy tones, soft movement, and modern femininity. The collection reintroduced Viña Romero’s signature pintucking, pleating, and fluid silhouettes, breathing new life into the techniques she’s honed through the years.
Standout pieces included a fluid sky-blue ensemble; an earth-toned, long-sleeved top with white ruffles and matching pants; a white polo blouse with denim accents paired with coordinating trousers; and a multi-colored, panel sleeveless dress with flowy denim pants. Each piece was romantic and grounded, almost like seeing dreams being made wearable.
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
Viña Romero hoped that the audience would see how much hard work and heart go into every piece. “More than the clothes, I want them to fall in love with the process,” she said. “For us, sustainability goes beyond materials or methods. It’s about designing not just garments, but a way of living — one that’s intentional, grounded, and aligned with the life we want to build.”
Randolf Crescendos with Humor and Heart on the Runway
Closing this week of fashion was designer Randolf, who delivered a spectacle that breathed wit, humor, and unabashed originality onto the MNL Fashion Week 2025 runway.
His collection, “HEAURT,” unfolded like the pages of a diary — an exploration of love and intimacy told through theater, irony, and pure human emotion. Every piece from the collection oozed with the signature Randolf spirit — wit and tongue-in-cheek cultural commentary laced with bold colors and even bolder emotions.
It may seem contrary to the typical palette of romance, but for RJ Santos, that is exactly what love is.
“The collection is called ‘HEAURT,’ a mix of Heart and Hurt, and it is a collection that explores the feeling of loving too much until it hurts,” RJ Santos shared. “It explores the feeling of obsession where one thinks that it’s love when it’s not. I wanted to create a collection that explores these feelings, but I also wanted it to end with the feeling of going back to yourself and having a better sense of self-respect.”
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
At the Fashion Tent, a bright red heart set against a royal blue backdrop beckoned the attention of everyone in the room. Randolf’s fantasy world came to life through playful contrasts — a green lawn runway, whimsical makeup, and the electric enthusiasm of seeing the finale of MNL Fashion Week’s inaugural season.
Standout looks from the “HEAURT” collection included a two-piece beige ensemble decorated with an embroidered tulip bouquet on the side with scallop-lined shorts; a white cape dress adorned with red hearts and arrows; a long-sleeved piña blend ensemble with ribbons and embroidered flowers; a denim and piña blend tuxedo ensemble with details of “The Creation of Adam” by Michelangelo at the back; a cobalt-blue serpentina gown with a sash embroidered with a sash that reads “miss u 🙁" on the back; and a voluminous white skirt set detailed with hearts and arrows, topped with the words, “I think I’ve done enough <3.”
Courtesy of Manila Fashion WeekCourtesy of Manila Fashion Week
The show closed with Randolf’s entire team coming out alongside their work. It was stunning to see, and Randolf was no less than proud of what he and his team had done. “It’s their craft,” Randolf shared with The Beat Manila. “I wanted to highlight them in this collection and the techniques they’ve developed over the years.”
For more fashion updates, follow Manila Fashion Week on Instagram.
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Toblerone, the brand known for its iconic triangular chocolate, is stepping into a new era of indulgence with the Philippine launch of the Toblerone Truffles. Marking the brand’s first innovation beyond the iconic triangle, these new truffles signal a bold, new evolution: smoother, sleeker, and designed for modern luxury.
Made with Toblerone’s signature honey and almond nougat, each truffle blends a smooth milk chocolate center with a silky shell. This new creation made its grand debut through a striking collaboration with Philippine Fashion Week 2025.
BJ Pascual with the Mondelez Team | Courtesy of Philippine Fashion Week
“We’re excited to bring Toblerone Truffles to the Philippines, introducing a new level of chocolate indulgence,” said Adrian Manlapig, Marketing Head of Mondeléz International Philippines. “This milestone marks Toblerone’s first innovation to launch in a domestic market in Asia.”
A Diamond Beyond the Triangle
The New Toblerone Truffles | Courtesy of Toblerone Philippines
This partnership perfectly embodies Toblerone’s “Never Square” philosophy, celebrating individuality, creativity, and the courage to defy convention. Designed for those who indulge in chocolate as a moment of self-expression, each diamond-shaped piece offers a taste and texture experience that redefines chocolate pleasure.
More than a sweet treat, the Toblerone Truffles is the brand’s “couture” edition, crafted for those who dare to be “Never Square.”
“Never Square is about challenging conventions and celebrating one’s true, unique self,” says Crystal Muriel Balili-Lanot, Senior Category Marketing Manager for Snacks at Mondeléz International Philippines. “It’s a mindset of daring to be different, and the Toblerone Truffles, with their unconventional diamond shape, perfectly capture that belief. Life is too rich and varied to be contained in a square box.”
“We saw no other perfect partner than Philippine Fashion Week for this debut,” said Ana Alfonso, Marketing Manager for Toblerone at Mondeléz International Philippines. “They also promote bold styles and showcase their creativity and authenticity on the runway.”
Chocolate and Couture on the Runway
Fashion and chocolate share the same heart: both are crafted to delight, provoke, and express. That synergy came alive during the Philippine Fashion Week’s “Diamond Heist” show on Oct. 15, 2025, at the Ayala Museum, where guests arrived in their boldest “Never Square” looks.
Inside, a “vault” experience invited attendees to try the precious Toblerone Truffles before an exclusive runway show spotlighting three Filipinodesigners who took inspiration from the Toblerone Truffles and the “Never Square” philosophy.
Jaggy Glarino's designs | Courtesy of Philippine Fashion Week
Jaggy Glarino fused tailoring and drapery in his collection, exploring architectural elements with earthy and copper tones. The results were sculptural yet dynamic pieces, with the pièce de resistance being a spiral-pattern dress with a deconstructed vest.
Jaggy described his collections as “over the top,” which he perfectly captured for his five-piece collection for Toblerone. The palette he chose for this collection is almost like an antithesis to glam and luxury, too. He shared, “There’s beauty in imperfection, and it’s the contrast I wanted to build with how perfectly delicious, velvety, and buttery the chocolate is.”
Ram Silva's designs | Courtesy of Philippine Fashion Week
Ram Silva explored the silent power and mystery of femininity through intricate embellishments and restrained elegance with a palette of deep plum and maroon. His standout piece was his take on the surprise and drama inside every Toblerone Truffle.
Jerome Salaya Ang's designs | Courtesy of Philippine Fashion Week
For Jerome Salaya Ang, “Never Square” was an embrace of a state of transformation, captured perfectly with his designs that flowed along the natural curves of the body with sculpted organza and leather ensembles. His hero piece was a diamond-cut pattered cocoon top and pants that echoed the boldness of this new sweet treat.
His take on Toblerone’s “Never Square” philosophy is more limitless and boundless, inspired by the shape of melted chocolate that can be molded into something different.
Each collection echoed the daring spirit of the Toblerone Truffles, with the models wearing custom accessories that featured the truffles themselves — a clear statement that this new diamond-shaped indulgence is unapologetically “Never Square.”
Photos by BJ Pascual
Unwrap a Diamond of Your Own
With the launch of Toblerone Truffles, the iconic chocolate brand proves that chocolate, much like fashion, is an ever-evolving platform for creativity and self-expression. And remember, true indulgence isn’t just tasted — it’s experienced, one diamond bite at a time.
Toblerone Truffles are now available in leading supermarkets nationwide and on Lazada, Shopee, and TikTok Shop.
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When the Filipino beauty scene was just as obsessed with matte lips like everyone else in 2015, a small Pampanga-born brand began its journey of redefining what Filipina beauty could look like. Ten years later, Colourette marks its first decade of empowering real and Filipina beauty with a full-circle moment: the comeback of its cult-favorite Velvetint.
Courtesy of Colourette
What started as founder Nina Ellaine Dizon’s one-woman dream has grown into a movement championing authentic, inclusive, and proudly Filipina beauty. From hand-packing products in Pampanga to leading a community of over 60,000 Peaches, Colourette continues to thrive on the values of connection and representation.
“Velvetint is part of our origin story,” shared Dizon. “It reminds us how far we’ve come — from hand-packing products in Pampanga to formulating and reformulating well-loved products and now leading a community that celebrates owning your beauty, unapologetically and authentically.”
The Comeback of an Icon: the Velvetint
The New Velvetint | Courtesy of Colourette
Loved for its cloud-like texture and soft pigment, the Velvetint returns now better than ever — delivering a blurred, soft-focus lip look in a single swipe. Launching this Oct. 19, 2025, the updated version offers:
Instant Blur Effect: smooths lips for that dreamy, cloud-like finish.
Lasting Tint: locks in color that stays from day to night.
Velvet Comfort: a weightless, hydrating texture perfect for all-day wear.
It’s infused with squalane, jojoba seed oil, and microalgae extract — a trio that keeps the lips nourished, hydrated, and protected. The Velvetint comes in 10 flattering shades that are made for every Filipina skin tone.
Bare Blossom (Soft Blush)
Birthday Cake (Muted Brick)
Crushed Rose (Rich Red)
Midnight Petal (Dark Berry)
Misty Mauve (Soft Plum)
Peach Serenade (Warm Salmon)
Spring Bloom (Sweet Pink)
Sunset Tea (Soft Brown Coral)
Truffle Kiss (Cool Chocolate)
The 10 shades of the Velvetint | Courtesy of Colourette
A Nostalgic Reunion
Michelle Dy, Joyce Pring, Ayn Bernos, Sassa Gurl, and Honey Delica in past Colourette collaborations | Courtesy of Colourette
To celebrate this milestone, Colourette reunites with its most iconic collaborators — Michelle Dy, Joyce Pring, Sassa Gurl, Ayn Bernos, and Honey Delica — each representing a defining moment in the brand’s story. Together, these Colourette icons will revisit their most loved campaigns while welcoming Velvetint’s grand comeback in true Colourette fashion: confident, playful, and heartfelt.
Colourette Café: Serving Since 2015
The celebration continues at the Colourette Café: Serving Since 2015, an immersive, sensorial playground where beauty meets flavor and nostalgia. Peaches are invited to join in this sweet, nostalgic celebration, and can expect interactive installations, a spread of indulgent treats, a first look and swipe of the new Velvetint, and limited-edition freebies and exclusive merch that feels just as good as your favorite shade of lipstick.
Colourette Café: Serving Since 2015 | Courtesy of Colourette
Beauty by Filipinas, for Filipinas
As Colourette steps into its next decade, the brand remains committed to its purpose-driven products and community-led campaigns — staying true to its promise of creating beauty for every Filipina, in every shade of confidence.
Because one thing’s for sure — after ten years of serving beauty in all ways, Colourette isn’t slowing down anytime soon.
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Mark the calendar: BeauCon Manila is back for year three, taking over Megatrade Hall 2 at SM Megamall on Oct. 11 to 12, 2025 with its signature “beauty playground” energy.
Expect homegrown labels alongside industry leaders, fresh drops, show-only deals, hands-on demos, and meet-and-greets with celebrated beauty queens — including Miss Universe titleholders and the Ultimate Facecards.
Photo from Facebook/BeauCon Manila
Since launching in 2023, BeauCon has become the stage where Filipino brands get discovered and trends catch fire. This year’s theme, “Own The Glow,” pulls skincare, colour, and wellness into one vibrant floor — from budget-friendly staples to premium innovations built for Filipino routines. Try, swatch, learn, and take home the finds that fit.
Photo from Facebook/BeauCon Manila
Founder Liz Tan says the event thrives on community spirit, and the weekend lineup looks set to keep that pulse strong — think interactive shade-matching, skin analysis corners, and creators sharing pro tips you can use the next morning.
For updates and ticket info, follow BeauCon Manila on Facebook and Instagram.
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A wall in Manila just became sacred ground for basketball fans. Last Oct. 3, 2025, Titan, the Philippines’ premier basketball and streetwear retailer, unveiled The Legacy Wall at Titan Fort, the brand’s flagship store, in Bonifacio Global City, Taguig.
The installation commemorates LeBron James’ 23rd year in the NBA, blending sneaker culture, visual storytelling, and artistry into a living tribute to one of the sport’s most enduring icons.
Photo from Instagram/TitanPhoto from Instagram/Titan
The launch coincides with the rollout of the Nike LeBron XXIII series, a collection of 23 colorways that will be released gradually until summer 2026. Each drop adds a new layer to The Legacy Wall, transforming it into a dynamic archive of LeBron’s journey from his early days in Cleveland to his championship runs in Miami and Los Angeles.
The first release, LeBron XXIII "Uncharted," celebrates his historic entry into the 40,000-point club, while the upcoming "Miami Twice" colorway pays homage to his back-to-back titles with the Heat. The design features palm tree motifs, reversed Swoosh logos, and a crown emblem as nods to LeBron’s dominance and signature style during his Miami era.
Photo from Website/Nike
The wall itself is a curated installation by Titan, featuring layered visuals, iconic quotes, and textures that trace LeBron’s journey from prodigy to global icon. Drawing inspiration from the “Forever King Tour” stop in Shanghai, China, the Manila tribute stands as the sole installation of its kind in Southeast Asia, anchoring the regional rollout of the LeBron XXIII series and reflecting the Filipino basketball community’s deep admiration for The King.
The Legacy Wall will remain through Summer 2026 at Titan Fort, evolving with each sneaker drop. It’s a living archive of greatness, resilience, and the kind of leadership that transcends sport.
To witness the legacy up close, visit Titan Fort at Bonifacio High Street, BGC, Taguig, Metro Manila. Check out the brand’s official website, and follow their Instagram and Facebook for exclusive drops and updates.
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After the lively success of its “Full Speed Ahead” campaign, Philippine fashion brand PENSHOPPE invites everyone to take it slow with its newest campaign, “Cozy Days Ahead.” Launching this October with special events in Cagayan de Oro (Oct. 4 to 5, 2025) and Davao (Oct. 25 to 26, 2025), this campaign celebrates the next chapter in PENSHOPPE’s journey — centered on comfort, connection, and timeless style.
Where their previous campaigns encouraged optimism (Brighter Days Ahead) and ambition (Full Speed Ahead), “Cozy Days Ahead” shifts the pace — celebrating comfort without compromise, proving that great style isn’t reserved only for the big, bold milestones, but it’s also for the slow mornings, coffee runs, weekend strolls, and laughter shared with friends.
Courtesy of PENSHOPPE
"'Cozy Days Ahead' is about embracing a different kind of energy — the warmth that comes from slowing down and being present,” said Donnie Manaloto, Brand Communications Head of PENSHOPPE. “It’s a reminder that fashion isn’t just about making statements in the spotlight. It’s about how we feel, connect, and express ourselves every day.”
Brandon Liu, Vice President of PENSHOPPE, echoed this message, “Community has always been at the heart of what we do at PENSHOPPE. Our commitment goes beyond creating clothes — it’s about building genuine connections and nurturing a space where individuality is celebrated and everyone feels welcome. Campaigns like 'Cozy Days Ahead' reflect that sincerity and consistency, showing that fashion can be a powerful way to bring people together while remaining accessible, inclusive, and real.”
The ”Cozy Days Ahead” collection brings together soft textures, warm layers, and relaxed silhouettes, with each piece designed to transition seamlessly from laid-back indoor moments to casual outdoor adventures.
Courtesy of PENSHOPPECourtesy of PENSHOPPE
The full collection is now available online and in-store. Check out the website here for more.
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